tarzinnia - If You Come To A Fork In The Road; Pick It Up...
If You Come To A Fork In The Road; Pick It Up...

...And Then Wash Your Hands. 18+ Old Enough To Vote And I Do. Reader and prone to breaking into musical numbers. Fiction Blog: @backupanddoitagain

857 posts

I've Been Busy With Life Away From Tumblr, But In A Stolen Moment Happened Across This Story And Am Thus

I've been busy with life away from Tumblr, but in a stolen moment happened across this story and am thus far enthralled. It's going somewhere and where that is I know not but I am going to follow along whether it's headed toward the dark forest or the enchanted palace filled with chocolate croissants. Reader is haunting with a past full of hints and I live for that. Am pouring myself a tea (black like my heart) and looking forward to future revelations....

PETER PARKER ANGST????❤️🫡🛬🤭😍🗣🙀🫡😀🫡🫶😀😟🫶😟❤️ (if you dont write it ill sob violently on the floor ☹️)

we could call it even

tasm!peter x fem!reader

summary:

"peter parker," she says, "you're like a legend around here."

warnings: unspecified angst, series, no fluff, no explanation

a/n: might i introduce a playlist entitled stupid boy which i listened to while writing this (and the other parts????)

PETER PARKER ANGST???? (if You Dont Write It Ill Sob Violently On The Floor )

*

there's a specific time of night that is appropriate to go to the market. 

or inappropriate, depending on how old you are. 

if you're in your sixties and sometimes feel like your joints are just notches that need to be oiled, midnight probably isn't your designed time for grocery shopping. seven in the morning is typically the best time for swollen lungs and--literal--broken hearts. 

but if you're you, exhausted from running around all day, unpleasant from all of the people you've talked to, and trying to avoid anyone (everyone) you might know--and secrets you don't feel like sharing--then midnight is a perfect time. and perfectly normal, thank you very much.

you're not even sure why meyer's is open this late. there's no way the owner, jerry, is staying up until midnight to check out the lowlifes or drunk teenagers stopping by, and you know that these aren't prime business hours--evident by the crickets you can hear behind the 'fresh produce' section. maybe he forgets that it's open, and that susan--the only person willing to work here--is still on the clock. or maybe he's just taking pity on you. you don’t think he’s ever there, but maybe he hides around corners, noting the new lines on your face so he can report it back to every person in town. gossip is like a disease, and you’re never alone in a place like this. never quite at peace. 

you look around the next shelf for jerry, or a gust of wind that follows him running away. there’s only silence. the echoes of your footsteps. 

it doesn't matter why meyer’s is open. you're thankful for this time alone. or at least by yourself.

it's a welcome change to have no one judge you for your selection of deli cheese and baked goods. or the three containers of instant coffee you've hidden underneath it all. just out of habit. 

tuesday nights are yours, and the market is your chosen domain. 

usually, that is. usually, you're all alone. usually, you can run around on the carts and pick up anything you accidentally knock over. you can spill an entire bottle of wine on the floor and no one will blink an eye. jerry wouldn’t even be able to hear it from three feet away.

but tonight--on this tuesday when your feet hurt a little bit more than necessary, and your eyes are twitching at all of the lights--apparently you're not alone. 

which you wished you would have realized before you started humming 'single ladies' a bit too loudly. 

you wished you would have skipped shopping at all, really, as soon as you see his face. 

his wide eyes--surprised and silvered by age, much like yours--and his open mouth.

in a different world, you would be shocked--shocked instead of scared--and you might run to him. you might ask him why he didn't tell you he was coming? what is he doing here? in a different world, you two would be the only people in the market and it would be fine. 

it might even be great. 

this subtle shift in autonomy wouldn’t hurt the peace you’re looking for on this tuesday night.

there wouldn't be this obvious horror story standing between the two of you, this looming presence. the history of a thousand lies, bruise after bruise, and scars so red that they could burn through the ground. glass shattered around your feet.

the lights might as well start flickering. you should probably call out "hello?" even though he's right in front of you, and if he was going to murder you, he probably wouldn't answer. a door should creak. 

you should probably go. 

you should probably run away before he can take a step closer. you don't look a threat in the eye and smile at it. you don't feed a stray cat. 

it always comes back. 

why is he here? 

you take a step away. as soon as you notice him--behind, between, all over you--silence ensues. you might as well be at a loss for words. you don't have much to say to him. 

not to that look in his eyes, or his receding hairline, or that peak on his mouth. 

because peter would be here. at this time. and he would be trying to hide a smile, a smirk, when he's not even supposed to be within a five-hundred-foot vicinity of you. 

actually, maybe you forgot to mail that restraining order. 

but the words come out anyway because your body has always betrayed you when it comes to him. 

"peter?" you blurt out, and just saying the word stirs the simmering feeling inside of you. just saying his name is enough of a warning. 

"hey," he whispers and takes a step closer. you step back. he leans away like he knows his proximity is toxic. "sorry, i didn't mean to scare you." 

i didn't mean to. 

and yet. 

you breathe and forget how to blink. he might disappear. "peter," you repeat, as a form of masochism. you don't breathe at all. 

"sorry," he says, again. he doesn't say what for. there could be a million things. 

"um," you choke out, looking around--away from him and his manipulative eyes. "what?" you laugh to yourself, hand running over your face. you roll your eyes back into your head and laugh again. you shake your head. 

you look at peter, at his furrowed brow and inward stance, and you snort. look away from him before it's too late. 

you're laughing like something is funny. it's not. 

it's really not. 

"are you..." peter is swallowing. you'd like to pretend that his voice is hollow and cold, much like that cave inside your chest, but it's not. you recognize that concern, that softness in his voice that used to be just yours. "are you okay?" 

you almost giggle at him. it comes out as more of a cough. 

you wonder if you look like a ghost. some remanent of who you used to be--the person that only peter used to know.

"peter," you sigh, and step away from your cart. into the shelf you've been backing yourself into. 

you step away from him, still shaking your head. 

"i've got to--" you trip as you turn around and say to mostly yourself, "i've got to go." 

groceries, and peter, be damned, you think, as you walk out of the building and prepare yourself to never ever come back. 

it wouldn't be the first time. 

*

you are having your daily debate with mrs. brooke about the amount of calories in each pastry, in which you tell her that you only measure the amount of pleasure someone might get out of each one—which earns you a lovely sneer—and that she should try the blueberry scone. 

she always rolls her eyes at you, says something about watching her weight even though she’s looked the same since you were five years old and sneaking through her yard to catch the neighborhood cat. and then she leaves with a breakfast sandwich. 

it’s actually one of the most enjoyable parts of your day. 

here’s the thing about knowing every single person that comes into the shop: you know exactly what they’re going to order, and you know what type of conversation you’re going to have with them. 

mrs. brooke always stresses about her breakfast, her smile a tense sort of pleasant, but by the time she leaves her head is held a little higher. if she chooses the sandwich instead of the scone, then she’s started her day off right. you used to feel exasperated by her indecisive nature, but now you find it kind of adorable. 

mr. meyer—jerry—just comes in so he can complain about the surplus of options on your menu. he wants a black coffee, and he wants to complain. you always smile at him and ask if he’s sure he doesn’t want to try the raspberry green tea. he finds this less than humorous. 

every kid wants some kind of hot chocolate—which you actually have an excessive amount of—and no matter what their parents say, you sneak some extra marshmallows in. and everyone pretends otherwise. 

susan—your kindergarten teacher, now friend—asks if you’ve met anyone special lately. it doesn’t matter that the selection of single people your age is always the same. there’s got to be someone special, she says to you and leaves with a cider she tells everyone is a latte. 

there are the people who want their lattes and mochas, those who want some alternative milk that they complain about—even though you’ve tried every brand on earth—there are the people who don’t ever buy anything, and just come in to pretend they want something and talk to you. they gossip about the other people in town as if you aren’t well aware of everything that goes on.

you roll your eyes, but you appreciate the company. things get pretty boring when you can guess everyone’s schedule. 

but you like your tiny tea shop. you like the consistency. you enjoy the smiles you throw out, and the complaints you receive. it’s a routine, and nothing goes wrong. you're in control of this one thing, and that's just how you like it. 

in control, that is, of course, until you see him when mrs. brooke is walking away. 

“oh!” she says, pausing, her drink shaking in hand, her pink fingernails a smudge against the shadow suddenly coming from right in front of you. she is just a foot too close to him. “is that peter parker?” she asks, saying his voice like an omen, turning around so she can set her cup and bag down, and then hugging him so hard you can see her muscles working beneath her sleeve. 

“hey, mrs. brooke,” peter wheezes out, a strangled smile on his aged face. his same eyes.

he is just as surprised as you at her sudden outburst, the cooing noises she's making as she attempts to crumble him.

“look how handsome you’ve gotten! and so strong. what are those new yorkers doing with you?” 

“definitely not trying to squeeze me to death.” 

mrs. brooke laughs, somewhat vindictively, and she turns back around to look at you, with wide eyes. “did you know he was in town, dear? why didn’t you say anything? i almost had a heart attack.” 

peter clears his throat before you can throw any type of face on. any mask. “it’s a surprise,” he mock whispers, and his eyes dash to yours, then away, just as quick. “don’t tell anyone.” 

“it’s not like they’d believe me anyway,” she scoffs, “you’re a legend around here.” 

“i’m honored.” 

she laughs again, then grabs her cup. “oh,” she whispers, too loud. her eyes are tight, as if she’s intruded. “of course. i’ll leave and let you two talk.” 

and within a blink of an eye, she is running out of the shop, faster than you’ve ever seen anyone escape from here. 

and peter is there, standing in front of you. his face is smooth, calm, his eyes roaming over your face like he still has the privilege of knowing any of it. 

and your heart might be racing, if it was still there. 

"hi," he whispers. it is quiet enough for you to feel it in your chest. his voice and the memory of it. 

does he sound different? has he really changed that much in the last two years? is his face a bit worn? are his eyes a different color? 

but it doesn’t matter what rattles through your head—when you look at peter, you just see him. your peter. 

except that he’s completely different. 

you clear your throat, looking away and pushing off of the counter. “what can i get you?” 

peter blinks. “oh, um…” he looks at the menu above your head, back to you. “what—“ he swallows. “what would you recommend?” 

“it’s all good.” your voice is clipped. you should’ve said pure brewed black tea, no ice, no sweetener, no cup. just to get him out of here. you should've recommended the starbucks three towns over.

he swallows, again. a hand rakes through his hair. “i… just a sec.” 

there is a single second where you grant him the patience you would give every other customer—smile politely and let them know to ask if they have any questions. a single second where you treat him like anybody else. 

and then you say: “do you want a mocha, peter?” with an anger that shouldn’t—can’t—be contained inside of you. 

you wince at his name. the singe of his brand on you, going down your throat. 

peter seems to watch this on your face, because he’s even quieter when he answers, “sure, that’d be great.” 

so you grab a cup, writing his name on it, and move to grab the milk. 

you turn around and pretend like you’ve just forgotten he’s there. 

peter doesn’t take this hint. 

“so…” he says, his feet are loud as they tap on the ground. “you still work here, huh?” 

you barely grunt a response, spilling chocolate in the cup recklessly. if peter dies of a clogged artery it won’t be your fault. 

“that’s nice. felix always loved you. and you loved working here, back in highschool.” you have to face him as you steam the milk, and you try not to pointedly stare. not to roll your eyes or hiss at him. “it’s different though. the decor, i mean. but nice. i like it. did you do it?” 

“yes.” 

you grab his cup, pouring the milk and shoving the cap on it. “here,” your fingertips burn as you pass it to him, and you don’t think it’s because of the drink. 

“thank you.” 

you both stand there; peter blinks and doesn’t leave. 

he coughs. “i didn’t pay.”

“mrs. brooke would kill me if i made you pay for your first drink back home.” 

“well, she knows where you live,” his lip twitches, but he doesn’t laugh. 

and neither do you. 

“is it just you here?” he asks. “no felix?” 

“he sold me the shop a year ago.” 

his eyes widen. “oh. oh! that’s great. congrats.” 

“thank you.” 

you don’t move your eyes from his face, because it’s suddenly not fair that he’s here. that he’s allowed to intrude like this. 

“it’s good to see you,” peter relents, a fake smile playing on his lips. 

you falter. your heart turns in your chest, just so it doesn’t have to look at him anymore. “i’m working, okay?” you say, whispering. “i can't do this right now.” 

“right. yeah.” peter trips on a step back. his eyes are scanning your face again. “i’m sorry. i shouldn’t—“ he blows out a breath. “i’m sorry.” 

you nod. watch the ground as he stumbles over it. 

“i mean it though,” he adds, like he hadn’t thought about it. “it’s good to see you.” 

and then peter swallows. you blink at him. 

when he turns around the bell rings as he pushes it. and peter doesn’t look back. 

he’s right about one thing, at least. it is nostalgic. 

*

"when were you going to tell me?" your mom asks, leaning against her kitchen counter--the same one you scribbled on as a kid, smiley faces still apparent. she's doing that fake smile thing. the one that makes you want to storm off and slam the door like some mistreated teenager. 

you don't, but both of you know that you think about it. for at least five seconds

"tell you what?" you ask, instead, setting the groceries you brought for her on the counter. 

"about peter." 

your eyes close. he would follow you around, wherever you go. he's probably hiding in some vent, smiling maliciously. 

there's that teasing voice in your head saying small town, small small town, but you just turn around, ignoring it, and her, and raise a brow. "peter parker?" you repeat, rhetorically. "twenty-four, new york. brown hair, brown eyes. lived here his whole life, has an aunt who lives next door, tried to steal our cat when he was nine..." you drawl off, making a point to smile. "ringing any bells?" 

she throws a dish towel at you. "you know thats not what i meant." 

"do i?" 

you wipe the counter with the towel, then fold it nicely on the counter, all the while avoiding your mother's eyes. 

but you know she won't leave it alone. the same way she hasnt left you alone once in the past four years, like she can dig your feelings up from whatever grave you buried them in.

there's a part of you that wants to crawl over to her and ask her to make you some hot chocolate, to watch some childrens movie on the couch with you. you want to be the little kid who would've depended on that knowing glance she's still giving you. the little kid who idolized her and wasn't afraid to admit the truth--even if you did steal that chocolate bar from under her sink.

but you're grown, and this doesn't matter. not in the long run, anyway. 

you look up, expectant eyes. she has your same eyes, and meets them.

"linda told nancy, who told jerry, who told me over the phone..." she shakes her head. "but may was here earlier." 

"yeah? how is she?" 

"good, busy, i'm guessing, because you know how she dotes over him." 

"yeah..." 

you fold the towel again, running your fingertips over the embrodered flowers. 

"have you seen him?" 

you swallow, and nod absentmindedly. you're not going to tell her about the grocery store. "yeah, he came into the shop yesterday." 

she taps your hand, and you let go of the rag. she hangs it back over the oven, the ebbing silence more like a threat, her hands falling to her hips. "why didn't you say anything?" 

"it's not a big deal. he came in, ordered, and then left." 

"and there were no words between the two of you?" she prods. "no wandering eyes? you just read his mind instead of taking his order?" 

you grit your teeth, rolling your eyes. "he asked for a mocha and i made it for him." 

"nothing else?" 

"he said it was nice to see me." 

she waves a hand at you. 

"and i said that i was working." you sigh, leaning against the counter. "that's all." 

"you're not freaking out?" your mom ducks her head so she can meet your eyes. her face is sullen, but her smile is genuine. 

it's like talking to a counselor. 

"why would i be freaking out? he had to come back sometime." 

she scoffs. the little necklace your dad gave her dangles from her neck, and you watch it. "i don't know," she says, using the same voice you do when she tells you not to take a tone with her. "maybe because you havent spoken to him in the last three years?" 

yeah, the same voice says, rough and patronizing, you haven't spoken to him in five years. why is that, again? 

but you snort at your mom, a defensive smile making its way to your lips as you look at her. "water under the bridge," you say, dismissing it. 

you don't want to talk about this with her. you don't want to talk about this with anyone. 

because the only person who might actually understand is the same person who left three years ago. who came back with no warning at all. 

"did may say when he got here?" you ask, voice escaping before you can stop it. 

"just a day or two ago, i think. why?" 

"is he here for the holidays?" 

"yes. she said he plans to stay until at least january. he's between jobs, i guess." 

"oh." you smack your lips and move away from her, back to the groceries, which is the reason you're here in the first place. you take out the milk jug, walking to the fridge, but a soft hand stops you. 

your mom is smiling when you turn towards her. "you don't have to talk about it," she's saying, her voice smooth and comforting. "i don't--i don't know what happened between the two of you. i just mentioned it because may said he was talking about you. it..." she drops off, wincing. 

"what?" 

"it might be good to talk to him. put the water under the bridge." 

you roll your eyes, nose twitching. you don't need to say anything, you won't. your mother is just another town gossip, and her opinion has no sway over you. 

even ask the words sink in. 

"now put the rest of those away," she says, ruffling your hair, "i know what happens when you take your 'breaks.'" 

you push her and put the milk in the fridge. 

*

you're mopping the floor when the bell rings, and a cold brush of air trails goosebumps up your skin. 

it's late enough in the season to no longer smell like the leaves falling onto the ground, or the grandesur pine needles showing off their lifespan. it's cold in the shop now, and you have three coats in the back. 

but the person who walks in is only wearing one. one you recognize from several years ago, with the holes in the sleeves from when he jumped over your fence and sprained his ankle. the stain on the front when may threw a plum soaked rag at him and you'd laughed so hard that you'd fallen to your knees on the floor and couldn't breathe. 

peter's face is wain. his eyes are cautious as they meet yours. 

you're not used to anyone coming in at 5:55. everyone knows you close at six, and the few people who'd dared to come in and order a drink a minute before you flipped your sign have learned their lesson. 

but peter hasn't learned anything. 

"i know," he says, like tracking your mind. "you close at six. may told me." 

"okay." 

you're still holding the mop, sure that his footprints would leave mud all over your floors. 

"i don't want to buy anything. or--" he breathes out, hands wringing at his sides, probably from the cold. "i will. if you want me to. but that's not why i came. i wanted to see if you..." 

he does a sweep over you, and his words fall in the air, as if he's just realized something. 

you look down at the snowflake apron your mom bought last year. it's not that dirty. 

you look back up, brows furrowed, and peter's expression matches yours. "yes?" you prod, feeling that anger simmer in the core of your chest. but you've been rude enough to him. 

your mom's words ring out in your head. 

it might be good to talk to him. 

peter swallows, whatever emotion on his face fading. "i wanted to see if you would go to dinner with me. or take a walk. or--or i'll buy you groceries, since you left yours the other night. it doesn't matter. i just want to... talk to you." 

"you want to talk to me?" 

peter nods. "i can wait outside, while you finish." he waves a hand, like an explanation. "it doesn't have to be long. just five minutes?" 

you watch peter, his face a world of feeling that you can't recognize anymore. 

and maybe that hurts the most. not him being here, not the distance or the time you've let edge you apart, but the fact that it's changed things. peter has changed and you've just let that happen. he's got a life seperate from you and there's no one to blame. he'd reached out enough, initially. months of letting his calls go to voicemail and ignoring may when you saw her in the street. 

putting yourself back together in the misshaped way you are now. peter probably doesn't even recognize you--not like this.

maybe it's your fault. 

but you find yourself nodding anyway, ignoring the guilt seeping through the cracks of you. you nod, and peter's face changes. 

it's not the first time you've noticed his eyes, or watched relief ease into him, but it's just the same. 

"yes?" peter asks, his voice rough and dry. you look at that jacket again. 

"where's your coat?" 

"my..." peter looks down with you. "oh, my coat. all of the ones aunt may kept were too small, and i thought--" he scratches his neck. "well, i forgot how cold it gets." 

you nod, slowly. 

peter nods back. 

you stare at him a moment longer, and then break away from his unfamiliar gaze. 

"just give me five minutes. i just need to put this away, and grab my stuff, and..." you swallow. 

"okay. great. do you want to me wait outside, or should i?" he gestures around, looking as uncomfortable as you've ever seen him. 

"you can sit. just--don't get any dirt on the tablebases." 

"okay. thank you." 

you nod, one last time, and look away from him. 

your heart runs circles around peter as he sits at one of your tables, his long legs not fitting beneath it. it taunts you again and again as you try not to notice him breathing, try to ignore him completely. 

you dup the mop water, spilling it on your shoes. you wipe down the last counter, the syrup sticking to your hands like a scar. you walk around the shop trying to find something else to do so you can avoid this as long as possible. your feet are cold and your hands feel abnormally dry. maybe you need to go home and shower. maybe you shouldn't be doing this at all. 

you sit in the office for a moment, wishing you could watch peter without him knowing. scope him out before you hear what he has to say. 

and--

okay, maybe there's a part of you that's been waiting three years for this. 

that dream where he's there even though you don't want him; that moment when he apologizes and you forgive him automatically, because your heart has always been small and fragile around him; that fantasy where peter comes home and he's the same teenager you used to walk around town with at two in the morning, the same brown eyes laughing as you both slipped on ice and fell on top of eachother. 

you won't deny that you've thought about this before. what you might say to him if you got the chance. 

but as you grab your bag and hang your apron around the chair in the office, the words have gone some place else. what could you say to him to make any of this make sense? 

still, you clear your throat when you walk out, feet aching from standing all day. you blink at him as he struggles to get up, pushing your chair in, the legs scratching on the floor the only sound between the two of you. 

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1 year ago

been missing you!! you’re such an incredibly kind and thoughtful person, and you are so so valued and loved by so many people :)) just wanted to drop in to tell you that you’re amazing <3

Your kind and thoughtful message was such a lovely surprise in my inbox and thank you so very much for sending it!

Have been incredibly busy and fallen far behind on catching up with my favorite stories and authors and tumblr creatives but rest assured have not forgotten you or the inspiring encouragement this community shares with one another.

Really brought a smile to my face today and thank you again for all that you do and all that you are! Have a lovely day, mon ami, have a lovely wonderful day!


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11 months ago

An excellent ambassador with great taste in timepieces. Ready for Paris 2024.

Faster, Higher, Stronger--Together

ANDREW GARFIELD

ANDREW GARFIELD

visiting the Omega Watches Museum.


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11 months ago

Naturally two friends with sartorial splender in their closets would be seen at the Record Bale Award. Merino wool sets a high bar when it comes to fiber quality. Congratulations to the winning farm!

Even better is that one of Richard E. Grant's favorite tunes is also one of my own: When I Fall In Love, sung by the late great Nat King Cole. No one ever came close to performing it with as much feeling as he did.

When I give my heart

It will be completely

Or I'll never give my heart....

ANDREW GARFIELD And RICHARD E. GRANT

ANDREW GARFIELD and RICHARD E. GRANT

attends the Loro Piana event celebrating the annual Record Bale Award on February 1, 2024 in London, England.

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