Website

website

Tips for writing and drawing amputee characters: Stump Scarring

This was something I had originally intended to mention in this post but felt it deserved its own separate post.

A lot of people, when drawing and designing amputee characters, draw their characters with these big, gnarly looking scars all over the stump. I get why people do this, but in reality, most amputees have stumps that look more like this:

The only scarring that is inherent to amputation (meaning most amputees have) is a very thin line right at the tip of the stump that comes from where the stump was sewn shut. After 5-10 years though, these thin incision scars will fade to be nearly invisible in most folks other than the indent it usually leaves in the skin.

Of course, there are exceptions! My own legs are covered in heavy scarring like the pictures below.

but typically, you only see this in amputees who lost their limb in ways that required them to also need skin grafts, such as from a burn (fire or acid), gangrene, some types of rapid-onset sepsis, or particularly brutal animal attacks.

For context, I used scars from meningococcal as reference here.

I think this is another reason a lot of people, particularly in 2D comics and animation, cover their amputee character's stumps, because they think all amputees have scars like the ones in the second image and I'll be honest, that's a lot to draw when you're drawing it over and over again, but unless your amputee also needed skin grafts bcuase of their injury/illness, their stumps will look more like the first images.

Fun fact: on particularly pale skin, scars can change colour depending on temperature. scars have less circulation and the blood vessels are closer to the skin, which means if you don't have a lot of melanin, your scars can turn a grey-ish purple colour like so:

This information is brought to you by an especially pasty white person in the southern hemisphere (where it's winter atm) who's scars haven't seen the sun since june lmao.

A quick final note: If you look up "burn scars" or any other similar type of large scarring on google a lot of what you get are fresh scars, so they're going to look different than the ones here. On pale skin, large scars like the ones above start out very dark red and will fade to look more like the images here. The same is true for dark skin, typically fresh scars will be much darker in colouration and will fade to be closer to the natural skin tone with time, though on both, they will always be very visible. Some types of scarring on darker skin tones can cause the skin to become lighter, but they don't usually turn entirely light pink like I've seen some folks draw. This is why it's so important to look up references of the type of scar your character has AND how that looks on their skin tone.

And as always, listen to POC and seek out the recourses specifically made by them, especially if you're drawing characters with darker skin tones. Their lived experience will always beat my "what I found through internet research and from talking to friends"

[Plain text: Can the computer create something? At first glance it seems obvious that it can. Animated computer graphics, with their fluid transitions and whiplash perspectives, look strikingly new. And if one watches the machine doing animation work, there seem to be lengthy periods when the computer is acting "on its own."

But if one observes these processes in more detail, it becomes clear that creation is not occurring within the machine. First of all, computer graphics are not unique. Computers have yet to generate anything that cannot be done by hand-and usually already has been done. Second, the apparent ability of the computer to "act on its own" is the outcome of thousands of hours of patient human effort to refine its instructions. The computer can manipulate a shape for us if we have already informed it what a shape is, what the rules for shape manipulation are, what this specific shape is, and so forth.

You can start an automobile engine and it will run by itself, too, but that doesn't mean it's being creative. It's just running. End plain text.]

I went to a library book sale this weekend and I found a very old book called “Electronic Life: How to Think About Computers,” which was published in I think 1975? I’ve been reading it kind of like how I would read a historical document, and it’s lowkey fascinating

nothing has been more important to my being queer than when i went to my first pride parade, got seperated from my group, had a panic attack about it and was sitting on the side of the road holding a tiny genderfluid flag and freaking out. then this six foot five drag queen in four inch heels appeared from literally nowhere and sat down next to me. i, this scared-shitless trans bi kid at pride for the first time, very nervously told her she looked pretty and i told her my name and that i got lost and didn't feel like i should be at pride and she held my hand and said "oh, honey, everybody deserves to be here, especially you. pride is for everybody who's ever gotten lost, who's been scared of who they are or where they are. you think we never been scared before? pride's for you, honey, because you're scared. you don't have to be proud right now, but you're gonna be one day, honey, i'm sure of it."

i found my group soon after that and i never saw that queen again but to this day i am convinced i met an angel.

[image description: a photo of two trees. Two of their branches are fused together. The tree on the left is cut, missing its lower part. However, it is held up by its connection to the tree on the right. End description.]

Plain text:

Inosculation, a natural phenomenon in which trunks, roots or branches of two trees grow together. When branches or roots from different trees are in prolonged intimate contact, they often abrade each other exposing their inner tissues, which may eventually fuse.

End plain text.

Inosculation, a natural phenomenon in which trunks, roots or branches of two trees grow together. When branches or roots from different trees are in prolonged intimate contact, they often abrade each other exposing their inner tissues, which may eventually fuse.

I made this a long time ago but for some reason never posted! It is my quick guide to protecting yourself against burnout as a person with ADHD and ASD.

Of course it is all about meeting your support needs at the end of the day, which are completely individual and may vary over time, but this could function as a guide if you have a hard time figuring out where to start! 🫶🏻 💙💙💙