Alastor Episodes 7 And 8 Thoughts

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

The worst is when I hear someone say something wrong about my hyperfixation or both people say they don’t know the answer to a question I know way too much about and I have to sit there and force myself not to say anything.

I constantly have to force myself not to butt into conversations and tell complete strangers everything I know about a topic.

Not in a “well actually…” way but in a “I know about this topic and love it and I want to share it with you” way.

Someone across the room: *mentions a hyperfixation of mine*

Me, sweating: oh no I’m about to become so annoying

Blue Eye Samurai Thoughts

These thoughts are sort of scattered and don’t cover everything I think makes this show great but I wanted to get something out about this amazing show.

Every once in a while an animated project comes around that makes me sit back in awe that something this phenomenal was allowed to be made. That something this rife with creativity, care, and emotion was given the freedom necessary for the people behind the scenes to make an authentic experience that really pushes the boundaries of what animation can do. And Blue Eye Samurai did just that. 

The last time I felt that way about an animated show was Arcane.

Blue Eye Samurai follows Mizu, a child of mixed race that was deemed a monster due to her parentage, and her journey to kill the man who sired her. It’s a dark, tragic tale that blends 2D and 3D animation to create a story that centers themes of prejudice, class, identity, found family, revenge, and loss.

It’s one of the most gorgeous shows to come out in the last few years. With pretty much the entire show having the ability to leave you breathless. The action scenes in particular are standouts (shocking I know).

In these action scenes the show really embraces the freedom its rating gives it without falling into the usual trappings shows with a mature rating tend to. Blue Eye Samurai has an abundance of bloody gore filled violence that never becomes gratuitous. It all feels purposeful and poignant within the story itself and how it explores its themes. It gives the consequences of Mizu’s revenge depth. Not just in how it effects the people around her and the collateral, but also in how the violence Mizu perpetrates effects her.

This is best explored in episode 5 (The Tale of the Ronin and the Bride), which is probably the best episode in the season, where we get to see a glimpse into Mizu’s past and how her path towards revenge is solidified.

The hopefulness of the past is directly juxtaposed with the bloody carnage of the present, while the story of the bride and the ronin is told over the course of the episode. There’s a foreboding that is layered over top of every scene in the past, the knowledge that in some way this goes wrong and leads Mizu to this point. To become this force of nature capable of cutting down men without hesitation.

It shows those parts of Mizu she’s lost through the hardships her life threw at her and those parts she’s been forced to discard herself to accomplish her goals.

The loss brought on by the hardships her life threw at her is shown in the past with her mother and husband and their betrayal and death. And the parts of herself she’s had to discard is shown in the present when she initially spares the boy that turns her in and almost gets the women in the brothel and herself killed that she ultimately kills in the end when faced with the same choice.

This is all just scratching the surface of this exploration, but I think it gets across the point that this show does a good job of exploring the nuances of revenge and what led Mizu to this point.

It’s the show’s meticulous exploration of aspects of Mizu’s character that makes her such a complicated character and an amazing protagonist. I don’t know if anything I write would really do her justice, but the complexity and nuance of her character alone make this show worth watching.

The second most interesting character to me was Akemi. 

Akemi’s arc is incredibly compelling. She goes from feeling trapped and trying desperately to escape to learning how to use her cunning to try and become great. But because this arc is occurring in Blue Eye Samurai it isn’t as straightforward as that description makes it seem on the surface. That arc is flipped on its head and to show what I mean I want to look at the scene on the bridge.

That scene on the bridge after Seki dies was one of the most intriguing of the final episode. That moment you can see the shift in Akemi’s desires from that of freedom to that of greatness. In many ways this isn’t the victory that it should be.

The wording seems like that of someone taking control of their own destiny and deciding to pull themselves up to a position higher than anyone thought possible, but the framing with the city in flames behind her, the shogunate’s enemies burning alive, and Seki dead on the ground put it in a more tragic/sinister light.

And those words she speaks that are on the surface sound triumphant echo sentiments that her father has said to her (telling him he’s only alive because of her and the belief that she can control the shogun, etc). Her desire for greatness even reflects his own. 

This isn’t really freedom and considering the almost naive quest for that freedom she went through during the season and was even hopeful she could obtain just moments before, living out her days with Seki on his family farm, make this feel less a victory and more like she’s becoming what she has to. That she’s hardened. That she’s starting down a path that mirrors Mizu’s in some ways.

And this mirror between Mizu and Akemi is clearly intentional. The show itself visually mirrors the two within this same episode in the exact scene I was just talking about.

And throughout the season she is the most direct foil to Mizu. Both found different ways to try and work around the inherent restrictions being a woman in 1600s Japan would entail, to gain any semblance of freedom from those restrictions, but were ultimately hurt by those expectations/restrictions in a way that forced them to change.

They took how they handled it in two completely opposite directions (Mizu presenting as a man and Akemi using her sexuality and forced marriage to her advantage. In broad, over-simplified terms: rejecting femininity vs embracing it to achieve their goals) which is what makes them such interesting foils for one another.

This parallel/contrast to Mizu makes her the most interesting of the supporting cast and her end point puts her into what might be the most compelling spot out of all the main characters heading into next season.

(Plus she’s voiced by Brenda Song aka Anne Boonchuy and London Tipton)

Honestly all of the characters are given nuance that makes them at the very least entertaining.

The show even manages to make a character that could have just been comedic relief an interesting character and an avenue to expand on its exploration of themes with (season MVP) Ringo.

This is best shown through Ringo’s views of greatness. They at first seem shallow and naive. Not really looking deeper than the surface at what this idea entails and he floats from one thing to the next so easily that it can initially seem unfocused, but I think that’s the point. Ringo doesn’t really know what greatness is so his view of it is constantly changing and what he believes he can be great at is constantly changing too. 

Just like the audience he is awed by Mizu’s strength and ability in battle, but as the brutality and reality of what that skill brings comes to light the idea that this skill and determination is greatness slowly dims. It never entirely dies out because this isn’t meant to destroy his idea of greatness, but instead change it from a black and white binary to something that is more blurred. He still sees greatness/potential for greatness within Mizu, but he doesn’t see her as the pinnacle anymore. The end all be all.

And what he can do to be great constantly changes because he’s suddenly had so many opportunities he never could have dreamed about, due to his disability and being stuck at his father’s noodle shop, opened to him that he needs the time to explore what he wants. He’s still trying to find his calling and by the end of the series he might have found the start of it in the same place that Mizu did– With Swordfather. 

The one thing about Blue Eye Samurai that didn’t quite work for me is the use of music. The show’s score is beautiful and used to great effect, but the music it chose to put over scenes would pull me out of the moment almost every time because it used highly recognizable songs that I’d heard in so many pieces of media it felt inauthentic and jarring.

This is a small complaint because there are only 2 scenes where the music choice did this, but I felt I should mention it because of how important these scenes were supposed to be. The rest of the show easily makes up for this small gripe.

I could probably ramble about this show all day but I’ll cut this off here and say this: Blue Eye Samurai easily lives up to the hype that everyone has been giving it. It’s a visually stunning show with compelling characters that explores its themes in such depth that I can’t wait to see where it goes from here. 

Random thoughts

I love the shot of Mizu in The Great Fire of 1657 where she’s staring Fowler down, flames behind her and eyes a piercing blue, because of the perspective of this shot. This is shown through the eyes of Fowler, the man who just brought an army to the shogunate’s doorstep with the plan to take over Japan, and yet he’s afraid of Mizu and the lengths she will go to achieve her goals. It’s such a chilling shot that absolutely shook me to my core. (Man Blue Eye Samurai is amazing at these types of shots)

Taigen is a character that I had a lot of fun with, but didn’t make as much of an impression on me as the rest of the characters. He isn’t as complicated and compelling as Mizu and Akemi or as thematically interesting as (season MVP) Ringo. I wish I had more to say about him, but I don’t. I do think his dynamic with Mizu is interesting though.

Fowler is a really fun villain and I can’t wait to see how he plays off of Mizu now that he is going to be her guide in London. I can’t wait to explore those bombshells he dropped in the finale about Mizu’s origins.

The fights in episode 6 were the most visually stunning to me in the season. The way it played around with lighting and perspective was incredible. 

I didn’t talk about it much above but I thought the way Blue Eye Samurai explored Mizu’s relationship to her gender to be very compelling and nuanced. The way it’s handled lends itself to a fascinating exploration of identity and gender that I think is important.

Swordfather has such a great relationship with Mizu. He knew she didn't leave his house the night before and just decides to adopt her and teach her everything he knows, giving her a stable relationship that doesn't reinforce her shame. He doesn't recognize her mixed heritage as a point of shame instead embracing her for who she is and letting her know that her mixed heritage doesn't make her impure, standing up for her when the bandit threatens to hit her and insults her origins. This genuine care is something Mizu desperately needed as a child and it was amazing to watch.

I think I want to go into greater depth at some point on my points on Mizu and Akemi being mirrors to one another and how The Ronin and the Bride explores violence and loss and how they're intertwined in Mizu's life at some point.

It’s shows like this that make me even more frustrated at Netflix. They were on such a role in animation and were (and sort of still are) a driving factor in changing the landscape of adult animation that they were frequently the platform that I was most excited to see new animated projects on, but then they absolutely gutted their animation division and showed little to no respect to the work of those that made the animated properties and I lost a lot of respect for them as a result. I really hope projects like Blue Eye Samurai keep being made and that platforms start respecting animation like it deserves.

I kind of feel like adding a few adult animated recommendations on netflix to this so here goes: Arcane (duh. It’s a masterpiece), Pluto, Cyberpunk Edgerunners, Castlevania, Carol and the End of the World, Skull Island, Inside Job, and Tear Along the Dotted Line.

Thanks to Them Thoughts

The first special of The Owl House’s third season recently dropped and I can say with full certainty that it hasn’t lost what made the second season so special.

I don’t think I’m in the minority when I say I was disappointed that the third season got shortened to three specials but I wanted to come in hopeful for what these specials could bring. The Owl House proved to me in its second season just how phenomenal it could be within a limited time frame with episodes like Eda’s Requiem, Knock Knock Knockin’ on Hooty’s Door, and Hollow Mind. I know that the situation is different but it’s proof just how much this show knows how to tap into the emotional core of its characters, stories, and relationships in 22 minutes.

This episode does the same thing by digging into the core of Camila, Luz, and Hunter. 

Camila is a character that had the fandom split and in my opinion received way too much hate. She was a single mother doing her best with a specific set of struggles due to the point she was in her life and the circumstances surrounding the start of the series. This episode understands that Camila loves her daughter and wants to do right by her but parenting rarely has a perfect answer. 

Camila’s choices are given more context and shown in a different light. I was already in the camp that believed Camila was a loving parent that made some mistakes because she’s only human, but this episode solidified it.

The nightmare Camila has about halfway through the episode is a poignant way to explore the concept of generational trauma and trying to break that cycle.

Luz found a community that will accept her the way she is and a place where her strengths can flourish. Once Camila has had time to grapple with the reality that Luz went to the demon realm by her own choice and she gets to see just how good this place has been for her she embraces it.

She even wants to go to the demon realm with Luz so she can be a part of that aspect of Luz’s life as well (and look out for her daughter in a very dangerous situation). It’s just a really touching portrayal of motherhood.

That’s actually the part I’m the most upset we missed out on due to the shortened season. Seeing Camila be a supportive mother to Luz and give Amity and Hunter their first real experience with a caring parent is something I would have loved to see considering how much their abusive/complicated home lives we’ve gotten to explore over the show. (I specify Amity and Hunter because we know that Gus and Willow have loving home lives. I would still love to see Camila be a parental figure to them too)

We still have some more time. I’m hoping we’ll get to see more of surrogate mother Camila over the next two specials.

Hunter especially needs that care because he cannot catch a break.

Season 2 and now season 3 has been one long trauma conga line for Hunter with so much of that trauma being born from his twisted relationship with Belos. 

Hunter being possessed by Belos is a very fascinating turn of events that foreshadows so many possibilities with Belos but there is one area I think could have been handled better. 

I want to touch on the scene where Hunter stood up to Belos first. This has been a long time coming. Hunter has submitted to Belos’ ideas for his future for most of his life and even after leaving the emperor’s coven he didn’t get the chance to have a confrontation with Belos where he was given the time to address this area of growth.

Hunter finally has the chance to choose his destiny which is something he stated he was jealous Luz could do back in Hunting Palismen. Due to his journey in the human realm he has the self worth and the security to stand up to Belos for the first time in his life and it was a powerful scene because of the build up.

Hunter has gained so much that he has lacked all his life due to his time away from Belos and in the human realm. It makes this moment and his sacrifice hit all the harder because of how far this episode shows he’s come.

He has a family

He likes who he sees in the mirror 

He has friends who value him for who he is and not what he can do

He can take part in his hobbies and indulge his interests 

He no longer needs Belos like Belos tried to make him believe. He can finally be the person he was always meant to be. 

Hunter is brave, caring, and kind. No matter what Belos did or said to him he never lost those qualities. He is willing to stand up to Belos and possibly sacrifice himself to protect everything he has come to love. He has people that will extend that same care and compassion towards him.

This brings us to one of the saddest moments in the episode: Flapjack’s sacrifice.

Hunter has gone through so much and Flapjack’s sacrifice hits especially hard because Flapjack was one of the first people Hunter could rely on and probably even call a friend. 

Flapjack was important for Hunter’s development in more ways than one. He provided him with a confidant when he didn’t have anyone else and it helped him question and re-evaluate Belos’ actions in regards to palismen and wild magic. He also met him because of his first real encounter with Luz.

It all comes full circle. He initially protected Flapjack from Belos because he knew Belos would use him as fuel/a life source but now Flapjack is willingly being exactly that for Hunter. He is now a part of Hunter. It’s a very bittersweet ending to their relationship that shows the growth and care that they each had for each other.

That moment where Hunter stops in front of the portal and holds his hand over his heart was a short but very effective moment at conveying his grief. 

This sacrifice was very well executed in my opinion.

All of this works emotionally within Hunter’s character arc. 

However, the battle didn’t quite reach its full potential. It had incredibly fluid animation and was amazing to watch, but it wasn’t as emotional on Amity, Gus, and Willow’s end as it could have been in certain ways. 

You could feel the conflict and pain from Luz’s end. It was made clear that she was purposefully not trying because she didn’t want to hurt Hunter and even hugged him to try and get through to him. She doesn’t want to hurt him because of how much she has come to care for him and this turmoil could be seen in every action Luz took and could be felt in her voice acting performance. 

She’s the only one you could understand the full grasp of her conflict over the fight with Hunter though. There wasn’t any of that same hesitation or desperation on anyone else’s end. You know that all of them are close to Hunter and care about him but you don’t feel the full depth until after the fight.

These connections are really important to Hunter’s character because of how Belos isolated him prior to season 2 and I loved all the moments that showcased how important Hunter is to the group and vice versa. That’s why I decided to point out the lack of hesitation on everyone else’s part. It doesn’t break the episode (in fact the episode is great) but I thought it could have been executed a bit differently.

Hunter is one of the strongest characters in the show and the way this episode handled him was great.

This brings me to Luz.

King’s Tide had real consequences for Luz. She feels like she couldn’t protect Eda or King and she couldn’t stop Belos or the Collector. She doesn’t know the fate of the family she left behind and she believes that everything that happened is her fault.

She’s understandably not handling it well.

Luz this episode and in a few episodes last season is used to explore grief and loss. This is explored in more ways than one through the loss of her father and her newfound family in the Boiling Isles.

Luz’s father was noticeably absent in her life at the start of the series but what happened to him wasn’t revealed until “Reaching Out” (In a fantastic scene by the way). We get even more expansion on it through Luz’s video diary entries. 

Luz was much more aware of what was happening with her family and father than she let on to her mother despite their best efforts to shield her. The way you can see the decline in her emotional state through her entries as her father’s health declines makes the process feel real. This wasn’t a quick but a slow process/struggle for the family over time until he unfortunately passed. It’s something that Camila and Luz are still struggling with. 

The process of healing isn’t linear for any of the characters. 

It also reveals that Manny introduced Luz to the Good Witch Azura. This is really bittersweet and touches on something that this episode emphasized and that is how media and stories can help us process, heal, and feel seen in aspects of life that people struggle with.

Hunter finds connection and healing through the Cosmic Frontier character O’Bailey. Luz finds that same connection and escape through Azura. It helped her during a really hard time in her life by helping her find a connection to her father after he was gone.

It makes everything in regards to her Good Witch Azura book and hyperfixation very bittersweet and puts so much in a new light. It’s a brief but powerful moment in the episode.

The exploration of Luz’s grief in the present day is handled just as well as that short segment. It shows the repercussions on her mental health and how it trickles out in unexpected ways like her rant in class. 

But most importantly it shows how her support system understands that she’s struggling and they are there for her no matter what. They might not all know how to best handle what she is dealing with but they all give it their best and make sure they let her know that they don’t think of her as a burden.

One of my favorite moments showcasing this in the episode is when Amity lets Luz know that Belos meeting the collector because of her help isn’t a failing on her part. It doesn't make her a mistake or the harbinger of doom she believes she is. She assures Luz it’s a testament to her good heart instead.

Luz’s support system doesn’t automatically make her better either. The Owl House understands there is no quick fix to depression and other mental health issues. There is no list of requirements to check off to “cure” it. It’s something that is dealt with on a daily basis.

Dealing with mental health isn’t linear just like dealing with grief isn’t linear.

I am really intrigued to see how they handle Luz’s struggles moving forward and believe that they were handled with a lot of tact in this premiere.

This show has really come into its own. Season one was fun and had a great world and characters that drew you in but lacked a strong vision of where it wanted to go with wonky power scaling, an inconsistent level of control and influence from Belos that changed to suit the episode, and parts of the story that clashed with its core themes. I loved the season but thought there was missed potential. 

Season two came around and reached the heights I thought it was capable of and it seems like season 3 plans to do the exact same. I can’t wait for the final two episodes. If this is any indication of their quality I bet they will be amazing.

Extra thoughts

I love when Camila lets Luz sleep with her after she’s awoken from her nightmare. It’s just a really sweet mother-daughter moment.

I really liked Hunter’s cosplay and how his attachment to the character of O’Bailey speaks to the importance of representation and how it can help you heal and feel seen.

Gus definitely knows that Hunter is a Grimwalker. He purposefully introduced Hunter to a character that he could connect to and even tried to imply that he knew before Hunter covered his ears to avoid spoilers. I really appreciate their dynamic in the smaller moments of this episode.

I said it in my Hollow Mind thoughts but I’m going to say it again here: I think that Evelyn was a Calwthorne. There’s just too many clues in the show for her not to be and the Owl House has a pretty good track record of paying off obvious hints.

The best thing about this episode is how it carries over the consequences of King’s Tide. There are a few times where the tension the characters should feel to get back to the Boiling Isles gets a bit lost. The most notable example was how solving the clue they found to get them back to the isles was framed more as a way to cheer Luz up than a way to return to their families and know if they are okay. 

Yeah, the characters are sad to be away from their families but there isn’t the desperation to know about their fates that would be expected considering what happened with the day of unity and the collector. I like how this plot point was used in regards to Hunter and Luz but thought it was a bit lacking in execution and development when it comes to Amity, Willow, and Gus.

Amity, Willow, and Gus are unfortunately the ones that suffer from this section of the season being shortened. They are fun and engaging supporting characters but they noticeably don’t get the emotional focus or development that Luz, Hunter, and Camila get. I don’t dislike the choice, in fact, I think it was a smart choice to narrow the scope of the episode because it would likely become bloated and lack the strong focus and emotional core that it has.

It’s just unfortunate because Willow and Gus are not as well explored as Amity, Luz, and Hunter. Gus at least has “Labyrinth Runners” as an episode focused on him and a few episode B plots but Willow doesn’t really have her own spotlight episode. Both of her episodes “Understanding Willow” and “Any Sport in a Storm” are actually Amity and Hunter episodes respectively.

I would just like to see a bit more of Willow explored.

This is the first time Hunter has really cried in the show. He’s teared up before but never allowed himself to fully cry. It’s telling that the moment that gets to him the most, that makes him drop those walls and breaks the dam, is when Luz calls him family. It’s not traumatic or violent. It’s quiet and tender. He’s never had a family (something he mentions in Hunting Palismen) and now he does. Earth really did allow Hunter to come into his own and gain so much that he lacked all his life. 

I absolutely adore all the end credits art. Most of it is just so wholesome with my favorites being Luz teaching Camila glyphs (Camila is really committed to learning from Luz) and Flapjack tucking in Hunter (this is just so bittersweet).

Barbie Thoughts

I think my favorite thing about Barbie is that on top of everything else it tackles it’s also a touching exploration of the beauty of life and the creation of art.

The line: “Ideas live forever.” which has been featured in most of the trailers has a completely different meaning through this exploration. It shows that it’s people who create meaning. Be it through movies, comics, toys, etc. It’s their life, experiences, and creativity that make something of the ideas and art that are made in the world.

Barbie herself wouldn’t have meaning if not for the personal inspiration that drove Ruth to create her or the way she impacts the people who play with her (at least until the end). It’s this desire to be seen and understood (and inspire) and help others to feel less alone that drives creation and creates meaning.

That meaning put into creation is found in all aspects of life. And Barbie emphasizes that life isn’t perfect. Life is hard and painful and rife with change and conflict but it’s also beautiful in its own way. Barbie is inherently optimistic about life and shows the beauty of aging. Of mistakes. Of learning and growing. And that’s what makes its final message about creation and connection hit harder. Life is imperfect and doesn’t last but you can find and create meaning in it.

And it’s this aspect of the movie that hit me the hardest and makes it really great to me.

Across the Spider Verse Thoughts

Across the spider verse was my most anticipated movie of 2023. I came in with sky high expectations and yet somehow the movie managed to surpass them.

By the end of the opening sequence across the spider verse had me sold that this was going to be one of my favorite spider-man movies and when the movie finished that belief held true. Spider-Man across the spider verse is easily one of my favorite superhero movie sequels of all time (I actually think it might be my favorite). The movie just came out and I’ve already seen it, what my brother has dubbed, “too many times” (Though I vehemently disagree with him on that point).

It’s a movie sold on its scope and love for all of spider-man and his lore and yet it never loses its heart in the spectacle. It manages to be a fantastic middle chapter to what is quickly becoming one of my favorite film series of all time.

There’s a lot I want to talk about so I’m just going to get right into it.

Miles is a great protagonist

Miles Morales is a character that I felt Into the Spider Verse really elevated. I had read all of the ultimate comics spider-man run that was his debut series and, while I liked Miles, he was never in the top tier of my favorite superheroes, but that quickly changed with Into the Spider Verse. They managed to explore his struggle and hesitance to accept the Spider-man mantle in a way that was far more compelling than his comic book counter part.

Across the Spider Verse takes the already really strong basis that Into the Spider Verse created for Miles and builds on it through a brilliant meta narrative on what it means to be spider-man and asking the question of whether or not Miles really is spider-man.

Trauma is so ingrained into the creation and growth of spider-man as a character. Ask anyone to list what the most iconic moments in spider-man comics are and you are bound to get answers that include uncle ben’s death, the death of gwen stacy, the death of Jean DeWolfe, Captain Stacy’s death, etc.

There are a lot of moments of loss within the spider-man mythos that define the character and these moments are carried over into a lot of spider-man media outside of the comics. Miles’ rejection of this narrative and the necessity of loss to make a hero in this movie is what truly makes him become spider-man.

The first movie had him accepting the mantle but this is where he truly grows into the role.

Keep reading