Thank You @hozukitofu And Everyone Who Got Me To 5 Reblogs!

Thank you @hozukitofu and everyone who got me to 5 reblogs!

Doll-Tearing = Loss of Innocence

In ASOIAF, doll tearing is often associated with the loss of innocence. When Arya visits a village, the village elder's daughter begs Arya to play with her. Annoyed and frustrated, Arya rips apart the young girl's toy knight, shouting "Now he's like a real knight! Torn apart and bloody!" (i can't remember which book). Arya has seen harrowing sights of violence and death that no normal adult should witness, much less a child. This incident highlights how deeply traumatized Arya is after what she has been through.

A similar scene occurs with her sister Sansa. She's building a snow Winterfell, thinking the snow has the "taste of innocence". Robin Arryn, her cousin, then destroys it with his stuffed toy. She accidentally tears it and Robin storms away, sobbing. Littlefinger then comes and kisses Sansa. This isn't Sansa's first time suffering an unwanted advance, but she truly realizes how little support she has when her aunt tries to punish her. Sansa has relied on the memory of her family for strength and the only relative she's seen after the death of her father threatens to kill her after an incredibly vulnerable moment.

Tenma and Lunge are the same character but with a slight twist. They're both workaholics who let their passion destroy their personal lives. However, Tenma's position as Chief of Surgery strengthens his relationships with others, while Lunge's obsession with detective work only further isolates him. Tenma's rapport with former patients is so strong that when he is jailed for murder, they form an advocacy group and pay for the best defense lawyer they can find. Lunge's relationship with his clients is nonexistent in contrast. He doesn't view his clients as people but as puzzle pieces that must be fitted together.

Ursalina Duvianos: Reina's Dark Reflection

A good villian should aways mirror the hero, showing that it's easy to go wrong. Dona Ursalina Duvianos shares Reina's same insecurities and suffered for it. As a young woman, she was obsessed with Feleva Aguila, the ambitious valco leader. Superficially, Ursalina's relationship with Feleva mirrors Reina's relationship with Celeste. Reina and Ursalina both were infatuated with valcos whom they served. There is another interesting facet, however, that I think may have lead to Ursalina becoming the vengeful sorceress we see in the books. Both Reina and Ursalina felt inferior because of their species in the presence of their love interest.

At the beginning of The Sun and the Void, Laurel dismisses rumors about Feleva raging her way to an early death because of Laurel's marriage to Enrique. Even if Feleva's discontent wasn't that intense, it still must have been there for the rumor to exist. What would that have done to Ursalina? Seeing someone whom you love degrade their daughter-in-law because they are the same species as you must have destroyed her. By this point, however, Ursalina grew to accept the disrespect. She had already let Feleva take all the credit for discovering iridio. Ursalina's son, Juan Vicente, was raised to serve Don Enrique even though they were both heirs.

However, Ursalina's attitude towards Reina's mother is hypocritical. Juan Vicente left Dona Ursalina to marry Beatrice Torondoy, a nozariel. Ursalina's disdain for Vicente's wife mirrors Feleva's scorn for Laurel. Even though Ursalina resented Feleva for her speciesm towards humans, she never recognized her own prejudices.

lydia bennet-19th century sansa stark

Poor Lydia. Her dreams were realized, but, unlike Sansa Stark, she never recognized they were nightmares too. Sansa and Lydia were beauties who insulted their sisters for not adhering to societal standards. Sansa grew exasperated with Arya's boyishness and called her a horseface. Lydia snarks about Wickham's previous love interest and insults Mary's performance. Sansa, however, quickly gets bitten in the butt by the standards she revered. Numerous tragedies, such as the Battle of the Blackwater and Joffrey's abuse, force Sansa to confront how women's conformity only leaves them at the mercy of others.

By contrast, Lydia seems to be rewarded for fitting into society's mold. She and Wickham are deep into the honeymoon phase when they get married. By the end of Pride and Prejudice, she still doesn't know about Wickham's manipulativeness. Lydia even gloats about her marriage to Wickham, seeing no issue with her actions. Slowly but surely, reality sinks in. In the epilogue, Lydia and Wickham move frequently, saddled by debts. Lydia isn't great at managing her money, but Wickham is expected to provide a living income. Even if she were a financial mastermind, Lydia's livelihood would still be hurt by Wickham's inability to manage money. However, the Wickhams are always cushioned from the consequences of their mismanagement. Sadly, it seems like Lydia will always remain blinded to the issues within her society.

Doll-Tearing = Loss of Innocence

In ASOIAF, doll tearing is often associated with the loss of innocence. When Arya visits a village, the village elder's daughter begs Arya to play with her. Annoyed and frustrated, Arya rips apart the young girl's toy knight, shouting "Now he's like a real knight! Torn apart and bloody!" (i can't remember which book). Arya has seen harrowing sights of violence and death that no normal adult should witness, much less a child. This incident highlights how deeply traumatized Arya is after what she has been through.

A similar scene occurs with her sister Sansa. She's building a snow Winterfell, thinking the snow has the "taste of innocence". Robin Arryn, her cousin, then destroys it with his stuffed toy. She accidentally tears it and Robin storms away, sobbing. Littlefinger then comes and kisses Sansa. This isn't Sansa's first time suffering an unwanted advance, but she truly realizes how little support she has when her aunt tries to punish her. Sansa has relied on the memory of her family for strength and the only relative she's seen after the death of her father threatens to kill her after an incredibly vulnerable moment.

The Frugal Wizard's Handbook for Surviving Medieval England- Book Review

SPOILER WARNING

Brandon Sanderson's work rewards people who embrace their oddities and worst flaw, and The Frugal Wizard's Handbook is no different. Amnesiac John West finds himself in an alternate dimension that resembles Medieval England, but has no idea how he arrived or who he is. As memories slowly come back to him, he recognizes that he might not want to remember that last part. His relationships with Sefawynn, a storyteller, and Ealstan, a local lord, help him accept his identity.

John West's character arc from wannabe wizard to actual hero was enjoyable to read. Seeing him grow in confidence through his relationship with Sefawynn was touching. Sefawynn herself has a pretty great arc, though I think the romantic tension between her and John wasn't well developed. I understand that they accept each others' flaws, but we don't see a lot of flirting or signs of attraction. Most of the characters in this book aren't given much depth. Thokk, Ealstan, and Jen suffer the most from this. Thokk fills the kooky old lady archetype, but has very little characterization outside of that. Her status as a goddess isn't really questioned by John, but neither were a lot of things near the end of the story

Jen's characterization are especially shallow. Even though John couldn't remember much about Jen, there could've been ways to characterize her (e.g Ryan and John commiserate over what she was like, John has some sort of charm or memorabilia that reminds him of her). Instead, we don't learn about her until we learn she betrays John. Jen cheating on John only serves to server his ties to his home dimension so he can stay in Medieval England. It isn't given the time to fully flesh out John's feelings. This book would've benefitted from at least two more chapters describing the emotional fallout from what happened

3.5/5 stars - enjoyed the overall message of the story; certainly could've used more time to develop character relationships