ME TOO!!!

ME TOO!!!

Should I make it into a oneshot?

YES ID READ IT ‼️‼️‼️

AND MEE!!!! DONT FORGET ME BBG 😍😍😍

Dante Sparda X Leon Kennedy is a valid ship!

Requested by @d3vil36

and it would be like either during the funeral in the bathroom

or it would be months later where he like comforts u slowly and teases u and eventually you like succumb to him??

one or the other... hes a nasty one 😍😍

i dew think leon would be the type to let a coworker die if leon really liked said coworker’s waif…. laik ohmggee! sosoery for ur loss, a zombie got to him and i was too late💔💔 can i tap that

louder for the people in the back!!

re fans being hypocrites - episode one.

i’m literally going to write out this scenario

“wow, leon is just so attractive. there’s something about him, it’s gotta be the selflessness and the will to help everyone else. also the hair, and the adam’s apple, and the eyes and the NOSE, THE NOSE THE NOSE THE NOSE THE NOSE!!!!!! and the lips, the jaw, the cheeks, the forehead, the moles, the adam’s apple, the adam’s apple, the stoicism, the body, the legs, THE ARMS, the hands, the fingers, the nails, the back, the ASS!!! plump mm. yummy, the hair, the lashes, the bushy eyebrows, the arm hair, the feet, the clothing”

“umm… you’re sexualising him. that’s why we all hate leon dickriders”

and THOSE same people will post ada edits.

zooming into her boobs, modding her bending down, making her boobs bigger, making her ass bigger, making naked mods, blah blah blah.

now that, according to them, is NOT sexualisation. acknowledging a conventionally attractive man however, is!

anyway i may write for re but NEVER consider me apart of the fandom. ever, ever, ever. to those who are nice, i love you. to the ada (THOSE ada stans who base her entire character off of leon and act like they’re a couple) stans, i hate you.

also to all the aeon/cleon/leshley fans out there, is it so hard to just… i dunno, stop forcing people to like what you like and use the excuse that “they’re canon” even though capcom has never explicitly said that?

19 REASONS WHY VALENFIELD IS CANON.

fight me hoe 😍😍

A Resident Evil Analysis

Chris & Jill's relationship in RE5

Disclaimer: This is simply an analysis on how I perceive their relationship in Resident Evil 5. Some of what I say may be canon, other things not, if you're curious on whether or not smth I mention is, feel free to ask me. With that, enjoy if you read!

Scene 1: Chris learns Jill is alive through the Delta File:

When we see Chris's initial reaction, not only is he shocked, but so are we. Could it be? Jill is alive? Chris's face is painted with pure shock and distraught. Yes, he's suspected it all these years, but to actually see it is true is surprising. Chris finally has a shot at seeing his life long partner again. In this scene, I perceive it as Chris in utter amazement, a sense of gratefulness is added to this scene. All along, his instinct has been true.

Scene 2: Chris is willing to leave Sheva behind to find Jill:

Here, we witness an act of loyalty. Pure loyalty. It is not a crazy thing to believe Chris would leave someone behind to find Jill, despite his compassion. While, I don't believe he was fully going to leave her behind, Chris isn't like that, I portray it as rather him testing Sheva and actually being willing to proceed on this mission, even if he's alone on it. This particular scene simply goes to show how much Jill means to him, he's ready to go even deeper into Africa just to search for her - Alone or not. I perceive this scene to show just how honest Chris is to Jill, ready to blow through crowds for her.

Scene 3: The Marshlands:

Chris and Sheva are seen on a rugged boat, flowing through the Marshlands on the outskirts of Kijuju. The cutscene opens with them discussing Jill and the Spencer Estate incident. Sheva is quick to point out Chris & Jill were close. Now, even Sheva notices that. I think in this scene, she realizes who Jill really is to Chris. She isn't just a partner nor a friend, she's more than that to him, Sheva respects that and is ready to help Chris out. Chris also tends to be quite secretive about Jill here, not going into too much depth about her. I view that as an act of respect and love for her, but not only that, the topic is clearly an emotional one for him. I perceive it as Chris not wanting to go that far yet, he still needs time to process the fact she's even alive and possibly well.

Scene 4: Spencer Estate Flashback:

We get to see a Spencer Estate flashback in game, rather than just in Lost in Nightmares. It's a series of flashes, displaying different events that play out in the DLC. I'm specifically going to discuss Jill sacrificing herself for Chris though. Dying for your partner is the ultimate act of love and loyalty. You don't just die for anyone. We get to see the utter despair plastered on Jill's face when she realizes Albert is truly about to kill Chris. It's like a reflex. She tackles Albert out of the lengthy window and down the cliff of depression. Not only do we get to see a blue look on Jill's face, but Chris's too. He's just witnessed the 'death' of someone he deeply loves and cares for. The way he calls out her name, it's full of anger and pure sadness. Losing her caused Chris to lose himself. I perceive this as a way to further explain their bond and how deep its roots are.

Scene 5: The capsule:

Chris and Sheva finally reach a point of possible relief. The sound of nerve wracking buzzing is heard as the large, grey capsule treads way towards the two of them. Sheva seems a bit off, as if she's ready for the unexpected whereas Chris is literally still-like. He's ready, ready for Jill. He's training every bad thought to be good ones, attempting to commit mind over matter - The matter being there's an extensive chance Jill's not truly inside of said capsule. The loud dissipating sound of the capsule opening encaptures both of their attentions quickly, especially Chris's. He stares at it with intent as it opens, his skittishness uprising. Then quickly fading. She's not there. Lividness conspires within in his head. He's enraged. He just wants her already. I perceive this scene as a way to display how eager he is to get her back to him, where she belongs.

Scene 6: It is worth it:

We see Excella, that evil bitch, on the big screen now. Her accent confuses the two of them, but keeps them on their toes. Her words only make Chris more disturbed and feisty, same for Sheva, but most likely in a different way. Chris wants to hurt Excella, hurt anyone whose hurt Jill. In this scene we hear Excella say, "There's nothing here worth throwing your life away for." Then the screen cuts to an image of Jill and how she currently looks. I take this as, yes, Jill is very much worth throwing his life away for. Chris would die for her just as she did for him, or so he thought. I perceive this is a hint to the players that Chris would do absolutely anything for Jill.

Scene 7: Excella mocks Chris:

We officially see Excella (And Jill) in person, although, they are behind a thick glass panel. Excella and Chris share some nasty banter but there is a certain line that Excella says that always has me thinking. "Jill, Jill, Jill, you're like a broken record, you know that?" Here, Excella is mocking for Chris for constantly speaking about/of Jill. Excella most definitely takes into account the fact Chris has something with Jill, or that he at least very much cares for her. She mocks him often regarding Jill, she's similar to Albert in the sense of her taunts. I find this line to be interesting because to me, I take it as everyone sort of notices how much Chris fixates on Jill, even outside of this mission, just in general. I perceive her line as a form of mockery, of course, but also possibly a form of admiration. Albert doesn't like Excella clearly, so maybe seeing a man caring for a woman, since Excella sort of seeks that, it can be admirable or envious.

Scene 8: Reveal:

After all these years, he gets to see that awfully familiar face again - Jill's. When Jill officially reveals herself, it's as if an electric wave flows all throughout Chris's body. He's naturally stunned and rightfully so. There are so many emotions roaming wild throughout his mind. She's okay, she looks different, she's suddenly evil, is she herself still, etc, etc, definitely so many emotions. Honestly, Chris looks as though he's going to break down sobbing. His eyes become so damn soft when looking at her, they don't do that, not with anybody else. He slowly puts his gun down, not wanting to place her in harms way either. I perceive this scene as showing how much Chris truly missed her, which was immensely.

Scene 9: Albert's turn to mock them:

When Jill is on top of Chris, on the staircase of the Tricell base, Albert steps towards them, a malicious leer forms on his face. If you have CC on (Captions) you actually get to see Albert call them 'partners' which to me, indicates he knows they're more than that. Albert isn't stupid. He's been there since day one. Even in RE1, I've always found it odd how he speaks of Chris & Jill, as if he knows something. In RE1, he refers to Jill as Chris's beloved, now he does the same in RE5. Albert knows how much she means to Chris, hence why he uses her as a puppet to get back at Chris. It works for him in the end. I perceive this as Albert using Chris's love for Jill to his own abilities.

Scene 10: Jill resists brainwash:

Chris calls out to Jill whilst she's pinning him down. He's desperate to get the true her back. This demented version obviously is not her. He's determined. You can tell Jill is trying her best, and, she ends up being able to push through the brain wash and literally resist it. This woman resists three n a half years worth of brainwash just for Chris, calling his name out and pulling herself off of him. She even shows off the P30 device on her chest, attempting to show Chris what he needs to do. Him being the smart guy he is, he catches on. I perceive this as Jill's love shining through for Chris, their friendship and relationship playing through her mind, giving her the strength to resist the brainwash. It was remarkable.

Scene 11: Chris yells at Sheva:

During the actual battle with Jill, one on one and you have control, Shevas AI or whomever is playing as her can actually injure Jill. In game, you're supposed to simply toss Jill around, then try to remove the red device from her chest, but there is also an option to shoot her, which will end up leading to her death, then you must restart. If you're playing as Chris, and either the AI or your friend as Sheva begins to shoot Jill, Chris will indeed yell at her. He'll say, "Don't shoot, you're gonna kill her!" "Don't shoot, please, for me." His pleas cause your stomach to twist. This is a man begging to keep his best friend/lover alive. You can hear the desperation in Chris's voice even. I perceive this as a way of showing how needy Chris is to keep her alive and well, all he wants to do is save her.

Scene 12: Mid battle:

Throughout the battle, Chris is rather gentle with Jill. Of course, he has to be a little rough at times. He doesn't want to be, yes, but he has to in order to save her at all. Whenever Chris is on top of her, taking hold of the device and trying to remove it, he's not hard on her. He's very caring. He doesn't just yank it off, he makes sure it is removed with care and essence. When Sheva is holding Jill and Chris has to remove the device whilst standing up, it is all the same. And right when she falls after the device is tossed away, Chris is at her side, holding her in a means to comfort his loved one. I perceive Chris's gentleness as a way to inform Jill there's no harm involved, only love.

Scene 13: He holds her:

This is the scene of all scenes. Chris is finally able to re-embrace the one he's been searching for all this time. The second Jill hits that hard, cold ground, Chris is out to her rescue. In a panic & a rush, Chris quickly lifts her into his arms, his eyes shooting all over til they suddenly settle on her pale, crisp face. Jill is officially conscious in the sense of her old mindset. Could it be? She's really okay? Her eyes find their way to Chris's worrisome face, they soften once she finds it. She calls out his name, so happy to finally see him after all these years. Despite it not being on her, she apologizes for the actions that were in commence not even a minute ago. Chris doesn't even care. He's just filled with glee at the fact he's found Jill. Their embrace is short lived, but so very meaningful, too bad there is evil all around them. I perceive this entire scene as a way to show how strong their relationship is, even after all this prolonging time.

Scene 14: Millions will die:

Chris ultimately helps Jill up, still keeping his hands on her soft, toned body, wanting to make sure she is stable. Jill begs him to end Albert, she's desperate for it. There is no other way. Chris fucking admits that he doesn't care if millions will die, just as long as he can save Jill. If that doesn't prove that man's God damn love for her, I have no clue what will. She grips onto Chris, telling him he's the only one who can - He is the only one she trusts. Hearing how much this means to Jill awakens that primal side in Chris, he's set to end him not only for her, but for himself and the world. Their eye contact the entire time, from the moment he holds her, has been so intimate. It's clear how much they've missed one another. Sadly, Chris must leave Jill behind for now, as she is not suitable to convey further with them. I perceive their banter in many ways here. Loving, loyalty, trust, assistance, altruism, care, it's all shot in our faces.

Scene 15: Passing out:

Once Chris leaves the vicinity, Jill's left all alone. This scene is right before the Desperate Escape DLC plays out, which features Jill & Josh on a journey to get out of the Tricell base and over to Chris & Sheva to save them. Doug also plays a minor yet melancholic role. Though, as Chris & Sheva exit, Jill begins to feel weasy. We get to see her stumble about, her eyes dreary and fighting to stay open but they fail. As Jill hits the hard ground once again, her final words are "Chris..." He is the one thing she thinks of right before she blacks out. It's him, no one else. He's been on her mind all of this time. She's worried for him, she seeks out a refuge in her mind to help her cope with the reality he's gone and off to murder Albert, as he should. In the beginning of the Desperate Escape DLC, Jill's first words when she awakens are also Chris's name. Both times, it's him. I perceive her words as a display of affection and worry, she's timid about this all. She's worried for Chris, now she needs him alive.

Scene 16: Helicopter:

Jill tosses down the ladder for Chris & Sheva. Albert is about to die, after all this time! Jill, being the kind soul she is, helps Sheva up with haste, then Chris, her soft, warm hands touch him, her eyes longing on him momentarily before fully helping him onto the platform inside of the chopper. Once he's just about in, Albert shakes the copter, causing all of them to be tossed around. If you look closely, you can see Jill holds onto Chris and vice versa. They were right beside one another, why wouldn't they? Plus, they want to protect each other, make sure they both make it out of this hell hole alive. Their hold on each other is minor, but present. It's an act of care. After Sheva & Chris take care of Albert for the final time, they all take a glance at each other in disbelief. Although, out of all the stares, Chris & Jill's is the longest and most passionate. It felt real. Intimate. It's a look of 'at last', and they actually get to share it. I perceive their embrace and gazes as affectionate. Despite the ruckus, they remain all the same.

Scene 17: End of the main game:

They're all sat down quietly, none of them saying a word til Sheva speaks up. Once they're done speaking, Chris & Jill exchange a final look. The way Jill's gleams at Chris is spectacular. It immediately shows how chipper she is to be back with him. She feels as though she's in debt to him, but Chris'll never ever make her feel that way purposefully. Chris thinks about if it is all worth fighting for, then the camera pans to Jill right before he thinks, "Yeah, it is worth fighting for." I've always took this as a sort of oath. An oath to fight no matter what for Jill and others he cares for, such as Sheva. It's a oath of honor, which Chris deserves a lot of. No matter the condition, Chris will always fight for Jill. I perceive this as a pact, of course.

Scene 18: Her death:

If you read Chris's file in RE5, you learn a lot about how he was after Jill's saddening death. To begin, he was relentless. Day and night, he was searching for her. He tried everything he could to make the BSAA search longer than three months, but they have a protocol. Once she was pronounced dead, Chris went to her grave, he went to it often even, and he'd leave flowers there for her. Those flowers have a deeper meaning, some mean love, care, loyalty, respect, all in which he has for Jill. Besides that, as her grave, he made many promises to her that we know nothing of but one can assume they were things such as "I promise I'll find you." Or "I promise our life will be okay once you're home." And more. True promises he's surely kept. Another thing, after Jill's so-called death, Chris picked up hundreds of missions, all in hopes of finding her. He even declined working with other females, but he had to with Sheva and he was willing to considering his suspicions that Jill was in Africa. All in all, Chris was obviously lost after Jill's disappearance. He went to the ends of the Earth for her. He loves her. I think he even needs her. His love for her is different than his love for any other. I perceive this all as a way of Chris coping, all of it. It's too hard for him though.

Scene 19: Post RE5:

After the events of RE5, we aren't given a whole lot of info for a while. First things first, we know Jill is in Rehabilitation, specifically, physical therapy. This makes a bunch of sense. She's withered down since the Spencer Estate incident. She's been kept weak for so very long, she'll need a whole lot of time to recover. The BSAA also runs countless tests on her, trying to figure out the whole progen virus and how it has strained from the Plaga first introduced in RE4. Besides that boring stuff though, we learn Jill's kept in touch with Barry. Barry mentions the three of them ought to go for a drink soon, which is sweet in hindsight. The gang getting back together, Chris and Jill being able to let loose and be free momentarily. Sounds like Heaven. We do learn that Chris helps to retrain Jill somewhat, considering that's part of his job as a BSAA captain. It's sweet, it's like old times, how he used to do it back when they were in S.T.A.R.S. I won't get into Death Island at all, as much as I'd like to, I cannot. That's for another analysis but their relationship is further explained as in post RE5 in DI. I perceive their relationship after RE5 to be close and distant all at once due to Jill's guilt and trauma, sadly, that is how it is sometimes.

A little thank you if you read this far:

Thank you! This took me quite a while to write so the fact you read means so much. If you have any input or questions, feel free to ask in the comments or in my ask box.

Next analysis: ???

re and tomb raider?? 😍😍

The sweetest peach

leon kennedy x lara croft

🌹content: 18+, mentions of smut, mostly fluff, sweetness, early mornings, two folks in love, pretty short because it’s 4am and i’m tired.

It was that rainy ambience pattering against the window, creating an atmospheric tranquility too surreal to describe. Early, yes; just before dawn. Leon watched Lara as she slept, his azure irises coating each and every feature of her face and his pupils dilating at the mere sight.

Oh, she was so pretty. The smooth locks of dark auburn hair framing her head, her long lashes kissing the freckles among her cheeks leading up to the bridge of her nose and her rosy lips were slightly parted with each silent breath that left them in her sleep. She was like Audrey Hepburn, the purest form of natural beauty.

Leon lifted his hand, brushing his fingers against the warmth of her cheek and counting the constellations imprinted deep into her skin. His heart skipped a beat, knowing the very woman he felt safest with was his.

She was home. She was what he looked forward to coming to, she was an angel with invisible wings, taking his breath away with only a simple glance of the eyes he managed to get lost in every time. Only a shame they were currently closed — not that he minded much.

Yesterday was a blur, they’d had an eventful date that was cut short because he found himself pressing her against the door of their home, kissing her until they were both breathless, taking her apart completely.

His eyes assessed the bruises he’d left on Lara’s skin, some marked with deep bites, and she hadn’t left his skin a clear canvas either. Littered with hickeys of her own and scratches so raw they’d stay for days, but he liked the pain, because she was the one giving it to him.

Leon had been like this since he’d woken up (an hour ago) he must’ve really worn her out given she was typically the early bird doing the exact same to him as he leaned in closer and pressed a gentle kiss beneath the small expanse of her eyebag, then rested his chin above her hair, taking in the sweet scent that was engraved deep in his memory. The scent that was uniquely her.

It was only a matter of time when Lara began to shuffle with a small groan, her lids fluttering open to see that her face was buried in Leon’s neck. His adam’s apple pressing against her forehead while she smiled. “You woke me up, doofus.” She mumbled tiredly, no bite in her tone, much more love.

Leon looked down, the sky meeting the Earth as he held eye contact with her. The smile on her lips enough to bring one of his own, and to send butterflies flying around in his stomach.

“Yeah?” He replied, voice a deeper octave. “Couldn’t help myself, pretty. Missed your voice.”

That was another thing Leon could go on and on about, her voice. It was higher in pitch yet accompanied with an English accent, so exotic that it was enough to excite him. Nude bodies and fresh minds, silk soft skin pressing together and appeasing to their sentiments.

Lara climbed atop him, her perky breasts brushing against his toughened chest and he could feel how erect her nipples were from the cool air. Pointy enough he almost wouldn’t mind if she nursed him or something, the pretty pink pigment matching the casual flush that appeared on her cheekbones while his calloused hands slipped down her narrow waist and he sighed in contentment.

“You’re insufferable.” Lara chuckled, nuzzling her face into his neck while goosebumps formed on her porcelain skin beneath the touch of his fingers.

“Hey, I try.” Leon joked frivolously in hopes of extracting more of her breathy giggles that were more than enough to have his dick getting hard again despite the fact that she’d drained him dry last night. Well, morning wood was a reoccurring situation when he was in bed with her and she felt him against her thigh, her dainty hands coming across his chest and the manicured nails brushing his skin while she slowly moved down.

It’s safe to say the neighbours weren’t pleased.