18 Being A Beginning And An End - Tumblr Posts

4 months ago

ai-less whumptober; day thirteen

@ailesswhumptober 13 — using themself as bait, defiance, “Take me instead.” ↳ the refuge, 1896 word count; 1.3k

cw; mentions of death, panic attacks, dissociation

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Oscar only finds out it's his birthday when Snyder tells him.

He's brought into Snyder's office by a guard with a hand tight on his bicep, and he's expecting any of the usual reasons. Most likely that he's in trouble for some reason or another, almost equally likely that Snyder's just a lonely bastard who wanted someone to smoke with and talk to again.

But instead, Snyder smiles. Tight and utterly false.

"Happy birthday, Oscar."

Oh.

Oscar doesn't know what day it is, and had only half-guessed at it being October. But apparently he'd been right.

Not that him knowing what day it is would've helped him much. He doesn't know what day his birthday is. And Snyder must know that, or see it in his face, because he says.

"October 28th. A mere three days before All Hallow's Eve. How fitting for your birth."

Perhaps that should be another sign for Oscar. The fact that Snyder just told him, rather than keeping another gleeful secret, yet another thing he knows that Oscar doesn't. But there must be another secret somewhere, because Snyder is just looking at him then, expectant.

Oscar doesn't know what's being expected. He takes a guess.

"Uh. Thank you, Sir."

Swing and a miss. Snyder looks irritated, as if Oscar is the one fucking with him. He turns his attention to his desk and flips through some papers, not even bothering to look at Oscar when he speaks next.

"Well, your uncle will be here to pick you up soon."

And Oscar's world grinds suddenly to a halt.

For a moment, he's sure he'd imagined the words, or utterly misinterpreted them somehow. Maybe Snyder is just fucking with him still, a part of whatever weird joke this is. Snyder's always had a backwards, sick sense of humour — a consistent reminder he's hardly older than Oscar, when it comes down to it.

Well, less older now.

"Uh," Oscar sort of croaks. "What?"

Snyder glances up from his papers. "Are you stupid?" he asks calmly.

Oscar swallows. Hesitates.

"Your uncle," Snyder repeats. "He'll be here to retrieve you. I would recommend getting yourself organised."

"My—uncle."

"Yes, your uncle. Do you know what an uncle is, Oscar?"

"I—Weasel? Wiesel? My—my da's brother?"

"Correct."

"Why. Why—"

"It's your eighteen birthday, Oscar."

Oh. Oh.

"In fact, he first contacted me weeks ago concerning your release, but I informed him he would incur a fee for your release at that point in time. Bail, to be curt."

Oscar's head is swimming.

"But. But I'm eighteen now," he says, hardly above a whisper.

"Eighteen indeed. Your sentence is over."

Oscar feels. Dazed. Feels like the world has been pulled out from under him and he's floating, falling, spinning. He has to fight down some insane urge to start laughing, almost the same feeling as when Ma died. A tangled mixture of terror and relief and utter overwhelm.

But just as quickly as it had all started, it grinds to a halt.

"What," he says, breathless, "What about Mo?"

And suddenly all of his worst fears are lighting up like a fire when Snyder doesn't respond.

"What about Mo?" he repeats, more urgently this time.

"Your brother isn't even sixteen yet," Snyder answers calmly, gaze on his papers again. "He has a while to go."

"No," Oscar says. His stomach is on the floor, cold terror washing over him even as his gut burns. "No, no, no—"

"Go and gather your things. Eight o' clock, Mr. Wiesel said. He'll be here any minute."

"No! No, no, I don't wanna go, I wanna stay. I want—You can't make me leave Mo—"

Oscar has to be dragged out of Snyder's office. By the same guard who'd dragged him in, hold considerably more brutal now as Oscar kicks and fights and pleads. He can't stomach it. He doesn't want to go, he can't go — but as much as Snyder won't let anyone go if he can help it, he won't let anyone stay once he's no longer being paid to keep them. Oscar is worthless to him now. And won't be kept.

He feels the attention of the bunk room shift to him as he's tossed in, lands on the floor in a brutal skid that has his arm and hip grazed to shit by the filthy floors. He's still shouting.

"Os," Morris says immediately, running to him. Taking his hand. "Os, what happened?"

Oscar's eyes are burning. His chest is tight, lungs won't expand. He can't bring himself to look at his brother, but a larger part of him desperately wants to look at him, to stare at him, to commit every inch of his face to memory lest it be forgotten in two years.

Two years.

Oscar chokes a sob.

He knows everyone is staring. He knows he's much too old to cry. He's eighteen. He's eighteen now.

"Os," Morris repeats, real gentle. "Hey. Hey, it's okay."

"Get your shit," the guard at the door barks.

Morris looks up at him, and without his eyes on Oscar, Oscar finally dares to look at him. Sees the earnest confusion in his little brother's face, the crease in his brow, not understanding what's going on. Even when he does turn to Oscar then, that familiar dependency on his older brother for explanations. Oscar doesn't know how to explain this.

He chokes out another empty, breathless sound.

"Os, you ain't breathin'," Mo tells him quietly. "You gotta breathe. C'mon. Breathe—breathe."

"You don't get your shit, you're leavin' without it," the guard spits, and Morris. Pauses.

"Leavin'," he echoes. "Who's leavin'?"

Oscar wants to die. His stomach is rolling, throat so tight he can't breathe at all anymore. He squeezes Morris' hand so desperately he can feel every bone and tendon, will surely leave bruises behind — but then there's a distant shout and then the guard is moving, coming for him again. Heaves him up with that familiar grasp on his upper arms.

"We ain't got time for this," the guard grits out. "Got your new boss waitin' for you."

"No," Morris protests immediately, rising up to his feet as if to chase his brother as he's dragged away. He doesn't even know what's happening, and it makes Oscar feel sicker to know that it's Morris' instinct to protect him regardless. "No. No! Os ain't do nothin', let him go. Let him go!"

But if Oscar's protests had been utterly ignored, it goes without saying that Morris' will be too. He doesn't cut much of an imposing figure, even as he rises on bare tiptoes in a desperate bid to seem bigger. He trails the guard to the door, shouting all the while, and when the guard only keeps going, Morris starts to hit him. Insubordination that would usually always earn attention, earn the ire being turned to him.

But this time, it doesn't work.

"No!" Morris screams. "No, this ain't fair, where are you sendin' him? He ain't done nothin'! Take me instead! Take me!"

Oscar doesn't see the hit. He just hears the deafening crack and then the familiar thud of his little brother's body hitting the ground. Hears his screaming go quiet as the door is slammed and locked behind them. And Oscar is just forced to keep walking, coughing and retching, down the hall and the stairs to the entrance hall where his uncle is waiting for him.

He's largely unrecognisable. A bigger man than Oscar remembers. Better dressed. He's got a cigar in his mouth and a rough look on his face, one that almost twists to pity when he sees Oscar.

"Lord above," Wiesel mutters. "What they been doin' to you?"

Oscar doesn't speak. Can't. Feels utterly numb, the voices and sensations all washing over him as Snyder speaks to his uncle. Papers are signed. And then he's being exchanged, the hands of the guard swapping for the bigger, careless hands of his father's younger brother, taking that same grip of his upper arm to lead him once again.

"Right. C'mon."

Oscar doesn't have a choice. He never has.

He goes.


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