SALTBURN + F A C E L E S S

SALTBURN + f a c e l e s s

I love first-person because it’s about what the narrator chooses to tell. What do they focus on? What do they leave out? What can you learn from reading between the lines? Are they lying to you? Are they lying to themself? It’s great for unreliable narrators and for epistolary storytelling! It’s intimate but there’s still a distance because you aren’t really seeing the narrator’s thoughts–you’re just seeing the story that they’ve constructed.

I love second-person because it’s a conversation. Does “you” mean a broad, indefinite “you”? Does “you” really mean “I” but with plausible deniability? Does “you” mean one specific person? Can they hear the narrator? Do they know the narrator? What is the relationship here? Who’s talking? Who’s listening?

I love third-person limited because it’s focused and intimate. What does the world look like from inside this character’s head? What are they seeing? What are they feeling? It doesn’t grant them the privacy that first-person does; the narrative isn’t something they’ve chosen, it’s invisible and inescapable. As a reader you’re not watching so much as astral projecting.

(I love singular point of view because of how much it leans into that limitation. You’re not getting the whole story; you’re not seeing anything unless this character sees it. How do you embrace that? What do you do with the gaps around the edges? How does that define–or warp–the events that they’re experiencing?

I love multiple points of view because of how it broadens your understanding of the story and the world. If two point-of-view characters react in opposite ways to the same thing, what does that tell you about them? About the world? How does it feel to spend time inside a character’s head and then see them from someone’s else’s point of view? How do all of these viewpoints work together?) 

I love third-person omniscient because the narrative is a character. It’s great for stories that know they’re stories! It allows for a camaraderie between the narrator and the reader! It allows for wider and more cinematic descriptions because you’re not limited to what a specific person can see! It lets you look at the characters from outside while still giving you the option to delve into their heads because you have full control over what you’re focusing on!

And I love authors who can combine viewpoints in ways you wouldn’t think would work but manage to pull it off! Stories with multiple point-of-view characters where one is first-person and the others are third! Stories that combine first- and second-person! Stories where the omniscient narrator suddenly refers to themself in the first person! Stories where you realize halfway through that you were wrong about who was narrating it!

Isn’t it fantastic that there are so many different ways to tell stories!!!!

Turtle Ducks ^^ Took my time to create a more detailed piece in the last couple of days! I recently rewatched Avatar and really enjoyed all the scenes where Zuko and Iroh were featured! It made me so nostalgic, so I decided to paint this as an homage to these awesome characters! Hope you like it :)

i know how to identify all of the barksies now.

I think I was just born with something dark and ugly inside of me. Always waiting to be found out.

planetarium - adrienne rich/@twoheadedfawnn/ugly, bitter, and true - suzanne rivecca/a burning hill - mitski/a hora da estrela- clarice lispector/ @100493503004422/sharp objects - gillian flynn

in a way that should be illegal. in a way that is concerning to the welfare of humanity. in a way that could part oceans and move mountains.