OLIVER QUICK + Being Pleased When Felix Gives Him AttentionSaltburn (2023) Dir. Emerald Fennell

OLIVER QUICK + being pleased when Felix gives him attention Saltburn (2023) dir. Emerald Fennell

you know i think i’ve come to the conclusion that the answer to “but what if a cis woman is traumatized by men/male presenting people/whatever?” irt safe spaces is this: if you can’t be in the same room with someone you assume to be male or a man without feeling triggered, it probably means you have a lot more solo therapy and healing to do before relying on group therapy or other communal healing.

because how do you decide who gets to stay and who gets kicked out based on a cis woman’s trauma response? is it based on appearance? should intersex women with facial hair not be allowed because beards are triggering? should butches and studs not be allowed because masculinity is triggering? should talk broad shouldered trans women who don’t want to voice train not be allowed because low voices are triggering? is it based on identity? should a pre transition trans man who came out two days ago not be allowed because he’s a man? is a nonbinary person with a full beard and deep voice allowed because they are not a man?

because if you base your entire set of rules for who’s not allowed in the safe space on what makes cis women uncomfortable or triggers them, you’ve just made that space unsafe for trans people. and you need to decide if you’re ready to own that.

no you don't get it felix becomes upset with oliver cleaning his dorm because he's breaking the rules. the people who serve felix must do so invisibly because to do otherwise would force felix to confront how much others have to pick up after him and oliver comes in and demands: look at yourself, look at who you are and what you do, and this is the first time that felix resents him

don't make me acknowledge the ways you serve me. don't make me think about it. don't make me look.

In honor of Halloween month, I will be watching a lot of horror movies till the month is over.

Well.

I should probably say "Horror" movies. The primary categories of which are:

A handful of actual, fairly solid genuine horror movies with creepy vibes and not a lot of slasher gore-gore-gore.

Some very solid horror comedies, but an eclectic mix that definitely leaves out many of what most horror buffs would consider horror comedy staples.

A few movies that are technically billed as horror and have many horror elements, but also wind up being honestly kind of sweet comfort movies with happy (or at least happy-ish) endings?

A lot of delightfully weird, low-budget romps (where weird, here, very emphatically does not mean anything resembling 'artsy') that only classify as horror in the most technical of senses, such as "Slotherhouse" and "Aaah! Zombies!!" (the first of which is about an animal trafficked sloth murdering its way through a sorority house; and the second of which has a level of effort put into its creation that I think can be best described as, "exactly the amount up to which the people involved were still having fun, and absolutely not one single iota of effort more," which in the case of this movie was also objectively the correct amount of effort).

American Psycho II, which I feel like deserves its own category as a movie that had literally nothing to do with American Psycho, had been fully filmed and was basically on final edits, when it was forced to add a few new scenes and a handful of voiceovers to make it (very vaguely) related to American Psycho for entirely marketing purposes, and then proceeded to absolutely bomb in reviews because it was billed as a sequel but actually has literally 0% of anything to do with the movie it was billed as a sequel to for 100% nonsense publicity reasons. It also features Bill Shatner at his post-Star Trek Bill Shatner-y best, Mila Kunis carrying most of the movie as pretty much the only cast member capable of acting, and a plot that only barely makes sense sometimes, but still makes me laugh in delight every time. Really, the only thing that even remotely justifies this movie's attempt to bill itself as an American Psycho sequel is that otherwise, I might never have encountered it, and that would frankly be a tragedy.

And it occurs to me that if I happen to have any followers who have always vaguely wanted to participate in Halloween Month Movie watchings but also have super weird and often nonsensically specific taste in horror or horror-adjacent movies like I do, I would be totally down to offer personal recommendations from any and all of these categories (with or without plot summaries, insofar as there exists a plot to be summarized).

My credentials are: I love stories, and as a consequence I have consumed a lot of stories over my 3+ decades of life so far; I have extremely random taste that covers the whole range from "matches up with popular expectations" to "I think this movie is genuinely brilliant and do not get why so many people don't like it" to "bad"; and finally I am very good at finding extremely esoteric offerings + having a range of very typical to very very atypical takes on more well known offerings, too.

Cards Against Humanity Pays You to Give a Shit

Cards Against Humanity Pays You to Give a Shit

Didn't vote in 2020? Cards Against Humanity will pay you to apologize.

This is the most chaotic good thing I’ve ever seen

what they don't tell you is that a well-written fic can get you to ship anything, and i mean ANYTHING. notp? not anymore. you will stay up late thinking about and crying over them for the rest of your life. characters you don't even know from a piece of media you've never engaged with? fuck it, they belong to you now. problematic ship that you loved to hate and now just love to love, that you must never tell your friends about? don't worry, ao3 knows how to keep a secret. like. a well-written fic will have you acting UP and that's a fact baby !!