"It's Probably The Only That Interests Me In Performing Is This Question Of Identity, And The Question

"It's probably the only that interests me in performing is this question of identity, and the question of transformation and I'm genuinely moved by the way in which all of us are. Society circumscribes us and we play into this feeling that we have to pick one identity and stick with it, and any natural transformation within our spirit is to be resisted at all costs. And if there is some great shift in one's life one is to feel nothing, but shame and failure. That's the thing I am constantly drawn back to." — Tilda Swinton on highlighting identity and transformation when selecting her film roles. +++ Tilda Swinton as... ... a hippie secret island community leader (The Beach) ... a cryogenics sales manager (Vanilla Sky) ... an androgynous archangel (Constantine) ... a fantasy warrior sorceress queen (The Chronicles Of Narnia) ... an haute bourgeoisie trophy wife (I Am Love) ... a 3,000-year-old hipster vampire (Only Lovers Left Alive) ... a grande dame hotel heiress (The Grand Budapest Hotel) ... a despotic post-apocalyptic prime minister (Snowpiercer)

Oh, so we're just conveniently forgetting Ewen Bremner in this gifset whose right arm just HAPPENED to be frozen into a block of ice and then shattered by a sledgehammer?

Obviously reminds me of this beautiful moment...

Normal, stylishly casual, and clean-bearded sex god Chris Evans still looks sexy as fuck even while playing a dirty and extra-scruffy train hobo, but the transformation of an ethereal and otherworldly alien creature like goddess Tilda Swinton into a demented and freaky bastard love child of Dolores Umbridge and Effie Trinket is astonishingly mind-blowing.

Sorry not sorry. Couldn't resist making these.

Also... Don't deny that this isn't what y'all thought when Curtis made his badass swag walk through the Nightclub Section of the Snowpiercer.

"I want to empower women. I want people to be afraid of the women I dress... Give me time and I'll give you a revolution..." — Alexander McQueen +++ Iconic moments from the runway of avant-garde visionary fashion designer, Alexander McQueen White cotton muslin dress spray-painted black and yellow-green with underskirt of white synthetic tulle (No. 13, Spring/Summer 1999) Dress with bodice of hand-painted red glass medical slides and skirt of red and black dyed ostrich feathers (VOSS, Spring/Summer 2001) Amazonian castaway rainbow evening gown (Irere, Spring/Summer 2003) Nude silk organza dress embroidered with silk flowers and fresh flowers (Sarabande, Spring/Summer 2007) White cocktail dress with embroidery detail of black kissing peacocks (The Girl Who Lived In A Tree, Autumn/Winter 2008) Jellyfish dress with matching leggings and Armadillo platform boots embroidered with iridescent enamel paillettes (Plato's Atlantis, Spring/Summer 2010) Dress and glove of printed silk satin with Hieronymus Bosch detail and an underskirt of duck feathers painted gold (Angels And Daemons, Autumn/Winter 2010) Monarch butterfly minidress with matching stiletto sandals (Spring Forward, Spring/Summer 2011) Evening gown of engineered porcelain mosaic bustier and ruffled silk tulle train with matching platform sandals (The Ice Queen And Her Court, Autumn/Winter 2011) Deep pink silk organza cocktail dress with matching platform sandals and a mirrored visor (Beautiful Future, Autumn/Winter 2012)