Eleanor Oliphant Is Completely Fine - Tumblr Posts

In the modern publishing landscape, these days, I think like we do not have many (if any) point-of-view characters with low social motivation for whatever reason.

Sure, there are lots of characters with social anxiety or other perceived or legitimate foibles to overcome, there are many YA villain origin stories, and there are many unpalatable, traditionally "unlikable" men in classics, but disregarding those, who else do we have?

Can the state of openly being alone (and content) rarely be presented as morally-neutral or as the end result of a narrative? Must it always be that either being alone is the starting point, so there's room for "personal growth," or that being alone is seen as "undesirable" and/or an indication that the person alone has a "problem" or something otherwise wrong with them, like a deficit or moral failing that in some kind of karmic way gives them "what they deserve," which is being alone and discontent with it?

Characters with society anxiety, any differences in communication, or other reasons that interfere with forging connections "don't count" because they may still be motivated. Traits such as these only stand in the way of gaining relationships, as plot obstacles. They aren't intrinsically tied to indifference or to low motivation. So, these characters clearly are not experiencing a lack of interest. And they are not the ones rejecting others. Thus, they "don't count" as far as the archetype that I'm looking for goes.

Characters who undergo villain arcs or otherwise negative arcs may want to maintain their relationships or gain them, so some examples are immediately disqualified (hence not having low social motivation), even if they are the type of character most likely to alienate themselves by a story's end, conflicting with what they wanted.

(Unfortunately, Coriolanus Snow, who is quite close to the type of protagonist I'm searching for "doesn't count" because he has some drive to keep people in his life.

Rafal Mistral partially "counts," and is satisfying as a character, but also doesn't count because he temporarily makes "friends" or allies, depending on how you look at his exploits. Yet, despite all this, not having friends isn't exactly framed as a morally-neutral state either, so he is also disqualified by the end. Basically, he does have low social motivation, but his narrative lacks the conditions that would make the natural consequences of that low motivation play out for themselves. He is always surrounded by people, even if he hates every last one of them.

And, generally speaking, the usual, moody-broody, "misunderstood" YA love-interests very easily "don't count" because they have a desire to get closer to their object of affection.

Even Katniss Everdeen, an overall good person, who usually views herself as "unlikable," befriends others, originally for pragmatic, survival purposes. However, she does start with low social motivation, so that's something in her favor.

And yes, I'm aware that we need other people in this world—I would just like to see someone prove that supposed truth wrong once. And perhaps succeed in their world, if that's not too much to ask for.)

Also, are there any instances of characters who progressively alienate themselves from others, in which that progression is not inherently seen as negative? Like, what about non-corrupt misanthropes? Are there few of those in literature? (Maybe—Eleanor Oliphant from literary fiction counts, but something about that book did not appeal me and I didn't finish it.)

Classics guys sort of "count," but I haven't really seen examples of any comparable protagonists today since many authors and readers write and look for "relatability" in blank slate everyman figures oftentimes.

(I'm not done with Crime and Punishment yet, but Raskolnikov is very tentatively looking like a safe bet for a character who may end up alone and who may not be completely malcontent over such a fate, even if I'm expecting tragedy. I'm that not far along, but I also wouldn't mind it too greatly if he died, I suppose.

And even Sherlock Holmes has Watson as his constant, even if he's notoriously asocial! So he "doesn't count" either.

Carol from Main Street also comes close, but still ultimately desires approval from others.

Maybe no one is truly immune to humanity and I should give up on this notion?)

How many pov characters out there are 1) apathetic toward the masses and 2a) either alienate themselves as the plot progresses or 2b) do not make any friends? (I will allow them making friends and consequently losing them though because that still ends in net zero!)

Indeed, this "gap" in protagonists I've been running into lately, especially with coming-of-age arcs and protagonists whose arc is some form of "getting out of their shell," is: why do we (almost?) never see protagonists who just flat-out don't progress in terms of connecting with fellow humans?

Wouldn't having even a handful of those types be reflective of reality? (We as a society are more disconnected than ever, to be fair, despite constantly having access to one another via technology.)

Or I would completely understand it, if it were narratively impractical to have a plot in which a protagonist makes zero friends. Maybe, it's a near-unwritable form for a story?

So, my question is: does anyone have book recommendations, which present a character whose end goal is not to make friends or forge connections (any other ambitions or motivations are fine) and whose state of being friendless both lasts and is regarded as morally-neutral or as not outright evil? Any genre is fine. High fantasy is preferable. I am stumped.

(I also wouldn't mind recommendations of books in which the protagonist is vilified due to being alone, even if that is not my primary query here.)

~May's Books Reviewed~

May saw some highs and lows in my enjoyment of books! I largely was still making my way through some old books I hadn't had the opportunity to read, but I also read a couple of newer ones. I was also on holiday for a week in May which meant that I had a couple of easier books thrown into the mix too. All in all, I've been enjoying my reading, especially as the weather has been nice and I'm able to read outside more!

Portrait of a Thief by Grace D. Li

(369 pages)

I actually started this book at the end of April, but I finished it at the start of May so in this post it goes! I really really enjoyed this book! I picked it up at the book shop because I have an unapologetic love for heist films, but had never actually read a proper heist book that I could think of. This fulfilled everything u wanted it to be as a heist book though. It was light and fun and a fairly easy read. It completely held my attention and remained believable (bizarrely!) while being compelling. It brought about the same feelings of investment and fun that I get while watching heist films and I would highly recommend it to people.

I gave this book 4.5 stars ⭐⭐️⭐️⭐️🌗

The MouseTrap (70th anniversary edition) by Agatha Christie (arranged and introduced by Sophie Hannah)

(245 pages)

This is a bit of an odd one to include, however I saw the play (finally!) and absolutely loved it so felt I had to locate the book now that I was part of the secret! Obviously seeing it was indescribably better, however it is still a fun story and I enjoyed all the behind the scenes bits and history that this book went in to. I cannot recommend going to see the play enough and would in fact not recommend reading this until after you already know the story so that you can enjoy the plot twists and mystery in real time with the rest of the audience.

I gave this book 3.5 stars ⭐️⭐️⭐️🌗 (but as a play it was 5!)

The Book of Dust by Philip Pullman

(546 pages - this was a hardback)

I had owned this book for several years, having got it when it first came out with every intention of reading it, only to never get around to it! I loved the His Dark Materials trilogy when I was younger which is why I was really wanting to read another book from the same universe. That being said, while I enjoyed this book, it did not quite live up to the original trilogy (at least not in my memory). This was probably mostly due to a lack of nostalgia and attachment to the characters considering it is set like a prequel to the original books. The world and the writing remains incredible so I would highly recommend all Philip Pullman books, including this one to anyone who is perhaps a younger reader and wanting to get into a good fantasy world.

I gave this book 3.5 stars ⭐️⭐️⭐️🌗

Tinker, Tailor, Soldier, Spy by John LeCarré

(367 pages)

So I read this primarily for its reputation as this incredible espionage book.... I have to admit, I do not get the hype. I honestly could not tell you anything that happened in this book, it kept my interest that little that I have already forgotten genuinely everything. I found that there were too many characters and the plot and language was long winded, meandering and unnecessarily complex. It's supposedly a classic, but unfortunately I'm still not sure what I even actually read. I therefore did not exactly enjoy it. It's definitely not the worst book I've ever read, but I doubt I'll find myself reaching for any more LeCarré.

I gave this book 2 stars ⭐️⭐️

The Help by Kathryn Stochett

(451 pages)

Very different from the other books that I rated this highly, but no less enjoyable. It took me a surprisingly long time to read for the number of pages it is, but this was in no correlation to the writing, which was simple and effective, but rather down to the content I think. The book deals with a lot of heavy themes around racism in particular, especially as it aims to by historically accurate and so it would have felt disrespectful almost to have read it much quicker. The writing and story were addictive and despite the heavy themes, I genuinely enjoyed reading this book and at no point felt weighed down by the responsibility of it. I would really recommend this book.

I gave this book 4.5 stars ⭐️⭐️⭐️⭐️🌗

Nine Perfect Strangers by Liane Moriarty

(434 pages)

This was the start of my holiday reading and it was indeed a total "airport book", ironically enough about an airport book author! I did strangely enjoy this book and was definitely desperate to finish it and find out what was going on the whole time. Although, that being said, the ending was a little anticlimactic and sudden in my opinion which did drag the rating down a little. I would also say that there does need to be a bit of a content warning here for eating disorders and very casual references and descriptions of them at that. It is set at a wellness retreat so a lot of the characters internal monologue does end up focusing a fair amount on body image and dieting.

I gave this book 3 stars ⭐️⭐️⭐️

Fangirl by Rainbow Rowell

(461 pages)

The second of my holiday books! I mean.... it's been read before, and it holds up as being exactly what it says on the tin - a classic teen coming of age book that while horribly cringy at points is still generally enjoyable. I loved this book when I first read it (almost 10 years ago!!) and I still loved it this time through, even if it was no longer quite as relatable! I have not much else to say about this one other than I would recommend it, but know that this is not the highbrow literature but simply fun and light and easy.

I gave this book 4 stars ⭐️⭐️⭐️⭐️

Icebreaker by R.L. Graziadei

(314 pages)

The last of my holiday reads. My kindle recommended this one to me based off other books I have read I suppose and I have to admit that unfortunately I was a little disappointed, especially by the end.it felt like it was just beginning to pick up and get interesting, only for all the resolutions etc to happen and feel kinda rushed and kinda unrealistically unsatisfactory. That being said, it was still a mindless holiday read and I really did enjoy the representation, both of multiple sexualities and relationship types; and more so perhaps of various mental health struggles.

I gave this book 3 stars ⭐️⭐️⭐️

Eleanor Oliphant is Completely Fine by Gail Honeyman

(382 pages)

I really really enjoyed this book, was definitely a high to finish the month on! I found it highly engaging as I was so desperate to find out what had happened through out. The protagonist/speaker was incredibly unique and well written, with her trauma and experiences clearly affecting her thought patterns. This made it really interesting and cool to be reading from such a clearly unreliable narrators perspective, but also to watch with front row view as she herself slowly unpacks what has happened to her and come to terms with what other people see and how she could be living her life. The ending was perhaps a tiny bit too abrupt for my liking, but I really would recommend this book to people.

I gave this book 4 stars ⭐️⭐️⭐️⭐️