quirkdriven - People are more what they hide than what they show
People are more what they hide than what they show

Indie Multi-fandom Multimuse

442 posts

Mercury Watches As Daiten Examines His Face, Feeling Oddly Vulnerable All Of A Sudden, Not Used To Allowing

mercury watches as daiten examines his face, feeling oddly vulnerable all of a sudden, not used to allowing someone the chance to observe him. he goes carefully still as she reaches toward him, he isn't going to embarrass himself further by flinching, no matter how unused to a gentle hand he has become. the ache accompanying her touch is almost welcome then, familiar in a way that keeps him from pulling back.

" get it? " he's even less sure now that there was anything on his face in the first place, and he can tell that there's a bruise or otherwise damaged skin along his cheekbone as he reaches up to feel where she had touched him, but he doesn't think he minds all that much. " because I think you just wanted an excuse to touch me. " and there's his trademark smirk to try to recover from the intimacy of the moment prior.

worried that he may piece it together too quickly, " here . . . " daiten chooses her next actions carefully ; her gaze searches his face for the nonexistant mark as if there was one truly there, and soon enough she's carefully reaching for his face, gently cupping his cheek to see the mark better just before she swipes her thumb acrossed the skin, leaving aching, discolored skin in it's wake. " there. that's somewhat better. "

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2 years ago

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1 year ago

FEARS   //   bold  any  fears  which  apply  to  your  muse.  italicise  what  makes  them  uncomfortable.  cross out what they're not scared of.

FEARS // Boldany Fears Which Apply To Your Muse. Italicise What Makes Them Uncomfortable. Cross Out What

the  dark.  fire.  open  water.  deep  water.  being  alone.  crowded  spaces.  confined  spaces.  change.  failure.  war.  loss  of  control.  powerlessness.  prison.  blood.  drowning.  suffocation.  public  speaking.  natural  animals.  the  supernatural.  heights.  death.  dying.  intimacy.  rejection.  abandonment.  loss.  the  unknown.  the  future.  not  being  good  enough.  scary  stories.  speaking  to  new  people.  poverty.  loud  noises.  being  touched.  sex.  chains.  inner  demons.  hallucinations.  staring.  going  berserk.  betrayal.


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1 year ago

↪     𝑫𝑰𝑹𝑬 𝑺𝑰𝑻𝑼𝑨𝑻𝑰𝑶𝑵𝑺  .    (   a  collection  of  dire / urgent situation  sentence  &  action  starters .   adjust  phrasing  +  ʳᵉᵛᵉʳˢᵉ  as  necessary .   )

𝐃𝐈𝐀𝐋𝐎𝐆𝐔𝐄 :

hide .   hide now .

shh !!  there’s somebody in the house .

i’m not gonna hurt you !  see ?  look ,  i’m putting down the  [ weapon ] .

[ name ] ,  what were you thinking ?!

you’re being followed ,  pretend you know me .

stop , stop !  just put the  [ weapon ]  down !

drive ,  just drive fast !

you seriously think i could’ve done this ?

can you walk ?  i need you to walk for me ,  okay ?

let me handle it ,  just go !

what was your plan ??  you could’ve gotten yourself killed !

you’re just going to leave me here ?!

[ name ] ,  can you hear me ?  get out of there !

you knew and you didn’t tell me ?!

don’t you know how dangerous this is ?

you’re not going to shoot me .

move and you die .

i’m gonna come back for you ,  do you hear me ?

we have to stop the bleeding .

can you see how many fingers i’m holding up ?

i just want to go home !

don’t move a fucking muscle .

if it weren’t for you ,  we wouldn’t be in this mess .

i almost DIED back there ,  and you’re laughing ?

you’re only making this worse for yourself .

you think this is a joke ?

if i go down ,  i want you to run .

we’re gonna die ,  so what’s the point ?

this was the ONE thing i told you not to do .

i can’t promise we’re going to make it out of here .

where’s your first - aid kit ?!

just calm down and find your phone ,  we need to call the police .

someone’s been stalking me .

just listen to me for once !

i didn’t think you had it in you .

put the gun down ,  and kick it over here .

we can’t stick around here ,  let’s go .

kiss me before we die .

do whatever you need to do ,  hurry .

i can’t breathe ,  i can’t -

please ,  please  -  let me in ,  there’s someone -

i’m gonna give you one last chance .

you have to believe me ,  i didn’t do this !

run ,  and don’t look back .

this is real ,  i’m real .  look at me .

take this .  it’ll keep you safe .

follow my instructions very closely .

put your hands where i can see them .

you can’t just let me die !

i think  …  i think i need a doctor .

we need to get out of here ,  come on .

no ,  this isn’t it .  we’re getting you out of this .

you panicking is not going to help us right now .

𝐀𝐂𝐓𝐈𝐎𝐍𝐒 :

[ GETAWAY ]  sender acts as a getaway driver for receiver .

[ MEDIC ]  sender arrives on receiver’s doorstep ,  badly bleeding .

[ HIDE ]  sender and receiver hide from a threat together .

[ HUSH ]  sender clasps a hand over receiver’s mouth to silence them .

[ DRAG ]  sender physically hauls receiver to safety .

[ RIGHTS ]  sender calls receiver from a police precinct .

[ REALITY ]  sender helps receiver through an episode of derealization .

[ SHELTER ]  sender and receiver must find shelter from a storm  .

[ ARMED ]  sender brandishes a  [ gun / knife ]  at receiver .

[ CRASH ]  sender and receiver survive a  [ car / bike ]  crash together .

[ SEARCH ]  sender barges into the hospital demanding to see receiver .

[ BACKUP ]   sender calls receiver panicking after committing a crime .

[ CORNERED ]  sender menacingly backs receiver into a corner .

[ UNEXPECTED ]  receiver comes home to find sender already inside .

[ BREATHE ]  sender helps receiver get through a panic attack .

[ BADGE ]  sender and receiver flee from the cops together .

[ STRANDED ]  sender and receiver become stranded in the woods .

[ EMBRACE ]  sender kisses receiver thinking it’ll be the last time .

[ STRANGER ]  sender can’t remember who receiver is after an injury .

[ TOKEN ]  sender gives receiver a lucky charm before they go into battle .

[ CHOICE ]  receiver has to choose between sparing their own life or the sender’s .


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