
sometimes-southern US dweller. in my second decade of fandom. I mostly read fic and write long reviews on AO3. multifandom, but currently (and always & forever) entranced by Victoria Goddard's Hands of the Emperor. always down to talk headcanons, sacred text analysis, or nerdy stuff. she/her.
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Greekgodsarestrange
greekgodsarestrange
replied to your post
“movies that have some asshole or monster claim to be a god and so some…”
I can’t help but feel that the Jewish people should not be proud of israel meaning “he who fights with G-d.” It’d be like Christians being called “those guys that really hate Jesus”
Your big mistake was taking xtianity and trying to apply it to Jews, Judaism, and our relationship with G-d.
You can not on a fundamental level apply xtianity to Judaism because they are nothing alike and highly incompatible.
To understand this concept of fighting G-d you have to solely look at Judaism otherwise it won’t make any sense.
See xtianity sees fighting with god and takes that to mean one hates god.
Jews see fighting with G-d and we go ah that person loves G-d.
Fighting with G-d to Jews is an expression of love. It is a massive aspect of relationship with G-d.
There is a reason that there are many atheist Jews and those Jews are some of the most like hardcore Jews ever.
There is a famous story of two Rabbis arguing about something in the Torah and finally after much back and forth The Voice of G-d speaks to them and says Rabbi A is correct.
So Rabbi B says to The Voice of G-d that might be, but You gave us the Torah for us here on Earth to understand and interpret so what you say is correct has no bearing on this argument.
G-d starts to laugh and says “Look at how wonderful my children are”
To Jews, G-d is not necessarily necessary to the equation.
So to fight G-d is rather an expression of love rather then hate.
Fighting G-d whether you be like Yakkov who physically fought G-d or if be a battle of words like pretty much every Jew ever is a basic core of Jewish culture.
No matter where in the world we are, no matter how far we are from each other, no matter what the one thing you can always count on is that fighting G-d will always be apart of Jewish culture, Judaism, and the very nature of every Jewish person.
Why is one the most important words in Judaism. Why allows us to explore the world, ourselves, and each other. Why helps to debate and to understand. Why lets us argue with G-d and Why helps to become closer to G-d.
One of the fundamentals of Judaism is to ask questions and question everything.
Question your leader, question yourself, and question G-d.
When we question and fight G-d we don’t come away hating G-d or rejecting Judaism. Rather we come away with a deeper understanding of everything and with a further love of G-d.
To G-d there is nothing as wonderful as when a Jew comes and fights with G-d.
And to a Jew it is one of the most fundamentally Jewish things they can ever do.
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More Posts from Featherofeeling
it’s always amazing to watch adults discover how much changes when they don’t treat their perspective as the default human experience.
example: it’s been well-documented for a long time that urban spaces are more dangerous for kids than they are for adults. but common wisdom has generally held that that’s just the way things are because kids are inherently vulnerable. and because policymakers keep operating under the assumption that there’s nothing that can be done about kids being less safe in cities because that’s just how kids are, the danger they face in public spaces like streets and parks has been used as an excuse for marginalizing and regulating them out of those spaces.
(by the same people who then complain about kids being inside playing video games, I’d imagine.)
thing is, there’s no real evidence to suggest that kids are inescapably less safe in urban spaces. the causality goes the other way: urban spaces are safer for adults because they are designed for adults, by adults, with an adult perspective and experience in mind.
the city of Oslo, Norway recently started a campaign to take a new perspective on urban planning. quite literally a new perspective: they started looking at the city from 95 centimeters off the ground - the height of the average three-year-old. one of the first things they found was that, from that height, there were a lot of hedges blocking the view of roads from sidewalks. in other words, adults could see traffic, but kids couldn’t.
pop quiz: what does not being able to see a car coming do to the safety of pedestrians? the city of Oslo was literally designed to make it more dangerous for kids to cross the street. and no one realized it until they took the laughably small but simultaneously really significant step of…lowering their eye level by a couple of feet.
so Oslo started trimming all its decorative roadside vegetation down. and what was the first result they saw? kids in Oslo are walking to school more, because it’s safer to do it now. and that, as it turns out, reduces traffic around schools, making it even safer to walk to school.
so yeah. this is the kind of important real-life impact all that silly social justice nonsense of recognizing adultism as a massive structural problem can have. stop ignoring 1/3 of the population when you’re deciding what the world should look like and the world gets better a little bit at a time.
This.
But yes, by all means, talk about historical and societal context. Analyze the nuances of the language, the subtleties of the sexual choreography. I absolutely challenge you to do that—
—and then I challenge you to do it without having a text to refer to.
Good fucking luck, my friend.
This is the most persuasive argument I’ve heard that we need to keep open access to works which many might find offensive or harmful. Sold. And also kind of surprised, because I hadn’t heard it from quite that angle before.
Now, there’s a whole separate conversation about ways to have the debate about those offensive works; about the burden that often falls on marginalized people who find a work harmful to ask that it not to be performed in public or promoted as awesome by influential people or paid for, thereby supporting the production of more, and how that burden frequently compounds the experience of marginalization. Or about the limits of free speech when hosting that speech might directly put at risk the security and safety of people in the community that hosts it.
But those are conversations not related to whether works should exist on AO3 or be findable through tags. And I sense that part of the problem with this debate is that it’s all getting conflated. Which is why I love this post.
the working title of this was “censor this, bitches“ which I decided was maybe was a little undiplomatic so I decided to give it this massive passive-aggressive title instead
yeah, yeah I know I already reblogged “autobiography” earlier today which is basically about a thousand times more exactly what I want to say than any essay could possibly be BUT then I went and actually read what people are arguing here and you know what

SOOOOOOOO
There are two things that are being collapsed in this argument that we really, really cannot afford to collapse. That is:
For AO3 to be a sustainable project long-term, there needs to be a comprehensive policy in place designed to prevent its users from harassment and abuse; and
Some content that people would like to host on AO3 is, to some people, vile or offensive.
Both of these things are true. However, it does not follow from (1) that we need to regulate or restrict the content of the works hosted on the Archive to ensure the content referred to in (2) doesn’t make it onto the Archive. People seem to be taking it for granted that (1) means banning all that stuff in (2), and that’s wrong.
(cw for high-level references to the existence of rape, underage sex, and anti-Semitism; as well as one marginally more specific reference to kinky sex)
Keep reading
a 6-year-old girl’s sparkly tiara as PROTECTION FROM TROLLS DRAPED OVER THE MODEM. LONG FLOWING LOCKS AND REAL SWORDS. I love everything about this post.

if you dont have me on facebook you are probably not missing out on any posts but the comment section is important too lmao
This is a revelation. I’m a woman who very rarely gets compliments (or harassment) from random guys, or from obviously sexually/romantically-interested women. But since I grew up knowing I don’t have much control over whether or not I’m objectified, and knowing being seen for my body goes along with not being seen as equal or powerful, I’m super sensitive about feeling like I’m being objectified, including sometimes snapping at my male partner for crossing a line. I never thought that I might just have more experience receiving and giving body compliments.
But it’s true, I get plenty of validation about my body from female friends and random women on my outfits, hair, etc. I never thought about how lonely it must feel to never have that from my friends. If I tally them up, I probably have dozens of hours and hundreds of phrases’ worth of practice in giving compliments that feel nice to other women and getting compliments that feel nice to me. If I’d never had that, how would I express myself when I found someone attractive? How would I ask for attention to my own appearance, taste in clothes, body?
(note: I have no romantic or sexualized experience myself, so I admit *some* of these points rely entirely on secondhand stuff and media)
One thing I think is not talked about very much is that straight men live pretty much desexualized lives if we’re not actually having sex at that moment, and then there’s not much room to be the object rather than subject.
As I’ve said before, we men don’t have clothing options for “dressing sexy” in masculine clothing (there is cross dressing but that is different). There’s no male equivalent to the short skirt or low cut top. There’s no male lingerie that isn’t seen as a joke.
Further, we just don’t get validation for our sexuality outside of a sexual partner. We are almost never complimented for our looks or sexiness from platonic friends like women are, especially same sex friends.
There really aren’t many straight male role models for raw aesthetic sexiness in mainstream culture (besides unnaturally muscled men). In fiction, male characters are almost never attractive for embodying sexiness but rather for doing things (saving the world, being extremely witty, being a genius, winning the tournament, etc.). Their sexiness is non-aesthetic and sometimes is in spite of their aesthetics.
Anecdotally, it seems like a lot of men aren’t even called physically hot and sexy by their own sexual partners, who themselves focus on personality. There’s not much room to fulfill the role of passive sexism object for you partner for many/most men.
I think it is telling that a lot of porn for men ignores the man’s personality and has a woman just throwing themselves at the man, overcome with lust.
Also there the fact that women seem to rarely approach men and some seem to often expect the man to do most of the sexual escalation, especially in the early stages.
We talk about women of color or women who are disabled being sexualized, but we don’t talk about how all straight men are desexualized and denied the ability to be sexualized object.







was cruisin my tl & this is so fucking important