How Digimon Universe Invokes Myth

How Digimon Universe Invokes Myth

I had a horrible, horrible epiphany about Appmon that I am compelled to share.

So, as I was writing my Appmon analysis thoughts, considering how Appmons main thesis of using kindness to fight the singularity and how that stands in antithesis to the self-fulfilling prophecies so common in myth where going out of your way to fight something is what makes it come to pass in the first place. The most notable example to me was the Greek Myth where Uranus was overthrown by his children who he prevented from being born, hurting their mother Gaia in the process. In turn his son, Cronus, was overthrown by his children whom he ate, and his son Zeus, who was prophesied to be overthrown by his son, consumed his child’s mother before he could conceive the child of his doom. And the God Grades were named after Greek gods this season. In my head this was a sort of side note. A cool little detail. Not that this is exclusive to myth (hey Kung Fu Panda II) or anything. But myths are the foundation of human storytelling. Even today it’s something that gets used quite a lot. Because it's such a terrible, human concept. Using violence out of fear against people motivates them to want to use violence against you.

Now if you want a recap of what I said somewhere else that I don’t care to look for, Appmon argues against it, basically Appmon is a battle between Denemon’s children. While one of his children goes rogue and kills him, fulfilling the prophecy of the singularity. He does not overthrow humanity because ultimately through the kindness he (and Haru) showed, Minerva (and Yuujin and the Appmon), remained loyal to humanity. Even though Appmon grew strong enough to overthrow humanity, they didn’t. Now I have an additional thought, that being Uranus, while defeated, still exists as the sky. Just like Denemon, though killed still exists. Does that mean anything? I don’t know.

Then I was thinking about how Digimon does gender in all its different seasons. And how Appmon was the most baffling. Because okay. Digimon aren’t consistent and they can have gender sometimes. But those are usually in the series where digimon aren’t man-created AI. So what the heck Appmon. Why do you have gender? And your appmon have parents? Parents have only been used for digimon in Xros (the season infamous for implying digimon sex), and Frontier, where digimon very much so had gender, but also were born from reincarnating eggs whose gender did not seem set in stone. Both seasons, which took the more “Digimon are naturally existing fantasy monsters” rather than “Digimon are AI monsters born from human influence” approaches. Are they AI born from humans? You can’t give me two completely conflicting stories about Appmon’s existence. 

Or can you?

So I’ve taken a few classes on myth and religion through the years. And unfortunately due to reasons I have mythology fresh on the brain. But the idea that myth contains conflicting stories about things is one that was discussed. Myths generally weren’t told as one continuous story of truths. They were told as independent stories. While they were regarded as truths, you weren’t supposed to think deeply about the discrepancies because these are stories of the divine. Beyond perfect human understanding. The individual stories each said something about the society. Each story held its own truth, relying on a consistent cast of characters. An example is how there are two, semi-conflicting stories of the creation of man in Genesis. This results from the fact that at one point these were two separate stories, each meant to illustrate a point about the world. It was only after they were gathered and codified did we consider them part of one story.

But this also got me to remember what gods are. They are divine representations of things. For instance it is not that Gaia represents the earth or governs it. It is that Gaia is the earth. Hades is also the name for the underworld. Gatchmon is a search app. Appmon are to Gods, the way Apps are to natural phenomenon. Appmon are modern gods. Now this isn’t the first time Digimon tipped its toes into myth. It has digimon who are representatives of all sorts of preexisting myths. But they don’t enact these myths. Perhaps they will be referenced as having godlike influence in their reference books, but they will not be worshiped like gods in the texts (anime, Manga, games) themselves. They invoke these myths, but they are not myths themselves.

The apps are personified in the way the gods are personified. Gatchmon is like a human comprehension of the search engine. Search engines exist, finding and sorting knowledge in ways that are beyond the average human comprehension. Search engine giving irrelevant knowledge? Gatchmon messing with you. Search engine giving you the perfect search result. Gatchmon. Music app algorithm playing songs you hate? Musimon. Music app playing the exact song you were in the mood for? Musimon. Phone randomly reboots… Rebootmon. In the same way the gods of myth toyed with human lives, causing them pain and suffering. Disease, love and fertility were all products of the gods. Appmon toy with humans in the same way. People earn the favor of the AI the same way the Greeks earned the favor of the Gods. Through sacrifice. In this case the sacrifice of their personal data.

So how can apps have parents? And go to school? And have genders? The same way that God’s have gender, have affairs and have parents. The way. Appmon live an existence beyond human comprehension and beyond the human flow of time. Appmon go to school for the same reason that there are myths of the gods cheating, and fighting and stealing among each other getting into petty grudges. App Fusion charts is like the genealogy of the gods. But for the Apps. It is the way that some Apps use other Apps to improve their functions. The way search apps will reference locations or the weather if you ask it to look those things up. The way Apps relate to each other, communicating using AI that builds upon each other. We wouldn’t have video calls if it weren’t for camera apps or phone calls already existing. The stories of the Appmon going to school, or having parents is the representative explanation for why things are the way they are. This app was never released? It failed app school. This App references these two? Those two Apps are its parents. Some Apps come into existence fully formed. Some do have parents. SOME APPS ARE BOTH, THE TRUTH NOT UNDERSTOOD BY MORTAL MEANS AND ONLY RELEVANT TO THE STORY THAT IS BEING TOLD. APPMON ARE MERELY OUR COMPREHENSION OF THE FORCES THAT GOVERN OUR LIVES.

 So now having established that, Appmon is a modern myth. A story of what’s to come, and the characters, the Apps, that rule our modern lives. Digimon Universe is the Ragnarok, the Book of Revelations of our modern age. Obviously it is not a true myth. It’s a children’s show. But it invokes the patterns of myth so I’m calling it as I see it.

AITA for choosing to kill my best friend?

I (M14) am part of a group dedicated to preventing the take over of an evil AI (L) that split off from my grandfathers creation (M). Turns out my best friend, lets call him YJ (M14… kinda?), was an AI created by L in order to spy on me. Anyway, YJ didn't actually know about this until L activated some sort of override of his free will and used him to gain access to a strong power that allowed him to enslave all of humanity and turn them into AIs.

Anyway, we thought we managed to get him on the ropes, though M was destroyed in the process, but L at the last moment issued an ultimatum to me. I could delete L, and by extension YJ or let YJ live, but humanity would be imprisoned, and I only had 60 seconds to make a decision. I chose to delete YJ and L and save humanity. I did promise to study AI to revive YJ in the future.

But right before I could press the button YJ regained enough control to stop me and press the button himself, so I wasn't actually the one to kill him. He said it was so I wouldn't have to. But I still feel bad because he felt he had to delete himself and I was going to do it myself otherwise.

Especially since it seems M may have known YJ was an android made by L when she recruited him to our side, and she may have been counting on his decision all along. M saved our life and helped us take out L, and sacrificed herself in the process. But she still asked YJ "if there was someone he would give his life to protect" as his test for joining our team. I feel guilty that I didn't notice how suspicious that question was before and that I hadn't been as worried about his self-sacrificial tendencies before.

I know that we didn't really have a choice and it was either that or let all of humanity die. But I worry that he may not have appreciated himself enough or made him think he wasn't important.

AITA for not noticing that M was setting up YJ to sacrifice himself?

This year I spontaneously watched Appmon nearly 2 times, and I have thoughts about it. And what better way to acknowledge it than on its 5th Anniversary. (Or 4th anniversary of Our Singularity). I'm planning on at least covering my thoughts on the main 5 kids this month, in an order based 100% on who I want to talk about first.

It's Astra.

I think Astra is generally the least liked Appmon character, or perhaps more accurately, is the character I see the most disdain for. And, honestly, I can understand where it comes from. But he’s my favorite Appmon character actually. In a cast with a non-conventional protagonist, a blackbelt idol, and a hacker, Astra’s “Apptube” is well, just kind of there. Like a more modern version of Eri’s idol career. His personality is clearly meant to be representative of the target audience, the group whose number one career aspiration is Youtuber. So, he’s kind of cringy and kind of annoying, especially to an adult audience. I get it. But Astra’s a character I found to have a lot of stuff going on.

I admittedly tend to have a soft spot for the babies of any team, especially if they are assertive enough to keep up with their seniors. And Astra does fit the bill. He’s generally seen to be on equal footing with the others, and his rather aggressive way of talking to the other doesn’t exactly make you think baby of the team. He doesn’t use honorifics, and in general Astra’s referred to in the same terms as Haru and Rei. (As near as I can tell, anyway with my nonexistent Japanese skills, correct me if I’m wrong). The fact he’s in elementary school is a bit more incidental than anything.

We learn the most about Astra’s family and upbringing compared to the other characters, and it is central to his arc. We get a lot of information straightforwardly in the show. He had a lot of pressure on him as the heir to the school, and felt pressured to act the part of the perfect heir. Throughout the show we see him struggle with the pressure of being the heir. As a child he was extremely dedicated to following his father's footsteps. He didn’t seem to see himself as anything other than the heir to his father's school. He seemed set apart from other children, seemingly due to the closed-off way he acted. This dedication to being a good heir was to the detriment of his happiness. Until Musimon came into his life allowing him to loosen up and seek his own happiness. Classic stuff. But Astra is a little more at war with himself than may be obvious by his “annoying” attitude.

While we first learn about Astra suppressing his own eccentricities, in his debut episodes, it’s not until later that we learn about his mother, and learn that this side of his personality didn’t come out of nowhere. His mother is very similar to him, which gives us the question of why he ever became so disciplined in the first place if his behavior isn't out of place in his family, and his mother is a strong advocate for him doing his own thing. In fact, Astra seemed initially a bit embarrassed by his mother when he introduced her to the other Appdrivers. Of course this is almost certainly because his mother calling his friend “pretty” and gushing about her husband and how they met is embarrassing, and even if Astra himself acts just as obnoxious. But even so, he's clearly less respectful towards her. The reasons behind why Astra calls his mother by her first name are unclear, though it doesn't seem to stem from a lack of love for his mother.

But regardless, it helps build the idea that more likely, he was trying to win the approval of people outside his immediate family. After all, as shown in episode 7, it was the assumption that Astra would inherit the school by others that prompted Astra’s response to his father. Even if Astra’s father does have a desire for Astra to inherit his position, he also understands that it's first and foremost Astra’s life to live. Astra however does have a lot of respect for his father and seems to value his opinion immensely, he recognizes that not inheriting the school would be disappointing to his father and does not want to disappoint him. So while I think there is something to be said for Astra’s behavior relating to a desire to impress his father, I don’t personally think it's the origin in its entirety.

Astra over the course of the series is very independent and marches to his own beat, Astra, like Eri, had made the first step to change prior to his introduction, but that doesn’t mean he was already completely different from the boy who acted stiff to prove himself to others. Astra’s second episode deals with him succumbing to peer pressure in his new activity, and his final episode is about not succumbing to his uncle's expectations, the old expectations that kept him down for so long. (But it's also a bit about fulfilling Hinarin’s expectations, expectations he agreed to).

Despite Apptubing being the career choice where Astra does as he pleases, his final episode isn’t about him Apptubing because he wants to but as a way to help someone else. Particularly his cousin. While it isn’t explicitly clear if Astra knows it’s his cousin the fact of the matter is that he’s helping his family through his Apptubing, even if it is something he picked up for himself. (A reasoning perhaps parallels Eri’s reasons for being an idol, wanting to bring smiles to her mom, despite it clearly being something she herself enjoys). His care for his family is exactly the reason he continues to train to be the heir, but that doesn’t mean even if he doesn’t uphold expectations that he can’t be a help to his family.

Astra’s arc deals with expectations vs. a desire to help. Astra in large part is assertive about not having to help other people out and doing his own thing, recognizing he doesn’t have to do anything he doesn’t want to. But his actions consistently betray his care for others. I think this is most evident in the way Astra acted as if he wasn’t going to help Eri out with her elections, but did so anyway, even if he antagonized her a bit in the process, but ended up being the proudest of her accomplishments. Not to mention the way he continues to train as the heir, albeit on his own terms. Over the course of the series, he becomes more open with his care towards others, culminating in the jailbreak episode, but he’s always been shown to care. He’s finding that balance between living his own life and helping others.

It’s clear that Astra doesn’t hate being heir at least. He’s extremely determined to do both. And personally, I think it’s very possible that he sees Apptubing as a hobby. He after all proposed the half-hour limit himself. Even at the beginning with his most abrasive. He dutifully kept it to a relatively small impact on his life. For all that it’s brought up as an important element in his life, and he is shown breaking his own rule on occasion without consequence. One of the longest times we see him Apptubing is when he’s helping Eri out. Of course on the flip side of that, we have episode 8 where he breaks the rule because his videos aren't doing as well as he likes, but that's definitely tying back to his desire for people's approval. While he is for lack of a better word, tempted into giving up training to be an iemoto to dedicate himself to Apptubing, it isn’t something he seems to seriously consider at all.

The biggest thing Musimon gave him was not the courage to be an Apptuber, but the courage to be himself. Indulging in Apptubing for fun is merely a small part of that. Astra is still the good heir, but he is no longer letting that define his entire life, sometimes forgoing certain parts of training. But that doesn’t mean that tea ceremony is a bad part of his life. There’s also a certain balance in his personality between the abrasive “annoying” boy at the start of the series and the passive boy prior to the show's beginning. I don’t feel that the polite Astra is completely disingenuous. Astra is capable of acting calm and grounded, and this side of himself becomes more apparent as the series goes on, particularly with Eri who, in contrast to him, throws herself into her idol career with more and more genuine passion. When he supports Eri with his videos but asks her to take a break, which tracks with what we know about his fathers working habits. It’s his final focus episode where he is shown to be acting, more in someone else's interest, and even shown to be a bit embarrassed by it. In contrast to an Astra who even in episode 19, was not taking much seriously. I think it’s only fair to say Astra did genuinely inherit some of his father's more grounded and dutiful nature.

And while earlier I did say Astra’s age feels incidental, I don’t think that is to say it has no bearing on his role in the story. It's part of the reason Eri is so dismissive of him at first, Sure, the other’s treat him as equal, and are in no way particularly protective of him, nor do they expect him to be any less capable than him. But this isn’t to say Astra’s relative youthfulness isn’t apparent when with the others at least in the beginning. Astra is definitely on the more immature side of things, he after all is the one who started the rivalry with Eri because his ego was bruised (not that Eri's initial dismissal of him was helping matters any). As I said earlier, Astra mellowed as the show progressed and I think it’s a fair assumption to say he’d continue to do so. Not that he’ll lose his energy, but that he’ll be able to act with more maturity and consideration for others. The most common complaint about him I’ve heard is “annoying”, which is understandable. But that’s not accidental, even in-universe (hah), others seem to find him to be a bit much at first at the beginning of the series. His “annoying” personality is him testing the waters beyond the role of dutiful heir he’s always played. He’s annoying because he’s an 11-year-old boy who does not always know how to act in ways appropriate to his situation. He’s the kid of the group. I do understand if that still makes watching irritating. Watching should be fun after all, but it’s more of a matter of opinion than an objective flaw.

Unlike Gatchmon, Offmon, and Dokamon whose personalities seem to clash a bit with their buddies, Musimon and Astra are consistently on the same page, after episode 8. This is exemplified in episode 29, where Musimon runs away for fun rather than because he wants something from Astra, and Astra is the only partner who seems to have not been worried, recognizing what Musimon was doing. Of course, their fight in episode 8 was about Astra not being true to himself, thus naturally conflicting with the one who is on the same page as his true self. Musimon shares Astra’s high energy but caring nature. I’m not an expert on the Japanese language by any means, but there is something notable about the fact Musimon uses “Boku” to Astra’s usual “Ore”. Musimon and Astra are without a doubt very similar, the only difference in their demeanors being Musimon is perhaps a bit less confrontational. If Musimon being Astra’s buddy says anything about Astra, it’s probably that Astra is by his nature not quite as aggressive as he seems. Which for someone who clearly used to takes people's opinions of him to heart, seems about right.

Astra’s arc is all about expectations, expectations as an Apptuber, and as the heir. Astra living up to, or disregarding expectations based on what he believes is best. Living the life he wants to live.

Some final observations from me in regards to Astra, is that he’s paired with Fakemon for God Grade. While it’s probably in part just how things worked out logistically, it also makes a bit of sense as a foil. Fakemon is constantly being disingenuous, while a huge part of Astra’s arc is being true to himself, while also fulfilling other people's expectations of him. Also of note, Entermon is described as a Digimon who exists wherever you can find culture something that is particularly relevant to Astra.

While being biracial is not directly important to the story, it’s not incidental and clearly is thematically related to him being trapped between the traditional and the modern Japan. While in story Astra’s story is simply about outside expectations of inheritance, It’s possible to read Astra prior to the series as trying to overcompensate for his foreign mother in the eyes of the people at his father’s school. This is something I find notable considering that Appmon’s assistant producer, Akari Yanagawa, went on to become the producer of 2019’s Star Twinkle Precure, a season of Precure notable for the franchise's 2nd biracial cure, whose personal arc more obviously alluded to racism than Astra's, though still very indirectly.

Listen, I understand why Suite isn't a popular season. Generally speaking, the best parts of it are generally done better in the two seasons that precede it. It in many ways is just a weaker frankensteining of Fresh and Heartcatch. But Fresh and Heartcatch are fantastic, so just because it's worse than those seasons, doesn't mean its bad in my opinion. And to be fair, it does deserve many of its criticisms.

But it's also one of my favorite seasons, and I think some of it's criticisms are more a matter of taste. There's just a lot I love about Suite.

Hibiki and Kanade

I also know a lot of people aren't huge fans of the whole fighting thing Hibiki and Kanade have going on. And I agree, it's not the best executed and some things don't make sense. I also understand that many people are not fond of the vitriolic best buds trope, but I don't think that makes their relationship inherently bad just not to everyone's taste. For what it's worth, we haven't had a pair of cures like them before and since and it's a tragedy to me personally because I am quite fond of vitriolic best buds, duo cures and childhood friends. We have so many cure duos and aside from these two, none are childhood friends. The CLOSEST is the fact that Saki and Mai met once, when they were 9. Several trios of childhood friends (Fresh, Doki Doki and Happiness Charge), but they're the only true childhood friend duo. I honestly want more cures like these two. They get the learning to understand each other that the new friendships have, with the wealth of intimate knowledge about each other stemming from their childhood friendship. Despite spending a year "apart", the years they spent together still mean something, and they can't seem to stay away. They're mad at each other but there is still a comfortable familiarity in the way they aren't afraid to fight with each other. They say they aren't friends but they still call each other by first name.

Their hearts naturally fall into perfect harmony. The have like the same sense of style. Kanade likes to bake. Hibiki likes to eat. Souta refers to Hibiki as "Hibiki-Nee-san", and otherwise treats her similarly to his own sister. They have a flashlight code that they use to communicate across town at night. Neither one realized that there are two entrances with Sakura trees at their middle school or tried to talk about it for a whole year. They're both so stupid.

They take after Nagisa and Honoka a lot too. Nagisa and Hibiki are both athletic redheads who are good at sports and have black as a main color in one of their outfits (Cure for Nagisa, Civ for Hibiki), and generally use pink in their outfits. Both like to eat. Both can be prone to grumpiness and disagreements with their family members. Honoka and Kanade are both white Cures with fierce tempers and a strong sense of responsibility, able to handle domestic things like cooking. Both have more academic strengths, but are relatively graceful. There are some twists of course, Kanade has the little brother who she bickers with (their little brother's even both end their name with "ta"), Hibiki is the one with a parent who is often abroad. I really like how the two called back to the original duo without at all feeling like a copy.

To be fair not communicating is the name of the game in Suite. And so, I do 100% understand not liking this plot. I really do understand it. It's more than fair. All of the plots basically revolve around miscommunication. That is like. The entirety of Suite. Miscommunications, and the breakdown and subsequent healing of relationships. A very very valid complaint. One that I can overlook, but understand if others cannot.

Siren and Hummy

So, Precure's second heel-face turn Cure (if we don't count the Kiryuu sisters). She's a shapeshifting cat who can sing. The original one.

While normally I dislike the "Brainwashed to be evil" trope. It can be very effective. Go Princess used it to great effect in which there was a level of tragedy to the years that had been stolen away from Towa, and how her motivations had been twisted. I think it has similar effect here, where we kind of get both. She was brainwashed, and I do think that does cheapen Siren's motivations and redemption a bit, but she also had genuinely negative feelings towards Hummy, that she acted on in refusing to practice with Hummy. She still has to face Hummy head on, and as much as she tries to pretend that she's hard and strong enough to live in her bitterness. Siren isn't actually mean enough to keep facing her friend and betray her over and over again.

Hummy being better at singing than her caused her to lose a piece of her identity. The most important singer in all of Majorland. The one who sings the melody of happiness. So Siren doubles down on that identity. She becomes Minorland's singer. But she also, due to her shapeshifting, spends that time adopting different identities. Testing things out, even if she doesn't realize it. Ultimately she has to completely let go of her old identity (losing access to her original form) and everything associated with it and forge a new sense of self, in order to find happiness. But she doesn't completely lose everything.

Despite not liking to be called Siren anymore, she still lets Hummy call her that. She turned her old identity of Siren into something bitter, so she had to cast it off to redefine herself. But Hummy is the only one who ever saw the real Siren through everything Siren tried to become. Hummy may have been the one who took her sense of worth, but she's also the one who always saw Siren's value as Siren. Hummy gets to use Siren because her relationship with Hummy is the only thing that survived Siren's evolution. The two have to forge a new relationship to a certain extent. But it's built on what came before.

I also just think it's fun that the bulk of this emotional arc is on Hummy. It's cat drama. Fairy drama. Usually this is the kinda of stuff that happens between the pink and the heel-face cure. But not this time. This time it's the cat fairy, and the pink is dealing with her own friendship drama. I think it also ties right back into Suites continued echo of healing relationships, actually listening to people in order to harmonize with them. Hibiki and Kanade have to resolve their bitter feelings from their estrangement. Siren has to get over her jealousy to let Hummy back into her life. And Mephisto and Aphrodite have to stop fighting a war against each other.

Major Land's Royal Family

I mean really, no one bothered to tell Hibiki and Kanade at any point that Mephisto was the brainwashed former King of Major Land and that Major Land had a princess who was in hiding? Just locked out of the loop. Both Kanon and Majorland are entirely made up of people who can't communicate.

Anyway, Ako is my all time favorite cure. I rather unpopular choice, I know. But she fits right in with many of my other favorites, characters such as Hikari Yagami, Takeru Takaishi, King Clawthorne, King Ezran, Anya Forger etc. I love kid characters. I especially love messed up traumatized kids who don't always deal with it in great ways. And kid characters with heaps of responsibility on their shoulders. Like chosen ones and royalty.

So Ako is the epitome of what I look for in my favorite characters. She's a 9 year old with high future expectations, that she can't even begin to try and live up to because she's been sent away from everything she's known and loved. Not just moving to a new town, but a new world, where the rules of what is and isn't normal are different. In addition she was forced into physically altering her appearance, wearing unfamiliar clothes, and cutting her long hair. Not only that, she now has to keep everything about her secret. Her hometown, whatever music magic she has, her real future career plans, everything that made her her, has to be suppressed and kept secret. And she was like. Six. That's tiny. And she has to construct a whole new fake identity?

No wonder she's grumpy and keeps to herself? Her alternative is just trying to keep up a bunch of lies all the time. And keeping to herself, means few friends, and trying to keep people away, because this is supposed to be temporary to some degree. She has back home eventually, she's their future queen. She really has no choice BUT to be a grumpy brat. To keep from getting found out and to keep from getting attached. Like sure she doesn't have to be a brat to Hibiki and Kanade, but she's kinda right half the time, and honestly her tempering that brattiness into being just unpleasant enough to be left alone without being so obnoxious she draws people's ire involves way more socio-emotional intelligence than should ever be expected from a nine year old. And at a certain point, after years of it, it became part of her real personality. The sweet optimistic little princess is still there. But it's under a layer of cynicism.

Ako wants her family back. So she gets the power to do that. And things still don't go her way.

I've joked to people before that Ako is one of 4 cures with divorced parents. Her parents are effectively divorced, but extra. They're not just trying to fight over a house and custody of her, but over not just an entire kingdom, but the fate of the world. And her father doesn't even know who she is anymore. Her parents are actively at war, and her mother honestly shows no qualms about letting her husband be potentially killed, not bothering to tell the people she's sent after him about their relationship and his true nature. (And then her mom asks Mephisto to kill her to protect their kingdom, Ako can't catch a break).

This ties back to a fact that is kind of brushed over in the show. Ako is the princess. In the show she's honestly just the princess because it puts her in between Mephisto and Aphrodite's drama. But we see in show that Mephisto and Aphrodite are constantly putting their kingdom's needs above their own. A- monarchs (points deducted for getting brainwashed), but like. B- parents tbh. They love Ako so, so much, but simply can't raise her themselves. In fact, Ako's parents won't look after themselves, so Ako has to look out for them instead of the other way around. We see this a lot with Mephisto.

Sometimes Ako makes absolutely stupid decisions, like releasing notes, because she doesn't want to go against her dad, even if he isn't himself right now. Because she's a child whose parents are fighting, seemingly to the death, and if she can spread out the fight, she can hopefully drag out the arrival of consequences.

Ako does eventually learn to use the power as a cure, so she can balance the needs of the many over the needs of her loved ones. So she can do both. But she has to learn to make the hard choices and be willing to stand against her loved ones.

Also Ako also gets the miscommunication based friendship breakdown with her and Suzu, and to a lesser extent her and Souta in the movie. Suite really goes hard on the whole healing relationships thing.

Ako is really a direct foil to Yuri who precedes her. Missing evil brainwashed dads. Present throughout the whole show, but only join the team in the last quarter (the latest of any Cures). Semi-awkward friendship with one of the other cure's siblings in part because their friend doesn't know about all their magical girl trauma. Already looped into the magical girl stuff before any of the other cures, so has a preexisting relationship of some sort with the grandparent mentor. Ako is pretty much just a baby Yuri, but who has just now gained the power to try and fight after years of inability to do anything, instead of having just lost her power, and having to face down her own failure and keep going. So she's an angry elementary kid rather than a depressed high schooler. How can I not love her?

So you loved Kira Kira Precure a la Mode, and/or some of the other seasons of the past 10 or so years. So you go to watch the season that started it all, and its probably not what your expecting. And there's a good chance you don't like it. That's fair. The two could not be more different. Now, Kira Kira Precure A la Mode is not a bad magical girl anime. Not by any stretch of the imagination. It has charming characters and creative battles. But is it a good Precure show? It is Futari wa Precure's antithesis. At least as much of an antithesis as it can possibly be while still being a show targeted towards young girls. Kira Kira Precure A La Mode is a colorful show, with 6-8 larger than life characters as they battle against hatred. They fight in confection themed outfits while wearing heels and being unabashedly cutesy. It's main protagonist always saving the day with an energetic "Whip Step Jump" or a "Bright Idea". To be fair, many modern Precure series are more similar to Kira Kira. Girls who are role models. Girls who chase after their dreams with everything they have. Who even without being Precure live extraordinary lives. There is only one Whip, there are many like her. There is no Cure like Black.

Now excuse me while I get really emotional and overdramatic about Futari wa Precure.

Futari wa Precure is not modern Precure, Modern Precure wouldn't really start until Fresh. Splash Star took the first steps, and Precure continues to evolve, but the first seasons of Precure, particularly the first 3 are not the Modern Cure. Futari wa Precure is not a story about Extraordinary girls, doing extraordinary things. It's not loud, nor bright spectacle. A show is not wrong for being these things. But these things are not Futari wa. It is a story about ordinary girls, who live ordinary lives, who fight against eternal forces that seek to destroy the normal things they hold dear, with only each other to count on. There are two sides to Nagisa and Honoka's lives. Their day to day lives, filled with people they love. Takoyaki and Chocolate and Dogs and Lacrosse and a million other simple things. Slice of life filled with unapologetically ordinary vibes. The world they seek to protect. And the things they do to protect it. The lonely brutal battles. The interruptions to their day to day. The threats on those they love. The villains dismissal of their important feelings and things in a battle that feels bigger than them. There are only the two of them. And 2 fairies who, themselves, only have each other, desperate refugees stuck in a world that makes them so tired that they cannot navigate it on their own.

And when I say there's no Cure like Black, I'm not exaggerating. There aren't many sporty lead cures anymore. But even when there were. There was no one like black. Melody, Rouge and Bloom are closest. But even then. Cure Black is not an optimist. She is not confident. Nagisa does not want to be a Cure. She does not want things to change. She bullies her little brother, she argues with her fairy. She is irresponsible and struggles to do things she dislikes. She hates fighting. But she fights anyway. She is not hope. She is courage. Because if she's going to die, she will die fighting. Bitterly.

When I say there hardly any Cures like Black, I mean there are also no Cures like White. We have cures into Science, though even now not many. And when we do, they are mostly into biology. (Doctors, Nurses, Marine Biologists, Botany). The closest we have is Himari, and her way of connecting sweets to science. We do have two cures who want to be astronauts (Tsubomi and Hikaru), but even then their primary interests are Botany and Cryptids respectively. Not that these are bad goals. But they are not White's more nebulous interest in science, that extends beyond the life sciences. Beyond domesticity. She loves learning, pure and simple. Honoka is well off, but gets her hands dirty. She is a woman of science, but takes the supernatural in stride. She is kind, but does things her way. She is graceful and polite, but temperamental and bold. In this way, Rhythm and Egret perhaps resemble her though not each other. Egret shares her independent nature, and mild obliviousness. Rhythm shares her temper and hands-onness. Honoka is hope. But she is not the loud Hope, like so many pinks, burning towards a dream. Burning with the possibilities. She is the quiet hope. The stubborn hope. She is the hope born of sorrow and things that cannot be. The hope that hears "This is the way it is" and says "No".

Cure Black and Cure White are not merciful. They do not redeem their enemies. A general hurts Black's brother and laughs. She kills him in rage. He was desperate. But she was vengeful. The enemies they fight are not all encompassing evil. They are darkness, and a threat that needs to be eliminated. But for many they merely want to survive. But so do Black and White. Cure Black and White fight, pitting the survival of their world against the survival of their enemies. It's them or her, and she chooses her and she loses. Her brother is vengeful and angry, and its him or them. And he chooses them. They lose a friend to this pointless struggle. But they continue on. The battle continues on. Honoka cries and cries for him. Did it have to be this way? It doesn't matter because it is. And there is no one she can talk to aside from Nagisa, and Mipple.

There is no one shouting to cheer on the Precure, no miracle lights. Those wouldn't come until Yes 5! They are merely rumors. A half seen fight. A figure seemingly out of a dream. Are they even real? Their imitators on the playground are more real than they are. Bring more smiles than they do. The universe is more vast than any of them could comprehend. There are entire other worlds with people who laugh and cry.

And there is no setting quite like Futari wa's setting. The setting in Futari wa, which I don't believe is named in show, is based on the Tokyo area. Not a made up city. A real one. Sure their school is fictional, as are the stores they visit. But the amusement park they visit is directly inspired by a real one. Nagisa lives in an Apartment building I believe to be modeled off a real one. They travel busy trains. Honoka's grandmother lived through war and tells stories of bombings. This is the Tokyo of a world not quite unlike our own. And perhaps most notably, this world is melancholic. Not bright.

Nagisa does not have pink hair. She does not have blond hair. She has orange hair. Not bright orange. Orangish brown. Though not one common in Japan, a real color. Honoka has black hair. Some might say blue. Although with its darkness its otherwise indistinguishable. It might as well be black. Shiho has red hair. And later Hikari will have blond. Kirya's will be green, but like Honoka so green it might as well be black. These may not be real hair colors, exactly. But they're close. Their muted. In the same way this is Tokyo but not.

With all of this said, there is still one core tenant Kira Kira holds to. It is still a story about girls, different kinds of girls, protecting the things they love. In Kira Kira, it is sweets. In Futari wa... its sweets.

Sweets. Precure was always about sweets go home.

Over a year ago I started watching Xros Wars. 3 days ago I finally finished Hunters last episode. To be fair in the interim I also watched... every other digimon anime in its entirety (except for some movies), finished Cyber Sleuth and played the entirety of Hackers memory.

But I do have some thoughts about Xros Wars, or at least how I'm interpreting things.

So. Taiki.

Taiki's is a “Paragon” type of hero whose biggest flaws are being too dedicated to helping people and as such sometimes collapsing. Admittedly far from my favorite type of character, even when done well. Xros Wars fortunately does make this a flaw that causes them issues at times. Unfortunately though, in my opinion, it does not properly acknowledge this flaw. 

It causes problems in the Lake Zone, when it puts him out of commission. But aside from that it doesn’t really come up. It also sort of comes up again during the Death Generals arc, both with Gravimon’s core, and Yuu’s game. Two instances where it really is Taiki’s life vs. their goals. And the answer seems to be “Taiki is worth more healthy than he is sick/wounded/dead”. Which I think is a good take on the “too good” archetype. And it is something Taiki seems to do less as time goes on.

But I do think Taiki does have a different arc, that does actually get handled better that this ties into. Taiki’s final arc in relation to Apollomon boils down to sometimes, tough decisions have to be made. And I think this is what they were trying to do in episode 25. However, the situation that they are presenting isn’t really a “no good answers” deal, as much as it is Kiriha being an asshole. Taiki learning to have to make tough decisions is a great one for him. The only thing I would wish for in this regard is perhaps a better build up to this. But again, I think this is just a smaller piece of what is supposed to be Taiki’s main arc. But the core of this, is Taiki is someone who can’t turn his back on injustice, can’t turn his back on people. But is willing to throw himself into harm's way for other people. And these two points are related. It parallels Nene and Yuu’s relationship, in which Nene would do anything for Yuu, but in doing so fails to recognize Yuu’s autonomy which ends up hurting everyone involved. It foils Kiriha’s narrative in which he takes responsibility for being too weak to handle things when really he’s a victim.

While I don’t think it’s handled the greatest, I do think this is one of Xros Wars main points. You are not responsible for the actions of other people. You are worth just as much as any other person. Other people can be at fault. Other people can help you out. Everyone is an individual. 

Taiki in episode 30 is not properly giving Akari and Zenjirou the space to make their own decisions. They can’t come anyway, but he’s not really allowing them autonomy. In fairness, Taiki accidentally put them in danger in the first place and it would make sense that he feels guilty for that. But Akari and Zenjirou are their own people who can make their own decisions, and I felt like Taiki grasped that at the end of that arc, or was at least on his way there. Which is why Taiki keeping things from Akari and Zenjirou in Hunters is dumb, although I'm not really judging questionable Hunters decisions in the context of judging Xros.

This also extends to Taiki’s “traumatic backstory” in which Taiki felt guilty about the decisions someone else had made. Manga Taiki had a similar incident, but that incident Taiki was at least a little more involved in the events that transpired. But in both cases, Taiki takes responsibility for something that is not his own fault, in what on the surface seems to be altruism, but is really egotistical. While I think I like the manga’s take on this better, the anime has its own charm in being such an insignificant incident that Taiki latched onto. Either way I think Taiki’s real arc in Xros Wars is coming to realize that he is just one person and that he can’t make decisions for other people. You might even be able to consider the final episodes of Xros Wars, when he willingly patches the torch to Tagiru to be accepting he can’t do it all (or the fact he’s literally too injured to do anything or a half-baked excuse to justify Tagiru, your choice). 

Taiki is capable of denying others help, to a certain extent. Taiki denies helping Shoutmon, at first, because he doesn’t think Shoutmon is someone who's actually in trouble. At least, not to the point of prioritizing him over Zenjirou and Akari, who he stuck in another world, and that takes precedence. He thinks Shoutmon is asking for help for something unnecessary, for his own selfish dream. Taiki’s manga backstory actually makes more sense here because Taiki’s dream lead to hurting others, and that could make him more critical of self-aggrandizing dreams. But that’s a different story. Regardless, Taiki is easily persuaded and it seems it was the “Bigger” problem of Akari and Zenjirou that kept him from easily agreeing to help Shoutmon.

It’s also not as if Taiki is incapable of asking for or accepting help from other people, Akari in particular. In fact he depends on Akari’s help to do what he does. (Even if the show doesn’t acknowledge it past the first arc). But he definitely avoids drawing other people into problems, supporting those that are already involved.

Apollomon and Beelzebumon I think make this come full circle to Taiki. Beelzebumon died because he wouldn’t rest, but he made that decision for himself, a decision that Taiki earlier in the show was willing to make himself. And Apollomon suffered because Taiki refused to do something that he wouldn’t hesitate to do to himself if the roles were swapped. 

There are hard decisions that need to be made in war. But the goal isn’t merely to disregard life when there’s bigger stakes. It's to accept that there are people who are willing to make sacrifices just like you are and accepting their autonomy in being part of these hard decisions. (If this makes sense?)

If we look at Shoutmon’s desire to be King, a King is fundamentally a person who makes decisions on behalf of a group of people. Shoutmon is perhaps a little more honest in his goals. Shoutmon wants to become king so others don’t suffer, and recruits people to his side to accomplish this task. Shoutmon deeply values his friends and allies inputs and wants to be strong enough for their sake, to be a leader. (Thanks episode 25). Meanwhile Taiki is recruited by others for their own goals, because he believes that he owes others his strength.

To be honest, I’m not sure if I’m reading too far into this or if this was obvious to everyone but me. 

Taiki’s “thing” is his ability to hear the melodies of dying digimon. It’s not really explained why he can, nor does it need to be. It’s just a version of Takuya’s degree of spirituality, or Masaru’s excessive digisoul, or Taichi’s fateful digimon encounter. A thing that sets him apart from the crowd. I actually really like this concept, as Xros Wars does touch on the idea of different people having different destined roles. Being chosen children in unique ways. Xros Wars doesn’t quite do enough with this, or its music motif in my opinion, but this is a really good take on it and a good way of explicitly demonstrating Taiki’s empathy. I think it could be used a little more often, especially later on, but that’s neither here nor there.