Fury Is What I Was Expecting Last Time. Will Be Up In The Next 3-4 Days Probably!

Fury is what I was expecting last time. Will be up in the next 3-4 days probably!

TECHNICALLY Fury is one of the ones that I can do bass, guitar, and vocals, but the vocals are pretty high, and I'd like to do something a bit more comfy, at least at first.

Praying tumblr doesn't fuck me over again and actually posts this time.

TIRO as requested! Bass is not my first instrument and I'm entirely self taught; please keep that in mind.

Also, sorry the sound levels are kinda weird. It's recorded live, so I can't adjust it.

Next one!

I may do a couple full (guitar, bass and vocals) covers too because there's a few songs (like 3 or 4 atm I think) where I can do all 3. Lmk if you'd be interested in that.

The signs as songs from Muse's 'Origin Of Symmetry'

Aries: Feeling Good

Taurus: Hyper Music

Gemini: Micro Cuts

Cancer: Space Dementia

Leo: Megalomania

Virgo: Screenager

Libra: Bliss

Scorpio: Darkshines

Sagittarius: Futurism

Capricorn: New Born

Aquarius: Plug In Baby

Pisces: Citizen Erased

RHYTHM & DRUMS MAGAZINE - DOM HOWARD (MARCH 2013)

Discography Check out Muse's original albums and live performances! Text: Satoshi Kishida

“Showbiz” Warner WPCR-12336 (1999) The influence of Nirvana and Radiohead is evident in their debut album, which has been compared to Radiohead and has received a low reputation. However, upon listening to it again, it is clear that Muse's personality has remained consistent to the present day. The rich emotion of the Central and Southern European-style melodies heard in M1 (Sunburn), M2 (Muscle Museum), M6 (Showbiz), M8 (Uno) is unique to Muse. The aggressive drumming is integrated into the rock sound, which is a mass of passionate emotion.

“Origin of Symmetry” Warner WPCR-12560 (2001) A work that took off to establish its own unique style. The album boldly introduces piano, synths, pipe organ, and other keyboard instruments. The album incorporates progressive classics and electro, which are the opposite of grunge and alternative music, and develops a solemn world of swirling stillness and movement. The rhythmic side of the album is also clearly ex-grunge, with a dry tone and tight rhythmic feel. The album overcame label opposition to its content and reached No.3 on the U.K. charts.

“Hullabaloo - Live at Le Zenith” Warner WPBR-90701〜02 (2002) Footage from the October 28 & 29, 2001 / Paris shows from the tour when the 2nd album was released. Included on Disc 2 are documentaries of the various places around the world (including Japan) that the band visited on tour. The youthful energy of the band is evident in their performances on these two dates, which are considered to be their best. The drumming is already perfected with its sharp, precise, and dynamic development. A very hot alternate rock.

“Absolution” Warner WPCR-13672 (2003) This is a masterpiece of the early period, in which the Muse-like dynamism is perfected after the experimentation of the previous work. The amplitude of the sound is even greater in M2 (Apocalypse Please), which leaves the listener stunned, in M9 (Blackout) with an orchestra, and in M15 (Ruled by Secrecy) with the melancholy of opera. M3 (Time Is Running Out), which is conscious of Michael Jackson's groove, M5 (Stockholm Syndrome) and M8 (Hysteria), which are reminiscent of Rage Against the Machine and Primus, and many other drum moves are also varied. The album reached No.1 in the UK.

“Live From Absolution Tour” Warner WPBR-90551 (2005) June 27, 2004, the last night of Glastonbury Festival in the U.K., the night of the climax in front of 60,000 people. Immediately after the show, Dominic's father, who had been at the festival, died suddenly. The band may have moved into a new dimension when misfortunes and fortunes intertwined. Extra live footage from the same year's tour is also included. Don't miss the band’s performance at a live house in the U.S., bursting with the spirit of grunge.

“Black Holes and Revelations” Warner WPCR-12306 (2006) Space Opera (dead language?) and Queen (M1) (Take a Bow), Cowboy Movie, Depeche Mode and Prince (M3) (Supermassive Black Hole), New Order and U2 (M4) (Map of the Problematique)…… An unlikely and exquisite combination. A huge mass of their musical drawers. The combination of rhythmic shapes and drum patterns using sequences is more diverse. The fusion of metal and tribal toms in M7 (Assassin) and M9 (City of Delusion) is also innovative.

“HAARP” Warner WPZR-30267~68 (2008) On June 16 & 17, 2007, 160,000 people gathered for the concert at Wembley Stadium in London. This is a 2-CD live disc set, with the 16th concert on CD and the 17th concert on DVD. The performance is so good that there is no need to worry about how to play the complicated sound creation in a live performance. The flow from M11 to M14 (Unintended, Micro Cuts, Stockholm Syndrome, and Take a Bow) on the CD is overwhelmingly cathartic. The brushes in M15 (Soldier’s Poem) and the delicate playing in the hot rods in M17 (Blackout) on the DVD disc are also noteworthy.

“The Resistance” Warner WPCR-13629 (2009) The glam rock of M1 (Uprising), the Steve Reich-esque M2 (Resistance), and the hip-hop of M3 (Undisclosed Desires) are all aesthetically pleasing, as if to draw the attention of the muse who is often described as excessive and overblown. Even if the number of notes is reduced, the impression remains rather strong and the emotion is strong. While weeping at the singing ability of M4 (United States of Eurasia (+Collateral Damage)) and M5 (Guiding Light), we moved on to the symphonic suite of M9 to M11 (Exogenesis: Symphony Part 1 to Part 3), which is the highlight of the concert. The drumming and rhythmic structure that skillfully uses six-eighths and three-quarter time to create a slow and steady rhythm is superb.

Just seen a top surgeon offer a 10% discount if you and your pal go the same day???? That's insane???? Private healthcare is evil.