
a private writing blog for sidney prescott of the scream franchise. established november 2016. written by selena. inbox: 000 / drafts: 000 #SERIALFAME
81 posts
Accidentally Indulged In Too Much Me Time, Turns Out Ive Been Reported Missing For Over Six Months And
accidentally indulged in too much ‘me time’, turns out i’ve been reported missing for over six months and presumed dead by most local and national authorities
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More Posts from Sf-aa
sidney used to love the idea of having a family of her own someday. whether she ended up hitting it big in the acting world and living in la or relocating back to woodsboro, she did plan on getting married some day to the right person, settling down, and having children—at least two, probably three, white picket fence, dog, suv—everything that’s part of that cliché picture of the american dream.
her mother’s sudden murder shook her to her core and caused a whole set of intimacy issues in her life, which was only intensified with the woodsboro murders and the realization that her high school sweetheart had orchestrated not only that massacre, but her mother’s murder. as resilient as sidney has proven to be, it takes her a while to completely repair that damage and piece herself back together.
by the time she enters college, she’s back to some semblance of normality; a little more cynical, a little more sarcastic, but still herself. she has a small group of friends, she tends to favor a quiet night in on the weekends as opposed to partying with her peers, and she’s found a guy she can trust well enough to enter an exclusive, serious relationship. she’s worked to put the past behind her so she can move forward and not be tied down by her mother’s sins.
when the windsor college murders happen, she’s thrown back into that special circle of hell that she never asked for; immediately, she starts doubting her trust in derek, remembering everything between her and billy, how he perfectly crafted himself as an innocent suspect-turned-victim, how he got into her head and made her think she was overthinking, paranoid, and stuck on her mother’s death when she should be moving on. she didn’t want to place herself back in that situation of trusting someone so close to her, only to be hurt by them—ultimately, her damaged trust in derek is what leads to his death.
the windsor college murders are, again, a result of someone (debbie salt/mrs. loomis) seeking out revenge against maureen prescott by targeting sidney in an attempt to kill her. with the loss of more friends, the betrayal of someone she trusted, and the loss of derek, sidney chooses to fall off the grid completely with the hopes that, if she distances herself from the rest of society, her friends, her loved ones, people will stop getting hurt.
a life of loneliness, after all, is better than a life of loss.
as we all know, it doesn’t work; the killer attacking the actors of STAB 3 finds her and baits her back into society. she’s thrown into another massacre where the killer is leaving publicity stills of her young mother at the scene of each murder, one with the message: I KILLED HER. randy, in a post-mortem appearance via video, warns sidney, gale, and dewey that they’re part of the concluding chapter of a trilogy—meaning something hidden from the very beginning is about to come to light, and there’s a very real possibility that sidney will die. she’s grappling with a deteriorating psyche, hallucinations of her mother, attempting to figure out what’s real and what’s all in her head, if anything is in her head in the first place—and when the truth comes crashing down, it comes crashing down hard.
the fact that her mother had a child before sidney, that sidney had an older half-brother she never knew about, and that he was behind maureen’s murder and unintentionally triggered the massacres that followed and the physical and psychological trauma sidney’s had to endure over the span of five to six years hits her like a freight train. she makes it out alive, the past is settled, and she doesn’t blame her mother for the bad things that have happened, but it takes some time to come to terms with everything. when she does, even though she’s confident that the past is laid to rest and there’s no more people out for revenge against her mother, parts of her are forever changed. how could they not be? she used to think she had the perfect mom and the perfect family; to come to terms with the whole secret life her mother had and the murderous and unhinged half-brother that she never knew colored her view of families—at least, of her own, and of the one she could potentially have.
the woodsboro massacre reboot in 2011 doesn’t help that colored perspective whatsoever. sidney’s absolutely a strong person. she fights back, she pulls no punches, she doesn’t blame herself for what happened, and she deals with the blows as they come to her. however, at age thirty, unmarried, single and childless, she doesn’t exactly love the idea of having a family any more. it’s not because she’s cynical at the thought of families as a whole; if she met the right person and it felt right to her, she probably would get married.
children, however, is an entirely different matter by this point in her life. at sixteen, her mother died. at seventeen, her boyfriend tried to kill her. at nineteen, she found herself thrown into another murder spree. at twenty, she was dragged out of hiding and hit with the truth that her half-brother was both directly and indirectly responsible for all of the above. at thirty, she almost died at the hand of her own cousin, fame-hungry and desperate to step into the spotlight of victimhood. maureen never saw the trauma coming, but sidney’s lived half her life drowning in it. the idea of bringing a child into such a world is unthinkable to her.
at sixteen, she imagined she’d be well-off and raising a family of her own in her thirties. at thirty, she’s grateful to be alive and still sane.
` * iii. DON’T FEAR THE REAPER‚ BILLY LOOMIS . ` * iii. I THINK I LOVE YOU — ISN’T THAT WHAT LIFE IS MADE OF‚ DEREK FELDMAN . ` * iii. I’D LET THE GEEK GET THE GIRL‚ RANDY MEEKS .
billy’s calculated abuse and manipulation of sidney sticks with her for THREE YEARS (possibly longer but in the movies it’s roughly three years) after the events of the woodsboro murders and people wonder why I have no interest in canon-based redemption arcs where sidney forgives billy

thrust into the national spotlight at the young age of sixteen, the last few years of sidney prescott’s life have been chronicled by headlines telling a harrowing story of a girl plagued by trauma and tragedy. between her mother’s brutal murder and the killing spree that disrupted life in the peaceful community of woodsboro, all by her high school sweetheart’s hand, it’s all most people know about her.
it’s something she desperately wants to change, to leave the past behind her and start anew. but a fresh start isn’t so easy; not when billy loomis seemingly disappeared without a trace before he could be intercepted by the authorities and brought to justice for the murders of maureen prescott and several students at woodsboro, among others. police combed the surrounding areas for weeks, searching for any sign of him, but found nothing. eventually the case went cold and billy loomis became another forgotten news story, a distant memory in the mind of the rest of the world.
but for sidney? he was always stuck in the forefront of her mind, haunting her more in disappearance than he ever had in person, a ghost she couldn’t shake. even as the weeks bled into months, she would find herself looking over her shoulder, checking to make sure there wasn’t a familiar figure in the shadows lurking, stalking, waiting for the chance to strike.
her first semblance of peace came when she packed up her things and moved over two thousand miles east, to windsor’s campus in ohio. college was a natural next step for sidney, and she found herself blossoming out of the darkness woodsboro held for her and into a woman of her own. she had a roommate she got along great with, she had friends who brought out that happy-go-lucky side of her that had been hidden away for too long, and she thrived in her theatre classes. while woodsboro and the thought of billy loomis still creeped up on her now and again, it was easier to shake in a new environment. billy had over a year to make his move, and he hadn’t. maybe she was safe after all.
one night she was walking back to her dorm from the library, the only thing breaking the shroud of the night around campus being the street lamps that lit the way home; when she ran into construction on the main walkway, she opted for a different route: longer by several minutes, but safe. it had to be safe. why wouldn’t it be safe?
the tunnel she took was dark, and chilling, and perhaps not the best move, even though she knew it would place her directly toward her dorm on the other side. but when she finally emerged after what felt like miles of walking, there was no dorm. there was no walkway. the windsor campus had vanished, and in its place was a campfire, with new faces sat in front of the flames, looking as unnerved as she felt, moreso when she learned there was only one way out of this cold, dark place—and getting out was going to be murder.
` * i. DON’T FUCK WITH THE ORIGINAL‚ SIDNEY PRESCOTT . ` * i. THEY BROKE MY WINGS AND FORGOT I HAD CLAWS‚ STUDY . ` * i. I ALWAYS FEEL SAD FOR THE GIRL I ONCE WAS‚ AES . ` * i. WHAT’S YOUR FAVORITE SCARY MOVIE‚ PROMPT . ` * i. I WANNA PLAY A GAME‚ ANSWERED . ` * i. BUT THIS IS LIFE — THIS ISN’T A MOVIE‚ THREAD .