Ever Get A Weird AU Idea That Makes No Sense.

Ever get a weird AU idea that makes no sense.

Old man Tommy and Sarah have the ghosts of Paulie and Sam living in their house (both haunting Tommy) and get to navigate weird domestic life with two dead friends living under their roof.

Then Vito and Joe come to kill Tommy and get smacked around with Joe’s  floating shotgun. Conversation happens and the Angelos run away with Joe and Vito since clearly protective custody apparently mean nothing if these two got close and now weird domestic life (with their own children might I add) also includes two adoptive sons (and their ghost friend Henry).

At work doodles, aka the things I need to put in my empty sketchbook.

I hate hate HATE drawing in pen. I don’t know why I do it.

I’ve been thinking about idly streaming for a while, but they would all be games where I’ve already played them and then lamely did research on genre writing for the game beforehand. I’m not sure I’m going to do this yet, seems a bit of a commitment when I’m trying not to drown in school, but the end of the semester is approaching and a month would be plenty of time to get started on research for multiple games. I’m wondering if anyone would be interested and am open to suggestions.

Mafia: Definitive Edition (probably whole series) and looking into different eras of mobster movies.

L.A. Noire and obviously noire cinema

Life is Strange (in preparation for life is strange two) and certain kinds of “serious ya”/teen movies that deal with more mature themes (I want an excuse to watch the Heathers and Firewalk with me okay?)

Mass Effect when the definitive edition comes out and sci-if (specifically military sci-fi)

What Remains of Edith Finch. I’m not sure what genre I’d be looking into but I like this game and want to talk about grieving and death and trauma. Family tragedy.

Accompanying the former will be Gris

Far From Noise; probably will be the first one I play bc I don’t intend to do a lot of research. This is just such a good game and I’m not sure I can do it justice by talking about existentialism, therapy, etc

Firewalk and cinema with themes for middle aged adults as well as nature~

Dark Picture Anthology and horror movie influences. I may or may not rant about Little Hope and my love hate relationship with the game bc I like ALL of the premise but none of the execution and I have OPINIONS on how it could have been done better and been roughly the same game

I’m sure there are more but this is what I’m sitting with. Let me know (if anyone actually reads this) what kind of stuff you’d be interested in (if this seems interesting) and if there are any influences in the ones already mentioned that could be beneficial to examine

Finals are here

I’ve failed three out of my five finals (well, two. I’m just really sure about the other one), one of which dropped me a letter grade for a class. Just finished one I felt good about today, but I felt good about the last two, both of which are the two that I know for sure I’ve screwed the pooch on. I’ve already been pulling C’s this semester, so that’s murdering my soul. I’ve felt pretty numb this whole time, but I only have one final left and I can already feel the depression deciding it’s ready to come play. Despite the fact that I’ve actively been seeking help with my mental health this semester, this is probably the second worst school semester I’ve ever had (grades and depression wise), made worse because I’ve actually been trying. Especially because I did decently well last semester, considering that I had not been in school for a year and was coming back to online classes. I just don’t know.

I’m really fighting to study for my last final. It’s in genetics. I really would just rather play video games, but I want some sort of letter grade to pull me up this semester. I really hope some of the professors curve their grades like the mentioned they were going to. 

I really hope they don’t make me retake physics.

The Negative Character Arc of Vito Scaletta Part 1: Introduction

Alright. So I said I’d do this in the tags of the last character essay and apparently right now, even though I’m not mentally in a place to write fiction I am to write various character analyses. Probably because I can do this during my five seconds of peace at work and easily put it down. On with the show.

In my last character essay, I described the negative character arc of Ennio Salieri in Mafia: Definitive Edition. This time, for no real reason other than I want to, I will do the same for Vito Scaletta. For this one, I’m going to structure it a bit differently. Instead of listing out the events of the story and putting them in each section, I will talk in broad strokes (acts, turning points, etc) because, unlike Salieri, Vito is the main character. There’s just too much to look at for the former approach.

Quick recap or refresher for those that didn’t read the last essay and don’t know anything about negative character arcs in writing. A negative arc is one where the character ends the story in a worse place than where they started. This does not mean the character turns evil or dies, etc. (even though that is what often happens), simply that the place the story ends on for them leaves them unhappy/worse off in some way, etc. I think some of the most famous examples are Nick from the Great Gatsby and Anakin Skywalker/Darth Vader from Star Wars, and Javert from Les Miserable. A negative character arc is based on two central ideas: the lie and the truth. Now, another way to put this is the character’s belief which limits them in some fashion vs the reality of the situation that they do not comprehend (oftentimes this can be put into wants vs. needs, but that does not neatly line up). There are three basic negative character arcs: the Disillusionment (Nick and Javert), the Fall (Salieri), and the Corruption (Anakin/Vader).

Vito Scaletta is a beautiful example of the Disillusionment arc, which is made up of three parts: Character Believes Lie, Overcomes Lie, New Truth is Tragic. It helps his character follows three act structure of this particular type of arc very well (which, by the way, does not neatly line up with the three parts listed above, most of that actually occurs in the third act). Part of what makes his story so interesting is that his disillusionment arc starts off as disillusionment with the Lie of another character: his father. This particular paragraph is a bit of side step, but it is important to what happens before I go into the three act structure proper. Vito Scaletta’s father, from what we know, was a man that came to the U.S. with a dream and the idea that his family could find something better there. He was a working man that turned to alcohol for comfort and drank what little money he could make away and then borrowed plenty before dying. We can see what kind of Lie that Mr. Scaletta believed in the way that Vito’s mother (and to a much smaller extent Frankie) both encourage Vito to work hard just like his father and that, if he does, everything will be alright. That’s the lie that creates Vito’s own: that if you work hard, everything will be alright. 

This is important due to an idea that I didn’t address in the Salieri essay: The Normal World. The Normal World in a negative character arc is the way the world (for the character) is supposed to work outside of the story (the Adventure World being the world of the story). The distinction between the two is not necessarily relevant here, but The Normal World is a huge part of Vito’s Lie, which can be summed up in a beautiful simple quote from Joe: “The working man’s a sucker, that’s for damn sure.” This is Vito’s normal world: the working man is a sucker. They fail, they don’t make money, they don’t have power, they aren’t anybody. This is further pushed by Don Carlo when Vito sees him stop a battle in Italy. Don Carlo has power, influence, he is someone, which is exactly what Vito wants to be. This attraction to influence and rejection of... not hard work but staying within the system is what eventually leads him to take on Leo Galante as a father figure, but I digress. The Normal World for Vito is one where those within the system only end up at the whims of those with power over them and influence, power, and money are the only ways to achieve any sort of worth and/or success. Vito’s Lie is that, because these things are required for success, he needs to have them to be happy... and he won’t get them by abiding the law.

As I mentioned previously, I will be discussing the rest of this story following the traditional three act structure of a Disillusionment negative character arc, so buckle up. This is going to be a stupid long ‘essay’, so I’m going to break it up into four parts: this introduction and each of the three acts. This is purely so a person can come back to a part later if they want to. I’m going to post each of the three acts over the course of the next few days (one per day), so I do hope you enjoy.

My sweet new babies inside their play pen (the only time I can get them to be still. Just got them this week and we’re already working on getting them trained. I’m mostly posting this because I just spent the last half hour in their play pen with them as a relief from finals. They’re not making my sweet girl Satin (my profile pic) jealous but they are a bit too rough for her, being 10 weeks to her 13 years. Their names are Merry (white collar) and Pippin (teal collar), but they have reversed personalities. While it is tempting to have the name match temperament, I now find the reversal amusing.