Alastor Episodes 7 And 8 Thoughts

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

Across the Spider Verse Thoughts

Across the spider verse was my most anticipated movie of 2023. I came in with sky high expectations and yet somehow the movie managed to surpass them.

By the end of the opening sequence across the spider verse had me sold that this was going to be one of my favorite spider-man movies and when the movie finished that belief held true. Spider-Man across the spider verse is easily one of my favorite superhero movie sequels of all time (I actually think it might be my favorite). The movie just came out and I’ve already seen it, what my brother has dubbed, “too many times” (Though I vehemently disagree with him on that point).

It’s a movie sold on its scope and love for all of spider-man and his lore and yet it never loses its heart in the spectacle. It manages to be a fantastic middle chapter to what is quickly becoming one of my favorite film series of all time.

There’s a lot I want to talk about so I’m just going to get right into it.

Miles is a great protagonist

Miles Morales is a character that I felt Into the Spider Verse really elevated. I had read all of the ultimate comics spider-man run that was his debut series and, while I liked Miles, he was never in the top tier of my favorite superheroes, but that quickly changed with Into the Spider Verse. They managed to explore his struggle and hesitance to accept the Spider-man mantle in a way that was far more compelling than his comic book counter part.

Across the Spider Verse takes the already really strong basis that Into the Spider Verse created for Miles and builds on it through a brilliant meta narrative on what it means to be spider-man and asking the question of whether or not Miles really is spider-man.

Trauma is so ingrained into the creation and growth of spider-man as a character. Ask anyone to list what the most iconic moments in spider-man comics are and you are bound to get answers that include uncle ben’s death, the death of gwen stacy, the death of Jean DeWolfe, Captain Stacy’s death, etc.

There are a lot of moments of loss within the spider-man mythos that define the character and these moments are carried over into a lot of spider-man media outside of the comics. Miles’ rejection of this narrative and the necessity of loss to make a hero in this movie is what truly makes him become spider-man.

The first movie had him accepting the mantle but this is where he truly grows into the role.

Keep reading

Alastor Episodes 7 and 8 Thoughts

These two episodes really gave us a lot in regards to Alastor and I cannot wait to see where they go with him in season 2. What I find most fascinating about what they established with him in these episodes is how I think this perfectly sets up Alastor to directly challenge the show’s main themes of redemption.

Alastor is the only character in the main cast that I think could effectively challenge Charlie’s idea of redemption by making her face the question of “where the line for who can be redeemed and who is too far gone is?” 

Even Vaggie and her past as an exorcist couldn’t challenge Charlie’s ideals in the same way because Vaggie so clearly wants to be better and is trying to be better. She could only challenge Charlie’s idea of who could be redeemed. She couldn’t truly challenge the line of when someone is too far gone unlike Alastor. 

And to explain this I'll just jump right in.

It’s clear these two episodes were meant to show a shift in Alastor and Charlie’s relationship in some capacity. It’s a bit more of a subtle shift than with the other characters, but I think it’s setting up this future conflict well for the limited time the show has. 

At the start Charlie doesn’t think Alastor cares and calls him out on this. She directly states that she believes he enjoys the suffering. He refutes her idea of him by stating she doesn’t know what he feels. He purposefully hides his feelings behind a smile as a sign of control. (The first shift. It tells her there’s more beneath the surface)

Then Alastor helps Charlie enlist cannibal town and says he wants to mentor her in the song. This is more than the initial indifference and humor he got out of Charlie at the beginning. There’s an interest in seeing Charlie grow and being a part of it that wasn't there before. And, with Alastor helping Charlie here, trust is being built (at least on Charlie's end).

Then Alastor talks to Niffty (who he is clearly fond of) and admits he finds the group enjoyable to be around. He says he could grow accustomed to them after Niffty says she really likes them almost in agreement with her. He's very candid with Niffty and doesn't seem to feel the need to hide his emotions around her. They appear to be on the same wavelength.

And finally, Charlie is upset when she thinks that Alastor died against Adam and hugs him happily when he returns. In Charlie’s eyes Alastor has been helpful and risked himself and his power to protect the hotel. This is a true shift in their relationship on Charlie's end.

This bond is necessary because if (at the very least) Charlie doesn't care about Alastor then he won't be able to truly challenge her idea of redemption and the show implies it doesn't just go one way. It's just obscured.

To explain what I mean I want to look at Alastor's role in the final battle and that moment when he is alone after he escapes.

At the beginning of the battle he felt like the trump card he should have been. He makes the exorcists, before Adam destroys his shield, look like a joke. And he gives Adam a run for his money before he becomes overconfident and lets his guard down. He didn’t expect Adam to bounce back and have that much power left to show. He was caught completely off guard and paid the price. 

And instead of staying to face the end with the rest of the people in the hotel Alastor opts to save himself. He places himself first. When he leaves he seems almost smug, spouting off a one liner and smiling as he sinks into the shadows. It seems calculated and calm, but alone is a completely different story. This moment shakes Alastor and that moment alone puts his fight against Adam and decision to flee in a different light.

In this moment when he's alone he starts to lose it, saying there has to be a way out. This isn’t where things end. He will come out on top. 

He can feel his control over the situation slipping. His power and notoriety has been challenged left and right this season. First Vox, then Lucifer, then the loan sharks, now Adam. It’s one right after the other. And Adam almost killed him.

He’s struggling to grasp onto what little control he has left by forcing himself to keep on his smile and it calls back to the beginning of episode 7 when he says to Charlie that just because she sees a smile doesn't mean she knows how he really feels. His smile is a sign of control. And even in this moment you can see that last bit of control slipping. And it’s left him even more desperate for his freedom than before.

The Radio Demon was introduced almost as if he was an all powerful entity and now he is being brought back down to earth and he’s raging against it, barely keeping it just below the surface. 

But there’s even more to his breakdown than just his pride. The lines “Great Alastor, altruist, died for his friends. Sorry to disappoint that is not where this ends. I’m hungry for freedom like never before. The constraints of my deal surely have a backdoor.” strongly imply that he really does care for the residents of the hotel more than he wants to admit even to himself.

He is freaking out because he got too close to dying trying to protect and help people that he never thought he would care at all about and he’s doubling down on his plans from before. 

His immediate desperation to be free implies he is at the hotel because he is forced to be there, but he’s desperate to get out of the contract because he doesn’t like how it’s changing him. Alastor has always put himself first and here he is almost dying trying to protect this hotel and it's rattled him even more deeply than the blow to his pride.

I feel like they know exactly what Alastor can mean thematically and they want you to know he’s a villain while seeding hints there could be change under the surface (ones that Alastor himself is afraid of and wants to double down against). There’s a balancing act going on with him and it seems they really do want to challenge the idea of redemption with him. Not just Charlie’s, but his own as well.

Alastor is still in my opinion the best written character in the series. There’s just so much to unravel with him and he’s the most fun to try and dissect to me. I can’t wait to see what they have planned for him in season 2.

Amphibia Season 1 Re-watch Thoughts/Review

Amphibia season one was really fun and had an amazing finale. The choice to be an episodic comedy series works wonders for this season and I believe makes Reunion and season two hit all the harder. 

This season falls into a few of the usual trappings that almost all first seasons do but its biggest strength is that it knows what the series is about at its core and it focuses on that.

This show knows what themes are at its heart. Amphibia is about friendship, change, growth, and becoming your best self and that’s what the first season is just on a smaller scale than the second and third.

It allows for a gradual build up to the huge scale of the third season. The first season keeps the focus on Anne’s growth and how she learns self-love through her relationship with the Plantars. And it slowly opens the world to us by introducing one of the toad towers in Prison break, halfway through the season, then Reunion opens up how much the events of the season have effected the rest of the valley. 

All these actions that felt like they were occurring in a vacuum have wide reaching consequences. This is bigger than we initially thought. And that final shot in season one before the “End Part I” showed up on the screen where we see Anne and the Plantars overlooking the valley while hugging perfectly encapsulates how the world has now opened up to them. That the scope we saw in the first season will be widened exponentially.

The show needed this gradual build up. Suddenly making the show about all of Amphibia during this season wouldn’t have worked and expanding the view beyond Anne’s growth would have made it so that moments later in the series wouldn’t have felt as earned. 

I believe this was a good choice for the show but also a big reason why Amphibia was so underrated for so long. A lot of people looked at the more episodic problem of the week formula that the first season followed and didn’t think twice about it until the finale came along and shattered the status quo. It wasn’t noticeably serialized right out of the gate.

This is an unfortunate issue because it is based on first impressions. Something like the Owl House is an obviously serialized show from episode 1. Everything flows into one another and that draws in an older crowd easier than the seemingly episodic formula that Amphibia had out of the gate. 

There were hints of serialization in “Anne of Beast?” and “Best Fronds” but as early as “Cane Crazy” the show started with the problem of the week formula, which I want to emphasize once again was a good choice for the show because it really emphasized its themes of change and growth, but that also caused some people to not give the show a fair shot.

The choice to have the season air over the course of a single month also stunted Amphibia’s ability to garner a following. There wasn’t time for people to talk or speculate about the show episode to episode because a new one was coming out every day. 

Episodes that likely would have gotten fans talking and speculating about the finale like Prison Break, Bizarre Bazaar, and Anne of the Year weren’t given any time to breathe so this could happen.

It was just an unfortunate choice that caused Amphibia to be underrated going into its second season (which is phenomenal).

There are some genuine drawbacks from the episodic formula that Amphibia used in its first season though. Some episodes become formulaic because they use a similar structure with a basic life lesson being learned in almost every one. The interesting and unique world and how it was used could save some of these episodes from falling into tedium but not all of them.

It also takes a while for anything about the lore, Sasha and Marcy, or plot to really come into play which can become frustrating, especially for people that have never seen it before but were drawn in by what they’ve heard about it online. 

It can be a bit slow with divulging information with Sasha not being formally introduced until the episode Prison Break which was 10 episodes in and nothing about the Calamity Box explored until Bizarre Bazaar which was episode 15. 

There are long stretches that don’t expand on these very important and interesting plot points. This can exacerbate the flaws in certain episodes and make the pacing feel off or slow at times which is something the show greatly improves upon when season 2 comes around. This structure and slow build up isn’t for everyone.

This was what initially kept me from watching it when this season first aired (I regret this choice). Interestingly the thing that sold me on watching the show the first time around was the opening. Specifically this shot: 

This moment in the opening never failed to intrigue me. It was a hint of the themes this show would grapple with and how all the events seen are because of this broken friendship. There is genuine care between the people in the photo which can be seen by their closeness and the writing around the edges but it is literally out on a limb in the middle of a storm. It’s struggling to hold on and brings an air of tragedy to their current situation.

The lightning strike provides an even more ominous tone to the moment. The rain alone could have just made it seem tragic, friends torn apart by circumstance, but the lightning strike is what tells you there was something off/toxic about the friendship even before Amphibia. 

It never failed to make me wonder what exactly that was and it kept me watching to see what the reality behind it would be. This comes around in a big way with Sasha.

In Sasha’s introduction she is shown to be cunning and manipulative. There is genuine care for her friends but it is overshadowed at this point by her flaws.

It starts to paint a picture about what Anne’s friendships were like at home. This portrayal of toxic friendship and outgrowing connections is one of the things I think the first season does best in retrospect.

The first season makes it so that Sasha's (and Marcy’s) influence can be felt on Anne long before she even speaks through things Anne says and does. 

This makes it so that even though Sasha’s screen time is limited and she and Anne don’t interact until the very end of Anne of the Year the audience can understand why their clash in Reunion is so important for Anne’s character.

This is a great but subtle build-up to the finale.

Reunion is a fantastic and very interesting episode. It is in many ways the most formative episode of the series. It creates the mold that Amphibia’s finales follow moving forward.

For example, it makes the decision to bring the audience back to the day Anne, Sasha, and Marcy get whisked away to Amphibia and provide context for what led Anne and Sasha to that point. This is an important part of True Colors, All In, and The Beginning of the End as well.

It also starts the trend of what I’m going to call Amphibia’s “wham” moments with Sasha letting go of Anne’s hand. This is continued in the other season finales with Marcy getting stabbed and Anne’s death.

Lastly is how the episode addresses change and the ways people fight against it. The series as a whole tackles change but the finales are where the trio and their issues with accepting change come to a head.

Leading up to Reunion Sasha has had her negative traits encouraged by amphibia- they allowed her to flourish at toad tower- and as a result she hasn’t grown and changed in the same way Anne has. Anne landed in Wartwood with the Plantars and has had her old mindset challenged constantly which led to her growth. This growth allows her to stand up to and best Sasha.

This is repeated in True Colors, where Sasha and Marcy’s bids to fight against change cause things to come crumbling down for them, and in The Hardest Thing where the core (a being that can’t let go of the past) is taken down by Anne because of the calamity trio’s growth and acceptance of change.

These similarities make it so that all the finales feel like they build on one another. This creates a cohesive through line in the series.

Overall I think this season built a solid foundation. There are instances of the show struggling to find its footing and it does become repetitive in some areas, but it’s really fun and has a strong heart.

Extra Thoughts

This is more of a deleted scenes/excerpts of analysis that didn’t fit in my review.

Reunion also plays into Amphibia’s overarching themes of change. The way it interweaves present day with flashbacks to what led Anne and Sasha to opening the music box really showcases this. Sasha is practically unchanged. She landed in toad tower where her negative traits are encouraged and cause her to flourish. Whereas Anne has grown so much because she landed with the Plantars in Wartwood and has had her mindset challenged constantly by those around her. The clash between Sasha and Anne can be seen as a clash between accepting change and staying stagnant with accepting change (Anne) coming out on top.

There’s an interesting parallel between Toad Tax/Prison Break and Reunion. Toad Tax has Anne stand up for what’s right instead of taking the easy path and submitting to “bullies” to gain the Wartwood citizens’ respect. Prison Break introduces Sasha’s toxic traits and shows how they help her get free and flourish at toad tower. This is exactly what their conflict is about in Reunion.

I love how Anne’s heritage is explored this season in Lily Pad Thai. The exploration of Anne’s culture is one of my favorite things about the series.

The use of someone to lean on in the finale is really interesting because on the one hand it stands out in a jarring way because the show doesn’t use non-diegetic licensed music at any other point in the series but on the other hand it fits really well thematically and provides insight into Sasha and Anne’s mindsets during this moment. 

The music in this season is the weakest of the 3 but that doesn’t mean it’s bad by any stretch. It is more washed out because of the sound mixing and not given the chance to shine until the finale. Reunion has a very good score with my favorite part being after toad tower falls and Anne makes eye contact with Grime. It’s tragic and foreboding and it’s the first time this season that the score is allowed to be the loudest part of a scene. This decision makes it so that this scene is given a different feel to all the ones that came before. It’s a transition in the music just as much as it is in the series. The music paired with the look clearly indicate that the conflict is far from over. This is just the beginning.

The only other episode where the music is allowed to shine is Prison Break. TJ Hill goes all out giving toad tower a completely different feel from Wartwood and I believe the music/title card (”far, far away from Wartwood”) is in part a Star Wars reference/homage (I could be wrong).

The dark humor of this show is amazing. Hop Pop is the one primarily used for this type of humor this season and gets the best jokes because of it.

Sasha doesn’t embrace or even really have to accept the changes that living in Amphibia naturally brings unlike Anne. After she is released from prison she gets herself plumbing and makes the toads make human cuisine. She forces things to be like they are back on earth (the parts she likes anyways). 

I know Reunion isn’t the first episode to use flashbacks in the series, Best Fronds is actually the episode that has that honor, but the way Reunion uses the flashbacks is what is brought back in True Colors, The Beginning of the End, and All In. 

I really like going back to the beginning of a series like this to see how all the characters changed as the show went on. Watching Anne in this season right after watching season 3 kind of smacks you in the face with just how much she changed (in the best way. It reminds you of just how far she’s come). It’s a lot easier to remember in a fair amount of detail just how much someone like Sasha or Grime has changed because of their limited screen time and massive character growth in that limited time. But Anne is the main character so her change is more gradual and can blend together because of this. I just like this aspect of re-watching a series.

Best of Animation 2021 - The Last Lullaby (Centaurworld)

Centaurworld is a deceptively deep show*. From the marketing it received the show felt jarring and disjointed almost as if two incompatible worlds had been thrown together haphazardly but the moment you boot it up and start watching it is obvious this is far from the case. 

Centaurworld is about grief, loss, depression, and learning to heal. It uses its vastly different tones and visual styles to elevate these aspects of the story. 

It’s a fantastic and fun ride and I believe its finale “The Last Lullaby” is the best example of how it uses all these seemingly contradictory parts to get all these themes across, especially with the music.

Centaurworld is a musical that has a lot of songs that I have fun with but I would say it is usually “all bops and no bangers” (credit where credit is due. I heard this from Sarcastic Chorus). 

The one place I really love their music and think it makes itself stand out is in its reprises. The way it brings songs from earlier on back and completely changes the meaning through the context of the scene. 

This episode does the same thing with Rider’s Lullaby and The Nowhere King’s lullaby. These songs are closely associated with the protagonist and antagonist of the show respectively and the way they are brought back in this finale really brings their arcs full circle. 

I especially love how the Nowhere King’s lullaby is brought back because it really accentuates the tragedy of his character and his relationship with the purple haired woman. I wish this relationship was explored in greater depth throughout this season but what we did see of these two characters was hauntingly beautiful in a way that you wouldn’t expect from what is essentially a single episode exploring their relationship. 

The Nowhere King’s death didn’t feel triumphant or glorious like you would have expected after his introduction in the two part finale of season 1. It’s quiet and personal. He returns to his original form one final time before the woman he loves ends his life once and for all.

The purple haired woman hesitated to go through with this before this point but she’s resigned herself to the fact that she must be the one to bring this nightmare to an end. Despite the love between the two their story doesn’t have a happy ending. It’s very tragic and the last lullaby the purple haired woman sings gets across the emotions of the scene between the two characters accentuates this.

The backstory of the elktaur chronicles the slow self-destruction and mutilation of someone who feels trapped on the outside looking in due to his internalized self-hatred. It becomes a tragedy about someone who felt undeserving of love to the point where their internal war with themselves became external. 

“They’re the same being locked in this everlasting fight with himself.”

This is an interesting exploration of morality that accepts that people are steeped in shades of gray. It’s like what the Nowhere King says to horse “we all have good and bad”. 

This episode shines brightest when it takes a microscope to all these characters and forces us to look at them for all they are. 

The Nowhere King is a horrible monster that has caused so much suffering but he is also a victim. 

The general is a monster wearing the mask of a hero that perpetuates a conflict he will never end because he ultimately holds his own self interest and preservation of utmost importance. 

The purple haired woman was blinded by her love and awe of the elktaur and centaurworld and it is ultimately her love that prevented her from ending this conflict when she had the chance. (She isn’t evil. I’m not blaming her. She understandably struggled to end the life of someone she loved.)

That being said I do have a few issues.

My issues with this episode don’t stem from the content within the episode itself but rather the lack of screen time and build up to certain important aspects of this finale. 

I think there should have been more of the general before this moment because the twist that he’s part of the nowhere king is meant to completely flip the kindly, righteous leader visage on his head but since we didn’t spend enough time with him it doesn’t hit as hard as it could have. The general’s betrayal of Rider would have been even more of an emotional gut punch if we trusted him like Rider did, which could only be built up if there was more time allotted to him. 

I think the purple haired woman should have had more screen time because it’s the tragedy of her life and love of the nowhere king that is a driving factor in the entire story. In fact it’s her ending with the nowhere king that is what I would argue to be the emotional climax of the episode and by extension the series so I wish more time was given to them.

Everything that happened in the episode was great and it hit all the beats it was aiming for but like I said above I feel like some of them could have been strengthened if the series had given the characters involved more focus.

For example Rider being stabbed by the general is comparable to Marcy being stabbed by Andrias and yet I would argue that Marcy being stabbed is much more of a gut punch due to the amount of time their relationship was afforded within the show. We see how much Marcy trusts Andrias and we know why. Even if we knew he was up to no good we got to see how well Marcy and Andrias clicked and how much they had in common. 

Marcy is also given more screen time herself which allows us to grow attached to her in a way we couldn’t with Rider. So when the moment of truth happens and Andrias makes the decision to stab Marcy in the back it is a complete gut punch. We care about Marcy, we know how this relationship made her feel seen, we understand the full depth of the betrayal. 

I’m not saying this to hold one show up on a pedestal above the other, I’m using it as an example to explain why I think this certain plot point would have benefitted from extra attention earlier in the series.

That being said, I believe the way the general’s betrayal played out was very effective coming from Rider’s perspective (just not as much when it comes to the general and their relationship). The show has done a good job up to this point portraying Rider’s unwavering belief in the general. She is a child soldier that has dedicated her life to this cause that the general leads and yet he never meant to actually end the war or his people’s suffering. 

It also leads into a very touching reprise of Rider’s Lullaby. 

This was the first song we heard in the series and it was the defining song of Rider and Horse’s relationship. Having the song come back around with Horse being the one to sing it to comfort Rider in an inverse from the pilot would have been a fantastic bookend to their relationship.

This is why I’m mixed on how they chose to have this scene play out.

I’ve never been a big fan of fake out deaths and this one still has me conflicted. This is purely a personal preference thing. I’ve just never been big on these types of scenes. 

This leads me to the episode’s ending.

Centaurworld is a story of two wildly different worlds and tones that come together to elevate each other rather than detract. On the one hand the show can cover the bleak reality or war, loneliness, and loss and on the other it triumphs family, love, and connections. This episode is a nice blend of the two with the finale showing the clash of the tragedy of the past (the elktaur and the purple haired woman’s story) and the hope of the future (the ending with horse and her herd).

This decision holds true to the series to this point.

This episode was a fantastic ride from start to finish. There were some aspects of the episode I was mixed on but I ultimately love the end result and find myself revisiting the tale in my thoughts and on rewatch. 

I am interested to see what Megan Nicole Dong does next!

*The marketing for this show wasn’t great. I know many people that were turned off from the show because of the trailers they had seen which is disappointing. But I’ve seen a lot of fairly big youtubers cover the show and help give it the attention it deserves.

Extra Thoughts

I thought almost all of the comedy hit, especially all the gags with Stabby. “I have unquantifiable corpses on my conscience.” is one of the funniest lines in the entire show. I really wasn’t a fan of the fart joke with horse in the elktaur’s mind and thought it really fell flat.

I felt like adding to this list just to make fun of how consistent the characters I project onto is.

Me: There is definitely not a pattern to the characters I project onto.

The characters I project onto: