One Thing I Find A Little Frustrating Is How Many Modern Greek Mythology Stories Focus On The Giants,

One thing I find a little frustrating is how many modern greek mythology stories focus on the Giants, or Titans, or maybe Typhon or someone else coming back and opposing the gods again. They both shouldn't pose a real threat for Olympus, and there isn't really precedent in the mythology for such threats coming back.

Greek mythology is about a cycle of succession - Ouranos gains control of the heavens, his son Kronos succeeds him, and his son Zeus succeeds him. Kronos fails to prevent Zeus and his siblings from overthrowing him, while Zeus succeeds in defeating potential successors (the Giants and Typhon), preventing them from being born (sons of Metis and Thetis), or just generally by having his sons support his reign rather than attempt to overthrow him (Apollo, Ares, etc.)

The monsters are also just going to be much less threatening a second time - the Titans were defeated when there were way fewer gods and the Titans ruled the heavens, seas, and other domains, Typhon was almost victorious until Athena was born, etc.

If you want a Greek mythology story to have an overarching threat to the gods, there are much more interesting, threatening, and mythologically reasonable options - maybe the gods are taking sides Trojan war style, maybe one of Zeus's sons is leads a bunch of Zeus's kids against him, or maybe Metis finally has that prophesied kid.

I don't think Taravangian is as big a threat as we think.

It's been established that Vin only did as well as she did against Ruin because the shards were so opposite. This isn't true for him; Cultivation could probably kick his ass if she wanted. We also saw in secret history how well a shard did if they didn't have a natural connection to the shard: Kelsier had to use connection juice to connect to Preservation. Taravangian did something similar: only connecting by his most emotional day because of his old magic condition. This will likely mean that he too will have a hard time controlling the power. But that's exactly what he thinks he can do at the end of ROW.

His main arc is about his intelligence and it failing him. While Smart Taravangian makes genius plans, these often fail, and at multiple times he's amazed by what Average Person Taravangain or Stupid Taravangian can do. The diagram fails him repeatedly, getting a small part of what he hoped to bargain for, and failing at gaining control of the coalition, because he underestimated other people (Rayse and Dalinar). His greatest triumph, killing Rayse, is done by him at his stupidest.

When he becomes Odium, he's now at his smartest yet, and he immediately seems to forget almost everything he learned. He's now scheming, convinced he's smarter than everyone else. He thinks that despite Cultivation's plans succeeding at every step, despite his being Odium being part of that plan, that he's now running circles around everyone: Cultivation, Rayse, Hoid, and maybe Dalinar. Did he trick Hoid? Maybe, or maybe not - rereading that chapter shows Hoid skipping some boring parts of their conversation the second time through, and shows that he may realize he's now lost breath (he's just lost his second heightening).

I think this book, and the end of the half-series, will end with his defeat, either taking down Cultivation with him, or setting up Cultivation as a future threat. It's also worth keeping in mind that while it feels like the conflict against Odium may be the central threat for the rest of the series, or at least a good part of it, that's not really how Sanderson writes. Only 2/4 existing books have directly been about the conflict with Odium, and no major threat really lasts that long in any of Sanderson's books. The only one close is the Set, but they only really felt like the main foe for the last 1-2 books of mistborn era 2. Ruin only really is a major villain whose presence you feel for 1 book, and while a couple standalones left their villains around, only one (the night brigade, who isn't even the book's main villain) seems like they're going to be used again in a meaningful way.

Sword-nimi’s new human mask allows him to perfectly pass as human. Now he’s ready to go trick-or-treating.

Skybreakers are the funniest Radiant Order because they have actual procedures and continuity and they know what Ideals they’re going to say more than ten seconds before they say them while everyone else is just randomly discovering what they can do as it happens like “Huh, I can recover from Shardblade injuries”  “I hung out with Kaladin a lot and now I’m glowing”  “My friend can turn into a fork I guess”

Questioner: Hollywood comes to you, says, alright, we've got whatever budget you need, we give you full creative control.

Brandon Sanderson: Woah. Ooh. Oooh. Ooh, you're speaking my language.

Questioner: One thing, it has to be a musical. *all laugh* What do you pick?

Brandon Sanderson: I go get the director of RRR, and I say, alright, you made a musical awesome action movie, show me how to do it. India's really good at that. So, so we do something like that.

Questioner: Which book, or anything, would you...?

Brandon Sanderson: I mean, it feels like you could do any of them. Like, how much of the singing done by the singers counts as musical, right?

But the truth is, Stormlight can't be a traditional film. It's got to be a long-form, right? So, we're down to a few options if we want to do an actual, in theaters, traditional theatrical release. That would depend, right?

Are we making television show or not? If we're making, like, a premium cable sort of thing, then we can go Stormlight. If we're not, then we basically got to go with Mistborn.

Mistborn is the thing that can be contained in a two to two-and-a-half hour film... Warbreaker: The Musical though, huh? Yeah, mhm.