The Irritating Part About Drawing Your Original Characters From Other Franchises Is You Have To Have

the irritating part about drawing your original characters from other franchises is you have to have the audacity to actually design them. man they didnt tell me to draw something i actually had to draw it. i want a refund.

I’d like to add onto this since i’ve gotten a few comments about it- in totk a lot of the statues seem like their own entities, similar to the devil statue. To me it seems like that shift happened with the great upheaval, and might even have something to do with the giant Hylia statue being toppled in the ruins. It seems to me like her places of worship have been disrupted with the giant surge of ancient magic and the recent Ganon events. The two major statues (Mother goddess and Temple of time) both send you on quests that result ultimately in the righting of some point of worship- the goddess statues in the spring especially seem like servants of Hylia freaking out because in BOTW the spring statues were supposed to be the direct Hylia line if Zelda’s research is accurate

I don’t think people talk about the messed up relationship between the goddess hylia and her chosen enough. Like, Link takes a LOT of nonsense through his generations, but specifically the fact that Zelda spends all of BOTW desperately looking for her approval and her to speak to her just once, spending all her time devoted to this destiny, while Link (while he is very much dealing with his own stuff, THANKS HYLIA) can just. call her up. she speaks to him no problem all the time. we exchange her objects for hearts and stamina the whole game.

And Link doesn’t even seem surprised! In both games this happens in! Like he had memory loss in BOTW yeah but for it to be so ingrained in him that he doesn’t startle TALKING TO A GODDESS is astounding. Just, thinking about that. If Link could do that and knew the whole time. Wondering why she only spoke to him. Knowing it would break Zelda if she knew, asking hylia why. Anyways i’m back on my LOZ nonsense the one chosen by an fickle god trope is very dear to me

“Crowley? My dear, are you listening?”

“Yeah, yeah, of course Angel. Keep going, i’m here all night.”

“But there was nothing there.” - Sunny needs a hug man. or maybe just a kind stranger.

This is now a digital print on my etsy! Come swing by and support me if you like what i do :)

Aziraphale is legitimately a fascinating character to me, especially considering how the narrative deals with his fear specifically.

Think about it. Six THOUSAND years. That is an UNFATHOMABLY long time. We cannot even begin to conceive of it as humans. And he has been looking over his shoulder (as has Crowley), because at any moment someone could walk up to him, decide he isn’t good enough, and permanently take him away from his home. This goes as I said for both, because they can’t get new bodies on their own. If they’re taken out, living as they were becomes pretty much impossible, which is horrifying.

But Aziraphale specifically I find really interesting because of his situation. Consider this. You are presented with your creator. The person who designed you down to your very molecules, and they tell you the meaning of life. And they tell you you were created to be good. And you watch as all these people, created same as you, fail, and are taken and burned and warped into monsters and you are told they are evil.

And then you meet one of them. And he is kind, and he helps, even better then Heaven can, sometimes. And that is terrifying, because you are told he is evil. So either they, those that created you and everything you have always been meant to do, are wrong, or you cannot yet see how evil he is. And both terrify you. So you spend years waiting for the trap to spring, and it never does, and that can’t be right because he is no longer supposed to be good, he is fallen, and none of that makes any SENSE.

Throughout Good Omens, we see even how Crowley identifies with the role Hell has assigned him (“I’m not NICE.”) but Aziraphale is in a totally different position. Because Crowley has already fallen, he can avoid Hell. And Hell, like Aziraphale learns Heaven is, is fallible. But unlike Crowley, Aziraphale is still an Angel. Aziraphale can still Fall.

And no matter how fallible Heaven is, God is all knowing. He has to live with the fact that God is watching, all the time, and judging his actions. And if She sees them, and decides he has indulged too much, that his love of a demon is wrong, that he is no longer good, he will Fall. And he has spent thousands of years shaping his identity around the word “Angel”. If he falls, he will no longer get to be nice, and kind, and himself, and he is terrified.

Aziraphale is so black and white about things because he is so terrified of what grey means. Because if grey exists the way he thinks it might, then his whole existence for thousands of years might have been wrong. And that is fascinating to me.