Ah Yes, Angst And My Character Craving Parental Affection, A Little Bit Of A Stockholm Syndrome Add Into

Ah yes, angst and my character craving parental affection, a little bit of a Stockholm syndrome add into the mix. She kind of having a mental breakdown i guess?? Idk, i just winged it.

OMG THAT SOUNDS GOOD

Putting them in amongst my headcannons

Thinking about sky cotl's equivalent to mlp's "everypony" being "everylight". Considering skykids have a mental connection with all light creatures, I think it would be cool. Imagine a skykid walking into very dark cave and going like: "Hello? Is anylight here?"

I'm losing sanity

Uhhhh nice

the sky concept art masterpost!

i compiled a bunch of official sky concept art in a google drive folder because i got incredibly sidetracked looking at elder references. it’s not all illustrations; there are a few 3d images from the game’s development. i also included dev notes when available as well as the slides from the art of sky presentation.

Keep reading

Tips on Writing Characters Without Faces

so yeah, we all know that facial expressions can tell us a lot about how a character is feeling, but what if that isn’t an option? how can you make someone emote if they don’t really have standard facial features? the answer; body language.

let’s consider how emotions are conveyed on a stage production vs movie with Sweeney Todd. First, the stage play:

Note how Todd’s entire upper body goes into his gestures, how he’s single-mindedly focused on his dreams and ideals; how his hands GRAB for each imaginary ‘man’ with these sharp, aggressive, destructive movements and how that contrasts with Mrs. Lovett’s body language; how her hands linger in the air and gravitate towards Todd even after he’s pulled away, and the slow turn she gives him. It does an excellent, though exaggerated, way of conveying their relationship (her focus is on him and making him happy, his focus is entirely on revenge)

Contrast this to the movie:

Same lines in the song, much more subtle. Lovett’s eyes still track towards Todds, which reminds us she’s still more focused on the outside, but all of the emotion is in their faces. Were this not a close-up shot in a movie it’d be very, very hard to read their expressions.

While I do recommend you watch a few stage plays (in person near the back row if you can) to actually study body language for yourself or try out charades with your face covered with friends/watch how cosplayers or mascots emote, here’s a few shorthands to get you started (US-centric so expressions may vary on your region):

Head:

perfectly still - fear, intense attention, feeling under scrutiny

tilted up - recollection, intimidation (looking down nose at threat, aiming to appear taller)

tilted down - intense thought, shame (avoiding eye contact), depression/sad feelings

turned away - not giving person full attention, avoiding subject/conflict without being combative

cocker-spaniel (sideways) tilt - confusion, curiosity, amusement

Hands

at the forehead - fatigue (wiping away sweat), illness (checking self for fever, feeling a headache), realization/memory (a ‘well duh’ tap)

at the eyes - fatigue or headache (shielding eyes from light), distress (blocking out a painful view, concealing tears)

at the nose - disgust (a pinch at the nostrils,) irritation (rubbing at sore spot on nose from glasses wear)

at the mouth - nausea, surprise, repressing an emotion/stopping self from saying something

at the chin - contemplation, tiredness (face resting in hand)

rubbing back of neck - a need to relax tension, embarrassment, slight unease/desire to distract self

at the chest - surprise, self-protection (reaction to a wounding statement, sometimes used sarcastically), strong emotions (clutching at heart, could be good-strong or bad-strong), need for security (touching necklace/adjusting clothing to conceal more)

at the stomach - pain (clutching, pressing), satisfaction after a meal, protectiveness towards fetus when applicable

at the hip(s) - confidence, intimidation, nervousness (if grabbing for weapon)

at groin - concealment/unease (usually male-coded as protection of genitals), politeness (hands folded in lap)

on thighs - exhaustion (bent over, hands on legs supporting tired upper body)

formed into fists - holding back an intense emotion, preparing to fight

toying with something - restlessness (bored, nervous energy, craving something they can’t touch) or deliberate disrespect of property (playing with personal objects someone holds dear as an intimidation tactic)

Arms

at sides, relaxed - default posture

at sides, tense - unease, restraint (soldier at attention, person holding still to avoid being attacked), fear

crossed at chest - disapproval, displaying authority, unease (hugging oneself)

crossed at stomach - pain, intense laughter (caused by sore stomach muscles from laughing)

up, fingers laced behind head - confidence, relaxation

one arm on back of furniture - confidence, invitation for someone join them

general rule - the further arms are away from body, the more confident/dominant a person means to appear; exposed torso indicates that they don’t see anyone around as a threat to them

Legs

square with shoulders - professional, restraint, protective stance

wide stance, one foot a little back but planted - defensive stance, expecting to receive blows (knees may be unlocked - seen in swordplay and fencing)

weight on one leg - relaxed, tired, may also be leaning on something or pair with one ankle tucked behind the other

uneven stance - could indicate old injury

foot tapping/bouncing - boredom, nervous energy

Whole Body:

stiff and still - fear, unease, standing to attention

limp or pliant - relaxed, tired, pleased

shoulders back/head up - alert, focused, aggressive

shoulders forward, hunched - tired, ashamed

leaning towards person - interest, intimidation (looming over them), aggression (usually paired with tense arms or hands in fists,)

leaning away from person - relaxation, confidence, disgust (recoiling)

smooth/fluid movements - joy, confidence, experience

stiff motions - fear (reactive, fight or flight), pain (reluctance to move), anger (either fighting to keep control of emotions or lashing out), cold (conservation of heat by keeping limbs near body)

cracking joints/stretching - preparing for a fight, often reading as confidence in abilities

general rule - close contact/proximity can read as intimidation (paired with tense body - an invasion of personal space) or affection (paired with relaxaed body language, gentle movement) or passion/attraction while distance can read unease/distaste/fear/dislike.

with those in mind, let’s read this scene from Red vs Blue (a personal fav of mine for body language) featuring agent texas from season 8.

So first of all, very relaxed upper body; limp arms held away from the body, which slowly come back to rest on her hips as she looks at what she’s done. Watch how her lean shifts at the end as her center of gravity shifts, and how she has to move her right leg to restabilize herself when she’s finished pushing it. This reads, in order from the start of the loop; detachment (the least amount of her body is involved in the action as possible), relaxation (smooth movements, the deliberation of those little steps backwards) and confidence (hands on hips.) We can tell a ton about this character just in this gif alone, based on her body language.

in summary! this list isn’t exhaustive, but hopefully it gives you some ideas for ways of making characters emote in fics when you can’t see their faces.

So i decided to draw a memory of me and Jack messing around in the broken ship enchantment place beacouse i missed him very much :"")

*Cries*

Previous design of Ghost gijinka's, heavily inspire by other design i've seen on tumnlr and/or instagram.

The picture on the left side are my previous gijinka (which again inspired by other gijinka, i think they have tumblr but i forgot their username) and the right side is the new one!!

The hair and eyes are inspired by foileadeux and the elf ears by featherlouise. I really like their elf ears headcannon for higher beings :D