wardenwyrd - Grimoire of A Witch
Grimoire of A Witch

A writer with their grubby hands dug into fantasy | Avid enthusiast of all things spooky and queer | She/They

23 posts

I SAY I WANT YOU INSIDE ME AND YOU SPLIT ME OPEN WITH A KNIFE: Web Weaving For Graves X Warden

I SAY I WANT YOU INSIDE ME AND YOU SPLIT ME OPEN WITH A KNIFE: Web Weaving For Graves X Warden
I SAY I WANT YOU INSIDE ME AND YOU SPLIT ME OPEN WITH A KNIFE: Web Weaving For Graves X Warden
I SAY I WANT YOU INSIDE ME AND YOU SPLIT ME OPEN WITH A KNIFE: Web Weaving For Graves X Warden
I SAY I WANT YOU INSIDE ME AND YOU SPLIT ME OPEN WITH A KNIFE: Web Weaving For Graves X Warden
I SAY I WANT YOU INSIDE ME AND YOU SPLIT ME OPEN WITH A KNIFE: Web Weaving For Graves X Warden
I SAY I WANT YOU INSIDE ME AND YOU SPLIT ME OPEN WITH A KNIFE: Web Weaving For Graves X Warden
I SAY I WANT YOU INSIDE ME AND YOU SPLIT ME OPEN WITH A KNIFE: Web Weaving For Graves X Warden
I SAY I WANT YOU INSIDE ME AND YOU SPLIT ME OPEN WITH A KNIFE: Web Weaving For Graves X Warden

I SAY I WANT YOU INSIDE ME AND YOU SPLIT ME OPEN WITH A KNIFE: web weaving for Graves x Warden

Le Cid, Pierre Corneille tr. A.S Kline / Brutus, The Buttress / The Prestige, Hanif Abdurraqib / The Good Fight, Ada Limón / Luis Caballero / vulnerability, a.j. / Catherynne M. Valente / The Recovering: Intoxication and Its Aftermath, Leslie Jamison / Let Us Believe in The Dawn of The Cold Season, Forugh Farrokhzad tr. Sholeh Wolpé / The Book of X, Sarah Rose Etter / Jenny Holzer / Love via Purpose, I.B. Vyache / Closer, Nine Inche Nails / The Asylum for Wayward Victorian Girls, Emilie Autumn / Start Here, Caitlyn Sieh / To Kill a Kingdom, Alexandra Chirsto / I'm Not Calling You a Lair, Florence + The Machine / Bloodsport, Yves Olade

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More Posts from Wardenwyrd

8 months ago

the great thing about medieval literature is that it returns us to a time when men were men and women were women, *insert gritty realism gif here*, featuring such important and eternal gendered characteristics such as

(M) Why Would I Learn To Think Critically When I Could Find a Random Damsel In The Woods To Tell Me What To Do

(F) Demands To Be Brought The Heads Of Her Enemies

(M, to F) Be Mean To Me, No, Meaner Than That

(F) Meticulous Maintenance Of Social Connections And Alliances Via Writing Letters

(M) Crying

(M) More Crying

(M) Even More Crying, While Being Held Tenderly By Brother In Arms

(F) Necromancy

(M) Meticulous Maintenance Of Social Connections And Alliances Via Mistaking Friend’s Identity, Attacking Him, Then Kissing And Making Up

(F) Expert Medical Practitioner

(M) Self-Care By Episodes Of Madness In The Woods

(F) Owner Of Haunted Castle


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1 year ago
Homer used two adjectives to describe aspects of the colour blue: kuaneos, to denote a dark shade of blue merging into black; and glaukos, to describe a sort of ‘blue-grey’, notably used in Athena’s epithet glaukopis, her ‘grey-gleaming eyes’. He describes the sky as big, starry, or of iron or bronze (because of its solid fixity). The tints of a rough sea range from ‘whitish’ (polios) and ‘blue-grey’ (glaukos) to deep blue and almost black (kuaneos, melas). The sea in its calm expanse is said to be ‘pansy-like’ (ioeides), ‘wine-like’ (oinops), or purple (porphureos). But whether sea or sky, it is never just ‘blue’. In fact, within the entirety of ancient Greek literature you cannot find a single pure blue sea or sky

—Maria Michela Sassi, "Can we hope to understand how the Greeks saw their world?" (pub. Aeon) [ID in ALT]


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1 year ago

WtW Character Event | Day 3, Representation

Redwood Witch, Branwen [She/They]

WtW Character Event | Day 3, Representation

Once a child overflowing with volatile magic, now a witchling no longer, scars run through her soul; even the unbreakable constitution of a Redwood proved not enough to withstand the power that swelled inside her.

Black | Disabled | Chronic Pain | Amputee | Aroace | ADHD

The one and only MC of my (yet to be named) WIP! Disability is one of the main themes tackled in this one and how it intersects with other things.

A little backstory :

Branwen belongs to the Redwood Witch family, a crest renowned for their resilience and vigour - born with magic unbelievably potent and overflowing. The problem: it was far too great for her body to withstand.

The cost of liberating the swelling power: most of Branwen's left arm, and a not so small portion of her soul left scarred.

The lurid golden light cracked from her skin, pressure pooled into one area to spare the rest of her. A magic so bright and hot it approached divinity - the parts it touched incinerated to their barest components. Few things can leave scars on souls, and this was among them.

What was burnt away by the deluge of magic couldn't merely be healed with magic: the associated soul and essence was gone for the injuries, rendering such spells inept. Like her crest's namesake, however, Branwen persevered.

Something lingered, though, growing as years went by: a self-wrought curse. Souls are constructed from an essence; under normal circumstances it stays confined to that structure. The parts of Branwen's soul that broke down to their building blocks latched onto the expelled energy. It was barely a concept, at first. Yet the more it tangled over time the knot grew, until a curse was born.

"Cursed by the very power that constitutes you? You witches really are a ruckus"

Branwen's disability is comprised of a lot of different factors, augmented and added to by her curse, and also the cultural implications for both in setting. It's really interesting to explore disability in a fantasy setting for me and how it's navigated.

One of my fav OCs and you'll be seeing a lot more about them down the line !!!


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8 months ago

Whats the history of executioners as a societal class? Im ready

In some cases, butchers were roped in to become executioners, or convicts were offered the job as an alternative to their own deaths. But typically, executioners came into the jobs through family ties; most in the profession were men whose fathers had been executioners before them, Harrington explained. Even the diarist Schmidt was descended from an executioner. His father had unwillingly received the job when randomly ordained by a prince as a royal executioner. 

Over time, this passing of the baton from father to son created what Harrington called long-standing "execution dynasties" that spread across Europe during the Middle Ages.
But the existence of those dynasties also reveals the poor image executioners had at the time. People were trapped in this family cycle of employment because, in reality, they had few other opportunities to work, according to Harrington. People whose professions revolved around death were people that the rest of society did not want to associate with. So executioners were typically consigned to the fringes of society — and even forced to literally live at the edge of town.
"People wouldn't have invited executioners into their homes. Many executioners were not allowed to go into churches. Marriage has to be done at the executioner's home," Harrington said. "Some schools would not even take the children of executioners." 

This social isolation meant that executioners were left to consort with others forced to occupy society's underworld, "undesirables" such as prostitutes, lepers and criminals. That only boosted public suspicion of executioners and their families.
Executioners, therefore, were a conundrum: crucial for maintaining law and order, yet shunned because of their unsavory work. "Attitudes toward professional executioners were highly ambiguous. They were considered both necessary and impure at the same time," said Hannele Klemettilä-McHale, an adjunct professor of cultural history at the University of Turku in Finland who has studied representations of executioners.

this article provides a pretty good quick but in-depth summary on the subject. it's a really interesting case study in social exclusion and class/caste system dynamics!


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1 year ago

submissive in the way a livestock guardian dog is submissive to the sheep it kills wolves for


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