Production Breakdowns - Tumblr Posts

6 months ago

Love a good production breakdown! Especially when it comes to seeing certain discussions about substantive conversations in the context of production planning. Nothing happens in a vacuum, and if we remember this, then we'll see AYS through a different, more nuanced lens.

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At this time, I'm not planning to do full response posts for these episodes. Maybe once I'm done with my Run BTS series but for now here's some production thoughts.

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My initial thoughts are they've done an excellent job of merging the concepts for Bon Voyage and In The Soop while also adjusting for a reduction of members from seven to two.

To really understand this though, let's talk about some of the logistical requirements and goals of the previous shows for comparison.

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Logistical Assumptions

So I think y'all do realize that there is SOME amount of planning that has to happen for a show like this to be made but honestly...the way some of you talk, it's like you think this footage just magically appears in front of an editor, capturing whatever the members happened to wander into. These aren't self-recorded vlogs. This is a full production with a crew, a budget, and a deliverable requirement; just like any other TV show.

One of the cutest moments for me was at the brewery when JM was teasing JK about a summary of what the show about. I KNOW this was the 5 second explanation that both of them would have had to say/hear dozens of times while pitching the show. That's what's so endearing about the way JM says it and JKs reaction.

They also know that statements like that, captured during filming often end up in promos. All the members are very aware as they're being filmed what footage ends up being used. We've heard them time and time again, 'please use this as the thumbnail', 'please keep this in', etc.

Jimin has always been the most vocal about questioning if the content works for their intended purpose. How many times have we heard him say 'can this even be used?' or 'this will be cut'. Usually it sounds to me like he's aware the footage they're getting in the moment doesn't align with the predetermined plan. But as is common with the footage we getnof the members, even though it wasn't according to plan, doesn't mean it's not releaseable.

The main point of JMs AYS concerns being his sickness. I'm sure he thought the show was in jeopardy of not fulfilling their deliverable requirements since it would be difficult to completely edit out. There is a legitimate concern that if they aren't able provide the agreed-upon footage, the show would never air. I'll talk more about this in my section on the edit.

For now, here's a list of SOME of the basics that have to be managed for y'all to keep in mind when consuming any kind of produced content.

Camera management: How many and what kinds of cameras need to be brought along? Are there special operators required like a drone operator. How often is the footage saved. How is it backed up? When and where are batteries charged? Who locations require early access so the crew can place stationary cameras prior to the member's arrival.

Sound management: Someone is making sure the microphones are charged, and capturing correctly. Being mic'd up is one of the easiest indicators of when the show is actively being filmed or not.

Security: this is BTS. The members didn't go anywhere without a security consultation and discussion of requirements.

Crew management: These are people that have to have places to eat, sleep, and have time off as well. They don't just vanish into thin air as soon as their job is done.

Location approval and tax requirements: Every country in the world has different regulations, incentives, and permits to be managed. The US varies these laws state-by-state.

Budget: Businesses don't stay in business by not managing the finances. We can talk more about this if anyone's interested but there are definitely some interesting points with how much on-screen time we got over the years regarding members' spending on the shows.

There's more but let's leave it at the for the moment and talk more about why I think this show was such a good blend of Bon Voyage and In The Soop from a production standpoint.

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What was the initial goal of Bon Voyage?

I believe it was to promote the band and the members to viewers by giving us access to what it would be like to travel to various destinations around the globe. They knew the episodes still needed a catalyst though so there were various preplanned activities and games to motivate the editorial narrative.

BV1 was very experimental as they were obviously managing the challenges of such a production. There was a heavy emphasis on trying to make the members seem like regular ppl and seeing how they would tackle the problems many of us face with travel, chiefly budgetary and managing how to feed all of the travelers with strict spending limits.

BV2 completely game-ified the concept with the mini challenges and breaking everyone into different groups. It's very clear that this is not the strategy they preferred as BV3 was much lighter on the control. There were still some structured activities and events but the members were experienced enough to bring forth some of these moments themselves during the shoot rather than as a completely planned itinerary.

BV4 was a continuation of this with us also getting footage of the members being included in the event planning as well. I'm not saying they didn't have input in the planning of the previous seasons but by this point, production knew the members understood the requirements of a successful show as well as many of the necessary logistics. But it was still a travel show with some key events to fuel the storytelling.

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How about In The Soop?

Enter pandemic. They obviously still wanted to do another show once they worked out what was permissible to film at the time. But now the changing of locations would not be a part of the engine. How were they going to ensure they still had a viable show? They did put in place a semblance of their previous formula with that silly daily schedule (that was ignored nearly to the point of being completely edited out) and a couple of events like the 94s mountain hike and vhope's car drive. But overall, they realized they had to rely purely on the members to find story moments and insure they were captured. Their trust was rewarded though and ITS1 was a hit.

Now ITS2 is a more interesting case. I do believe it may have started with the same intent as season 1, but it must not have been long in the pre-planning stage before a new goal was added: controlled access of a BTS tourism destination. I'm sure I'll go further into this topic whenever I do finally make posts on this series, but it's very plain to even the casual fan that the ITS2 location was a planned financial investment.

Enough about the location though, what were the filming objectives? Honestly? Not much. The members were clearly ready for a break and were mired in the uncertainties of the time period. Balancing the focus of the english-solo-songs era with the preparations for ch.2 solo activities resulted in an odd lack of direction for the members, which is evident in the show. Yes, there are great moments and segments but there's no progression and very little footage of all the members all together except during certain meals.

But ITS2 is still hailed as enough of a success that there was justification to add to the franchise with Tae's friendship installment.

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But what does all this mean for Are You Sure?

We'd heard from many of the members during ch.2 that they would like to continue Bon Voyage so it honestly wasn't surprising that we'd eventually get another travel show featuring our beloved BTS members. Early in episode 1 of AYS, Jungkook says he's never traveled so loosely before. However this show was justified, it definitely wasn't planned to be another hyper-detailed barrage of JM & JK going from activity-to-activity like early BV but it also couldn't be as aimless as ITS. For as long as the conversation was surrounding the name of the show, we never hear them suggest Bon Voyage 5 because AYS was never intended to be another installment of that series.

This is why I said AYS is a perfect mesh of the two kinds of shows. Granted, the first episodes definitely had some unexpected obstacles due to the unexpected health concerns but I think the production team managed it well. Although, I'm convinced there's at least one activity they did have planned that had to get scrapped to let our poor guys rest and recuperate. I also wouldn't be surprised if by the time they started filming in the US, they hadn't locked another destination and schedule with how unsure JM & JK are when talking about the scope of the show. (And I hope we get some update on the poor motorcycle, I want to know how it got where it needed to be from the rainy grocery parking lot).

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The Edit

The overall tone of the show is very lighthearted. Kind of surprisingly so for me. It's not the vibe I would have necessarily expected but it's one of the points that leads me to say they have merged BV and ITS so wonderfully.

A major aspect of BTS's content is usually the chaos and shenanigans the surround the members. Now much of that is emphasized in the context of one of these shows but I honestly wouldn't have been surprised if the edit had tried to make up for the lowered member count. Instead, it's a very laid-back edit. The quality and tone of the on-screen captions was world's different from some of the BV seasons (thank goodness!)

Now, about Jimin's illness. There's a reason why the coverage is cut the way it was to only bring us in on the story once both JM and JK started talking about it lightheartedly. If we'd had all of that footage chronologically, we also would have had building tension throughout the day's activities. But this way, we're able to enjoy the show per the original pitch as much as possible.

This show would have been planned during the time when the members were under heavy scrutiny for how successful they'd be as individuals and how their content will be received without the full seven members. Again, the way some of y'all talk about these shows, it's like you don't realize that the members are aware of how this content is structured. They are. They absolutely are.

Also, a big part of greenlighting AYS would have been a discussion of how it could be made with just 2 of the 7 members. JM and JK would have to take on a lot more of the burden since there wouldn't be other member to cut to. The solo vlogs we got at the beginning of ch.2 absolutely would have been used as a proof of concept. There are easy comparisons to make between JKs camping vlog and the camping scenes we got in these first AYS episodes.

Another key justification of the show could have been as promotional material for the current musical releases. While they did highlight quite a bit of both JK and JM's work in these episodes, the narrative definitely wasn't tilted in the direction of promotion. I love that because it's absolutely not what I would have expected.

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What am I looking forward to for the remainder of AYS?

From a production standpoint, I'm already curious about the following:

Will there be any tonal shift? Specifically now that JM and JK have some uncertainties about the viability of their US adventure. Will it seem like they're compensating?

We know Tae is going to be in at least the next episode. How is this going to handled narratively and will there be any visible contradictions from that narrative in the production?

At what point was the final quantity of locations and shoots locked down? And when/if will JM and JK make mention of this.

If/How will the music promotion narrative shift? It's clear that this episode could not have been released until after MUSE's release once they decided to keep the footage of JK listening to Who. But when was that decision made?

What are your thoughts on the production of AYS so far?


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6 months ago

While we're theorizing about AYS, may I leave this one with you?

THEORY: Before the shoot began, JM and JK had a chat about how they were going to approach it as entertainers. One of the items they agreed upon was that JM would film 'house tours' of wherever they stay the night and JK would film the food insert shots. We see JM film a trour of their camping tiny house, the air b&b in CT and the house in Jeju. The only time he films the food is at the omakase but honestly, what else was he supposed to do there? Lol. JK was very diligent in getting 'dynamic' food coverage everywhere.

They each had their own little responsibility and I'm just so endeared. Who knows if we'll ever find out the answer but I think it's cute.

While We're Theorizing About AYS, May I Leave This One With You?

If anyone isn't following along with @curio-queries AYS production breakdowns, please do so. They are so insightful!

Thank you for this ask πŸ˜™ I feel like it's part of a longer conversation about how AYS came to exist, which I'd love to have. We might get some more insight into the 'why and how' of it after all the episodes and behinds have aired. But because theorizing is part and parcel of being ARMY, I say: why wait, let's go!

Early in episode 3, there's this one off-hand comment JK makes to Tae about getting out the 'company card' to pay for their meal in Jeju. It was relatable as most of us have at some point gone to lunch or dinner on 'the boss's dime'. It also served as a reminder that the expenses of this trip are literally billed as 'work' for them. And as they took it upon themselves to embark on this show, task assignment comes with the territory. So yes, it makes sense for them to have agreed as to their part of 'the coverage' during pre-production. The coverage being the type of shots they were willing and able to film themselves. And mind you, them filming parts of it is not only another checkmark on the overall shotlist; a way for production to get close up's of their faces and inserts of their meals, but also a way to emotionally seat the audience inside their experiences. Seeing it all through their eyes. So it was a great production choice as well as a narrative one to have them film with the go-pro's.

I think that's part of why it's so funny to them. They literally arranged a paid vacation for themselves, lmao. That omakase, they needed those shots as receipts to justify that (surely extremely expensive) meal. Do we think Taehyung would have had his meal paid for by Jimin, or could they have written it off as a 'guest star' expense? πŸ€”

Another thing that filming with the go-pro's does is, literally, hand jikook the reigns of what they're willing to film/show.

A much discussed example is the morning scene inside the CT house. JK wakes up, turns on the camera in the hallway outside Jimin’s door, entering, the scene cutting to the camera inside, etc. There are scores of decisions that took place prior to that scene. The editing of it is doing nothing to make the timeline of events any clearer. But all those cameras would have had to be turned on prior to them 'waking up' in the reality of the show. Parsing all of those choices, including when crew is back inside the house once morning comes, will have to wait for another day (that is , if anyone even cares to know, lol).

The point I'm getting at is that while traveling, JK and JM have more control over what we're being shown than we even realize. As you stated in your blog, ITS did this a lot.

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Episode 4 production Notes Again, I genuinely didn't think I'd have anything to say at this point about this episode. I had such a good tim

ITS would end right up until the tannies would have had to leave a place. Never showing the travel back, probably because emotionally, you want the audience to stay with the characters inside the happy bubble of the experience, not the slog of traveling home. Especially because there is no longer a story to work towards.

My question to you, do you think they 'woke up' together prior to turning on the cameras and putting on the microphones? Who turns off the cams and mics at night before they actually sleep?

I think you know as well as I do that we shouldn't forget that AYS is a story we're being shown. There is a production that has to takes place in order to make it, and there are two professionals who are working to show us these moments. But more importantly, there are two human beings who are also having 'off-camera' moments who decide what they're willing to include in this show.

While We're Theorizing About AYS, May I Leave This One With You?
While We're Theorizing About AYS, May I Leave This One With You?

Sometimes, the lines get blurred, but the intentionality of this show and the kind of relationship they're inviting us to observe is monumental, in my opinion.


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6 months ago

Hiii, thanks for this insightful answer. I especially love your last point about 'workshopping' new songs at concerts! I remember when I became ARMY I was very surprised that this not something they ever did at a concert. I was new to K-pop but having been a fan of many kinds of bands, playing new songs is a staple of a concert. It goes to show how highly rehearsed and choreographed BTS concerts are and how much they NEED to rehearse every single cue. From talking points to how they enter and exit the stage ect. Once you think about it it makes total sense (especially if they're speaking in their non-native language, duh, practice makes so much sense) but this level of preparedness is not possible with (reality) content! Sure, the production crew can talk/agree with 'the talent' about story beats they want to hit. As you mentioned a writer is often part of the crew in order to make sure a n action will make sense within an episode.

While I don't think AYS made use of a writer, they did, with the members' input, carefully plan out activities. This is the bread of the episodes, and their chemistry is the meat. Lmao..and what a beautiful show of thigh and breast we've gotten.

Sorry. Got carried away there 🫠

@myobsessionsspace made a good point about members commenting on the viability of a scene due to a lack of interesting moments. Jimin especially made a very interesting comment that I've been meaning to talk about. When he's sick in episode 1 or 2, he comments, "This show will never air," and he's sick and tired, so his voice is VERY dejected. But I believe he's also so very disappointed in the situation (f*ck you stomach bug) because if these two episodes were a bust due to bad luck, then that might mean they wouldn't be able to 'shop the show' to investors. That would mean no more traveling with a great excuse.

I think the level of 'DIY' by members will continue going forward. Yes, although I think these two are not the best to take as a 'base line' for the 7. Because Jikook are great at doing both filming AND having a great time while also thinking about blocking, shots, and story beats. No offense to other members, just. It might take all of them a while to manage. So, while ITS might have some go pro shot by member scenes/activities, I think it's still necessary to kit out and entire place with covertly set up crew to make it work.

Thanks for answering my ask! πŸ’œ

Hi CQ, Thank you for your ask! I would also like to keep this conversation going as it tickles my brain in the most delightful way.

My question is kind of circling back to your comment about the use of Go-Pro's going forward when it comes to BTS content. It's such an easy way to add a very personal and up close pov to the scenes. YET, I feel like the scaled down crew of AYS and the use of Go-Pro's and especially the lack of attention to the audio has led to some pretty egregious technical setbacks. From choppy audio to a lack of proper coverage in certain scenes. This leads to an edit that has to cover a lot of potholes, so to speak. Do you think this is purely due to the intimate nature of AYS (less crew means more comfort for jikook, easier travel in between locations) or something else? Where's that Disney money 😩😩😩?

Hi Sol, I'm loving our exchanges, so thank you for keeping it going and sending me such an interesting prompt! I definitely had to think about this one a little bit to find how to encapsulate my thoughts.

The short answer is, I think this all just speaks to how the BTS production team is approaching experimental content and the financing required for such projects. Some comparables would be Suchwita and Jin's Alcohol Journey.

Hi CQ, Thank You For Your Ask! I Would Also Like To Keep This Conversation Going As It Tickles My Brain

Let's start with Jin's show first.

(For anyone that hasn't watched it, I highly recommend. I don't drink but I still found it fascinating.) This is a 4 part episodic show that followed Jin as he learned about and made his own batch of a traditional drink. This show was a collaboration with Chef Baek Jong-won.

Personally, I feel this show was a success. Definitely leaned into more traditional filmmaking and storytelling (appropriately given the subject matter) and was a little more heavy-handed with the promo of Jin's solo music. In my opinion, this will lean the content to feeling more dated than it truly is but that may give us a hint as to how it was funded. There weren't any blatant sponsorships aside from the partnership with Chef Baek so it could have been reconciled as part of the promotions for The Astronaut. Wooteo is pretty prevalent in the show and it aired in the midst of the promo content.

I don't remember when the deal with Disney started to become known but I don't recall anyone in my circles angry that it wasn't getting the Disney release. (Could have been happening but I really limit where I spend my time engaging in social media so maybe that's on me for not being aware. Does anyone here remember if this was an issue?)

Hi CQ, Thank You For Your Ask! I Would Also Like To Keep This Conversation Going As It Tickles My Brain

Now, let's move on to Suchwita.

(Disregard the quote on the above gif, I couldn't find a different one from the first ep.)

If you watch the first episode, it's on a different set and aired about a month before ep 2. When ep 3 airs, they first make it very clear that the show 'survived'. This is what leads me to believe that episode 1 was filmed on speculation. They could use that as a proof-of-concept to shop the show around to brands to secure more long-term funding. Suchwita's main focus as a show in the current events space is very focused on the guest's current projects and promotions.

Hi CQ, Thank You For Your Ask! I Would Also Like To Keep This Conversation Going As It Tickles My Brain

Getting back to AYS,

We're far enough into the show that I believe we can rule out album promotions as being a financial driver. Not only because most of the member's songs that even make an appearance in the show were long-ago released but the manner in which they were incorporated is indicative as well. They're really only mentioned in the context of bringing us into the member's lives and sharing in the joy they have for eachother's work. (Also hopefully satisfying those fans that only ask the members to mention other member's songs when one of them would livestream...but that's a subject for another day.)

I think there's a strong possibility that the US eps were filmed on speculation as well. That there was no guarantee of a Disney release at the time. Just like the other shows, they knew they knew they could release on their own if Disney decided to pass so the footage definitely wouldn't be wasted. But I believe that's why the scope of the show seems vaguely undefined during eps 1&2.

Everything else that we've been discussing regarding production honestly seems within the typical scope of BTS's content under similar circumstances. Yes, there is plenty of room for improvement, but it's far from the worst show BTS has ever produced. I think one of the points that makes ppl think it's worse than it is is the management of expectations. I mentioned this in my review of Jimin's Production Diary but if we approach that show expecting that we're going to get detailed breakdown of all of the steps to create an album, we'll be very disappointed. Likewise, AYS is not a detailed vlog of how our members spent their time in these mini vacations.

Hi CQ, Thank You For Your Ask! I Would Also Like To Keep This Conversation Going As It Tickles My Brain

One last thought,

BTS is not really given the space to experiment and explore. True experimentation requires space for failure, realignment, and growth. And that's just not something BTS has been granted the luxury of. There is such EXPECTATION with everything they release. Everything HAS to be success. That's one of the reasons I was so thrilled to hear RM had performed an unreleased song at the D-DAY concert. Crowdworking new material at concerts was a staple of tourning bands in the west and it helps bands get such critical live feedback DURING the creative process. Now, I don't think that was necessarily the goal with RMs performance but it's so lovely to see him able to even take a step in that direction. Such a thing woukd have been completely unheard of years prior. Fans (likely still) would have been clamoring about being led astray if the song changed drastically after that performance.

Anyway, I could very easily be completely wrong about all of this so let's all take it with a huge grain of salt.


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