Newsies Cast The Way Its In My Head:

newsies cast the way it’s in my head:

jack kelly — christian bale

david jacobs — david simmons but also he kind of just is

katherine plumber — laurie veldheer

crutchie — andrew keenan-bolger

spot conlon — neither gabriel damon nor tommy bracco. he just,,, exists??

racetrack higgins — ben cook

les — luke edwards honestly

snyder — alex christian (omG)

medda — aisha de haas

oscar delancey — anthony norman

morris delancey — mike faist

i’m not adding the smaller newsies but elmer is anthony zas always and forever

ai-less whumptober; day twelve

@ailesswhumptober 12 — isolation, sensory deprivation, “Can you feel me? I’m right here.” ↳ the farm, circa 1889 word count; 1.4k

cw; abuse, claustrophobia, mentions of death

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It's cold. So damn cold. Hellishly, endlessly cold.

Oscar is numb. It's dark all around him, pitch blackness, and the cold has sank into his bones to weigh him down like water, stiffened his joints like death does to the animals. He'd long ago lost track of what time it is, and through the stone walls around him has no idea if the sun is still up. If anyone might still be awake.

If anyone still remembers him out here at all.

He'd been asking for it, really. He'd known it was coming. There was nothing else to expect. But Da had started on Mo for something stupid, and Oscar can never stop himself from getting involved when it's his wee brother on the wrong end of Da's anger. Mo's only tiny, and Da is so huge, so cruel.

So Oscar had thrown himself in between them and shouted and protested — and after Da had belted him bloody for his troubles, he'd dragged him out the back door with a big calloused hand around his arm. Kicking and screaming and pleading. Over the hill and to the old shed by the fields; a stout, damp stone structure with no windows and a solid wooden door that bolts on the outside, so small inside that Oscar can just about sit but can't lay down, surrounded on every side with old tools and machinery. Rusted monuments of his father.

And though Oscar had known, had expected, exactly where he'd end up — where he always ends up — he'd still started screaming louder.

"Please!" Oscar had wailed, digging his bare heels desperately into the damp dirt to try and slow the walk. It hadn't worked. His father is a big man. Strong. A farmer. "Please, please, Da, I'll—I swear to God I'll be good, I'll be quiet, you can lock me up inside 'til—'til you need me, I'll clean, I'll look after the babby—"

He knows it's no use to beg Da, not when the man's made his mind up — not ever. But it's an instinct to fight. Perhaps Oscar's only instinct.

All the fight's left him now.

For hours he had screamed, even after the bolt was slid into place with the sickeningly familiar sound of grating metal. He had begged and hammered his fists on the door until his knuckles split, the blood the only warmth available to him, but it's long cooled and gone thick and tacky since. He'd wailed for his father, and then wailed for Ma. Wailed for his grandfather despite every knowledge that he's dead. Pleaded for anyone to come and let him out, come save him, come protect him from the stone walls that seem to be closing in on him from every side despite the fact he can't see them. Can't even feel them with touch, for when he reaches out or moves too far, the metal edges of tools find him first. Too blunt and rusted to be much more than a warning, but what a warning they are.

At least they keep him conscious. Prevent him from tilting too far from either side, even in moments his consciousness tries to leave him, worn thin from exhaustion. Hunger.

On the one hand, it feels as if it would be a blessing to fall asleep, pass the time he's imprisoned here to suffer his penance, but Oscar is all too aware of the risks of not waking up. Perhaps being asleep when Da is finally close enough again for Oscar to make a noise and remind him he's here, and miss his chance entirely. He doesn't want to die in here.

Alone and forgotten. As fitting as it seems for him.

Perhaps half of it is fear for his own mortality, but the rest —

Who would look after Mo?

Da and Ma are both shit at it, probably haven't even fed the kid tonight. Had they put him to bed? Mo ain't good at sleeping on his own, he won't stay in their bedroom unless Oscar is there to keep him there, and then he'll wander off God knows where. He's gone missing countless times before, been found wandering the field or hiding somewhere in the farmhouse or curled up with the animals in one of the barns. Oscar can only wonder where he is now.

He supposes he has the answer to his question when he hears quiet footsteps approaching.

They aren't the heavy stomps of Da's boots, nor the delicate steps of Ma's bare feet. They're bare, but they're clumsy. Young.

"Os?" Morris says.

Oscar swallows hard to stifle a sob.

He'd thought his tears had all dried up with how he'd wailed, but suddenly they've found him again, and they've wound themselves tight around his throat, tighter than even the cold had bound him. He's struck with the desire to hold his little brother, clutch him tight to his chest. For his own comfort or Morris.

"Mo," he chokes out. "You ain't s'pose to be out here."

He wonders what Morris is wearing. Pictures him in his threadbare undershirt and drawers he wears to bed, pictures him freezing in the cold late fall air. Pictures his tiny clumsy feet against the cold, wet dirt.

"Wan'ed you," Morris mumbles. "Can't sleep. M'back hurts, Os."

Oscar's hurts too.

"He hit you?" he asks quietly.

"Uh-huh."

"Fuck. 'm'sorry, Mo."

He hears movement as Morris shuffles closer and must sink down, and the door rattles slightly in its frame.

"Can you feel me?" Morris asks, with all the innocence of a little kid. "'m'right here. Got my—my hand on the door. So 's'almos' like bein' together."

Oscar has to swallow again. Shuffles closer and presses his own palm to the door, where he guesses Morris' might be.

"I can feel you, Mo."

He can't. All he can feel is the door between them and the walls all around him, but it's nice to pretend. For a moment, it almost makes it easier to breathe. But then he thinks a little more, about the fact that Morris is here, and his chest gets tight again. The walls squeeze in.

"Mo," he says, edged with urgency, "You gotta get back inside."

Morris whines. "I don' wanna."

"I know, I know you don't, but you gotta. 'f'Da catches you out here—"

"I don' wanna go inside, Daidí was bein' scary—"

"I know. I know, Mo. But he'll be scarier if he finds you, yeah?"

It's as if he can hear Morris swallow in the beat of silence that follows.

"Yeah," he whispers. "He'll be. Be real mad."

"Yeah. Good. Good kid. So you jus' gotta. Head back inside an' head to bed, alright. Wrap yourself up. 's'cold, ain't it?"

"Are you cold?" Morris asks suddenly, rather than answer.

Oscar can't feel his hands at all anymore. Can't feel his feet, the sensation crawling up his legs like he's sinking into something. His knees are aching like they've been turned to stone, and he feels as if maybe he'll never be able to move them again.

"'m'fine," he lies, and Morris believes him, because what else can the kid do?

"Okay," he says quietly. And then pats his palm in a soft rhythm against the door, a clumsy little game to amuse himself, until Oscar starts patting back. The two of them continue, locked in an out-of-sync sort of rattling of sound, until finally Oscar catches on to Morris' rhythm, and Morris bursts out giggling quietly as they're suddenly tapping in perfect sync to his own made-up music.

Oscar, despite everything, can't help but feel himself smile too.

"Get inside," he tells Morris gently. "Curl up on my side of the bed, 'f you gotta. Okay? Try get some sleep."

"I will," Mo says. Like the good kid he is. "I will. Love you, Os."

God. Oscar swallows hard.

"Love you too, Mo."

Morris' footsteps race away, and the silence that follows is deafening. So all-consuming that Oscar takes to tapping again, just to prove to himself that all sound hasn't emptied from the world, hasn't left him behind like everybody else.

It's cold. It's so fucking cold. And, without Morris, the fear begins to drown him again, but he meets it with a new determination — to stay awake, to survive. Because his baby brother needs him.

And Oscar's not a kid anymore.

Day 12 of @ailesswhumptober

Isolation/sensory deprivation- "can you feel me? I'm right here."

cw. Claustrophobia, dissociation, references to child abuse

(My longest one yet!)

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Morris never meant to tell Snyder that Os hated small spaces.

But it was one of those casual conversations in his office that almost made Morris think about Snyder as some kind of friend. His heart had stuttered in his chest with panic when the guard had first called down to the dorm to get him but upon being shoved into the office he'd been greeted with a sandwich, with real fucking meat in it, and a glass of milk.

Snyder was sat on the far side of his desk, his own meal in front of him, steak and potato's and veg, and a glass of something that smelt like the shit da used to drink by the bottle.

"Sit down Morris, I didn't invite you to stand there."

"Sorry, mr Snyder."

He sat down, the plate of food in front of him. Snyder cut a sliver of steak and looked up again. Stared at him for a moment. Expectant.

"I know you grew up poor Delancey, but I trust you've had enough food that you know how to eat it-"

"Yes. Sorry. Weren’t sure it was for me-"

"I have to teach you not to interrupt as well, apparently." His tone was sharp.

Fuck. "Sorry."

Snyder stared at him a moment longer then turned his attention back to his own lunch. he scoffed slightly, but didn't look over at Morris again, too busy catching a green bean on the end of the fork. He only leant back once he took the mouthful, chewing thoughtfully while he stared at Morris, eyes bright and assessing.

Morris had to try and shrug off his gaze as he reached for the sandwich, trying to remember all the ways ma told him to eat polite and chew with his mouth closed. The bread was soft.

It was hard not to feel on edge. Being invited to Snyder's office was never over anything good.

But Christ Morris was hungry.

Morris was sure Snyder waited until he had taken a bite to ask him question just to be a dick. It was the kind of thing Morris assumed he'd find funny, the kind of thing that reminded him Snyder was in his early twenties at best, only a few years older than Oscar when it came down to it.

"Is it good?"

Morris nodded. Knew better than to speak around the food. The memory of da whacking him round the head at the dinner table at home when he did it was all the reminder he needed. He could still hear his voice ringing, that southern drawl snapping at him to 'have some fuckin' manners'.

He swallowed. "Yeah. S' good."

It wasn't a lie, the bread was fresh and there was butter and ham. The glass of milk was cold.

"Do you know why I asked you here Morris."

He was never sure what the right answer was to Snyder's questions. But it felt the appropriate time to put the sandwich back on his plate, Snyder hadn't touched his own food since the initial fork-full.

"No, sir."

"Your brother had been particularly," he hesitated, searching for a word and seemingly in no particular hurry to find it, "difficult, recently,"

Morris hadn't really noticed any changes, Oscar was as Oscar as he ever was, but he was always good at hiding these things from Morris, he realised as he got older. With every year and birthday he realised he never reached quite as old as Oscar seemed.

"You know why I've been placing you and Oscar on different tasks, don't you?"

Morris didn't, he had been wondering since the start of the week when him and Oscar had been sent to opposite ends of the refuge, with Morris cleaning in the chapel and Oscar down the other end, doing fuck knows what. Morris never really asked. Oscar was his older brother, older and responsible and fine, so it didn’t matter whether Morris asked.

But he didn't know and he knew Snyder knew that. But he shook his head anyway.

Snyder smiled slightly. "In an attempt to break the little codependent habit you and your brother have, I've been trying to seperate you. seems you're doing better without him than he is without you."

And an ugly satisfaction curled in Morris's gut that almost immediately made him feel sick with the guilt of it.

"Os has always looked after me."

"Oh I'm aware. I'm just surprised he can't seem to clear out a cleaning cupboard without nearly passing out-"

Morris spoke without thinking.

"Yeah but he ain't never liked small spaces. Don't think it's got nothin' to do with me."

Something in Snyder's eye glinted, a vague shift to his posture that made Morris want to sink back in his seat and out from under his stare. Snyder's eyes were intense, cold. being directly under them was intimidating.

"Your brother's claustorohobic?"

"He's- what's that mean?"

Snyder's lip twitched, amused. "Scared of small spaces, Morris, like you described."

Morris bit the inside of his cheek till he tasted iron, washing out the taste of ham and butter and bread that wasn't stale to replace it with something copper. Like he'd put a nickel under his tongue.

"Yes, sir."

For a moment Snyder let the silence sit. And then he finally leant back in his chair, satisfied in a way that made Morris nervous.

"Finish your food, Delancey," he said as he picked up his knife and fork again. "Or there won't be a meal for anyone in the morning."

This time the sandwich tasted like sand in his mouth.

…

The next night Oscar never came back to the dorm room. Morris had spent a couple of hours sitting and waiting, had even asked around in the group of boys if anyone had seen him, and the longer he didn't show up the more on edge Morris found himself getting.

It was a last resort to ask one of the guards, because inevitably they'd tell Snyder and Morris didn't know if he could suffer any more of his direct attention.

But Oscar wasn't here.

He was clinging to the hope that when one of the guards, or Snyder if he was feeling like it tonight, took rolecall before the boys were sent to sleep that they'd notice.

And then Snyder walked in the room, cane in one hand and clipboard in the other, and the boys had all lined up by their bed silently, and Morris had affirmed he was there when his name was called.

and then Snyder skipped directly over Oscar.

Morris has to bite his tongue. For the second time in two days he tasted blood. He pressed his teeth harder and stared at a crack in the wood on the floor beneath him-

"Morris did you hear what I said?

Snyder's cane was on the floor next to his feet. All at once his heart was in his chest. He could feel his ribs creaking.

"No, sir."

"I said your brother won't be joining you tonight."

Morris felt sick. Hadn't yet looked up from the wooden slats on the floor, splinters throughout the room. He could feels the eyes of all the boys in the room on them.

"Aren't you curious as to why, Morris?"

"Why, sir."

"I'm trying to help him. A young man still so scared of the dark? Of small spaces? I'm meant to be releasing upstanding young men. Not children."

Morris tasted bile in the back of his throat. He could already hear the whispers that would come later. They weren’t meant to know this about Oscar.

"Would you like to come and see him?"

It was more than da ever offered when Oscar was locked in his bedroom at home for days at a time. When Morris was tiny and would whisper outside his room and wait for Oscar to answer, if he would answer. The first few hours were always the worst, Oscar's awful yelling that tore up his throat so bad that he only stopped when he couldn't yell no more. Slamming his hands on the door and begging when he heard footsteps walk past the door only to be ignored by ma or da or Morris on those days he was too scared to find out what da would do to him if he knew he'd been talking to Oscar.

The silence was the worst part.

Oscar going quiet for hours at a time.

At least if he was sobbing, loud and breathless and so bad it sounded like he was choking on each inhale, Morris knew he was alive.

"Yeah. Yeah please."

Snyder's expression didn't shift, and Morris couldn't read it.

"Come along then. Boys, the rest of you, bed."

Morris could still feels the stares as he followed Snyder out of the room as the others scrambled for their beds. he knew the second the door was closed behind them the whispers would start.

Snyder was silent as they walked through the halls of the refuge. It was disconcerting how quiet it was aside from the sound of Snyder's polished shoes on the floor. The hallways long and empty and dark, not bustling with young boys and coughs and sniffles and crying and arguing and fights-

The stairs as they got further down were covered in even thicker layers of dust, and Morris knew it wouldn't be long till he could feel it when he breathed. He would've stopped to let his eyes adjust to the dark if it weren't for the fact that Snyder didn't.

They were almost at solitary and the panic that crept up his throat at the sight of it was unrelenting. And then they walked past it.

A storage closet at the end of the hall.

He could hear Oscar's laboured inhales from here. The door rattling as he slammed against it, so far from everything, so removed.

"Mr Snyder-"

"The best way to overcome our fears, Morris, is to face them. I'm only doing what's best for him.

Then Oscar's voice broke as he yelled out again. He sounded so young, like he had back in the farm.

"Da! Da please- fuck I- I swear I'll stay outta the way just lemme- please-"

Snyder was smiling. Didn't shift his gaze from the door.

"I wasn't expecting him to call for your father, and of course from this I can come to my own conclusions. But I always like having confirmation that I'm right."

Morris sort of. half nodded, knew what Snyder was asking even without the question. He could feel his heart beating in the hollow of his chest.

Christ Oscar sounded so young. He wasn’t meant to sound so young. So scared. It made Morris nervous, the unfamiliarity of it all.

"Da would lock him in," he said, real quiet, like he was telling a secret. And it was, in a way. "Back on the farm. Days sometimes. Just so he was outta the way. Couldn't bother no one."

"A cruel man, your father." Snyder was casual, as if they couldn't hear Oscar. "Did he ever do the same to you?"

"No. No he hit me but they-" his eyes burned. "They didn' want Os. So sometimes they'd just. Put him away."

It was something from childhood Morris remembered and had never questioned much, till now. And the thought made him feel sick.

He ran back the memories again, hazy at best like most on the farm, but there were so many things that just. didn't involve Oscar.

There was one particular memory slowly piecing itself together, like it had been triggered by the sound of Oscar’s fist on the door. Morris had been tiny, Christ not much bigger than four or five, and had sleepily dawdled down the cold hallway of the farm house crawled in with ma and da in the middle of the night because Oscar was in the next room over and wouldn't stop banging on the wall. morris couldn't sleep. So he'd told da. And da had said he'd get him to stop.

Da had clambered out of bed, dragged a hand down his face and came back five minutes later.

Morris was already curled into ma's side, asleep.

He didn’t even remember complaining about Oscar till now.

His vision darkened a little at the edges.

"Let him out?"

Snyder barely spared him a glance at the question.

"Not until morning. How is he going to overcome anything if I give into his endless yelling."

"Please, he's-"

"Nearly 18 now Morris. God, sometimes I wonder how you boys would survive to adulthood if I weren't around."

"Can I see him?" His voice came out a croak.

And for a moment Snyder hesitated, and Morris thought he might actually say yes.

"Wait here." He said instead and Morris wasn't brave enough to disobey Snyder when he said things like that. He wished he was.

"Oscar?” Snyder called out, just a little louder than usual.

The banging stopped.

Then the begging started.

Morris shouldn't be here to hear it. He knew he shouldn't, every fibre of his body, every bone and muscle was telling him to sprint back up the stairs, back to the safety of the dorm room where he didn't have to hear this. This mockery of his older brother. It made him uncomfortable down to the marrow his bones; it was wrong.

"Da, da I'm sorry- please jus'- lemme out. Please. I'll be good i swear. I swear- please-"

Snyder didn't answer. Morris was watching his back but could picture the expression on his face.

Oscars voice wavered. Uncertain at the lack of response.

"Da? Da are you-"

"I'm here."

Morris pressed a hand to his mouth to stop himself from making a sound. The lump in the back of his throat was painful and the burning in the backs of his eyes was turning into a pounding headache-

"Da, pl-" a sob. "Please. I don'- what'd I-"

"I'm turning the doorknob. Can you feel it turning.”

"Yeah. Fuck. yeah. Please-"

"I'm right here, Oscar."

"M' sorry. An’ I- I been prayin' like you said. An' I ain't- ain't talked to Mo-" he went quiet. Just for a moment. Morris noticed Snyder had let go of the door knob. "Da?

Snyder had turned around, face expressionless, hand on his cane.

"Da! Da please come back!” The door rattled. “Fuck. Da - Mo-"

Snyder was close enough to slap a hand around Morris's face. Fingernails digging into his cheek. A hissed "not a word," as he all but dragged Morris back toward the stairs

As if Morris would've been able to bring himself to do anything even if Snyder wasn't there.

In there, that person in that room, crying and yelling and so scared. That wasn't Os. It couldn't be. So Morris would wait until Snyder brought him back.

Just like he would on the farm when Oscar acted like nothing had happened, and Morris had his big brother come back home.

playing guitar, singing phoebe bridgers, thinking about michael sullivan, and eating pringles (that i dropped on my bedroom floor) like a stray cat

here’s part of what i was singing if y’all care

ai-less whumptober; day eight

@ailesswhumptober 8 — rope burns, gagged, “You’re so much prettier this way.” ↳ the refuge word count; 1.1k

cw; grooming, manipulation

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Morris hadn't meant to freak out.

Truly, he never does — it just happens. Always has, ever since he was tiny, whenever he's feeling too much.

And he's been feeling on edge for days.

Oscar has been ignoring him completely ever since getting back from solitary a few days ago, not talking to him or even looking at him, so Morris has been alone. He doesn't deal well with being alone. He's not supposed to be on his own. He can't sleep when he's alone, so he's tired, and he hasn't eaten because Oscar hasn't been making him, and his throat hurts from all his talking.

He'd been attempting to rectify the loneliness.

He'd talked and talked the first couple of days, desperately rambling and chattering and babbling to try and get something out of Oscar, engage him in conversation or annoy him into anger or anything, but none of it had worked — until finally the words had seemed to dry up in Morris' throat after endless attempts with no results, and he could no longer speak at all, no matter how desperately he wanted to. He'd been helpless, utterly silent then.

Silent, at least, until one of the other boys had tried to strike — trying to take advantage of Morris being devoid, for once, of his older brother's protection.

Morris can't remember much of it. The details. But he remembers being grabbed by his hair and dragged to the floor, pinned. He remembers being called awful things, things Da used to call him, and hit and slammed down and and strangled.

He remembers turning and going at the boy like a dog the first moment his hold had slipped.

He remembers hitting him, over and over, again and again, as hard as he possibly could. He knows he'd been screaming — he'd kept screaming, unable to stop, even as two guards came in and wrenched him from the boy, tossed him aside like a sack of grain. But Morris had started on himself then, hitting and scraping as deep as his worn-down nails could get into his skin, still shouting and screaming. He'd slammed his head into the leg of the nearest bunk, then the floor, again and again until the guards had managed to get ahold of him again and restrain him.

They'd dragged him off then, legs being scraped bloody along the filthy ground, and when he'd started to wail again, a swift hit had knocked him unconcious.

He doesn't know where he is now, but it's quiet.

There's a gag in his mouth.

It's soft, Morris thinks. Cotton, maybe, and it smells like Snyder's clothes do — rich and clean, like it's been freshly washed, though it's tied no less tightly at the back of his skull than any other gag has ever been. He tries to move, tries to reach hazily for the knot to see if he can work it loose, and finds his hands won't go where he wants them to. Won't move at all.

They're behind him, he realises. Another hazy pull triggers another scrape of something around his wrists, so he pulls again, and again, wrists beginning to burn —

"Morris," Snyder tuts. "You should know by now that you're only wasting your energy when you fuss like this. And you're wearing your poor skin away. You'll have yet more scars."

He's close, Morris realises. Somewhere behind him. He flinches when a hand touches him suddenly — an instinctive reaction, trained. But Snyder's touch is gentle. An uncalloused hand clasping carefully around one bony wrist, a thumb tracing the warmed skin where his bindings end.

It's rope, he realises. Thick, awful rope. Snyder makes a sympathetic noise.

"It is a pity," he soothes. "But you were causing yourself needless injury — and we can't have that, can we?"

Morris hears him stand, and then a few, rhythmic clicks of his immaculate leather shoes as he walks slowly around to Morris' front. Snyder's eyes are dark, looking down on him with something indescribable in his face.

"And you're so much prettier this way."

It's a whisper, like something private. Something he perhaps wasn't meant to hear.

Morris doesn't…feel especially pretty. Not right now.

His skin feels raw all over. He hurts, not at all helped by how he'd scratched and scraped at himself just earlier. His head is pounding from him hitting it — or maybe it's from that hit that had knocked him out. He tries to speak, though he has no idea what there is he could say, but all he manages is a muffled, garbled noise behind the gag, all too aware of how drool is pooling in his mouth.

The very corner of Snyder's lip twitches.

He reaches out with the back of his hand, like Morris is a dog to be tamed, and traces his knuckles softly along the side of his bruised cheek. Then dares to turn his hand, cradle Morris' jaw just beneath where the gag runs across the softness above it.

"You are quieter than your brother. None of his mouthiness." It's praise, from a line of thought Morris hasn't been a part of, though he soaks it up regardless. "But the awful wailing, the screaming. We'll have to curb that. And then..."

Then what?

Snyder must see the question in Morris' face, because his lip twitches again.

He doesn't say anything more.

Morris spends that night in solitary, but Snyder comes and fetches him first thing, and Morris spends the morning sat in Snyder's office. He perches on a chair with his wrists still bound behind him, gag still in place to keep him silent, and he simply watches as Snyder eats his breakfast, reads the morning paper, looks over some paperwork.

Snyder looks pleased when he's finished and Morris has been sat still and obedient the entire time. The look makes Morris' chest bloom with pride, and something else he doesn't recognise as Snyder approaches. He leans down and gently unties Morris' wrists with effortless experience, soothes his thumbs over the reddened burns that remain when the ropes are gone.

And, for the first time in his life, Morris has his minor injuries tended to with expensive medicine and proper care. Herbal-smelling salve rubbed into his wrists by gentle hands, and a clean towel soaked with cool water held to his bruised cheek.

When he returns to the bunk room, it's with a stomach full of fresh, buttered toast, and a clean face, bandaged wrists. And Oscar talks to him immediately. Drags him close and demands to know what happened, what Snyder did, if Morris is okay.

Morris tells him, but not everything. Too betrayed by his brother to let slip the promises Snyder had made, about more rewards if Morris is good. The quiet remark that there's something special in him, something Snyder wants to cultivate.

For the first time, Morris keeps something to himself.

Alex Snyder you will always be famous