Just someone with a passion for all storytelling mediums. I use this blog to write about what I'm passionate about and share it with other people.
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Across The Spider Verse Thoughts
Across the Spider Verse Thoughts
Across the spider verse was my most anticipated movie of 2023. I came in with sky high expectations and yet somehow the movie managed to surpass them.
By the end of the opening sequence across the spider verse had me sold that this was going to be one of my favorite spider-man movies and when the movie finished that belief held true. Spider-Man across the spider verse is easily one of my favorite superhero movie sequels of all time (I actually think it might be my favorite). The movie just came out and I’ve already seen it, what my brother has dubbed, “too many times” (Though I vehemently disagree with him on that point).

It’s a movie sold on its scope and love for all of spider-man and his lore and yet it never loses its heart in the spectacle. It manages to be a fantastic middle chapter to what is quickly becoming one of my favorite film series of all time.
There’s a lot I want to talk about so I’m just going to get right into it.
Miles is a great protagonist

Miles Morales is a character that I felt Into the Spider Verse really elevated. I had read all of the ultimate comics spider-man run that was his debut series and, while I liked Miles, he was never in the top tier of my favorite superheroes, but that quickly changed with Into the Spider Verse. They managed to explore his struggle and hesitance to accept the Spider-man mantle in a way that was far more compelling than his comic book counter part.
Across the Spider Verse takes the already really strong basis that Into the Spider Verse created for Miles and builds on it through a brilliant meta narrative on what it means to be spider-man and asking the question of whether or not Miles really is spider-man.

Trauma is so ingrained into the creation and growth of spider-man as a character. Ask anyone to list what the most iconic moments in spider-man comics are and you are bound to get answers that include uncle ben’s death, the death of gwen stacy, the death of Jean DeWolfe, Captain Stacy’s death, etc.
There are a lot of moments of loss within the spider-man mythos that define the character and these moments are carried over into a lot of spider-man media outside of the comics. Miles’ rejection of this narrative and the necessity of loss to make a hero in this movie is what truly makes him become spider-man.

The first movie had him accepting the mantle but this is where he truly grows into the role.
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More Posts from Battlekidx2
I felt like adding to this list just to make fun of how consistent the characters I project onto is.


Me: There is definitely not a pattern to the characters I project onto.
The characters I project onto:





Alastor Theory
Okay, I'm gonna throw my hat into the ring when it come to who has Alastor on a leash and I'm not gonna say Lilith.
I think Eve might also be an option for being the one that owns Alastor's soul.

I think the Lilith connection is a bit too obvious and Lilith hates being forced into subservience canonically within the show, so it would be weird if she chained another soul to do her bidding. And Eve is easily the character that would have the most issues with the Morningstar family, heaven, and hell. She was made out of Adam's rib and given the apple by Lilith and Lucifer. She's been a pawn in other people's plans since the beginning. She's the one blamed for original sin and it's clear she's not in heaven. She was the scapegoat while Adam got off relatively Scott free.
She has so many reasons to want to get back at everyone and what better way to gradually gain a foothold without drawing attention to herself than enlisting the services of a sinner in hell?
It’s said that Alastor immediately started taking out overlords that had been dominant for centuries the moment he stepped foot in hell. There has to be a reason for that. It feels too calculated to be a coincidence.
Plus Lilith’s disappearance coinciding with the Alastor's isn’t necessarily a factor against this theory because it can be explained as Eve essentially throwing Alastor into a battle with Lilith where Alastor was injured and had to take time to recover.

His reaction when Zestial said people thought he had been struck down by holy arms was a bit telling to me. The way he took that moment to look away and collect himself to brush it off read as Zestial hitting too close to the mark.
He's super touchy about why he was gone for 7 years and we've seen that Alastor's berserk button is his pride and he dislikes his strength being questioned. He absolutely would not want to admit he was gone because he was recovering.
That comment seemed too pointed by the writers to be completely written off.
Maybe in this battle Eve got Lilith's soul. If she doesn’t why would Lilith be gone from Charlie’s life for seven years? Why wouldn't she return around the same time as Alastor? She seemed to really care about Charlie. Charlie still tries to call her and she doesn’t seem to hold any resentment toward Lilith, so I think there would have to be a reason beyond nebulous plans that's keeping her away.

Alastor also clearly does not have a good relationship to whoever has his soul, so I kind of imagine if it was Lilith he would be a bit more hostile towards Charlie or it would show a bit more in the moments where he was alone or when Charlie isn't looking. (Alastor is the only character this show is truly subtle with)
I just wanted to put my opinion out there because I've seen so many Lilith owns Alastor's soul theories out there and I wanted to offer a different angle.
Alastor Episodes 7 and 8 Thoughts
These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?”

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor.
And to explain this I'll just jump right in.
It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has.

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.
This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.
To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price.

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.
In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top.
He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.
The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface.
But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before.

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.
I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.
Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.
Best of Animation 2021 - The Last Lullaby (Centaurworld)

Centaurworld is a deceptively deep show*. From the marketing it received the show felt jarring and disjointed almost as if two incompatible worlds had been thrown together haphazardly but the moment you boot it up and start watching it is obvious this is far from the case.
Centaurworld is about grief, loss, depression, and learning to heal. It uses its vastly different tones and visual styles to elevate these aspects of the story.

It’s a fantastic and fun ride and I believe its finale “The Last Lullaby” is the best example of how it uses all these seemingly contradictory parts to get all these themes across, especially with the music.
Centaurworld is a musical that has a lot of songs that I have fun with but I would say it is usually “all bops and no bangers” (credit where credit is due. I heard this from Sarcastic Chorus).
The one place I really love their music and think it makes itself stand out is in its reprises. The way it brings songs from earlier on back and completely changes the meaning through the context of the scene.
This episode does the same thing with Rider’s Lullaby and The Nowhere King’s lullaby. These songs are closely associated with the protagonist and antagonist of the show respectively and the way they are brought back in this finale really brings their arcs full circle.

I especially love how the Nowhere King’s lullaby is brought back because it really accentuates the tragedy of his character and his relationship with the purple haired woman. I wish this relationship was explored in greater depth throughout this season but what we did see of these two characters was hauntingly beautiful in a way that you wouldn’t expect from what is essentially a single episode exploring their relationship.
The Nowhere King’s death didn’t feel triumphant or glorious like you would have expected after his introduction in the two part finale of season 1. It’s quiet and personal. He returns to his original form one final time before the woman he loves ends his life once and for all.

The purple haired woman hesitated to go through with this before this point but she’s resigned herself to the fact that she must be the one to bring this nightmare to an end. Despite the love between the two their story doesn’t have a happy ending. It’s very tragic and the last lullaby the purple haired woman sings gets across the emotions of the scene between the two characters accentuates this.
The backstory of the elktaur chronicles the slow self-destruction and mutilation of someone who feels trapped on the outside looking in due to his internalized self-hatred. It becomes a tragedy about someone who felt undeserving of love to the point where their internal war with themselves became external.
“They’re the same being locked in this everlasting fight with himself.”

This is an interesting exploration of morality that accepts that people are steeped in shades of gray. It’s like what the Nowhere King says to horse “we all have good and bad”.
This episode shines brightest when it takes a microscope to all these characters and forces us to look at them for all they are.
The Nowhere King is a horrible monster that has caused so much suffering but he is also a victim.
The general is a monster wearing the mask of a hero that perpetuates a conflict he will never end because he ultimately holds his own self interest and preservation of utmost importance.
The purple haired woman was blinded by her love and awe of the elktaur and centaurworld and it is ultimately her love that prevented her from ending this conflict when she had the chance. (She isn’t evil. I’m not blaming her. She understandably struggled to end the life of someone she loved.)
That being said I do have a few issues.
My issues with this episode don’t stem from the content within the episode itself but rather the lack of screen time and build up to certain important aspects of this finale.

I think there should have been more of the general before this moment because the twist that he’s part of the nowhere king is meant to completely flip the kindly, righteous leader visage on his head but since we didn’t spend enough time with him it doesn’t hit as hard as it could have. The general’s betrayal of Rider would have been even more of an emotional gut punch if we trusted him like Rider did, which could only be built up if there was more time allotted to him.

I think the purple haired woman should have had more screen time because it’s the tragedy of her life and love of the nowhere king that is a driving factor in the entire story. In fact it’s her ending with the nowhere king that is what I would argue to be the emotional climax of the episode and by extension the series so I wish more time was given to them.
Everything that happened in the episode was great and it hit all the beats it was aiming for but like I said above I feel like some of them could have been strengthened if the series had given the characters involved more focus.

For example Rider being stabbed by the general is comparable to Marcy being stabbed by Andrias and yet I would argue that Marcy being stabbed is much more of a gut punch due to the amount of time their relationship was afforded within the show. We see how much Marcy trusts Andrias and we know why. Even if we knew he was up to no good we got to see how well Marcy and Andrias clicked and how much they had in common.
Marcy is also given more screen time herself which allows us to grow attached to her in a way we couldn’t with Rider. So when the moment of truth happens and Andrias makes the decision to stab Marcy in the back it is a complete gut punch. We care about Marcy, we know how this relationship made her feel seen, we understand the full depth of the betrayal.
I’m not saying this to hold one show up on a pedestal above the other, I’m using it as an example to explain why I think this certain plot point would have benefitted from extra attention earlier in the series.

That being said, I believe the way the general’s betrayal played out was very effective coming from Rider’s perspective (just not as much when it comes to the general and their relationship). The show has done a good job up to this point portraying Rider’s unwavering belief in the general. She is a child soldier that has dedicated her life to this cause that the general leads and yet he never meant to actually end the war or his people’s suffering.
It also leads into a very touching reprise of Rider’s Lullaby.

This was the first song we heard in the series and it was the defining song of Rider and Horse’s relationship. Having the song come back around with Horse being the one to sing it to comfort Rider in an inverse from the pilot would have been a fantastic bookend to their relationship.
This is why I’m mixed on how they chose to have this scene play out.
I’ve never been a big fan of fake out deaths and this one still has me conflicted. This is purely a personal preference thing. I’ve just never been big on these types of scenes.
This leads me to the episode’s ending.

Centaurworld is a story of two wildly different worlds and tones that come together to elevate each other rather than detract. On the one hand the show can cover the bleak reality or war, loneliness, and loss and on the other it triumphs family, love, and connections. This episode is a nice blend of the two with the finale showing the clash of the tragedy of the past (the elktaur and the purple haired woman’s story) and the hope of the future (the ending with horse and her herd).
This decision holds true to the series to this point.
This episode was a fantastic ride from start to finish. There were some aspects of the episode I was mixed on but I ultimately love the end result and find myself revisiting the tale in my thoughts and on rewatch.
I am interested to see what Megan Nicole Dong does next!
*The marketing for this show wasn’t great. I know many people that were turned off from the show because of the trailers they had seen which is disappointing. But I’ve seen a lot of fairly big youtubers cover the show and help give it the attention it deserves.
Extra Thoughts
I thought almost all of the comedy hit, especially all the gags with Stabby. “I have unquantifiable corpses on my conscience.” is one of the funniest lines in the entire show. I really wasn’t a fan of the fart joke with horse in the elktaur’s mind and thought it really fell flat.
The worst is when I hear someone say something wrong about my hyperfixation or both people say they don’t know the answer to a question I know way too much about and I have to sit there and force myself not to say anything.
I constantly have to force myself not to butt into conversations and tell complete strangers everything I know about a topic.
Not in a “well actually…” way but in a “I know about this topic and love it and I want to share it with you” way.
Someone across the room: *mentions a hyperfixation of mine*
Me, sweating: oh no I’m about to become so annoying