I Mean, I Can Probably Fix Him.. But Do I Want To Tho? - Andrew Minyard, 2006 At Some Point

I mean, I can probably fix him.. but do I want to tho? - andrew minyard, 2006 at some point

If Seth didn’t die, he would have pulled the ‘if you so much as hurt a hair on his head—‘ / ‘break his heart’ the second it clicked in his head that Neil and Andrew were together. Better yet, he would have been one of the first to find out. Seth wouldn’t have found out at the hotel, he would have been lying around at the dorm, maybe hungover and just walked out of the room to spot Neil freezing as he leaves the bathroom. The shower still running. Then seconds later the shower cuts off and Andrew follows.

Why? You may ask. Because the second he heard Kevin’s name that man was flying out of bed to get Kevin tf away from Neil. Seth is in big brother mode second Neil is around and it’s a bonus for him that the people his telling to fuck off/is fighting off, are two people he hates. It’s just that his too late to do anything about Andrew when he realises the relationship and kinda just has to accept it after threatening Andrew and giving Neil a lecture.

Some tips for using a few words to describe voices:

1. Tone Words: Use tone words to convey the emotional quality of a voice. For example, you can describe a voice as "melodic," "soothing," "sharp," "gentle," or "commanding" to give readers a sense of the tone.

2. Pitch and Range: Mention the pitch and range of the voice. Is it "deep," "high-pitched," "raspy," or "full-bodied"? This can provide insight into the character's age, gender, or emotional state.

3. Accent and Diction: Describe the character's accent or diction briefly to give a sense of their background or cultural influences. For instance, "British-accented," "Southern drawl," or "formal."

4. Volume: Mention the volume of the voice, whether it's "whispering," "booming," "murmuring," or "hushed."

5. Quality: Use terms like "velvet," "silken," "gravelly," "honeyed," or "crisp" to convey the texture or quality of the voice.

6. Rate of Speech: Describe how fast or slow the character speaks, using words like "rapid," "slurred," "measured," or "rambling."

7. Mood or Emotion: Indicate the mood or emotion carried by the voice. For example, a "quivering" voice may convey fear or anxiety, while a "warm" voice may express comfort and reassurance.

8. Resonance: Describe the resonance of the voice, such as "echoing," "nasal," "booming," or "tinny."

9. Timbre: Mention the timbre of the voice, using words like "rich," "thin," "clear," or "smoky."

10. Cadence: Highlight the rhythm or cadence of speech with descriptors like "staccato," "lilting," "rhythmic," or "halting."

11. Intonation: Convey the character's intonation by saying their voice is "sarcastic," "apologetic," "confident," or "questioning."

12. Vocal Characteristics: If applicable, mention unique vocal characteristics, like a "lisp," "stutter," "drawl," or "accented 'r'."

I will not tolerate any Aaron Minyard slander

๑ 𝘀 𝘆 𝗺 𝗯 𝗼 𝗹 𝘀 ๑

ᐢ..ᐢ ᘒ ∞ ⌗  ≀ ⁺ ˒ ७ ٫ ᨒ જ ◞ ७っ ٫٫ › ‹ ִֶָ ٫ ໋ ᘏ ، ‹𝟹 % ՚ 谷 : ζ  ゜：✿ 。 𖥧 𓂃   ᨒ   ୫     ૪     ໒    𐂴  ৎ   ຊ  ∿   ꔵ  仌  𓄼   ⨾   ⩇ ֶָ֢    ໋֢ 𖥻 ⋆ .˖ ᨳ᭬  ⩇⩇:⩇⩇ ୫꒷  𖠵  ﹪ ⊹   ୨   ഒ   ﾉ   ༝   ⑅   ʚ   ɞ   ⸝  ੭   ᐢ..ᐢ ᘒ ∞ ⌗  ≀ ⁺ ˒ ७ ٫ ᨒ જ ◞ ᨓ    ᭝   ᱺ   ᳃   ◯   ◦  ◡  ◠   ⋆   ‹𝟹   ꜝꜝ   ʚ   ⌕    ׅ ࣪𓏲ּ ֶָ ⌗   ☘︎   𐑺  ࿁   ܸ    ݄   ɞ    𐄂  𐂴   𐋉   𐋃  𐙝   ⩀   ݀  ̫     ̲     ﹕ ﹐ ﹔ ﹆  ⠁  ⠘ ⟲  ⟳ ⟡   ⟄   ⟃   ➜     ᨒ  ੭  ໒  ꗃ  ᨵ  ୧  ` ִֶָ֪֢  ▭ᯅǝ ⁃ ᕱ⠀⑅⠀𓂃⠀ヾ⠀✦⠀𓄼⠀২⠀୨⠀⋆⠀𓂅⠀⬪⠀ꕤ⠀ՙ⠀╰╮⠀♡̶⠀৲⠀ৎ⠀⬪˙ 𓈒⠀⌕⠀⊹⟆   ﹏   ！  𝅓   𓂃𓈒   ﹑  𖣯   ｡   ꞝ       ⩇    ᰍ      ≀   ໑   ﾞ ઉ   ᨦ   ദ   ꒷꒦   ꣹  𔓐   𒀭   ♡︎   ♥︎   𖡩   ˀ   ᵎ   ✦   𔒌   ʾ   ໑   ▸    ִֶָ   𖥔   ࣪   ˖  .   𓄹   𓈒    𓍢  𐇵   ﹆      ✿   ˖   𖥻   𓎆   ⏉   ੭   ꒳​   。   ❤︎   𖦹   ଘ   ⤹   ꩜   ៹    ִֶָ    ᨳ   ⊹   𖧵   ⩩   ៹   𖤣   ꕀ   𝅦   ꔪ   𖡎   𖦆   𖤛   𔓕   𓆠   ꔛ   𝄰   ⁛   ˳   𓈈   ✧   𖠇   ⋕   𓆦    ✶   ⭓   ⭔   ﹫   𖠣   𝅏   ٠   ꐑ   ！   𖣠   ⿻   𓆤   ›   𐀔   જ   ،   𝄿   𝆞   𝅘   ⌗   ꒰   ꒱   ﹏   ⁝   ⊹   ୨   ഒ   ﾉ   ༝   ⑅   ʚ   ɞ   ⸝   ੭   ↷   ⋯   𑊩   𝆺𝅥   𓈒   ﹕   𐫱   𓂅   ⋆   𔖲   𓁹   𖤐   𐇲   𔕱   𔒱   𓐩   𓆝   ▬   ▭   ❛   ❜   ❟   ✿   𖠲   ꒷   ꒥   ꉂ   ❩   ๑   Ꮺ   ◌   ˖    ࣪    𖠵   ٬   ⌕   𔗫   ᥐ   ʾ    ֛   ៵   ◗   𓇬︎︎   ᨦ   ദ   ꜝ   ꜞ   ◖   ┼   ▀   ▄   ▚   𔗨   𓍲   ˖   𓊿   ‣ ପ   𖤐   ﹏   ャ   𖥧   ▹   𖡼   𖥨   𖠌   ୧   ⌇   𖤣   ᐢ   ¸   _   ◂    ๋   ა     এ      ঌ     ໒.      ᘛ       ᘚ   . .⃗ .   ⁽   ⁾   ౿    ヾ    ᘡ    ९       ₆⁶₆      ๑    ᥀      ᖗ        ଓ   ৴.    ৩   ↯    ᤩ   ८   १   ഽ   ˘   ˇ   ৩    ও   °.     ୭   ꜜ   ೨      ⃞      ৡ   ২   ᘘ   ﹢   ᖘ   ﹙   ﹚   ₍   ₎   ণ    ั   ر   ⃕み   ١⠀ﻬ   ७   ۫   ૬   ᝰ   ⋆   ⌒   ✶   ঌ   ᔉ   ۵   ५   ✷   ༄   ˓   𖥸   𓄻   𓏧   ⌁   ꗃ   ꈍ.  ᨒ   𖥻    爱   ᠈    ꐑ    ꗃ    ᨵ    𓈈 ⬫   𓍯    ⩩    ♡̶    ！    ʾʾ     ₍ ᐢ..ᐢ ₎    ՙ 𖥨   ›    ⤛   ⤜     ๋     ֢     ָ֪֢     ໑ 命   ୧    ⬪    ʚ    ୫     𖠿    ៹    ᥫ᭡  .̑    𖠵    𝅄    ˓˓    ⌯    𓍼   ⸼   ☓ ﹫   ー  ꣹     ⋄     𓍢     𐄂     ⍈    𐇵    ⎙⩇⠀⠀⠀𓄹ִִִִִִ⠀⠀   ⠀⠀ふ⠀⠀⠀⠀⠀˓⠀⠀˓⠀⠀  ✿⠀⠀⠀⠀՟ ⠀  ─ ⠀⠀·⠀·⠀·⠀⠀⠀⠀ᘝ⠀𝆞⠀⠀⠀⠀“⠀⠀.  坦⠀ᘜ⠀⠀   ⠀⠀▸ ⠀◃   ⠀

like or reblog, thanks <3

one of the rare things I genuinely do not like about the foxes is the way they all treat kevin.

like, I would genuinely get aggravated while reading some scenes where they down played or just called kevin an asshole and would have to take a small breather.

just the way kevins problems are just pushed to the side and is just given his alcohol to keep him quiet and calm him down breaks me in a way i can't even describe.

idk, I might be crazy but kevin deserves better.

not saying that the foxes suck or anything.

I just really hate the way everyone treats kevin day.