stopaskinf - Itsverylate
Itsverylate

18+ (04)She/her I’m here for nonsense. Mostly kpop.

181 posts

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

Hobie Brown, Emotional Preparation, and the Art of Great Dialogue

Nearly all of Hobie's dialogue is written with his goal - protecting and preparing Miles for Miguel's abuse - in mind, even if it may not be obvious at first watch.

Here's an unhinged breakdown where I over-analyze literally every one of Hobie’s lines and explain how every sentence was written to contribute directly to Miles’ radicalization.

Hollywood. Pay your writers. (:

___________________________________________________

Hobie has around 10 minutes screentime total, but for the sake of introductions and this analysis, let's start at the end of the battle, and the beginning of the quantum hole.

Starting with his first line in the scene:

"I don't follow orders. Neither does he."

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

All morals considered, Hobie doesn't seem like the type to speak for someone who can speak for themselves - he's a punk after all. But here, he speaks for Miles. This line serves to tell Miles 'I don't respect them, why should you?', but funnily enough, it can also be a point to Jess, as if to say 'Miles isn't interested.' - even if he is.

"Bit much, innit?"

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

While, Hobie and Mile's next interaction is their exchange in the elevator, the scene leads to Mile's introduction to the Society. Miles gawks at the lobby, obviously impressed. Gwen affirms this awe, telling him 'this is just the lobby.' However, Hobie feels the need to chime in. His next dialogue 'Bit much, innit?' is a subtle nudge to Miles that the society is not a place to be in awe off. It's a spectacle, one that's a bit overdone. Knowing Miles now sees Hobie as cool, Hobie makes it known - he sees the Society as uncool.

"Gwendy, How much have you told him? About his place in all this? Maybe not enough."

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

'So what happened about that small elite strike-team?' - 'Most of these are part time.' This is by far one of Hobie's more interesting lines, and I wrote about it here. But in short, this is Hobie's soft but direct confrontation of Gwen. After Gwen lies to Miles in front of him, Hobie immediately asks how much Gwen has revealed to him. And when she tries to play it off, he openly says 'Maybe that's not enough.' He's not angry with Gwen, but he is disappointed, which in turn motivates him to have his discussion with Miles.

"Super humane, and not creepy."

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

One of my favorites, because it's hard to catch and to the point. After talking about Hobie and Gwen's mission history, they're taken to Margo and the control room. As Miles marvels at Margo and the Go-Home-Machine, and Gwen says she voted against it. However, Hobie says blatantly: 'Holy shit, Miles isn't this inhumane and weird???', validating that the Society is willing to do inhumane, hurtful stuff to those it deems 'misplaced'.

Next comes Hobie's confrontation with Miles.

Because Hobie knows this is his last movements with Miles before he meets Miguel, and this is where if final push of emotional support kicks in, before he goes quiet in front of Miguel.

And because this conversation is so well layered, I think it's best to go line by line. ______________________________

H: "Bet this doesn't even do anything." M: "Maybe it did before you ripped it out of a wall!"

Hobie has now confirmed that he'll be making an exit soon. And he begins his finally sweep of parts he needs for his watch, stocking up his pockets. He's not stealing to steal. He knows he's leaving and this is his last chance to get what he needs before he's out the door.

"Propaganda, bro! It's to distract you from the truth!"

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

HOLY SHIT I missed this one. Notice how in this shot, Gwen is not visible at all. Hobie notices they're out of hershot of her for the first time. And his first line is - 'Propaganda.' Their watches can take them anywhere. When Gwen needed to, she was taken to exactly where she needed in Mumbattan. But when they're heading towards HQ, Jessica makes them walk through the lobby. They could have been sent directly to Miguel's station, but instead she makes them do the whole tour, which serves as a flex of muscle. In order, Miles was shown the massive number of members in the Society, then their prisoners, then the go-home-machine. Only THEN can they see Miguel. All of which was intent to intimidate Miles on purpose. Hobie tells him directly: 'Everything you just saw was propaganda.'

M: And what's that?

"I ain't got a Scooby Doo, mate. Cause that's what they want."

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

One of the most iconic and notable of his quotes. Cockney aside, this line ties back in with his discussion with Gwen just a couple minutes before. They've done their tour and walk. Both Jess and Gwen have been given a chance to prime or explain to Miles anything, and both have chosen not to. So Hobie simply tells him, 'They want you in the dark. And they're sending you into a fight.'

The next line is:

H: Why do you want to be part of this lot? M: To get a watch. H: Make your own watch.

Miles sucks his teeth at Hobie.

Because of this - Hobie begins to change methods. Which I cannot stress is incredibly perceptive of him.

Miles is exasperated with him. So instead of dissuasion and making the society out to be uncool, he tries to turn Miles' attention towards his family.

"Bet you got a nice setup, huh? Nice parents?"

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

This line is a very well done one, with two things of notice. First, I find it interesting that the screenplay phrases this line as a question, not a sentence. Hobie is asking. He's taking a shot in the dark here. And this is backed up by his delivery; Hobie hesitates while saying this. The only line in which he does so. He may not know about Miles' mom and dad, because Gwen hadn't met them when she met Hobie. But still, Hobie asks, hoping the reminder of Miles' parents will dissuade him from continuing.

M: They're fine. H: [After this line, Hobie turns black and white momentarily. Potentially a nod to the fact that this conversation is the only 'black and white' one Miles has had so far.] M: But we got into a fight. They just want what's best for me, so...

[Hobie frowns. The scene and dialogue REALLY starts to pick-up from here.]

"That's a bloody shame. Because you're not ready for everyone else."

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

As the scene progresses Hobie goes from behind Miles, to beside him like an ally. Then, when Gwen finally comes back into frame, Hobie crosses in front of him. When Miles mentions his parents wanting what's best for him, Hobie warns that everyone else does not want what's best for him. At the same time, visually Gwen has her back to Miles, and Hobie puts himself between Miles and Gwen, trying to block his path. The scene is set up to show that in Hobie's eyes, Gwen is turning her back on Miles. She does not have his best interest in mind. Hobie is telling Miles 'They're using propaganda on you, they're keeping you in the dark, and they do not have your best interest at mind. You're not ready for this." And he physically tries to block Miles from continuing, one last time.

Miles goes through Hobie, and now within earshot of Gwen again, this is Hobie's final chance and push to get as much information into Miles as he can - without freaking Miles out. Above all else, he needs Miles to be prepared, confident, and willing to fight back.

His voice becomes more serious, and he starts speaking more straight-forward and a lot less cryptically.

"Listen to me, bruv. The whole point of being Spider-man is your independence. Being your own boss, you don't need all this!"

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

I think Hobie saying this reveals a lot about his character, especially understanding the context where he's from. While many Spider-men would agree that being Spider-man is about responsibility and power - to Hobie, it is about independence, and freedom. Hobie is a freedom fighter, and one of the only Spider-men besides Noir that knows how to fight systemic threats as well as physical ones. To him, being Spiderman is about being able to free yourself and others. It's about independence and freedom, and he's trying to nail that in Miles' head one last time.

M: Then why are you here?

"Looking out for my drummer, is all."

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

As the scene is coming to a close, the writers chose this time to reveal some of Hobie's motivations, starting with the independence comment, and now this. Despite knowing about Gwen's deception towards Miles, he is still looking out for her - and Miles. This is the writers' and Hobie's last push to solidify himself as an ally to Miles and the viewer.

M: I want to be in a band. I want to see my friends, and I need a watch to do that. G: Guys, come on.

"Alright, Squashed. Just don't enlist until you know about who you're fighting."

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

I genuinely had to sit and ask myself why the writers would choose to leave Hobie's collective effort - a LOT of effort - with this line. And honestly, I think it's a perfect segway. Hobie chooses his words very clearly; He doesn't say 'what', he says 'who'. The next scene leads into Miguel's intro, and up until this point, Miles doesn't know who he is. He only knows about the Society, but never who is at the top. We know about Miguel, but all Miles knows is his name. That's why Hobie says 'who you're fighting'. Because the Society isn't really a Society, and this isn't really between Miles and the Society at all. It's a dictatorship - and the person he's enlisting to fight is Miguel. The perfect introduction and warning to the person he's about to meet. He's telling Miles, 'Don't rush into it. Wait until you meet Miguel first'. And when Miles does meet Miguel, he finally sees that this isn't the place he thought it was, just like Hobie said. ALSO EVEN MORE INTERESTINGLY - THIS is one of the lines that is changed between the two versions of spiderverse (there are two theatrical versions on release.) In the alternative he says 'Don't enlist unless you know what war you're fighting.' And I think that the fact the writers chose to publish two different versions of this line goes to show how powerful they knew this line would be in Miles' characterization. There is so much Hobie has left to say to him, but only one line - and so we get two versions. How fun!

With the scene now over, we see a change in Hobie's demeanor, and I love the writers' choice to have the shot linger on Hobie.

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue
Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

We see him give Miles a look that isn't exactly full of confidence, but from this point forward, Hobie chooses to hang back, no longer having any motivation to instigate. He knows his work here is done, and now all he can really do is wait for Miguel to reveal his true colors, and hope that he got through enough to Miles that he will react, and fight back.

And closing out the scene - I noticed that when Peter B. arrives Hobie pointedly says

"Oh boy, Humbling Reality Spider-man has arrived."

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

All I'll say about this is Hobie has to be Jamaican cause that was so mfing rude shgjfkghjgjkdfjk

Hobie has about three lines between this point and then end of his screentime - Two of which were his lines to Mayday, and his comment during the canon events.

But there is one shot of him before it all happens. And after this shot the movie begins staging Hobie in specific a very different way than anyone else.

The moment begins with Miles' line 'My Dad is about to be captain.'

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

The camera pans to each character. Gwen, Peter, and Jess all avert their eyes. Miguel looks at Miles. And Hobie is the only one who looks at all of them. Instead of looking down, he looks to the others, in anticipation of whats going to happen. It's also important to note that this was probably news to Hobie. He probably didn't know Miles' dad was a cop - or at the very least going to be captain. So the understanding of just how much trouble Miles is in kinda multiplies in this moment.

Then, this happens

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue
Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

From this point forward, every time Hobie is portrayed, he is shown as separate from the other characters, always being divided from the group - with Miles as the divider. Even as the camera moves, Hobie visually remains - quite literally - as the only person in Miles' corner. And as the scene goes on, he moves farther and farther into that corner.

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue
Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

Until finally the scene comes to a climax, and Hobie gets two shots to himself - delivering his final lines.

"Here we go." - "Hobie, You're not helping." - "Good."

GUYS IM GONNA CRY OKAY IM GONNA CRY

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

This is Hobie seeing his work pay off. This is him knowing that he got through to Miles and that it was worth it. He's proud of him.

Hobie Brown, Emotional Preparation, And The Art Of Great Dialogue

Hobie knew what he came to do, and he used literally every line he said to Miles to the FULLEST extent. He doesn't give a fuck if he's not helping the Society. He's helping Miles. And now he knows his work is done.

Being a punk is not about being a hero, it's about empowering those who feel powerless. HE UNDERSTOOD THE MOTHERFUCKING ASSIGNMENT.

IN SHORT - HOLLYWOOD PAY YOUR FUCKING WRITERS I SWEAR TO GOD.

if you read this far let me know :) thanks bye

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“I think we can last forever.”

Things Ateez boys remind me of:

I Think We Can Last Forever.
I Think We Can Last Forever.
I Think We Can Last Forever.

Summary: This is the part.2 of my series of “things kpop idols reminds me of”

Genre: Fluff, Ateez hyung line

Word count: 1K

CW: Honestly, there are a few suggestive lines in this, but other than that nothing much. (MDNI on my page in general)

A/N: This one is more casual than my BTS reminders. Honestly don’t know how I feel about this, but hope yall enjoy.🫡

I Think We Can Last Forever.

Hongjoong:

🪲Scorpions: It might have to do with the fact that he is canonically a Scorpio, but also the contrasting idea that something so small can be so prickly and deadly when it wants to be. 

🪲To add to that thought: Hongjoong reminds me of bug lollipops. Specifically ones with scorpions, spiders, and beetles. Combining the sweet, childlike flavors and colors of lollipops with the primal fear and disgust people have of bugs screams Hongjoong to me. Maybe it's the deadliness transparent beneath the sugary outside.

🪲Smoke, specifically cigarette smoke. I’m not sure if he smokes in real life or not, but he always gives me the vibe that he smells of nicotine and Jean Paul Gaultier cologne. Imagine he takes a break during an interview and he just has a Marlboro between his fingers that he steps out as the staff calls him back to continue his captain duties. 

🪲Additionally, this is very specific but I feel like he has a tad minty smell to him. Even if he does or doesn’t smoke, I feel like he’s the type to always have gum on him. Type of guy who needs to be prepared for any situation and to calm his nerves.  He also may have an oral fixation

🪲 Chipped nail polish. I feel like he’s been seen with chipped nails before. However, I cannot remember. It’s pretty self-explanatory; his love of queer and androgynous figures combined with being an idol on top of his bad sense of self-care leads to chipped nails. 

Seonghwa: 

🐇Lofi beats: The aesthetic of his Lego building lives is this. Additionally, whenever I see him, I feel like he’s the type who needs something lowkey in a lot of moments. He needs something almost comforting after he finishes his work. 

🐇 Anime endings: The same reasoning applied to Lofi beats applies to this. A constant need for something more soft and sweet. Almost melancholy and quiet when compared to the bright energy of their openings. It’s something to signal that there’s no need to put in more energy because you’ve already completed what you needed to. 

🐇 Polaroids: Another thing that I’m pretty sure has been attached to either him or Ateez. I feel like Seonghwa if given the time, would be good at photography. Polaroid cameras would be his favorite because of their easy portability and the intimacy of it. He can just pull it out any moment and take a beautiful candid shot that he can keep hung up in his room. Something that he took himself and gets to keep. 

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Yeosang:

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🍄 Music boxes - Yeosang reminds me of very material but immaterial things. A small dancer frozen in time that only shows their beauty when called upon. Something delicate but sturdy. Beautiful, but skittish. 

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1 year ago

this is the most powerful image on the internet.. reblog to join the circle

image
1 year ago

“I bite my tongue, it’s a bad habit”

Songs that BTS boys remind me of:

I Bite My Tongue, Its A Bad Habit
I Bite My Tongue, Its A Bad Habit
I Bite My Tongue, Its A Bad Habit

Summary: ^ Title explains it all fr.

Genre: Mostly fluff, Suga’s paragraph and songs are mostly smut, Jimin has vague Yandere themes, so if you want to skip go ahead 🫡

CW: Smut, facesitting, masochist Yoongi, a lot of these songs contain sexual themes, cursing and all that. Yoongi has songs that say the Word, so if you not black 🤨careful with ya act.

Word count: I cannot bother to count rn😭

A/N: Even when I’m not listening to K-pop, the brain worms will relate it back to kpop🙂‍↕️.

I Bite My Tongue, Its A Bad Habit

Jin:

🤪Cuff it - Beyonce

🤪Summer Renaissance - Beyonce

🤪Wasabi- Max

I will give a short paragraph because these songs all have the same vibe. Jin’s love feels light and fun. It feels like getting lemonade on a spring day. He’s truly the type of guy that when you fall in love with him, you fall for your best friend.

Additional song: Harley’s in Hawaii - Katy Perry

Min Yoongi:

🐈‍⬛I Will- Danny Brown

🐈‍⬛Throat baby remix

🐈‍⬛Here, there, and everywhere- The Beatles

We already know that Suga is the throat GOAT. He’s made it clear that his game is unmatched. On a more serious note, he’s lowkey a wild switch. Whenever he gives head he gets really submissive. Specifically when he’s in this headspace, he’ll want you to sit on his face. By that he means, suffocate him. He’s got a masochistic streak. However, when he’s not being a hoe, his love feels calm. Like chilling inside and then it begins to rain. I’d say it’s almost melancholic, but I think that’s because he’s a sad meow meow.

Additional Song: Sweater Weather - The Neighbourhood

J hope:

🦄Honeypie- Jawny

🦄Electric love - Borns

🦄Classic - MKTO

Jhope feels chaotic, almost pure when he’s in love. It's like being a little kid and your crush passes you a paper asking if you like them. He’s cute, if corny, but the sincerity of his emotions more than makes up for his cornballness.

Additional song: Everybody talks - Neon Trees

Kim Namjoon:

💍Stupid for you- waterparks

💍Die for you- The weeknd

💍Nvrmnd- I.M

Namjoon’s love simultaneously feels both unplanned and grounded. It’s not like he meant to fall in love, but when he did, he accepted it. You can’t exactly be mad when the sun decides to shine on you. He’s uncoordinated to the point of recklessness, but his devotion runs deeper than any others.

Additional song: Running up that hill - Kate Bush

Park Jimin:

🐶Do you? -Troyboi

🐶Lovefool - Twocolors

🐶Dream girl- Tanerelle

Maybe it’s because I recently wrote a yandere jimin fic but Jimin’s love feels almost clingy but sickeningly sweet. He feels like the type of guy to ask if you would still love him if he were a worm. He would send you pictures and texts throughout the entire day, even if he was supposed to be busy. He wants you to know that he’s always thinking of you.

Additional song: Needy by Ariana Grande

Kim Taehyung:

🐻🐯Bad Habit- Steve Lacy

🐻🐯King - Conan Gray

🐻🐯Strawberries and Cigarettes - Troye sivan

I’ve been obsessed with fri(end)s lately, so all V does is remind me of like Indie pop songs. Tae’s love feels naive, but exciting. It’s like when you get into your first relationship. It’s nerve-wracking but special. He’s the guy who makes puppy love feel like forever.

Additional song: The lourve - Lorde

Jungkook:

🐰Brainwashed- Waterparks

🐰Locked out of Heaven- Bruno mars

🐰Run away with me- Carly rae jepsen

Jungkook’s love feels out of the blue. He’s the type who falls first. The guy you’re friends with who started to be really complimentary towards you lately. It feels weird to both you and him, but it also feels right. Somehow his spontaneity makes him even more sure in his feelings towards you. He doubts he’ll regret you.

Additional song: I like U - Niki


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