I Believe That No Work Is Entirely Original, Therefore People Are Absolutely Free To Steal Ideas From

I believe that no work is entirely original, therefore people are absolutely free to steal ideas from me as long as you add your own flavour to it. And also if you see an oc of mine you like? Take ‘em an spin them around in a blender till they are a different consistency with the same flavour. See a species I made? All of them are open, make silly little goobers. Like the colors in a piece of mine? Color pick them!

So long as you bring something new and wonderful to the table and give credit where credit is due I will probably bounce off the walls knowing you took inspiration off of me

Prompt list:

Btw you don’t necessarily have to draw for Loretober, you can just write stuff. :]

Of course. Keep those lamps on though :)

There’s been this moth flutterin ‘round my room for the past week. Weird lil guy I’ll say.

Doodle I did on my math homework

Why do the art always turn out good when I’m just goofin off?

A Galahad character playlist (based mostly on me filling in the gaps of his lore and very little of the actual album.) here is a discription of each song in the context of the playlist

Sinking Ships: A father’s dying words to an infant Galahad as he wanders the rusted desert.

Wherever I May Roam: Galahad’s time with the traveling caravan. They were far from a merciful group, and when not interested in trade were prone to shoot and loot instead.

Nobody: Galahad meets The Hanged Man, who is on Ends Justify The Means, and falls just a little bit in love with it. This causes problems in the long run because Merlin is a manipulative ass on EJM, especially with such a big end goal. He convinces Galahad to leave the caravan and work for sheriff stone as a blacksmith, knowing that in several years Sherrie stone will get overthrown. May add a song if I can find one that fits to split this one’s meaning more.

Cowboys From Hell: the Pendragons roll into town and kill sherif stone. Galahad survives thanks to a warning from Merlin.

Persian Enclave: and so Camelot becomes a home in a wasteland.

Never Love An Anchor: Galahad loves Merlin, but feels that since Merlin is a religious figure to him and the people in his church, it’s something he can never have, and is wrong for loving.

The Diving Bell: Merlin tells Galahad to sit on the siege seat, and Galahad does it due to faith and love and misplaced trust.

Hellfire: do I even need to explain this one? It’s exactly what’s on the label.

Dark In Here: the trip to the lower levels of the station to get the GRAIL

All The Dying: the deaths in the group take their toll

Suicide Solution: Galahad dies firing squad style to a bunch of turrets.

I Ain’t Done: Ghostlahad haunts the aurora

Brass Goggles: Galahad gets necromanced by raphaella

Glacier House: galahad is finically forced to process his emotions and he’s very pissed at the fact Brian was manipulating him and it didn’t even save his world.

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Little au concept:

What if in one of the different universes, Kayne explained more about his abilities when he first met Arthur, just to see what would happen. In this universe, john was the one who suggested that if things don’t work out Arthur would die and they would work things out in the dark world, In this universe John was the one with the knife, and in this universe, Arthur disagreed with John’s backup plan. When John drove the knife into Arthur’s neck Arthur felt betrayed despite living, and Kayne, after having so many similar conversations, assumes Arthur would want John back, and is surprised when he stands corrected.

Arthur decides that he’s sick of the world, sick of being betrayed by John and sick of himself, so he asks Kayne to help him do the same think Kayne once did. Kayne, intrigued and curious on what would happen if a mortal did so, agrees so long as Arthur can stomach the worst of it, so he takes Arthur to a universe where Arthur is happy. Sure he still experienced loss, not Faroe is alive and his pride and joy, where Arthur’s absence would be felt and hurt the person to whom he holds most of his regrets.