fifthmoonofgunsmoke

hole in the moon

trigun and elden ring and angels and ultrakill and anything else Holle (aka hall), they/them

348 posts

In Case Anyone Was Wondering Where I Disappeared To For The Past Few Days, I've Been Going Insane Again.

in case anyone was wondering where I disappeared to for the past few days, i've been going insane again. fun fact staring at stained glass windows for hours on end will not turn you catholic (source: i stared at so many stained glass windows to make this bc i really wanted to go for a realistic church window sort of vibe)

tumblr is a coward and won't let me upload the full size images so you can look at them and zoom in to your heart's content (please look at them. please) [1] [2]

Prints of this are available on my Society6 (both versions cuz I'm indecisive) (it may take a little while for them to actually appear on the site)

Details:

Timelapse under the cut!

my favorite part of this is when I'm trying to get the pose down and I keep flipping the canvas and it looks like they're doing a silly little dance :)

More Posts from Fifthmoonofgunsmoke

fifthmoonofgunsmoke

1 year ago

the other fuckjng thing that gets me is that jakito is, word of g-d, canon. somehow. what the fuck.

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hei hello there source: developer commentary stream pt 2 said by hakita and confirmed by salad

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fifthmoonofgunsmoke

1 year ago

the whole violent video games thing is so stupid like the only thing ultrakill for instance is doing is convincing people to do heresy and fuck robots

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hei hello there Ultrakill

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fifthmoonofgunsmoke

1 year ago

Tweet by @ PLANET GUNSMOKE that reads:

Trigun Stampede is actually so deep cut as an adaptation that I thought the whole Livio look they had going on was just this totally original way of conveying a more rookie/less indoctrinated Livio... no, it wasn't, I went back, saw this panel and I exclaimed to myself "fuck off".

Photo attached to the tweet is a panel from the Trigun manga of a younger looking Livio holding a Punisher cross gun, seen from the side with a ponytail.

Tweet from @ PLANET GUNSMOKE that reads:

The fucking ponytail, thinner, loose formal Livio already existed in the manga and it appears for such a brief moment I did not realise this while watching Stampede, HOW much do they want me to keep kneeling, they have everything in their heads don't they.

whenever people criticize stampede for differences from 98 or trimax i'm always like HOLD ON LET THEM COOK because of stuff like this. i actually have so much more confidence in studio orange for getting stuff right later on in the series than i normally would bc of stuff like this (like for trans adult elendira, or chunky livio/razlo, and obviously for milly).

like look at THIS, where they took an ENTIRE visual and musical storytelling motif from ONE PANEL of the manga. they're COOKING on levels unimaginable.

White text on a blue background that reads:

One of the things that is not really highlighted on your Orange Presents panels, but that I really enjoy, is the music direction of your TV shows. From the Land of the Lustrous, Beastars, and Trigun Stampede, the soundtrack and the use of the soundtrack at the correct point of the show is brilliant. Can you provide some insight into how the music direction is done?

K: When we are creating an animation at Studio Orange, we use a technique called film scoring. Although we don't use it completely, we use what we call half film scoring. That's where we have the music first, and then we adjust the imagery to match the music and the scene. Because we're doing it in that order, we find that we're actually able to produce better results. We found that more emotion is communicated by both the music and the imagery matching each other. And because we do it in that order, we really allow the people who are composing the music to have a lot of control over the emotions in the scene, so they're really motivated to produce amazing music for us. I think that's probably why we get complimented on the music in the works that we've done.

M: As Waki-san said, I feel that it's really important about establishing relationships with composers. I can only speak for the case of Trigun, of course, but for not just the composer, but for the audio team, the mixer, the sound effects team, I was actually responsible as a sound director to direct all those people as well. Basically the relationship and passion that everyone feels is very much reflected onto the quality. And I've spent time making sure that the groove is there.

In the manga, Knives actually plays the piano, just for a few frames, but that left a strong impression on me. So, I put a lot of thought on how that can be put into this anime. That became one of the things that I focused on.

I really care for the beats per minute, the rhythm, the tempo. Those are the things where we put a lot of thought into, and I got a lot of references for the music team. I've said it in a couple other interviews as well, but when I am writing the storyboard, there's already music playing in the background, and it's my job to figure out how to convey that music to the team.

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guess who reblogged this onto the wrong bloooog~ then didnt realize anyways points at previously made post of mine about the costume design being a strikingly faithful adaptation of the original just with a differen baseline and aesthetic tristamp drops some of the grunge. but it replaces it with studio orange ass sci fi knives has always worn a copy of what the people he hated the most wore. etc

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fifthmoonofgunsmoke

1 year ago

vash, meryl, and wolfwood from trigun stampede, posing together, in color fanart, screenshot with the csp ui scattered around it. vash has his right arm hugged by meryl, she looks at the viewer with a bright excited smile. his left arm is draped over wolfwood’s shoulder, wolfwood looks at the viewer with small smile, a lit cigarette hanging off his lips. vash looks to the viewer with soft toothy smile and noticeably taller than the both of them.

stargays

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gosh this feels so warm...

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fifthmoonofgunsmoke

1 year ago

sacrifice.

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