IN-GAME CINEMATIC - Dragon Age: Dreadwolf

IN-GAME CINEMATIC - Dragon Age: Dreadwolf

[source]

"Who is The Dread Wolf? This work in progress cinematic from Dragon Age: Dreadwolf tells the story of Solas. Narrated by the dwarf Varric Tethras." [source] The related blogpost describes it as a "key cinematic."

Y'all ever experience Depression™️ and glue an entire pack of googly eyes to your vacuum robot?

People with most mainstream tastes imaginable should not open their mouth on how anti piracy they are btw. Yea no shit you can depend on legal sources to watch Marvel and listen to tswift and Maroon 5. Thank you so much for signing the petition to close that platform that was the only one i could download this 2008 romanian dungeon synth ep from

The way the guy simply said ‘I am happy.’

And the other one came around with ‘But, Jesus-’, as though Jesus had ever stood in the way of anyone’s simple happyness and acceptance of self, as though Jesus hadn’t fought for society to accept and welcome their outcasts.

Sometimes, modern christianity really needs to look at how God said ‘Love everybody’ and at the point at which they stopped doing that.

This meme is inescapable on French insta so I'm posting it here for all to enjoy

uh hi so!

i wrote this webpage that walks u thru looking after yourself when you know a thought is making you spiral. deployed it publicly bc i wanted it on mobile and i thought other people might like it too

check it oot

OP, you can’t just lure us in with this loving information and then leave us without the title of the book(s)!! Give us the title!

I finished my Rome book and have now begun one about Pompeii. I’m 65 pages in and I already love it: yes, it covers the volcano, but most of the book is about “this is what the town and daily life of it would have been like, actually.” Fascinating stuff. Things I’ve learned so far:

- The streets in Pompeii have sidewalks sometimes a meter higher than the road, with stepping stones to hop across as “crosswalks.” I’d seen some photos before. The book points out that, duh, Pompeii had no underground drainage, was built on a fairly steep incline, and the roads were more or less drainage systems and water channels in the rain.

- Unlike today, where “dining out” is expensive and considered wasteful on a budget, most people in Pompeii straight up didn’t have kitchens. You had to eat out if you were poor; only the wealthy could afford to eat at home.

- Most importantly, and I can’t believe in all the pop culture of Pompeii this had never clicked for me: Pompeii had a population between 6-35,000 people. Perhaps 2,000 died in the volcano. Contemporary sources talk about the bay being full of fleeing ships. Most people got the hell out when the eruption started. The number who died are still a lot, and it’s still gruesome and morbid, but it’s not “an entire town and everyone in it.” This also makes it difficult for archeologists, apparently (and logically): those who remained weren’t acting “normally,” they were sheltering or fleeing a volcano. One famous example is a wealthy woman covered in jewelry found in the bedroom in the glaridator barracks. Scandal! She must have been having an affair and had it immortalized in ash! The book points out that 17 other people and several dogs were also crowded in that one small room: far more likely, they were all trying to shelter together. Another example: Houses are weirdly devoid of furniture, and archeologists find objects in odd places. (Gardening supplies in a formal dining room, for example.) But then you remember that there were several hours of people evacuating, packing their belongings, loading up carts and getting out… maybe the gardening supplies were brought to the dining room to be packed and abandoned, instead of some deeper esoteric meaning. The book argues that this all makes it much harder to get an accurate read on normal life in a Roman town, because while Pompeii is a brilliant snapshot, it’s actually a snapshot of a town undergoing major evacuation and disaster, not an average day.

- Oh, another great one. Outside of a random laundry place in Pompeii, someone painted a mural with two scenes. One of them referenced Virgil’s Aeneid. Underneath that scene, someone graffiti’d a reference to a famous line from that play, except tweaked it to be about laundry. This is really cool, the book points out, because it implies that a) literacy and education was high enough that one could paint a reference and have it recognized, and b) that someone else could recognize it and make a dumb play on words about it and c) the whole thing, again, means that there’s a certain amount of literacy and familiarity with “Roman pop culture” even among fairly normal people at the time.