Hi, I'm Sorry I Don't Know If You've Already Answered This, But I Was Wondering Why You Made Bletchley

Hi, I'm sorry I don't know if you've already answered this, but I was wondering why you made Bletchley the Slytherin captain instead of Montague? Also, was Millicent in the Inquisitorial Squad like she was in the books? I don't think so because she's in the Parlor, but I wanted to ask you anyway. I love your writing, but please don't feel pressured and take your time. Have a good day :)

The short answer is that Montague was the Chaser whose spot Ginny took. So he was no longer on the team, meaning Bletchley got the badge instead. (Which also allowed me to sidestep Montague, who JKR clearly made a kind of nasty dude. It was my way of trying to humanize the Slytherin I could while working around the already-established-as-horrid Slytherin.) Of course, in the process of answering this I am realizing a mistake I made in chapter 2 of The Changeling. I specifically mentioned Terrance Higgs as a kind of mean Chaser, which should have been Montague, seeing as how Higgs was the Seeker that Draco replaced. So whoops, my bad.

Millicent in the Inquisitorial Squad is another one of those moments. It was a matter of giving greater depth to Slytherin characters. Where I could, I just tried to explain why Harry’s perception was what it was. I couldn’t work around Crabbe and Goyle and Draco being nasty. And I left Pansy as the sort of coldly nasty character too. But I felt Millicent, of all of them, even though she had very specific, nasty run ins with Hermione, might have been really misunderstood. I also don’t like the way she is specifically pointed out in the text as being unattractive and more than likely fat and a physically mean and nasty bully. (Which boy, the ink I could spill on JKRs depiction of fatness as a negative trait, even Molly is just ‘plump’ like there has to be some distinction to tie to moral lines–like looking down on someone who is frumpy is classist, but being wary of fat people is just good sense. Come on, JKR, you’re better than this.) So I decided that of all the Slytherin that were established in the narrative that I could give an alternate approach to, I wanted it to be her. So I thought about who she could be, not to completely change her. I was happy to leave her aloofness, her prickly approach (which, if the text is any indication, she probably herself was probably the recipient of some nasty treatment due to her looks). She doesn’t owe anyone smiles and pleasantness. She can be exactly who she is and still be three-dimensional and pivotal and important. So was she still an Inquisitorial Squad member? No, I don’t think so. I could maybe buy her working for Umbridge, but definitely not the Carrows. I’m not sure if we read that as a change I made to her character or a change that came about because of Ginny’s leadership in The Parlor. I like to think it’s the latter. As much as The Parlor girls expanded Ginny’s idea of who people can be, she also impacted her sisters’ understanding and approach to class lines and pureblood culture and the war in general.

Thanks for the ask!

Hi Annerb! Thanks for the Lucky series, and all your other Slytherin!Ginny work, which has been a delight and also helped me understand some things about myself. You mentioned using D/D alignment charts for Hogwarts houses. Could you please expand a bit on that, if that's alright?

Okay, so the D&D alignment charts have two main axes: lawful/neutral/chaotic and good/neutral/evil. (And full disclosure up front that I am not an expert at this at all. I just used it as guidelines and a starting point to help me think about the houses and formulate my general approach for writing The Changeling.)

Let’s look at the first. We can break it down very simplistically to these two ideas:

Lawful – creatures of habit Chaotic – unpredictable

Hufflepuffs and Slytherin are both creatures of habit, more tied to convention, tradition, and law. Gryffindors and Ravenclaw are not bound by tradition, and can be unpredictable, they are more likely to follow their whims.

Now, the second set is where things got a bit more sticky: good versus evil. Which I will admit, I refused to put any house in evil. That was kind of the whole point of The Changeling. I guess for me, individual action will be what puts someone in the evil category. But I still looked at Good versus Neutral.

Good – altruism, respect for all life, personal sacrifice for greater good Neutral – “have compunctions against killing the innocent but lack the commitment to make sacrifices to protect or help others. Neutral people are committed to others by personal relationships.” (from this wiki)

To me, Hufflepuffs and Gryffindor both fall into ‘good.’ They put altruism above all things and support of ‘the good’ as a broad concept. Ravenclaw and Slytherin, while not being evil or against ‘good,’ do not necessarily see the same ‘greater good’ that the Gryffindor and Hufflepuff might. Their commitment is shaped by something else, in this case, personal relationships or webs of exchange. (Though I might argue that Ravenclaw are shaped by pursuit of knowledge/understanding above all else.) They are both more driven by ambition than altruism.

So we end up with:

Hufflepuff – lawful good (though you might be able to argue neutral good, altruism above law)

Gryffindor – chaotic good

Ravenclaw – chaotic neutral

Slytherin – lawful neutral

What I love with this, ultimately, is that some of the houses share an element in common, they are just shaped slightly different by their other alignment. Such as, Hufflepuff and Gryffindors both focus on the greater good, but Hufflepuffs do it through the lens of law and tradition and stability, while Gryffindors approach it through chaotic disregard for any tradition or law that gets in their way. Similarly, Hufflepuff and Slytherin are both bound by tradition and law, but Hufflepuff focuses on the greater good, while Slytherin focuses on the relationships that bind people together (whether blood or other connection).

But then you have the houses aligned to opposite corners from each other. Like with Slytherin and Gryffindor, and you can almost see how they speak a different language entirely. To the Slytherin, the Gryffindor are chaotic and have no respect for tradition and convention and are completely out of control, and to the Gryffindor, Slytherin are staid and boring and have giant sticks up their arses. To a Gryffindor, they only see Slytherin not supporting their vision of the greater good, and miss the web of relationships that ground their morality, which might lend itself towards a view of them as ‘evil’. And for a Slytherin, this Gryffindor ‘friend to all’ might seem like a lack of conviction, a caprice that shows no true deep forging of any kind of true relationship ties. They seem like giant faking hypocrites.

You also have Hufflepuff and Ravenclaw similarly oriented. To a Ravenclaw, Hufflepuff seems to lack imagination, interests, or deep commitments. To Hufflepuff, Ravenclaw are unpredictable and cold, and frankly frightening.

Ultimately when writing these houses, it’s realizing that none of them are wrong, they just view the world through different lenses. But also understanding how much perception plays into the ways these houses interact. How much they are all primed to misunderstand each other. But also how much they are set up to help each other. This really is where my understanding of what a unified DA could be in the final year of the war. And helped guide me for all the interactions between the houses.

(As a side note for the Armistice Series, I think a great example of perceptions being shaped by alignments is from in my head we do everything right, specifically how Harry perceived Ginny’s actions during her inquiry. He saw them as self-sacrifice for the greater good (his own alignment), whereas having been in Ginny’s head during the events, we know she wasn’t thinking about the greater good or noble self-sacrifice. She wasn’t thinking about what was right and good, she was thinking about the DA/her friends (her in-group), and what she was not willing to let them be subjected to. How she would use law and convention to protect herself and them as well. She never once was like “Oh, I’ll just let myself get chucked in jail to prove a point.” But that is exactly what Harry sees (and what he would probably do). It’s a fun little look into the different ways they approach things, and how it can lead to misunderstandings sometimes, but also most importantly that their outcomes are aligned, even if their approaches are not.)

been thinkin about pre-reveal marichat....

She laughs. “I forgot. You are best mates with my brother, aren’t you?” His forehead creases, like he’s uncomfortable with the reminder. “Yeah. Yeah, I am.” I’m rereading the Changeling and I actually laughed out loud at this part. Oh sweet, naïve Ginny.

Ah, The Changeling, chapter 5. Harry being adorable and Ginny being oblivious. Bless. Doubly funny because without that untimely reminder, Harry might have actually gathered up the nerve in time to ask Ginny to Slughorn’s party like he was kind of trying to at the end right before she gets up and leaves.

You can imagine his internal dialogue: “Look, Harry, she has to go to the party anyway. And she just clearly said that she and Tobias aren’t anything (not that you cared one way or the other), and yeah, you were supposed to be just trying to get some information about Draco out of her, but you really like just kinda…being around her, so it wouldn’t be all that awful to ask her, right? I mean, it’s just…reconnaissance. And the fact that her hair smells nice is, like, completely beside the point. You’re doing Ron a favor, really. Making sure she’s not going with some other bloke that they clearly can’t trust. Wait–what? Oh, bloody hell, she’s leaving? Now? Why? Stop her! Ugh. She’s gone. Great, Harry. Just great, you absolute ninny.”

It was fun to get to play with Ginny’s obliviousness, especially because I could trust the reader to know that Harry is a lot more interested than she realizes. But really, we all love it to pieces that Harry goes with Luna anyway, don’t we?

Hinny Alt files? Im going through withdrawals until you post the next chapter and will take any Hinny you can give

Ah ha! Oh, this file. Honestly, you know that this one is? This is the indulgent file where I wrote a ton of alternate scenes for The Changeling and Armistice. Like a bunch of, ‘well, what if Harry and Ginny had gotten together at this point in the story? what would that have looked like?’ What if in the middle of their huge row in the cloister, Harry had given into that urge to just lean over and kiss her? Or, what if in that final scene the night before the trio left for Australia, Harry had just leaned in a little closer and Ginny had thrown all fear aside and kissed him? You know, those kind of things. Here, have one in all it’s half-completed glory. I doubt I’ll ever do anything with these anyway.

To be honest, Ginny still isn’t sure herself why Harry agreed to do this. But watching him with Reiko, the way he looks so comfortable talking about something he clearly loves, it reminds her of the DA. She wonders if maybe Harry is missing it too.

He really is a great teacher. He’s patient and never condescending, and even Reiko seems grudgingly willing to admit that she learned a lot in the short half hour they spend together.

“Thanks, Harry,” Reiko says when they’re done, shaking his hand.

“Sure,” Harry says, smiling at her.

Reiko heads up towards the castle, pausing when Ginny doesn’t immediately follow.

“I’ll catch up with you,” Ginny says, waving her on.

“Sure,” Reiko says, looking between the two of them. “See you later.”

Once Reiko is gone, Ginny turns and smiles at Harry. “That was…really great. Thanks so much for doing this.”

Harry’s staring down at his feet, suddenly looking awkward. “No problem,” he says.

She touches his arm. “Seriously. It means a lot.” On impulse, she leans in and gives him a quick kiss on the cheek. She pulls back, giving him an embarrassed smile. “See you later.”

She moves as if to go back up the castle, but his hand on her arm stops her. “Ginny.”

“Yeah?” she asks, turning back to look at him. There’s an expression on his face that inexplicably makes her want to squirm. She forces herself to stand still and wait.

“Hogsmeade,” he blurts.

“What about it?” The first trip is coming up in a few days.

“I thought maybe…”

Ginny leans forward, completely thrown to see Harry quite this flustered. “You thought?”

“You would like to go there. With me.” The words are kind of tumbled together, but she hears them distinctly all the same.

“With you,” she repeats.

He rubs at the back of his head. “Well, uh, yeah.”

“Like…a date?” she asks, just needing to be really clear on exactly what is happening, because her body feels a little funny.

His chin comes up, his shoulders squaring like he’s committing the idea. “Yeah.”

Ginny is so completely thrown by this that she does nothing more than stare at him for a long moment. She can feel her brain stuttering helplessly under the basic thought Harry wants to date me? Harry…likes me?

How has she missed this? How could she possibly have not noticed?

She doesn’t even get to consider her own feelings, because Harry pulls back away from her.

“It’s fine,” he says, giving her a brittle smile. “Forget I asked.”

And then he’s walking away from her.

She considers calling out after him, but honestly has no idea what she would say.

*     *    *

She doesn’t see Harry anywhere the next few days, like he has some secret way of knowing where she is at all times so he can avoid her. It’s disconcerting.

She uses the time to think it all through though, to consider the offer from all angles. To figure out what she would have said if he hadn’t walked off so quickly. It doesn’t take her that long, considering.

And Harry is still nowhere to be found.

Still, strategy has always been one of her strengths, so she settles in to wait.

On Saturday morning, she waits by the gates, stepping out on the path next to Harry as he passes. He nearly stumbles over his feet as he shoots her a comical look of surprise, and she really shouldn’t find that attractive, yet here she is.

“You never let me answer,” she says, as if their conversation has just been picked up after moments rather than days.

“I, uh,” he mumbles, giving Ron and Hermione panicked looks.

Ginny looks at her brother. “Do you think we could have a minute?”

They look at Harry and after a moment, he nods.

They walk off, Ron looking back at the multiple times. Ginny waits until they disappear around the corner.

“Like I said, you never let me answer.”

Harry has recovered himself, looking straight ahead with his hands shoved deep in his pockets. “I think your expression spoke for itself,” he says.

“Did it? What exactly did I look like?”

“Appalled.”

“Probably more like…shocked.”

He glances over at her. “Is that better?”

She shakes her head. “I don’t do well with surprises. It takes me a while to,” she gestures at her head, “work things out.”

He frowns.

“I honestly had no idea you thought about me…that way. I’m just Ron’s annoying little sister.”

“You aren’t annoying,” he says. 

She looks at him, amused by his automatic defense of her. “Really?”

He sighs, starting back down the path. “Well, I’m finding you annoying right now, that’s for sure.”

She jogs to catch up, stepping across him, and he has to stumble to a stop to narrowly avoid running into her.

She smiles at him. “You really are just…” She shakes her head, not really able to put this feeling in her chest into words. She thinks she may want to say adorable, but isn’t sure how he’d take that in his current mood.

He blows out a breath. “I guess it’s too much to hope you’d be kind enough to just forget I ever asked.”

“Don’t be stupid, Harry,” she says. “I’m rarely kind.”

With that, she starts down the path, looking back at him and waiting for him to follow.

They walk the rest of the way to the village in silence.

 …

She basically spends the rest of the day near him, talking with Neville and Luna, submitting herself to confused glances from Ron and something almost a little smug from Hermione.

At the end of the day, he walks her back up to the castle. When they near the gates, she turns to him. “This was fun.”

He still looks like has no idea what the hell just happened.

She thinks Harry is maybe one of those people who only gets it when he’s hit over the head with something. So she decides to kiss him. It’s little more than a brush of her lips against the corner of his mouth because he’s kind of tall and hard to reach.

He lets out a small sound of surprise, but she’s pulling back before he can react. He looks stunned, but also pleased, his hand lifting to touch where she kissed him.

“Yes, by the way,” she says back over her shoulder as she walks away.

“What?” he calls after her.

“My answer. It was yes.”

Smiling to herself, she heads back into the castle.

Ginny Weasley’s Social Life

There’s a huge idea in the fandom that Ginny Weasley is popular. And this isn’t exactly incorrect.

By HBP, she’s well-liked and appears to have friends in a variety of circles. Boys find her attractive. She’s a member of the Quidditch team. People laugh at her jokes.

But before anyone imagines that Ginny’s Hogwarts years were a cakewalk, let’s look back on how she got there.

First year (CS)

Ginny starts out a bit nervous, but hopefully makes some fledgling friendships with her dormitory mates. But before those friendships could get off the ground, Ginny is drawn in by Riddle. Her dormitory mates/classmates (hopefully) continue to be friendly to her, but she’s becoming more and more moody and withdrawn. Her dormitory mates, who barely had a chance to get to know her, shrug and let her be.

She establishes a friendship with Colin Creevy, but he’s petrified two months into the year. She’s distraught, and it’s hinted that this is when she starts to suspect her own involvement. Ginny withdraws further into herself.

Those who’ve had classes with her see her as quiet and slightly odd. Her class performance is spotty and her confidence has never been lower.

Second year (PA)

Ginny’s starting from scratch. She almost certainly has no friends.

The alliances within her dormitory have already been established, and she’s the odd one out. Her dormitory mates probably see her as the moody secretive unfriendly girl with whom they share a room. She’s the Neville of her dorm, and has had her confidence dashed by her past experience. Hogwarts was where she was violated, and it takes time to be comfortable again.

But instead of wallowing, she starts slowly building friendships and building a social network for herself.

Among the Gryffindor second years who had shared all of their classes with her the previous year, she’s quiet Ginny Weasley. And she never really feels like she can escape that first impression.

But to a Gryffindor third year or a Ravenclaw second year, she’s largely a blank slate. So she gravitates toward people that are not in her year, not in her house, or both. People that are less likely to have known Ginny Weasley circa first year.

Third year (GF)

By third year, she’s doing significantly better. She’s probably still the odd one out in her dormitory, but she’s got the twins, Ron, Hermione, and (probably) Colin. She’s also establishing friendships with people like Neville, who is similarly isolated from his year mates. She doesn’t view herself as having particularly high social currency and she’s probably right, but she’s happier and that’s what’s important.

You’ll notice that Ginny tends to have a higher than average number of male friends. This is partially opportunity (she meets male friends like Neville via her brothers), but it’s mostly a matter of comfort level. Ginny is neither a complete tomboy nor a girly-girl. She’s comfortable interacting with boys, but she’s also comfortable with being the only girl in a pack of boys and doesn’t feel the need to give up her identity as a girl just to fit in.

She continues to broaden her circle during third year, and by the end of the year she has a bonafide boyfriend, Michael Corner. This transition also coincides with the beginning of her transition from a cute young girl to a beautiful young woman.

Fourth year (OP)

She’s still getting her feet wet with her relationship with Michael Corner. She quickly establishes herself as friends with Michael’s friends Terry Boot and Anthony Goldstein. Through Michael, she’s strengthened her social network in Ravenclaw.

When the first meeting of the D.A. takes place, it’s pretty clear that her invited guests were Michael, his friends, and probably Luna as well. She might have been the one to invite the Creeveys, if they didn’t find out on their own.

She also starts playing Quidditch for Gryffindor, which raises her profile further. And like Luna and the others, she benefits from the cross-house interaction the D.A. provided. The D.A. also provides her with a major confidence boost.

By this point, she’s starting to resemble HBP Ginny. She’s comfortable speaking in front of large groups, has a variety of friends across houses, and people see her as someone who’s fun/vivacious.

Fifth year (HBP)

Ginny comes back onto the scene full force.

She’s still on the Gryffindor Quidditch team, and has quickly become one of the most talented members of the team. She’s struck up a few new friendships with people like Demelza Robbins. At this point, she’s also dating Dean Thomas. Dean is a better fit than Michael, and she’s much more public/official about the relationship. She doesn’t bother hiding it from Ron or anyone else. She also seems to become friends with Seamus via Dean.

And this is where Harry (and therefore the reader) takes notice. He sees a vivacious, talented, clever, funny, confident 16-year-old girl. But Ginny’s social journey has actually been a step behind everyone else.