So I Just Saw A Post By A Random Personal Blog That Said Dont Follow Me If We Never Even Had A Conversation

So I just saw a post by a random personal blog that said “don’t follow me if we never even had a conversation before” and?????? Not to be rude but literally what the fuck??????????

I’ve had people (non-pornbots) try to strike conversation out of nowhere in my DMs recently, and now I’m wondering if they were doing that because they wanted to follow me and thought they needed to interact first. I feel compelled to say, just in case, that it’s totally okay to follow this blog (or my side blog, for that matter) even if we’ve never talked before.

Also, I’m legit confused. Is this how follow culture works right now? It was worded like it’s common sense but is that really a thing?

edwin and charles' first kiss should be while they are arguing in the storage closet. you agree.

When i think of myself i think that i’m either weird or chaotic, but some other people have said that i’m also sweet. I think that’s mostly because i bring them cookies sometimes.

God, this is so good. I’m so attached to this story and i don’t think i’ll even let it go again, it’s just that good. The culture is seeping through everything and even though this is written by multiple people it’s better than some other stories i’ve read. Not to put down other stories, for course not, i love any fanfic. But this, this is gonna be my favorite for a long time, probably gonna be my favorite of this fandom. It doesn’t even seem to be at the main plot (them getting together I assume) and i’m hooked. Like mate, you should keep it up i’d read anything even half as bad as this. Like even if i wasn’t in this fandom i would enjoy the amount of thought went into this. Please be proud of yourselves because hot damn, I love it.

Restaurant owner/chef Charles / Food critic Edwin AU!!!

So, I just thought of this AU and I am so jazzed about it that I need to drop this idea somewhere so it can become a 100k fic I can devour in one sitting asdfhfhfhf

In an ideal world I’d want to offer the floor to someone Desi to run with this idea, or to collab with me on it because I want to do Charles' food and culture and relationship with his mum justice. I’ve only been adjacent to the restaurant business (my family ran a small café for a bit and I worked there, and I have a family member who did culinary school, so).

I just know that this idea has Arrived in my brain and I can’t just let it sit in there unattended, asdjfjfjf

I'm tagging @nix-nihili and @queen-of-hobgobblers 'cause I feel like this will be up your street???

Okay - so Charles and his mum own a small Indian restaurant. It’s a family business and his parents ran it together ("together") before. Charles’ father was incredibly controlling about the menu, their community partners and suppliers, as well as pretty much every other aspect of the business (and their lives, behind the scenes). Now Charles’ father is out of the picture—I'm undecided how this happens, but I just think Charles deserves to live an unfettered life without Mr. Rowland hurting him anymore, tbh.

He gets to rediscover the joy of cooking together with his mum, cooking as freely as he wants and not being held back by his dad's expectations, refreshing the restaurant's menu to feature more authentic versions of the dishes, making connections with new suppliers, redoing the accounting to pay everybody a living wage... Just generally, like, revamping the entire restaurant to be a more joyful place to be that celebrates delicious food and companionship as a form of connection and sharing. Edwin is a food critic who goes to the grand reopening of the restaurant. Edwin likes to write about and document food. He enjoys experiencing a restaurant and its food possibly even more than the tasting of it. He presents like the uptight, exacting sort of food critic restaurants are intimidated by, with his many layers and his bow tie and his posture and his perfect hair, his little notebook and his vintage pocket pen. But inside he just wants to be able to feel some sort of a connection: with the chef through the food (What is the dish trying to tell him?); with the other person at the table—if there is another person, which is so rare.

Family mealtimes for Edwin growing up were distant affairs, overly formal and stilted and coded, minefields for being scrutinized and speaking and acting in only the most acceptable ways; not places to be honest or genuine or to let one's guard down. Certainly not occasions to experience genuine enjoyment. He wants to believe that food, which is so vital to life, and the preparing and the sharing of it, can be different. Positive. Joyous.

Charles gives Edwin a tour of the restaurant when he arrives. Charles is not like a lot of other restaurant owners Edwin has met. He introduces Edwin to his mum and the way he looks at her makes a pang go through Edwin's chest because clearly, they love each other so much, and Edwin may have never had that but just looking at it heals something in him. He's not getting invested, though. (Right?)

Charles' enthusiasm is like, off the charts. He's practically vibrating, to the point where excitement tips over into anxiety, clearly trying to keep it toned down and failing. And Charles is like, "I'm sorry. Just a bit nervous, yeah? I really care about this place. I need it to—I mean. I really want it to do well."

Edwin's heart goes out to him. "Do not worry," he says, softly. "I am not here to hurt you." He doesn't know why he says it but all the tension goes out of Charles, the slightly frantic look goes out of his eyes, and he gives Edwin the brightest smile he thinks he's ever seen. It's a gorgeous smile. Relieved, and carefree, and warm like sunshine.

"D'you want to try some food?" He says it almost conspiratorially, as though this is not Edwin's primary and entire purpose in being here.

Edwin looks around the quiet, empty restaurant. It's cozy and warm with mid-afternoon sunlight streaming in through the windows at the front. Even without any patrons, without the din or bustle of a full dining room, it seems to beckon to foster shared happiness within it. "I was under the impression that I would be partaking of your dinner service this evening," he says delicately, trying to hide that he might actually want nothing better than to never leave here at all, let alone try some food.

"Well, yeah," Charles says, "'course you are. But this is different, innit? Not for the article. Come on, let me cook for you. You look like..." He stops. Perhaps considering if he's about to say too much. His eyes are bright and thoughtful and fixed on Edwin so intently that Edwin doesn't breathe for a moment. "You look like no one's cooked for you in ages." It comes out soft, but firm; as though he knows what he's talking about. Edwin feels like the wind has been knocked out of him.

"No one has ever cooked for me," says Edwin matter-of-factly.

He has no idea what it is about Charles that makes him admit something so honest—although it is not entirely accurate. His family had had a personal chef. Technically speaking, all of Edwin's meals had been cooked for him, until much to his parents' chagrin he went off to a student flat, and culinary school, and began to cook them for himself. But he suspects that no one has ever cooked for him, the way Charles Rowland is offering to now. Properly. Like it means something. Like he is trying to say something through it; unspoken words that Edwin has always wanted to hear.

Let me know you. Let me connect with you. Let me take care of you.

Charles' eyes widen. Clearly, he is trying to process Edwin's bleak admission. "Right," he says, after a beat, as his posture gains something determined; his grin bright and charming. "That settles it, then. I know exactly what I'm going to make you."

And before Edwin can say anything else, he's taking Edwin's hand in his and tugging him towards the kitchen.

rb to stare at a mutual like this:

Got bored while working on a fanart of charles, messed around and got this