The Breakdown Of All 100 References Is Up!




The breakdown of all 100 references is up!
And also have some still shots of the whole thing inside and outside cause I’m excited and feel the need to scream about it.
Click me!
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More Posts from Cc-referenceblog
idle Jaskier-related notion:
Joey Batey is really approximately the same size and shape as Henry Cavill, and there are a number of clever techniques in pretty much all Jaskier's costumes to hide this fact and make him look about three or four inches narrower than he actually is. The costumers work really really hard to make him look that twinky, often with cleverly cut shoulder decorations that pretend he's trying to look bigger than he is and have the actual effect of making him look a lot lighter.
On a Doylistic level this makes sense, because it's hard to make Geralt look Huge and Imposing next to your non-combatant harmless sidekick if said sidekick is a jacked six foot burly man.
On a Watsonian level, however, the notion of Jaskier as this big meaty dude aggressively arguing with all his tailors to ensure that he looks as non threatening and foppish and entertaining as possible while also looking as sexy as he can (for a Jaskier definition of sexy, at least) is generating considerable entertainment for me this fine morning.










“A fox’s teeth are very sharp.” (2013-2019) Silk filament on silk-hemp blend with hand-dyed silk chiffon scarf. Text is Sandman: The Dream Hunters by @neil-gaiman, design inspired by illustrations of Yoshitaka Amano. Dress by L.L.K. Photo credit to Kenneth Williams.







Six years ago, my unbelievably talented wife decided to undertake a ridiculously long and complicated project: to embroider a story onto a dress.
We live in a very casual college town where no one ever dresses up for anything, so we began a tradition of throwing formal New Year’s Eve parties, and L being L, she made a dress every year. In 2013, she decided to take it a step further: she would create a dress inspired by Neil Gaiman’s Sandman: The Dream Hunters and then embroider the entire story onto the dress. The dress itself was the work of a few weeks and looked beautiful on her at the party, and then the real work began: planning, mapping, embroidering and embroidering and embroidering. She estimated it would take approximately ten years of doing needlework an hour or two each evening, leaving plenty of time to take nights or even months off. She finished in under six.
I can’t summon words to describe how proud of her I am right now. I mean, I am always proud of her, as she is an exceptionally kind and caring human being as well as a polymath (seamstress, carpenter, baker, programmer, naturalist, and tenured professor of biology), but she has created a true work of art and I hope it ends up in a museum somewhere to immortalize her talent, skill, and patience.
She’s currently trying to figure out her next project.