
well you can read so (I have a writing blog on here check it out @rwritingblog)
450 posts
Ya'll.. I CAN'T WITH THIS MAN
Ya'll.. I CAN'T WITH THIS MAN ππ

Yo, he's literally a teacher through and through ππ

I guess all we really needed is for Gojo to die so Gege can spoil us with much needed information ππ
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More Posts from Rebelharkness
happy 10 year anniversary to fnaf!! into the pit is about the aftons :)
obviously not a 1 to 1 scenario but something about a father and son (notably, ones that look remarkably similar.) yes, they butt heads sometimes, but at the end of the day they love each other, really they do. then one day, something happens. the son isn't quite sure what, but what walked out of the pizzeria with him -- he knows this thing can't be his father. this is a monster -- but everyone else just sees dear old dad. and how could they not? he looks just like him, after all. still carries the same smile. is this another one of your pranks? it's not very funny to joke about this, mike.
the monster knows all of your routines. every nook and cranny in the house, like it's lived here for years. drives you to school, the pizza place, home. mom claims he wants to have breakfast with you, but he hasn't said a word to you in days, and when you enter the dining room his presence is suffocating. he's staring at you. the only sound you can focus on is his breathing. all you can manage is a shabby excuse before you rush out the front to go to school. you feel his stare until the door is shut behind you.
you always thought your dad was a little bit embarrassing, always hated how busy he was with work. now you miss the days he filled scrapbooks with dumb photos of all your accomplishments, or stayed up to watch a bad show with you. now, all you can do is think about the monster in your home. no one believes you. you start sneaking out at night. he starts locking doors. boarding up windows. placing cameras everywhere he can think to. you wouldn't put it past him to chase you out of the house and drag you back to bed himself.
you don't know if he'd ever hurt you, but the uncertainty alone is enough to keep you up at night.
the only difference is, mike can't do anything to fix it.
How Would I Write A Batman TV Series
Hello! So I'm a huge fan of Batman. He's been my favorite superhero since I was five and one of my favorite movies of all time is The Batman (2022). So as a writer of course I've had ideas about a Batman TV series (animated or live action). It would be werid if I haven't thought about it. Now I doubt I'll ever actually get to make that idea a reality but it's the thought that counts!
Back when I first came up with the idea for this hypothetical series I actually wrote part of a script for it. It's just first and last scene of the episode but it counts for something. It was the first time I had written in screenplay format and I haven't done it since so It's most likely a little rough but my thought process behind all of it was simple.
Here is the last scene of the hypothetical first episode. The Wayne Murders.



Why is this the last scene?
I wanted to be different. In a lot of Batman stories the story kicks off with the death of Thomas and Martha Wayne. So having the first episode end with their deaths seemed fun. I wanted the viewer to spend time with the Wayne's before tragedy struck.
Why is Selina Kyle there?
I was inspired by the show Gotham's take on the Wayne Murders, where Selina Kyle was actually present for them. I thought it would be cool to have Selina and Bruce be duo protagonist of the series. Throughout this first episode we are not only following Bruce but we are also following Selina. I wanted to parallel them in cool intresting ways.
We see the difference between them and how they live. Bruce is a sheltered and carefree while Selina has seen far to much for some one her age. Bruce is the son of a wealthy family while Selina is the daugther of a family living in poverty who has to steal to survive. Bruce has a happy loving family and Selina doesn't.
Bruce wears pristine fashionable clothes his parents bought for him while Selina's clothes are more run down and worn. Bruce goes to a private school and Selina goes to a public one. Bruce has a circle of close friends while Selina has her little sister and stray cats she feeds
Even the lightning of their scenes would be different. Selina's would be cold and dark while Bruce's would be warm and bright. Selina is in closed spaces while Bruce is in open ones.
They have nothing in common until one day Bruce and his parents step foot in a dark, cold alley way. Then suddenly they have a lot in common while still being different in so many other ways.
Now on to the first scene which I never finished writing.


Now I don't have much for this scene. I wanted it to be clear throughout the episode that Thomas is worried about something or is working on something beacuse I thought it would be a cool set up for the Court of Owls. And that's it. That's why this season exists. Told you I didn't have much.
That's all for now. We'll talk about this again whenever I decide to work on character arcs and villians.
Cassandra Cain and Asian Stereotypes
So I've seen people debating whether Cass is a racist character or not because she falls into certain Asian stereotypes. While this discussion is valid and important, a lot of the conversation (on this website and beyond) is steered by White/non-Asian people, or people who haven't read a lot of Cass' stuff. This is my take on Cass and Asian stereotypes as a Chinese Cass fan. I do not speak for all Asians, or even all Chinese people, who are absolutely free to disagree with any of these arguments.
Stereotypes I will cover here: Silent Asian, Model Minority, and Hypersexuality.
The Silent Asian Stereotype
The most obvious stereotype Cass runs into is the Silent Asian. I would recommend reading the linked article for more information. Silent Asian characters are Asians who are part of a core cast, but rarely speak. Kimiko Miyashiro in The Boys, Lilly in Pitch Perfect, and Katana in Suicide Squad are all examples of this. The article also mentions Ben from Umbrella Academy, who can only communicate with one character, thus limiting his dialogue.
Why does this happen? Removing Asian characters' dialogue reflects the Western conception of Asians as demure, rule-following, and meek, never speaking up or acting out. It also means writers don't have to spend as much time writing these Asian characters, who are secondary to White protagonists.
The problem with the Silent Asian, then, is not the silence itself, but the consequences of silence. Mute Asians exist, as do Asians who don't speak much; in media, Silent Asians are harmful because they indicate an unwillingness to focus on the Asian character.
This is why Cass, even before she learns to speak longer sentences, is not a Silent Asian. While her conception undoubtedly has unfortunate echoes of this trope, she defies it by being the protagonist of the story. A protagonist cannot be a Silent Asian, because a requirement of the trope is being a secondary character. Cass' feelings and actions are the center of Batgirl (2000), so allegations of this stereotype don't actually make sense.
Furthermore, the trope is about passivity and acquiescence to a White authority. From her introduction, Cass is neither passive nor acquiescent - her origin story is literally about defying David Cain, a White male authority figure. Beyond her not speaking much, she ticks none of the boxes for this stereotype. I think it's time for people to stop mentioning this stereotype in conjunction with Cass, who in every possible way subverts it.
The Model Minority Stereotype
The model minority myth is the belief that Asians are more successful and talented than others, particularly other minoritised groups. Like the Silent Asian, the model minority myth paints Asians as obedient and submissive. This is, in many ways, more insidious than the Silent Asian - there are still people who believe this stereotype (and jokes like 'of course you're good at math, you're Asian') is somehow not racist.
Though this myth seems positive, make no mistake that White people invented this tale for two reasons: to put down Black and Brown communities, and to prevent Asians from ever fully assimilating into White culture.
Cass plays on this myth very interestingly. I've discussed in this post how David Cain and Bruce's assertion that she's 'perfect' is a blatant reference to the model minority myth - by describing her as 'perfect' to them, they are centering their own desires, erasing Cass' individuality.
This is partially why I don't like 'Cass is Bruce's favourite' and 'Cass is an angel who can do no wrong' interpretations when people are just saying it without context. Cass being Bruce's favourite, or Bruce seeing her as an angel, is not a good thing - it is a representation of his biased attitude towards her. He is unable to accept her being a murderer because he is trapped within the model minority mindset. This is not saying Bruce is a full-on racist, but that his actions and perspectives are coloured by his Whiteness.
Cass' abrasive personality, willingness to defy Bruce and David, and very real flaws (her inability to see grey areas, communication difficulties, etc.) make her avoid this stereotype. Additionally, her close relationships with Black characters like Onyx and Duke are essential to combating the anti-Blackness at the core of the model minority myth. Her character evokes the stereotype (perfect martial arts silent fighter), but ultimately defies it through being the star of her own story (and also not being good at math. The fact she doesn't have anything to do with tech is actually one of my favourite aspects of her character, because I am TIRED of tech Asian characters).
The Hypersexual Asian Woman Stereotype
Asian women are often exoticised and fetishised as the ideal sexual partner; think of the term 'yellow fever', which describes men lusting after Asian women. The hypersexualisation of Asian women in media once again goes hand-in-hand with Asians being submissive. They are seen as innocent and child-like, while simultaneously being seductive and sexually experienced.
This stereotype is genuinely perpetuated in Batgirl (2000), mainly by the art in Horrocks' run. Where in Puckett's run there is refreshingly little sexualisation of Cass, once you hit Horrocks' run you get a LOT more shots of her lying down, sexually suggestive covers, etc. People have discussed this already, probably to more effect than I will do here.
However, as I wrote in my Gender and Sexuality posts, the writing is actually fairly defiant of this trope. Cass is vocally uncomfortable with hypersexualisation, and neither of her male love interests stick around. The problem with the Hypersexual Asian Woman is the focus on White sexual interests, where the woman is objectified for the White male gaze. Simply because Cass is the protagonist, the writing focuses on her sexual interests, and in the end it's about gaining control of her gender presentation and sexuality.
Cassandra Cain Vs. Asian Stereotypes
The through-line that connects all these Asian stereotypes is a lack of agency. There's a reason passiveness is the main trait for all of these tropes- the Asian body must be weaker than their White counterparts, in order to be tools or weapons against other minoritised groups.
Cassandra Cain, a character born from a choice that defies White male authority, rises above this passiveness with flying colours. The details of her character certainly fall into some of the above tropes, and the way her character is handled later (evil Cass, New 52), is certainly racist. However, the reason she means so much to me is because at its core, her story is a story of Asian agency. And that in itself is unstereotypical.

My contempt towards a brand is directly proportional to how often they interrupt my playlists.
In the Crossfire: Lives on the Line in Gaza π΅πΈπβ€οΈ
We live every moment not knowing if we will survive or not.
The relentless bombing in central Gaza is claiming the lives of dozens and leaving many injured.
