callmeforasadtime - no more crouching,
no more sobbing
no more crouching, no more sobbing

I WANT TO BE UNBEARABLE

981 posts

What Do We Do With The Longing For What Can Destroy Us?

“what do we do with the longing for what can destroy us?”

— The Last Two Seconds, ‘The Earthquake in This Case Was’ by Mary Jo Bang

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More Posts from Callmeforasadtime

3 years ago

daniel refusing to explore his bisexuality bc the first man he thought was in his corner (besides mr. miyagi who isn’t rly a man to daniel but something else entirely, completely transcends gender in how daniel trusts him) lied to him and manipulated him for months; in the end, he turned out like how daniel’s known men for his entire life probably— mean, violent, victimising him just for laughs.

daniel refusing to explore his bisexuality and instead just completely ignoring it bc if he does maybe other men will bc they always seem to know bc how else can daniel explain why these things happen to him? it has to be his fault in some way, surely?

daniel’s trust issues stemming from his various bad relationships with the men in his life can b something that is so personal


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3 years ago
Thinking About Being Stuck With Myself Forever

Thinking about being stuck with myself forever

3 years ago
Marlene Dietrich Performing In MenswearMorocco (1930), Blonde Venus (1932), Seven Sinners (1940)
Marlene Dietrich Performing In MenswearMorocco (1930), Blonde Venus (1932), Seven Sinners (1940)
Marlene Dietrich Performing In MenswearMorocco (1930), Blonde Venus (1932), Seven Sinners (1940)
Marlene Dietrich Performing In MenswearMorocco (1930), Blonde Venus (1932), Seven Sinners (1940)
Marlene Dietrich Performing In MenswearMorocco (1930), Blonde Venus (1932), Seven Sinners (1940)
Marlene Dietrich Performing In MenswearMorocco (1930), Blonde Venus (1932), Seven Sinners (1940)

Marlene Dietrich Performing in Menswear Morocco (1930), Blonde Venus (1932), Seven Sinners (1940)


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