Floppywings-blog - Answering Unasked Questions - Tumblr Blog

How did someone I despise as a petty bully become a favorite character of mine? When I first saw James Doakes in Episode 1, I wrote off his suspicions about Dexter as him bullying the weird kid. In a job that prioritized level headedness, I found Doakes to be very short tempered.

My opinion shifted when I saw him mentoring Debra, who's my second favorite character. Doakes was capable and encouraging, giving Debra guidance when she needed it. Ok, so he wasn't the nicest person, but at least he was competent.

What tipped Doakes over from being a likable character into my favorite one was the episode "Father Knows Best". We get some more background about Doakes, including the fact that he was Black Op who fought against the Tonton Macoutes in Haiti. His suspicion towards Dexter clicked for me.

The Tonton Macoutes, according to Doakes, were pure evil. They were sadists who unleashed unbridled misery and terror unto the people of Haiti. Doakes has had direct experience with evil, of the likes many of the Miami PD possibly can't imagine. That explains his antagonism towards Dexter. Given his background, he probably can tell that there is something seriously off about the forensic blood splatter analyst.

This doesn't excuse the way Doakes treats Dexter, however. It's unprofessional and makes Doakes look petty. Granted, I am a bit more sympathetic towards him and I'm eager to see what is done with him later in the show.

Jaime Lannister's life is a series of good intentions leading him closer to hell. He saves King's Landing from wildfire? He suffers condemnation. He innocently congratulates Robb Stark on his upcoming marriage? Now he's suddenly implicated in the Frey's betrayal. He can't win!

Podrick Payne- The Boy Littlefinger was

I read a post a while ago about how Podrick only joined Brienne to search for Sansa, not for Tyrion. Podrick's chivalrous love for Sansa reminded me of Littlefinger's infatuation with Catelyn. Both Littlefinger and Podrick came from small houses, were fostered by a Great House, (in Podrick's case, he was Tyrion's squire), and developed a crush on someone unattainable. Sansa's romantic ending is still uncertain. However, if she rejects Podrick, I don't think Podrick will fall into self-pity and bitterness like Petyr did.

one glance

I'm only 50 or so chapters into kingdom, yet I can tell I'll really enjoy it because of this one non-verbal interaction

Oh. My. GOSH

Where do I even start. Firstly, we don't really get into Ei Sei's head. He's an incredibly stoic character, the cool calm tempering Shin's fire. He often listens to Shin's rants with annoyance or frustration, and you might think that he doesn't think that highly of Shin at all. But this moment completely overturns that. It demonstrates that when Ei Sei isn't speaking, he's observing and learning. In his silence, there's an internal monologue reflecting on what others say and adapting his worldview accordingly.

Both Shin and Ei Sei depend on each other and acknowledge that fact. Ei Sei glances at Shin after his statement to let Shin know that he understands what he said and respects him for it. Likewise, Shin knows that he has to serve Ei Sei for a while before becoming the greatest general in the heavens. Both of them understand their friendship is also a vehicle to achieving their individual goals and don't resent that fact.

lydia bennet-19th century sansa stark

Poor Lydia. Her dreams were realized, but, unlike Sansa Stark, she never recognized they were nightmares too. Sansa and Lydia were beauties who insulted their sisters for not adhering to societal standards. Sansa grew exasperated with Arya's boyishness and called her a horseface. Lydia snarks about Wickham's previous love interest and insults Mary's performance. Sansa, however, quickly gets bitten in the butt by the standards she revered. Numerous tragedies, such as the Battle of the Blackwater and Joffrey's abuse, force Sansa to confront how women's conformity only leaves them at the mercy of others.

By contrast, Lydia seems to be rewarded for fitting into society's mold. She and Wickham are deep into the honeymoon phase when they get married. By the end of Pride and Prejudice, she still doesn't know about Wickham's manipulativeness. Lydia even gloats about her marriage to Wickham, seeing no issue with her actions. Slowly but surely, reality sinks in. In the epilogue, Lydia and Wickham move frequently, saddled by debts. Lydia isn't great at managing her money, but Wickham is expected to provide a living income. Even if she were a financial mastermind, Lydia's livelihood would still be hurt by Wickham's inability to manage money. However, the Wickhams are always cushioned from the consequences of their mismanagement. Sadly, it seems like Lydia will always remain blinded to the issues within her society.

poor emi. she's stuck in the world's worst custody battle

not dumb, just inarticulate

That title basically describes Kamina. There's an episode in Gurren Lagann where he compares his old village chief to Rossiu's village elder. Kamina recognizes that the two are similar but can't describe what they share in common. In fact, their village leader and Rossiu's priest are both close-minded. They harm their followers by stringently adhering to false beliefs and are too frightened to challenge them. Kamina notices they resemble each other, which demonstrates his perceptiveness. However, he can't pinpoint what links the two leaders because he hasn't been taught how to criticize his beliefs. On a more meta level, Kamina's lack of articulation can explain how harmful traditions are perpetuated by a lack of education.

the beast's silver tongue

Johan's and Lotte's first meetings with Karl Schumacher were meant to contrast. Lotte has to search Karl's mother to retrieve info about her. By contrast, Johan appears so trustworthy and amiable that Karl reveals his past without much prodding.

Farnese-The Lily Blooms

It's not a coincidence that both Guts and Roderick look similar and have comparable talents. Both men are also important to Farnese: Farnese nearly worships Guts and Roderick is clearly attracted to her, but Farnese doesn't reciprocate his feelings. This dynamic mirrors the Golden Age love triangle between Guts, Casca, and Griffith. Just like Casca, Farnese has to choose not just between self-acceptance and self-rejection.

Farnese's journey is one of becoming more courageous through service. She was a fearful girl who armored herself with aloofness and acts of terror. She wanted people to be more scared of her than she was of the things that frightened her. Farnese's encounter with Guts during the Conviction Arc demonstrates a new way of confronting horrors- head-on rather than running away. Her inability to care for Casca forces her to confront her vulnerabilities and overcome them for someone else's sake. Farnese even learns magic so she can become more self-reliant and defend Casca herself.

Guts is the catalyst for Farnese's aforementioned development. Farnese worships Guts as the embodiment of the resilience she desperately desires. This is reminiscent of how Casca idolized Griffith. By giving Casca a sword, Griffith gave Casca a means of asserting and defending herself in a world that would otherwise oppress her. She, like Farnese, idolized a man who gave her greater autonomy.

Ironically, Casca's self-image became dependent on how Griffith could use her. She even disdained her womanhood, seeing it as an obstacle to serving Griffith. Farnese self-esteem isn't nearly as low, but she is clearly crushed whenever she doesn't get Guts' attention.

Her improvement finally grants her a chance to get more of it. It isn't until she meets Roderick, however, that she finally has a chance to be loved. Roderick is curious about Farnese, saying he always wanted to see the Vandimion devil child. The worst parts of Farnese's history don't scare Roderick away but only intrigue him. Likewise, Guts saw the worst of Casca: her abrasiveness, jealousy, and insecurity, all derived from her unrequited crush on Griffith. However, this only endears Casca to Guts further. Roderick is similarly patient towards Farnese: he understands she has feelings for the Black Swordsman, but isn't jealous.

Both Guts and Roderick respect their love interests' prowess as well. When Farnese protects the ship using magic, Roderick calls Farnese a goddess among angels. For a man from a society that prohibits witchcraft and limits women, this response is remarkably accepting. Farnese and Roderick's relationship will mirror the total acceptance found in Casca and Guts'.

Farnese's romantic relationships mirror Casca's almost 1-to-1. The protective admirer (Serpico), the unrequited love (Guts), and now her possible soulmate (Roderick). As of now, I see Roderick and Farnese getting together. Farnese's gentle and compassionate nature would make her a great partner, and I can see her joining Roderick on his journeys. I'll keep in mind what Lady Vandimion said about Farnese's unpredictability. Farnese may surprise not only her brother but us as well.

This is money cat. He only appears every 1,383,986,917,198,001 posts. If you repost this in 30 seconds he will bring u good wealth and fortune.

Princess Charlotte-Damsel to the Rescue

Remember how Princess Charlotte informed the Band of the Hawk of Griffith's location and helped them sneak in? Causality is a spiral. I would not be surprised if she plays the same role again, this time helping Guts' band rescue Casca from her imprisonment.

I think that Charlotte will find out where Casca is being kept when Griffith transforms into the Moonlight Child. Griffith most likely has measures to make sure his identity as the Moonlight Child stays hidden. However, the Moonlight Child is very playful. When he appears on Elfhelm, he engages with Guts' band and the inhabitants of the island. He'll likely try to interact with other people around the castle. In fact, Charlotte even stated that she wanted to open an orphanage. If she sees the Moonlight Child wandering around the castle, she might confuse him for an orphan. The Moonlight Child would escape from Charlotte's grasp and run to his mother, leading the princess to Casca.

Mind you, that earlier paragraph veered off into fanfiction. I'm not sure exactly how Casca and Guts' third reunion will go down, but it'll be satisfying to see if Charlotte plays a role in it.

Triple Baka! 💛🩵❤️

Who woulda thought?

50 likes? Thank you guys for your engagement with my posts! The Arya one really blew up, but seeing the likes on the Monster one stunned me. Thanks again, and stick around to see more analyses/reviews/random stuff!

Tenma and Lunge are the same character but with a slight twist. They're both workaholics who let their passion destroy their personal lives. However, Tenma's position as Chief of Surgery strengthens his relationships with others, while Lunge's obsession with detective work only further isolates him. Tenma's rapport with former patients is so strong that when he is jailed for murder, they form an advocacy group and pay for the best defense lawyer they can find. Lunge's relationship with his clients is nonexistent in contrast. He doesn't view his clients as people but as puzzle pieces that must be fitted together.

Arya had broken dreams, too

Everyone hones in on how Sansa's dreams were brutally dashed, but I don't think enough people realize how Arya's dreams were broken too. Arya wanted to become a swordfighter and have bold adventures. She never imagined the death and destruction that could result from it. She, too, suffered the loss of her idealism and sunk into a deep depression. She doesn't even believe her mother will love her after seeing what she has become. Becoming what she has wanted is costing her who she was.

Dona Laurel-Just How "Benevolent" Is She?

One of the few people to give Reina unconditional kindness is Dona Laurel Aguila, the caudila of Sadul Fuerte. Known as the "Benevolent Lady" by her servants, Dona Laurel cares for Reina as she recovers from her iridio transplant and offers her a home. She certainly isn't a cruel woman, but why has she widely been given this title?

For example, her servants call her The Benevolent Lady, but we see nothing to suggest that she actively helps the people of Sadul Fuerte. Reina has been a servant all her life, yet never notes that Dona Laurel is kinder towards her servants than other employers. In fact, Reina is only given special treatment because she's the daughter of Dona Laurel's deceased friend, Juan Vicente.

It's also strange that Dona Laurel never questions why Reina is a servant in the first place. Reina is meant to take Juan Vicente's place as an Aguila soldier, which would require courses in sword fighting and geomancia. However, Reina splits her time between serving the Aguilas and learning sword fighting. She doesn't balance these tasks effectively; in fact, the kitchen staff refuse to feed her because she can't complete her duties. The reader knows that Ursalina told Reina to spy on the Aguilas while serving them. Laurel, however, doesn't have this information. Why doesn't she exempt Reina from kitchen duties and have her focus on sword training? We never see her bring up this issue to Dona Ursalina.

Not expanding on how Dona Laurel earned this title is a missed world-building opportunity. Seeing her engage with the people of Sadul Fuerte could have informed the reader about the common man's struggles. For example, how do normal people fend off a monster they can't see? Do normal people learn to use geomancia, or is that only allowed for nobles and nuns? How do Penitents like Dona Laurel justify mining iridio, a powerful geomancia metal, when geomancia is contrary to their faith? Do any of the people under her rule bristle at this dissonance? The title makes this sound like a hit piece, but I really feel like Dona Laurel could've been more thatn a maternal figure for Reina. Seeing how she engages with the world could have fleshed it out more thoroughly.

Petyr the Disillusioned Hero

Petyr Baelish's story could be ripped out of a fairytale: the wimpy heir to a poor, unremarkable noble house fights for the affections of his beloved. I wouldn't be surprised if Petyr's bravery (one might say foolhardiness) was inspired by songs. Much to his disappointment, however, life did not reward his bravery. It's no wonder, then, that he frequently warns Sansa that life is not a song: he fell into that trap and paid dearly for it. Life taught Petyr no lessons, it only gave him more grudges to hold.

Thank you @hozukitofu and everyone who got me to 5 reblogs!

Doll-Tearing = Loss of Innocence

In ASOIAF, doll tearing is often associated with the loss of innocence. When Arya visits a village, the village elder's daughter begs Arya to play with her. Annoyed and frustrated, Arya rips apart the young girl's toy knight, shouting "Now he's like a real knight! Torn apart and bloody!" (i can't remember which book). Arya has seen harrowing sights of violence and death that no normal adult should witness, much less a child. This incident highlights how deeply traumatized Arya is after what she has been through.

A similar scene occurs with her sister Sansa. She's building a snow Winterfell, thinking the snow has the "taste of innocence". Robin Arryn, her cousin, then destroys it with his stuffed toy. She accidentally tears it and Robin storms away, sobbing. Littlefinger then comes and kisses Sansa. This isn't Sansa's first time suffering an unwanted advance, but she truly realizes how little support she has when her aunt tries to punish her. Sansa has relied on the memory of her family for strength and the only relative she's seen after the death of her father threatens to kill her after an incredibly vulnerable moment.

The Frugal Wizard's Handbook for Surviving Medieval England- Book Review

SPOILER WARNING

Brandon Sanderson's work rewards people who embrace their oddities and worst flaw, and The Frugal Wizard's Handbook is no different. Amnesiac John West finds himself in an alternate dimension that resembles Medieval England, but has no idea how he arrived or who he is. As memories slowly come back to him, he recognizes that he might not want to remember that last part. His relationships with Sefawynn, a storyteller, and Ealstan, a local lord, help him accept his identity.

John West's character arc from wannabe wizard to actual hero was enjoyable to read. Seeing him grow in confidence through his relationship with Sefawynn was touching. Sefawynn herself has a pretty great arc, though I think the romantic tension between her and John wasn't well developed. I understand that they accept each others' flaws, but we don't see a lot of flirting or signs of attraction. Most of the characters in this book aren't given much depth. Thokk, Ealstan, and Jen suffer the most from this. Thokk fills the kooky old lady archetype, but has very little characterization outside of that. Her status as a goddess isn't really questioned by John, but neither were a lot of things near the end of the story

Jen's characterization are especially shallow. Even though John couldn't remember much about Jen, there could've been ways to characterize her (e.g Ryan and John commiserate over what she was like, John has some sort of charm or memorabilia that reminds him of her). Instead, we don't learn about her until we learn she betrays John. Jen cheating on John only serves to server his ties to his home dimension so he can stay in Medieval England. It isn't given the time to fully flesh out John's feelings. This book would've benefitted from at least two more chapters describing the emotional fallout from what happened

3.5/5 stars - enjoyed the overall message of the story; certainly could've used more time to develop character relationships

Matahachi Honiden and Peter Keating

Despite being from two completely different eras and countries, the deuteragonists of the Vagabond manga and The Fountainhead share a lot in common. The Fountainhead has Peter Keating, an aspiring architect who sacrifices others and eventually his own happiness to achieve ephemeral success. In Vagabond, we see Matahachi Honiden bumble through various troubles on his quest to become an esteemed swordsman. Both of these men pursued these paths because of their mothers. Mrs. Keating guided all of Peter's career choices, from attending college to joining a firm and marrying his employer's daughter. Osugi Honiden, Matahachi's adoptive mother wanted him to be a worthy heir of the Honiden name. One of these men falls into disgrace, whereas the other accepts his failings and aspires to be better. Their maternal support is critical to their character arcs.

From the very beginning, Peter and Matahachi are pushed towards divergent endings. Peter mother frequently dismissed Keating's actual desires in favor of fulfilling a shallow version of success. This is epitomized in Keating's rejection of Katie, his true love. One day, a panicked Katie goes to Peter's home and asks to marry him the next day. He agrees, but his mother dissuades him from doing so. Instead, she advises him to marry Dominique Francon, his employer's daughter. Peter ultimately follows his mother's wishes rather than his own. This desperation to live up to his mother's standards drive him to ghastly measures. He frightens his firm's partner into dying of a stroke. Keating also plagiarizes his rival's designs. Despite owing his success to his rival, Peter still resents him Reaching all the hallmarks of traditional success leaves Keating tormented; he knows that he can credit himself for none of it.

By contrast, Osugi supports Matahachi's goal of becoming a skilled swordsman. In her eyes, this ambition makes him a better heir. However, Matahachi doesn't have the discipline to develop his sword skills. His indiscipline leads him to make the same mistakes as Keating. He cheats on his fiancee Otsu and wounds her deeply. Matahachi pretends to be the renowned swordsman Sasaki Kojiro. Admiration also sours into envy for Matahachi. He also resents his friend Musashi for becoming a better swordsman and taking his ex-fiancee.

It's Osugi's support, however, that guides Matahachi on a better path. Before her death, Osugi reveals that she knew about his failings but loved him anyways. She even compares him to Musashi positively. Even though Musashi's single-minded focus is admirable, Osugi believes that Matahachi wandering before finding his path is still beautiful. This validation and love is what gives Matahachi the strength to accept himself and his mistakes. This is the start of his redemption arc. Keating, however, never receives this same love. His mother recognizes that her constant meddling led to Peter's current misery; however, she never openly states that she accepts him for who he is.

Astute observation! maiamars absolutely cooked in this post

i like how arthur and brienne are similar yet they stand on the opposite sides of jaime's journey. arthur, the morning, from starfall, was the starting point of his journey before he lost him and let the day eat what he once was. brienne, the evening, daugther of the evenstar, was the starting point of his reflection on the end of his journey. they are his north star, the one guiding him to the man he always wanted to be. yet the quiet night is always followed by dawn, right grrm?

Ursalina Duvianos: Reina's Dark Reflection

A good villian should aways mirror the hero, showing that it's easy to go wrong. Dona Ursalina Duvianos shares Reina's same insecurities and suffered for it. As a young woman, she was obsessed with Feleva Aguila, the ambitious valco leader. Superficially, Ursalina's relationship with Feleva mirrors Reina's relationship with Celeste. Reina and Ursalina both were infatuated with valcos whom they served. There is another interesting facet, however, that I think may have lead to Ursalina becoming the vengeful sorceress we see in the books. Both Reina and Ursalina felt inferior because of their species in the presence of their love interest.

At the beginning of The Sun and the Void, Laurel dismisses rumors about Feleva raging her way to an early death because of Laurel's marriage to Enrique. Even if Feleva's discontent wasn't that intense, it still must have been there for the rumor to exist. What would that have done to Ursalina? Seeing someone whom you love degrade their daughter-in-law because they are the same species as you must have destroyed her. By this point, however, Ursalina grew to accept the disrespect. She had already let Feleva take all the credit for discovering iridio. Ursalina's son, Juan Vicente, was raised to serve Don Enrique even though they were both heirs.

However, Ursalina's attitude towards Reina's mother is hypocritical. Juan Vicente left Dona Ursalina to marry Beatrice Torondoy, a nozariel. Ursalina's disdain for Vicente's wife mirrors Feleva's scorn for Laurel. Even though Ursalina resented Feleva for her speciesm towards humans, she never recognized her own prejudices.

Doll-Tearing = Loss of Innocence

In ASOIAF, doll tearing is often associated with the loss of innocence. When Arya visits a village, the village elder's daughter begs Arya to play with her. Annoyed and frustrated, Arya rips apart the young girl's toy knight, shouting "Now he's like a real knight! Torn apart and bloody!" (i can't remember which book). Arya has seen harrowing sights of violence and death that no normal adult should witness, much less a child. This incident highlights how deeply traumatized Arya is after what she has been through.

A similar scene occurs with her sister Sansa. She's building a snow Winterfell, thinking the snow has the "taste of innocence". Robin Arryn, her cousin, then destroys it with his stuffed toy. She accidentally tears it and Robin storms away, sobbing. Littlefinger then comes and kisses Sansa. This isn't Sansa's first time suffering an unwanted advance, but she truly realizes how little support she has when her aunt tries to punish her. Sansa has relied on the memory of her family for strength and the only relative she's seen after the death of her father threatens to kill her after an incredibly vulnerable moment.

Growing up is realizing that

Calvin and his dad were pretty much the same person.

Both Calvin and his father enjoy nature. Calvin relishes death-defying wagon rides and contemplating philosophy outdoors. His father, however, enjoys biking early in the morning and drags his family to go on camping trips.

They also enjoy teasing their loved ones. Calvin constantly freaks out and pranks Susie Derkins, his crush. Calvin's dad is no better. Whenever Calvin asks his dad about a topic, like time zones, his father will tease him by lying about the actual answer. Calvin then compares his mother's answer to his father's, most likely forcing his mother to clear up the misconception.