frankiebirds - frankiebirds
frankiebirds

nineteen | canadian | avatar by me | they/it | 🍉

920 posts

They Were In SHOCK

A man in a suit and striped tie stands a room with floor-to-ceiling windows with horizontal blinds. The subtitle at the bottom of the image reads: "Garcia, I love you."
On a grainy camera feed, a woman wearing a black blazer over a white shirt stares, shocked. To her right is a woman wearing a patterned sweater vest over a dark blue shirt, who is typing at a keyboard.

they were in SHOCK

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More Posts from Frankiebirds

9 months ago

just a heads up i will not be doing s01e19 machismo tomorrow because i think it's a bad episode for a few reasons. instead im just going to skip straight to s01e20 charm and harm.


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9 months ago

so, i'm unsure whether garcia cutting herself off and disconnecting the call here is because she has a realization or because she doesnt want to violate reid's/his mother's privacy but i'm choosing to believe it's at least partially the second:

A woman with a dark shirt and red streak in her hair in a room with computer screens. She has a mic. The subtitle at the bottom of the image reads: "he spent a few years in a Vegas sanitarium. Bennington."
The same woman, although the computer screens are no longer visible, replaced with a greenish wall cast in shadow. The subtitles at the bottom of the image read:
-"That mean something to you?"
and
-"Yeah, that's where..."
Subtitles: 
-"Garcia?"
and
-"I gotta go."

garcia isn't always the best with boundaries, especially because I think her job essentially being to violate peoples' privacy and her own openness as a person sometimes make it hard for her to remember that that's a thing most people care about. but she's not oblivious. she saw how reluctant reid was to even call about his mother in front of her, how much he did not want to divulge that aspect of his life.

and the thing is, she knows that reid will likely have to tell the team anyway. his mother is in the building, and even without that, he'll surely have to explain how his mother is connected to the unsub.

garcia knows all of this, knows it's going to come out, and says nothing. she lets reid share it on his own terms—as much as he can in a situation like this.


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9 months ago
In an office, a man in a light blue-grey v-neck, holding a dark blue coffee cup, approaches the desk of a man in a light blue patterned button-up who is putting a messenger bag over his shoulder. The subtitle at the bottom of the image reads: "Pretty boy. Last chance."
The man in the light blue-grey v-neck leans over the edge of the desk of the man in the light blue patterned button-up. The subtitle at the bottom of the image reads: "I can get my man to swing you a hotel room for practically nothing."
The man in the light-blue patterned button-up looks unenthused, looking down and sorting through floppy disks. In the background, a woman in a greyish top smiles. The subtitle at the bottom of the image reads: "Even you might get a little loving out there."

every day i think about elle and morgan going on vacation together and at least morgan wanting reid to come with. what were their intentions. were they bisexual in nature. also im also almost certain that this is the first time morgan calls reid "pretty boy" and it's while he's inviting him on vacation with him. it's 2005/2006 you cannot be this bisexual at your government job.

bonus:

A zoomed in version of the third image, focusing on the woman smiling in the background.

yeah i think elle also wanted him to join them.


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9 months ago

the way reid treats maggie lowe after disarming her makes me. i know i say this a lot but it makes me need to lay down.

Against a red background indoors, a man in a white striped shirt with a sad, serious expression aims a gun at a woman out-of-focus in the foreground. The subtitle at the bottom of the image reads: "We're going to get you help."

(not pictured: between this image and the next, you hear the sound of what i believe is reid turning the safety on, and see him lower the gun)

The woman, wearing purple, looks down, hair tousled and expression distressed. The man with the striped shirt is out-of-focus in the foreground. The subtitle at the bottom of the image reads: "It's going to be alright."
A wider shot, showing the two are in a bedroom, with a second woman in the background, sitting against the wall with her hands over her face and knees up to her chest. The man in the striped shirt is now aiming the gun towards the ground, and the woman in purple is leaning forwards, as if in the middle of rocking back and forth. The caption at the bottom of the image reads: (SOBBING)
The hand of the man in the striped shirt is raised, as if about to touch the woman in purple on the head. The caption at the bottom of the image reads: (REID SHUSHING)

i might come back to this later im struggling with wording. but something about the way reid treats mentally ill unsubs. hhh. do you think he sees his mother when he looks at them.

(please dont misunderstand me ! emphasis there is on the "mentally ill" not the "unsub." i think if we got a victim with severe mental illness reid would behave very similarly. im talking about unsubs because we see that a lot more because of the whole. you know. premise. i think reid can't help but picture his mother when he sees people in crisis, even when theyre different kinds of crisis, and a lot of his responses in those situations are him falling back on what he learned as a child)


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