bardofvibes - bard of vibes
bard of vibes

Cat, 20s, they/she || mostly here for Hannibal, CR (M9, shadowgast), Ghost (the band), TAD, the locked tomb, TWN,... || queer bean trying to figure out life

628 posts

At The Heart Of My Love

At The Heart Of My Love

at the heart of my love 🤍

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More Posts from Bardofvibes

1 year ago

I've been thinking a little bit about how the Cat King expresses his affection, and specifically, how the fandom interprets it.

There's some people who see how he interacts with Edwin and think "oh my god, he's such a simp, Edwin really has this sexy catboy wrapped around his little finger," and there's some people who see how he interacts with Edwin and think "yowza, learn to take a hint, he's not interested in you and your fuckboy fur coat," which, y'know, are both valid. I love the Cat King, but he's clearly not a fan of boundaries---outside of his own, of course.

Which... is the point, isn't it? Because here's the thing---we all like to analyze the Cat King as if he's human, but... he's not.

He's a cat. And that's how cats are.

Let's look back at his first interaction with Edwin. Our sassy Edwardian boy has used magic on one of his cats, and he's pissed, because cats are protective over what they consider "theirs---" and seeing as he's the Cat King, all of the cats in Port Townsend are his. He's bitchy and rude, cutting Edwin off when he tries to explain himself, and doesn't exactly seem like he's a merciful guy.

Then comes the moment where he whisks Edwin away, and he gets a closer look. The Cat King realizes that he's handsome, he's clearly queer, and that there is something fascinating about him. So he gets closer, he gets intimate, and it's working. Even in the throes of internalized homophobia, Edwin's getting into it, and... the Cat King self-sabotages, slapping a binding spell onto him.

A cat hisses at you when you attempt to reach out your hand and reason with it. It changes its mind, and it comes up to you, purring. And just when you're about to scratch it behind its ears, it freaks out, scratching you on the hand.

Sure, right after that, the Cat King lays out the terms---the binding spell (which, honestly, is actually a pretty fitting punishment given that Edwin used a binding spell on that cat) can be taken off, "and I'm sure we can work something out." That's a line that's probably worked before, and that's a line that probably could've worked, but the damage is done. So the Cat King gets irritated, sneering at Edwin's "old-fashioned sensibilities," and gives him your classic trickster seems-easy-but-is-a-lot-harder-than-it-looks deal. And we don't see him again for a couple episodes... at least, not until Edwin gets that little cat-scratch at the lighthouse.

When a cat scratches your hand, you give it a wide berth. Even if it immediately changes its mind and meows for attention, you don't trust it anymore. So it gets pissy, getting more and more annoyed the more you ignore it, until it gives up and bites you when you won't give it pets.

Now, the Cat King has realized that Edwin's getting close. He's counted almost all the cats, and it won't be long before he completes the task and books it out of town. So, the Cat King starts flirting even more, even going so far as to mimic Monty and Charles if that's what it'll take. When that fails, and when getting Edwin to open up fails, the Cat King lets out a nervous little laugh and tells Edwin that he's way off, when in fact he couldn't be closer.

Once a cat realizes that it likes you, it becomes incredibly needy. It trots along after you, it begs for attention and love, it sits on your laptop and jumps up on the kitchen counter and will attempt to insert itself into any and all activities you might be doing. And while that may be the cat's way of expressing love, there's no denying that it is ignoring all of your personal boundaries and generally getting in the way of you doing anything---other than, of course, paying attention to it.

And then comes the moment in the forest. The Cat King shows up with a fancy chandelier to blow Monty's cover---why now? Because Monty isn't just a romantic threat, he's trying to do something that'll take away Edwin for good. Once the cover's blown, and once Monty storms off, the Cat King uses this as an opportunity---I just saved his life, maybe he'll notice me now---and Edwin snaps, dropping one of the best lines in the whole series.

This is the first time, mind you, that Edwin has really pushed back. He's been resistant before, sure, but he's never said or done anything that indicates that he really wanted this dance to end. And I don't even think the Cat King realized that he was crossing a line, had been crossing a line since he slapped that bracelet on. But when Edwin says that he's not the Cat King's toy to yank around, that he's nothing more than an inconvenience, that's a big old wake-up call for our boy---and of course, he takes it horribly, snarling after Edwin that he'll be stuck in this town if he walks away, that he'll stop playing nice, just fucking NOTICE me already why don't you?

There always comes a time when you're fed up with how invasive your cat's being. Maybe you've just had a bad day, maybe it's genuinely messing up something important that you're doing, but you break out the spray bottle. And how does it respond? With a hiss, with a scamper away, and with a baleful glare over its shoulder. It knows it's done something wrong, but it doesn't fully understand, and it's mad at you.

Afterwards, Edwin gets dragged into hell, and that breaks the charm on the bracelet. And the Cat King's left to think.

There's some conflicting emotions there, of course. He's moodily playing with the bracelet when Esther shows up, showing that he probably does care, but there's still something to be said about how he immediately calls Edwin a "tease" and hates himself for being willing to wait for him if and when he ever returns from Hell (which is very noble of you, Thomas, totally way more of a meaningful gesture than actually going down there to get him back---which, as a self-described eternal being, would probably be easier for you to do than Charles. Just sayin'). But as much as I love to clown on that, the Cat King does die in that scene, and it's only after that that he spills to Esther.

This, I think, is where the Cat King stops acting like a cat, and starts acting human. Because he doesn't go and see Edwin when he gets back---he's realized that he kind of was in the wrong, and he's giving him space. And I'm sure it can't have been fun knowing that Edwin and Charles only got kidnapped by Esther because of information that he let slip.

But when the boys and Crystal (and maybe Jenny) are about to leave, the Cat King visits Edwin to pay his respects to Niko. He gives Edwin a lily, which several people have pointed out is fatal to cats. He's still flirty, sure, but he's more understated now. No more tricks, no more spells. Just him. And that's the version of him that gets that little cheek kiss goodbye.

Because even cats can learn that there's a better way to love.


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11 months ago

Adding to my post about the Cat King and how his actions are more understandable when you view him through the lens of him being a cat:

The Cat King doesn't fully start acting more human until after he dies.

Yeah, we see him lounging around and looking at the bracelet like a moody Victorian love interest, but it's still very catlike. He's missing the person he got attached to, so he's back to playing with a toy that reminds him of that person. He's confident and cocky when Esther breezes in, acting like nothing is wrong---

And then she beats him to death.

There's something to be said, I think, about how when we meet the Cat King for the first time, he's a fluffy ginger boy, and a large one at that (I think, I've only ever had large cats and he looked normal-size to me, which means that he's big). Which fits with his personality---he's flamboyant, he's showy, and he acts on instinct instead of any rational thought. You can't really get any more "cat" than a creamsicle boy who is somehow always doing exactly the wrong thing at exactly the wrong time.

But when the Cat King's reborn, he's a smaller, sleek black cat. His style's darker, less showier, more personal. He feels a bit more grounded, a bit more human. And he acts like it.

TL;DR: Something something leaving bad habits behind when you die and doing something different with your new life


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1 year ago

do y'all think jod ever gets pissed that he can't listen to like. mcr anymore. do you think he's on a spaceship kicking rocks because Dolly Parton's 9 to 5 now only exists in his memory? cause I do. and I think he kinda deserves it.


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1 year ago

As a massive cat person, I love how the Cat King is literally just the natural result of a cat taking human form. He's fickle. He's finicky. He changes his mind a lot. He's moody. He self sabotages almost immediately by putting the bracelet on Edwin when Edwin is clearly digging him, too. He correctly understands that he's cute and funny and will use it to get his way. He wants to terrorize the bird (Monty the Crow.) He's manipulative. He's dramatic. He has a weird but oddly consistent and charming sense of humor. He's a little problematic but in a fun, chill way. He likes one (1) person and all of the non-Edwins are just weird and unwanted. He hates trees. He's impulsive. I love him for being a cat.


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1 year ago

I bring a sort of "actually mass traumatic events have an effect on the public's mental health and you're NOT acting in isolation from that trauma, and ignoring it doesn't make it go away" vibe to the party that Americans do not like


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