Hi, Im Keith! ()

Hi, I’m Keith! ψ(｀∇´)ψ

I’d love to add to this study of reference guide so you guys can see there are so many ways to study. 

❤ Let’s have a look into this study ❤

In this one I followed @angelganev​‘s guide in his youtube channel on how to do faces. As you can see, this way shows you how the lines connect into one another naturally. 

To get into more detail, in this study i drew two times. The first time was drawn on red over the drawing and in black was the drawing next to it. It isn’t perfect, but it’s about learning! 

I reccommend you to check his youtube channel (angel ganev’s). It’s worth your time and effort.

❤ Now, let’s have a look into this other study ❤

This is the classic side to side that takes into account the most important features of the drawing. However, you can see the photo upside down, right? This is another way of learning how to study and sketch.

Changing the rotation of our reference makes us try harder to understand what’s in the image and even more replicate it in our own style. With this in mind, you can see the big difference between the first and second sketch.

❤ And finally, let’s take a look into the final study! ❤

IT LOOKS WEIRD AND AWFUL, I KNOW. However, this is taking the “drawing over the reference” to another whole level.

I painted over the reference, trying to understand the blending and the basic coloring in black & white method. But, you know? Maybe the traditional sketching isn’t for you! 

For this method I choose big round brushes and try to follow the general shape of it all, of where the eyes and hairline, of where the ears go and keep it GRAYSCALE. Why? Colors may distract you from the main purpose: PRACTICING, especially in this case because we are shading. 

Blending is more of a choice, but at first it’s better to keep it rouch and the grays may eventually blend bit by bit. It doesn’t have to be perfect or exactly as the picture, feel free to change.

It doesn’t always have to be done on top of a drawing, but side to side. The drawing below was one of the results I had after painting over references, making this a HUGE improvement in my drawings!

However, the most important thing to take into account when you’re trying to learn how to study references is properly knowing what brushes you like the best for this! 

As you’ve seen in the previous studies, you can see different brushes such as: soft spray, hard round, big palette soft round, and pencil brushes. 

The brush you choose will give you a different result depending on what you want

Let me show you what I mean:

The first sketch has a more detailed style and rough pencil shading and gains dimension through these. The second one is a more clear structure and less shading and unrefined features through mere lines. 

Do you want a clear line-art style or instead a soft blended style? It’s up to you!

Knowing your brushes will open your way to how you will study your references and being courageous to overcome your mistakes will let you learn what you need so you can improve.

I hope this is of help y’all o(*￣▽￣*)ブ

How to study references

In one of my previous posts I talked about how to choose references, but I never explained what to do when you find the perfect reference. “Obviously draw it!” Well, yes but no! ( •̀ ω •́ )✧ When you first approach a reference, you obviously want to draw it, but previously it’s very important that you study your photo. And I don’t mean watching it in detail, but break it into minor concepts. Studying is very important when you first start to draw, also because it helps you to memorize the concepts that make the reference, so that in the future you might not need one!

1. Photo Reference: to be as clear as possible, I decided to do this process myself. 

this is the reference that I chose, particulary beacuse of the lights and the lack of background :) What I did after choosing the ref, is breaking it into geometric shapes an straight lines.

This process doesn’t have to be detailed, it’s just a way of looking how the shapes can form a figure. The trick is to look at the lines as they are: lines. Don’t think about the whole picture, concentrate on the single line.

(please excuse the poor quality of the image, but my computer is terrible!) what I did, is taking the single structures and lines one by one and remodulate them so that I could make a (basic!) sketch of the whole thing. I did not trace, as I don’t really like to do it, but ONLY FOR STUDY PORPUSES, you can do that too.

2. Art Reference: so, this is the hard part. Or rather, the part that seems the hardest. The whole thing is: you have to study the techniques, but leave alone the initial composition, so how to do it? It’s really simple! Let me explain:

let’s say you really like this artwork, and you want to try to imitate the artist. What you want to do, is doing the exact same thing we did with the photo: break it into pieces and remodulate the whole thing. 

see how i “absorbed” the artist’s style in a new way? obviously, this is only one of the ways of studying an artwork! you can study artworks on numerous levels: lights, anatomy, brushes used ecc…

things people do after having a nightmare that isn’t crying

struggle to catch their breath

grab onto whatever’s close enough to ground themselves in reality

become nauseous / vomit

shake uncontrollably

sweat buckets

get a headache

things people do to combat having nightmares if they occur commonly

sleep near other people so they can hear the idle sounds of them completing tasks

move to a different sleeping spot than where they had the nightmare

leave tvs / radios / phones on with noise

just not sleep (if you want to go the insomnia route)

sleep during the day in bright rooms

things people with insomnia do

first, obviously, their ability to remember things and their coordination will go out the window

its likely they’ll become irritable or overly emotional

their body will start to ache, shake, and weaken

hallucinate if it’s been long enough

it becomes incredibly easy for them to get sick (and they probably will)

add your own in reblogs/comments!

New writing rule: Checkov’s friend

If you introduce a named character with a relationship to a protagonist, their character arc must be resolved in a way that feels reasonable and satisfying

Which is to say: they can’t just dissappear when they’re no longer a convenient plot device

Angry Confessions

"I love you! I have always loved you. It's not fair to deny my love for you now."

"You make me so angry I want to scream, and I love you so much it almost tears me apart."

"I cannot change my feelings for you, believe me I fucking tried."

"How can you not understand how much I love you?"

"I am so angry right now, I could almost forget my love for you."

"I can't do this anymore. I love you. But it's not enough."

"Don't mock me by acting so surprised. You had to know about my feelings for you."

"You make me so angry sometimes. And you make me love you all the time."

"I need to know that you're safe. Because I care about you. I love you."

"You knew how I feel about you. You have to have known."

"Can you not see that I love you? That I've always loved you?"

"I love you! Is that what you wanted to hear? Are you happy now?"

"It's not a secret that I love you. Don't act like it is."

"My love for you will truly become my downfall, I just know it."

"I fucking love you, okay?! I don't want to, but I do."

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