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Jean Jules Badin, Circé (1875) + details




@fandomaestheticnet: mythology au’s » melisandre of asshai as hecate, goddess of witchcraft & sorcery
They need never know how difficult it had been, or how much it had cost her. That was a lesson Melisandre had learned long before Asshai; the more effortless the sorcery appears, the more men fear the sorcerer.




@fandomaestheticnet mythology au’s event » A Song of Ice & Fire ladies as greek mythological figures (part 2) ✦ Daenerys Targaryen as Athena ✦ Wylla Manderly as Amphitrite ✦ Myrcella Baratheon as Hebe ✦ Melisandre of Asshai as Hecate ✦


Archetype Inspirations | Magus Sanguis






gif meme: doyouwannabuildanorgy asked: game of thrones + favourite minor character ↳Lady Melisandre wore no crown, but every man there knew that she was Stannis Baratheon’s real queen.

Strange is the night where black stars rise, and strange moons circle through the skies, but stranger still is lost Carcosa.
a moodboard for in dim carcosa ✦




The woman was the heart of it. Not the Lady Selyse, the other one. The red woman, the servants had named her, afraid to speak her name. “I will speak her name,” Cressen told his stone hellhound. “Melisandre. Her.” Melisandre of Asshai, sorceress, shadowbinder, and priestess to R’hllor, the Lord of Light, the Heart of Fire, the God of Flame and Shadow. Melisandre, whose madness must not be allowed to spread beyond Dragonstone.




all the appreciation for ade's festival look




Night Tide (1961) dir. Curtis Harrington


A performance of Euripedes’ Medea


witches ★ shape-shifters
most often playful and misunderstood, witches with the ability to shift are rare and difficult to find. many mistake shifters for dangerous creatures, and beings of dark magic; rather, they are kind and gentle and have an affinity for animals like no other witches. the forms they most often take are those of wolves or birds of prey, and more often than not they reside in seclusion, cabins in the forest or homes in the mountains. while kind, they are also fiercely protective of their homes and their familiars, and take on any threat with deadly ferocity.




@lit-society book fair 1: classics + medea
“l love the pain, so thou shalt laugh no more.”


Circe by Madeline Miller
“Humbling women seems to me a chief pastime of poets. As if there can be no story unless we crawl and weep.”





#groupchats be like


Color Palette Challenge #13 - Medea



Wagner’s Parsifal, dir. François Girard (2013)