gothic--vampyre - Regina R. Vespertine
Regina R. Vespertine

NSFW | SFW trad art | Writer (Procrastinator) | A Shrek ton of memes | Open for art collabs

91 posts

Never Let Bad Grammar Stop You From Being A Writer. There's Always Gonna Be That One Patient Reader Who'll

Never let bad grammar stop you from being a writer. There's always gonna be that one patient reader who'll sacrifice their firstborn for your book.

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More Posts from Gothic--vampyre

8 months ago

I think the best way to fight this AI shit is just to support actual creators. The cat's out of the bag with AI; our data's going to be taken and used without our consent whether we like it or not, so maybe we should put efforts into holding up those who create their own stuff. Comment/interact on people's writings and art. Make it worth them posting; make it clear that what the people are interested in isn't generated stuff, but things that people have actually done themselves. It's a drop in the ocean, but showing creators that it's them that deserve the support at least serves to cut off a tiny bit of oxygen to these AI hogs - and make a difference to creatives who are trying against hope to share with a community.

8 months ago

Tumblr...do your thing and connect me with other writers ❤️

(Please reblog if you're an active writing blog)

8 months ago

Dumping this here because no one reads it on Wattpad lol.

Trigger Warning: Death

"I promise."

The words rang out for the millionth time that day.

When my little Star struggled to keep her beautiful Hazel eyes open, with the anesthesia setting in, those had been my last words to her.

When she'd wanted to know if we were going to be okay again, I had responded with a soft kiss to her forehead, and a promise I could never fulfill.

When she'd wanted nothing but the truth, I had given her hope, that this nightmare would end in three hours, that we'd be able to go living our dream lives again.

Three hours passed by. Another three followed. And then, a whole day.

The misery seemed never to end.

I barely registered the words of the people that seemingly cared for my Stella. My little star had been suffering for months, when all these people, selfish and shallow, offered only their condolences.

Halfway through the funeral, when my mother was offering her own perspective of my daughter's life, of her strength, I let my feet carry me away from the madhouse, and into the green woods, in search of a little peace. Away from the judgemental stares, away from the people who claimed to care.

She had no one in her hour of need. No one but me. And I failed her.

I am— I was her mother, her guardian, her role-model, her best friend, and I... of all the people in the world had failed her.

I wished hell to damn me for it.

Night had fallen when I discovered myself to be sitting on the rock she used to be found sitting on every time she sneaked out. The moon glinted off the dark water at my feet, more menacing for some reason than comforting.

I stared back at the woman looking at me from the water. Her eyes were hollow, lifeless.

Pain clenched its cold, stone hand around my heart as I remembered the last time I saw her. I saw my angel, lying on the white sheets of her bed, surrounded by bouquets of flowers that were incomparable to her beauty. My Stella looked so beautiful, just like she always had been, with her lively spirit and fiery quips. Yet, she had never been that quiet before.

I opened my eyes. My heart jumped to my throat. She was there. Wearing a white veil that concealed her face, she stared at me, her beautiful eyes screaming in agony.

"You had promised."

A promise that I couldn't keep.

When my little star gestured for me to follow her, with the promise of another chance, I didn't hesitate.

Criticism is welcome. Thanks for reading! I hope you enjoyed it.

If you want more:

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Can be read as a standalone. My mind is a labyrinth, in which I get so lost that life becomes a distant nightmare. I cr...

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8 months ago

Aight I just remembered what I was gonna ask. I think It'll be my second ask because I do remember I submitted the same question I wanna ask months ago HAHA

Okay so, I'm writing a story that explores a lot of subjects, one of them is morality

So... How do you make a fictional religion feel "real" in a sense? Like I know there'll be shrines, temples, and stuff but I need to know more than just that.

Take your time and thank you! ✨

Writing Realistic Fictional Religion

Hi! Thank you for the question :)

Please refer to my posts about writing hateful gods and writing deities for stuff about writing gods! I'll talk more about writing religion in general here.

Religious Hierarchy

Think about how you'd want your religion to be structured:

Polytheism: the belief in many gods.

Monotheism: the belief in a single, all-powerful god.

Atheism: the belief in no gods. A belief in nothing is stil a belief.

Are there tiers of gods? (Gods above Gods)?

Is there a "Mother God" or "Father God" that must be worshipped over everything else?

How are religious leaders selected and trained?

What kind of actions (celibacy, vegetarianism) do the believers need to do in order to be a faithful person? Is there a consequence when they don't do this?

Religious Texts

The most important question a religious text should aim to answer is: where did the world (and therefore, us) come from?

Here are some story patterns you can use:

Creatio Ex Nihilo: God creates the world from nothing

Creation from Chaos: God introduced order into a chaotic world

Primal Couple: The first "couple" gives birth to the world

World Parent: A god sacrifices (a part) of their body to construct the world's elements.

Emergence: Before the current world, there existed another world. After a period of time is over, a new world emerges.

Earth-Diver: A deity sends over a person/animal, etc. to construct a world out of the barren land they've created.

This "Origin Story" will dicate the basic values that your religion thinks is the most important.

Religious Practices

You have the freedom to invent your own religious practices. When you are trying to invent one, consider:

The weather. Is the Sun in your world so blazing that all religious festivals are only held during the night?

What can you not do in the name of religion? Are you not allowed to have stuffed animals in your bed? Not eat blue stuff?

Who are the people that work the most during festivals/worship ceremonies? Are slaves exploited to prepare the feast? Are the women the only ones that works while the men sing? Are animals tortured or exploited in the process?

Sacrifices. What/when/how do you offer sacrifices?

You can also think about:

Who determines the kind of religious practices the other people have to follow?

Are the reliigous practice discriminatory and if yes, who do they benefit?

Religious Locations

Historically, religious lands have had the power to have its own rules and be protected. which will provide a good

One Location vs. Many: Is there a shrine in every home/street, or is everyone required to report to the city square every Saturday?

The Ruler's Castle: Sometimes, the king is considered to be the "son of god" and the palace is therefore the most sacred place.

One Unreachable Location: It can also be that in order to be ruly faithful, you need to visit a place that is so unreachable that people die trying.

A Moving Location: Does the god choose their new home every year?

A Constructable Location: If you draw a circle in bone ash, does the patch of land inside it become holy and no ghost can enter it? What if you lack faith and the circle construction doesn't work at a time you need it the most?

Question of Morality and Religion

While many religions preach equality and kindnes, it has been used to justify conflict and discriminate those who do not believe in it.

Does the deity promote such violence? Or is it the bad leaders?

Is the deity uncritical towards such behavior? Or do they actively step in?

Is the God falliable? Like the modern-day presidents, is the god's survival/power somehow dependent on the believers? Is that why they stay silent even when bad things are being done in their name?

Does the god favor rich people?

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8 months ago
Writing Weapons (4): Clubs, Maces, Axes, Slings And Arrows

Writing Weapons (4): Clubs, Maces, Axes, Slings and Arrows

Clubs & Maces

Maces are refined versions of clubs, usually made from steel and flanged or spiked.

Perfect for smashing and plate armour and for crushing skulls.

When used on horseback, the rider uses continuous swining motion and leans to the side to hit.

Type of Fight Scene: gritty, historical fiction, smashing armour

Typical user: brawny male with broad shoulders nad bulging biceps

Mostly used in: historical fiction - Stone Age to Middle Ages

Main Action: smash, crush, bludgeon, batter

Main motion: downwards

Typical injury: crushed bones, crushed skull

Strategy for lethal fight: crush skull

Disadvantages: heavy, need to get closer to the opponent

Batle Axes

Used by a peasant or lumberjack

Special battle axes are bigger and heavier, with longer handles

A weapons for attack rather than defence, good at cleaving through armour

Can break through enemy shields and kill a charging horse.

They require intense training, so users are highly skilled elite soldiers, often aristocrats.

Types of Fight Scene: gritty, brutal, battles, attack, historical fiction, fantasy fiction, cutting through armour

Typical User: tall brawny male with broad shoulders and bulging biceps, courageous, elite soldier, Viking, Saxon

Mostly Used In: European Dark Ages to Middle Ages

Main Action: cleave, hack, chop, cut, split

Main Motion: downwards

Typical Injury: severed large limbs, split skulls, cleaved torsos

Strategy for Lethal Fight: severe the arm which holds the sword or the shield, or cleave torso from top to bottom, or cut off a lef then split the skull

Disadvantages: big and heavy

Bows and Arrows

They are weapons of mass use. Hundred of arrows are shot at the enemy to inflict as mcuh damagne as possible from a distance.

In the middle of the battle and for close combat, they're useless.

Castles were designed for the use of bows and arrows, with narrow windows called 'archer slits'. The top of the outer walls were desgined so archers could shoot while remaining under cover.

Arrows are relateively cheap and quickly to produce. Tips an be metal or sharpened stone, wood, bone, glass splinters, etc.

Pieces of feather at the end help the arrows fly better, but knowing which part of the feather to attach how and where is much -treasured knowledge.

Characters can learn the basics of archery can be done quickly at an emergency. However, to be really good it takes years of practice.

Most important skill is to be able to shoot many arrows in quick succession.

Stone Slings

Stone slings are cheap to make - it only takes a piece of leather, string and ammunition are simply pebbls lying around.

This makes it good for low-tech historical periods and for characters of all ages and physical capacities.

Doesn't require great physical strength, but a lot of practice is required to achieve accuracy.

Different cultures have different techniques for holding and releasing, none of which includes the continuous frantic whirling around beloved by moview makers. Rotatin is usually done once or twice, or not at all.

(1) the slinger hooks the end of the sling over her fingers (2) holds the hand above the shoulder so the sling's bag with the stone in it hangs down behind her shoulder. (3) flings it straight forward.

Blunders to Avoid

Depicting an axeman as an unkilled brute who chops blindly.

Battles where the archers shoot when sword fighters are already engaged in close fighting