quirinah

Yeetus Yeetus Control Alt Deletus

|| Q || || ENG/中文 || calarts ca 28 || silly little artist drawing silly little things. requests are CLOSED.

676 posts

Uhhh Buhh Not Gonna Post To Tumblr Until I Have Enough Drawings (posts Like 12 Pages At Once)

rokui should hang out more.................

young zatto is like vaguely cursed to me. but i also cant draw him so hm NSFNSDFBWAS

i dont remember the context for this. himedanshi kema

these two have the most dramatic epithets ever i love them...so anyways i started auing

stuff from the suipara collab. rokui maid dress designs canon now. i guess

reverse genkin trio: two seniors drag around this poor mildly confused first year with them on missions no one survives. reverse arbeit trio kirimaru plays babysitter asmr

redraw of rokuha from the tokyo tower collab. embarrassed kema was so funny but i think he and isaku r having fun. also, pencil/whiteboard marker sketches i cleaned and digitized. i dont know why monjirou's a lawyer

genparo punk kema..................................

tomeis kind of yuri if you think about it. also, genparo senzou and doodles i stole from a friends magma

uhhh buhh not gonna post to tumblr until i have enough drawings (posts like 12 pages at once)

More Posts from Quirinah

quirinah

1 year ago

Sketchbook Log!! ^_^ (i Fall Down A Flight Of Stairs)

sketchbook log!! ^_^ (i fall down a flight of stairs)

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mobile won't let me post the rest gimme a min 👍 quirinahdraws sketchdump traditional

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quirinah

1 year ago

Something I try to keep in mind when making art that looks vintage is keeping a limited color pallette. Digital art gives you a very wide, Crisp scope of colors, whereas traditional art-- especially older traditional art-- had a very limited and sometimes dulled use of color.

This is a modern riso ink swatch, but still you find a similar and limited selection of colors to mix with. (Mixing digitally as to emulate the layering of ink riso would be coloring on Multiply, and layering on top of eachother 👉)

If you find some old prints, take a closer look and see if you can tell what colors they used and which ones they layered... a lot of the time you'll find yellow as a base!

Misprints can really reveal what colors were used and where, I love misprints...

Something else I keep in the back of my mind is: how the human eye perceives color on paper vs. a screen. Ink and paint soaks into paper, it bleeds, stains, fades over time, smears, ect... the history of a piece can show in physical wear. What kind of history do you want to emulate? Misprinted? Stained? Kept as clean as possible, but unable to escape the bluing damages of the sun? It's one of my favorite things about making vintage art. Making it imperfect!