Let Me Sims, Bg3, And Or P5 It For An Hour Or Two Then It Is Writing Time

let me sims, bg3, and or p5 it for an hour or two then it is writing time

the  intimacy  of  hands.

[ win ]  –  for the sender’s muse to place a hand on the receiver’s neck and rest their forehead against the receiver’s own for a close congrats or excitement at something. [ brush ]  –  for the sender’s muse to give the receiver’s muse a passing touch along the shoulder’s / back as they walk by. [ hold ]  –  for the sender’s muse to hold the receiver’s muse by the face / neck gently and brush their thumbs along their cheeks to get them to focus on them. [ passing confidence ]  –  for the sender’s muse brush their finger’s against the receiver’s muse’s hand, too scared to hold their hand. [ intertwine ]  –  for the sender’s muse to intertwine their finger’s the receiver’s muse and kiss the back of their hand. [ intertwine & kiss ]  –  for the sender’s muse to intertwine their finger’s the receiver’s muse and kiss the back of their hand. [ intertwine & hold ]  –  for the sender’s muse to intertwine their finger’s the receiver’s muse and hold them during an emotional moment to reassure them. [ wrap ]  –  for the sender’s muse to casually wrap their arms around the receiver’s neck and lean on their shoulder from behind. [ palm kiss ]  –  for the sender’s muse to kiss the palm of receiver’s hand. [ hand kiss ]  –  for the sender’s muse to kiss the back of the receiver’s hand. [ lay ]  –  for the sender’s muse to lay next to the receiver and lay their hand in the receiver muses’ hand. [ reassure ]  –  for the sender’s muse to place their hand over the receiver’s in a moment of stress and squeeze reassuringly. [ squeeze ]  –  for the sender’s muse to place their hands on the receiver’s shoulders from behind, and offer a reassuring / affirming squeeze before moving on. [ pluck ]  –  for the sender to pluck a foreign object ( twig / leaf / etc. ) out of the receiver muses’ hair. [ play ]  –  for the sender’s muse to run their hand up the receiver’s shoulder and play with the hair at the base of their neck as a means of comfort. [ rub ]  –  for the sender muse to rub up and down the receiver’s back / shoulder as a means of comfort. [ shoulder ]  –  for the sender’s muse to place a hand on the receiver’s shoulder to comfort them, or stop them. [ hug ]  –  for the sender’s muse to drag the receiver’s muse into a tight hug by the back of the neck, and play with their hair at the base of their neck in order to comfort them. [ shock ]  –  for the sender to recoil a bit in shock at how quick the receiver latches onto them in a moment of high emotion, before returning the affections. [ cup ]  –  for the sender’s muse to cup the receiver’s face, and brush their thumb along the receiver’s cheek. [ hair ]  –  for the sender to brush a strand of hair out of the receiver’s face. [ hair & lean ]  –  for the sender to brush a strand of hair out of the face, and lean in slowly for a kiss. [ cup & kiss ]  –  for the sender’s muse to cup the receiver muses’ face during an incredibly passionate and long overdue kiss. [ what a rush ]  –  for the long long overdue kiss to end, only for the sender to rest their head on the receiver’s, and comment “do you know how long I’ve wanted to do that?” [ no tears ]  –  for the sender to cup the receiver’s face and brush away their tears with their thumbs. [ no tears & kiss ]  –  for the sender to cup the receiver’s face and brush away their tears with their thumbs & kiss the receiver’s forehead. [ stumble ]  –  for the sender’s muse to catch and help the receiver’s muse keep balance. [ shudder ]  –  for the sender to shudder a little at some gentle touch from the receiver. [ nononono! ]  –  for the sender to hold the receiver’s head / face while they’re injured, brush their thumb along their cheeks & refuse to accept that the receiver is dying. [ acceptance ]  –  for the sender & receiver to sit / lay somewhere in acceptance of their ends together. in a final act of closeness, the sender places their hand in the receiver’s own.

[ prompt ] + reverse  –  to reverse any of the prompts !

HADESTOWN. ( 2 / ? ) roleplay starters of anaïs mitchell's hadestown. feel free to edit according to scenario / pronouns.

LIVIN' IT UP ON TOP.

on the road to hell, there was a lot of waiting.

she's never early, always late.

these days she never stays for long.

good things come to those who wait.

i'm an outdoor girl.

are you wondering where i've been?

brother, when you're down, you're down.

when you're up, you're up.

let's not talk about hard times.

pour the wine, it's summertime!

right now we're livin' it.

who makes the summer sun shine bright?

who's doing the best she can?

let me tell you something that my mama said to me.

you take what you can get, and you make the most of it.

who says times are hard?

brother, pass that bottle around.

to the patroness of all of this, [ name ]!

ALL I'VE EVER KNOWN.

i was alone so long, i didn't even know that i was lonely.

out in the cold so long, i didn’t even know that i was cold.

this is how it's always been.

all i've ever known is how to hold my own.

now i wanna hold you, too.

for a moment i forget just how dark and cold it gets.

i don't wanna ever have to let you go.

i don't wanna go back to the lonely life.

i knew you before we met and i don’t even know you yet.

all i know is you’re someone i have always known.

say that you’ll hold me forever.

say that we'll stay with each other and it will always be like this.

WAY DOWN HADESTOWN.

that was not six months!

better go and get your suitcase packed.

guess it's time to go.

did you ever wonder what it's like on the underside?

but those who go they don’t come back.

down there, it's a bunch of stiffs.

brother, i'll be bored to death.

gonna have to import some stuff just to entertain myself.

takes a lot of medicine to make it through the wintertime.

where do you think they come from?

an eye for an eye!

you're early.

i missed you.

A GATHERING STORM.

he came too soon.

he came for her too soon.

it's not supposed to be like this.

this is how it is.

hey, where are you going?

touched by the gods is what he was.

i have to finish the song.

finish it quick!

the wind is changing.

there's a storm coming on.

we need food.

we need firewood.

did you hear me? [ name ]?

EPIC II.

his loneliness moves in him, crude and black.

he thinks of his wife in the arms of the sun and jealousy fuels him and feeds him.

with a million hands, he builds a wall.

Anaïs Nin, from a novel titled "A Spy in the House of Love," published in 1954

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