Nice Whumpy Thing: When People Are Intensely Pragmatic About Their Injuries Illnesses.

Nice whumpy thing: when people are intensely pragmatic about their injuries illnesses.

“Listen, if I pass out…”

“If you let up pressure, I’ll bleed out. So just, don’t move.”

“I know it ill hurt, just do what you need to.”

DEAD BOY DETECTIVES S1 + TUMBLR REACTIONS

DEAD BOY DETECTIVES S1 + TUMBLR REACTIONS

okay so.

Hell's Lust Room.

something about it is making me insane.

something about edwin wearing white clothes, not even stained with his own blood anymore, entering that room and being groped and dragged down, and then shouting for charles to help him.

something about how edwin died in edwardian england, sacrificed to hell because of queerness in some form (simon's internalized homophobia + "mary ann" being a derogatory term for gay men in that time), having zero positive relationships in regards to his sexuality. he had his sexual awakening when the cat king decided to prey on that aspect of him for his punishment, and then later tells monty that he'd thought "those feelings were never to be spoken of."

something about queer sexuality being shamed and silenced so much, we hurt ourselves with it. edwin not fully believing what he says to simon, because simon is able to move on with that forgiveness and edwin gets, once again, dragged to the ground in the lust room. instead of fully realizing that being queer in itself isn't wrong or disgusting, i think that his talk with simon is edwin becoming aware of his own shame and guilt and self-punishment, but he still hasn't entirely let go of it, and i argue this because of—you guessed it—the lust room.

something about edwin growing up being told that sexuality, especially homosexuality, is disgusting and never to be talked about. something about him then having these awakenings and realizations about himself and his feelings for his best friend, which relate specifically and intrinsically to sexuality. and almost immediately after having the realizations that his sexuality is real, he is attracted to men, and he is attracted to his best friend (and the subliminal guilt that entails), he is faced with a viscerally horrifying room full of blood and gore and sex.

something about edwin, wearing all white, being grabbed by the mass of bloody hands. during this scene, he isn't even covered in his own blood anymore. the only blood on him now is what is smeared onto him by the writhing, mindless souls being punished for their desires. what is he supposed to think? in this scene, he becomes literally stained by sexuality, expressed in an animalistic manner. charles doesn't get pulled so roughly into the mess, because edwin is the only one still actively processing the very concept of sexuality, and he hasn't entirely unlearned what he was taught about his own sexuality.

something about edwin's sexuality—not necessarily his homosexuality, just his sexuality—constantly being used to manipulate him. the cat king gets into his head by confronting him with physical attraction. monty very innocently flirts with him, then kisses him, and then leads him into a trap. simon killing him because he had feelings for edwin and didn't know how to handle them. edwin's sexuality has only ever been used against him, and during every single instance, other people have been hurt. knowing this, is it really wrong to assume that a small part of edwin probably saw the horror in that room and thought 'i belong here too'??

AND HE REACHES FOR CHARLES. who drags him out of that gory orgy (...gorgy??) (well. move the G to the front of orgy and you have gory. do with that what you will.) without a second thought. edwin loves charles, and is attracted to charles, and charles has never judged him or shamed him for that. so charles is the only person who could've possibly pulled edwin free.

CHARLES: you do realize that's the closest thing to a compliment you're ever gonna get from edwin, right?

EDWIN: *praises someone almost constantly*