Day 2: Kate And Edwina (Sisterhood)

Day 2: Kate and Edwina (Sisterhood)

Kate sighed quietly as she slipped into the room in the boarding house she shared with her sister, Edwina. It has been a particularly long day spent in her apprenticeship, trying to work out the stitching for the bonnet she was meant to finish this week. It was murder on her hands but the pay was good and they needed the funds if they were going to survive in London. 

London. Kate closed her eyes for a moment. They should have never come here-- should have never had to come here. But Somerset was a small village with no theaters and Edwina…. 

Edwina had real talent. Not even sixteen and she was already appearing in Romeo and Juliet. As a background actress, admittedly, but it was still impressive. Her natural beauty shone on stage and Kate was certain it was only a matter of time before she won a lead role.

Of course that was the problem-- time. Kate and Edwina had lost both their father, who had already been sick for several years, and Mary much more suddenly to a terrible flu one year earlier. Kate was barely eighteen then and it had been a terrible shock. Lord Sheffield, their father's older brother and the only living relation who acknowledged them, was too deep in debt to take them in. 

They visited their uncle for a spell as they sold what little they could for capital and then made their way to London in search of reliable employment. Thankfully, their father's former steward was able to help Kate find an apprenticeship at a family run milliner's shop. It was not easy and she was the first to admit she didn't take to it naturally, but she worked hard and that was enough to keep her employed. For now.

Welcome new followers who do not quite look like porn bots.

A word of advice: If you only hit the Like heart, your blog appears to be empty and your tumblr experience will not be good. Because people will block you.

I will block you.

Get reblogging, fill your blog. This is how it's done here.

"Because fate has a funny way of mending things back together. I mean you are here and I am here, and we’ll find each other again, that is, if that’s the way it’s supposed to be." - R.M Drake

or

What if Anthony didn't return after he was spooked by Kate? A TVWLM second chances modern AU.

Kate Sharma x Lucy Granville (because self-realized women are awesome)

"Do you need assistance with your clothes, Miss Sharma?"

Kate shook her head, cheeks warming. She had needed help not so long ago. Her clothes had been slightly outdated but well made; now they were hardly better than rags.

She took the clothes from Lucy but the other woman did not move away. Instead she brushed Kate's curls back from her face. "You have remarkable features. It's why I suggested you model in the first place."

"Th-thank you?"

"I speak only the truth." 

Still she did not move away. "Lady Granville, I have to change…"

"Please, call me Lucy." Kate nodded. "And I may call you Kate?" She nodded again. "Kate… do you know what happens here in the late hours?"

Kate shook her head, eyes wide. 

"We are bohemians, Mr. Granville and I. We take pleasure as we wish– but only as it is offered freely. Do you understand?"

Kate shook her head again.

"I like you, Kate. You are beautiful and different, and I should like to kiss you," Kate inhaled sharply, "but only if you should also wish it. Should you not, we need never speak of this again. Your invitation here is secure regardless of your choices tonight– or, indeed, any night." A sensual smile formed in her lips. "The goal is pleasure for all involved."

"But will I not be… fallen?" Kate hated the timidity in her voice but her virtue was all that remained of her former life.

"Perhaps in the eyes of some but it is not for them to know what we do here. And the act men of God speak of– the one that results in children– requires at least one man be present." Lucy placed a hand on her cheek. "The kiss, dear Kate, would be just for us."

"Okay."

Lucy smiled and it warmed her whole face. She placed Kate's clothes on a nearby chair and then moved close again. Tucking another stubborn strand behind Kate's ear, she leaned close and brought their lips together.

Day 4: "It does not matter what I want."

"You left. You. I wanted to talk! I wanted to work it out. You left, and you didn't seem to want to come back, so I let you go. Why are you being such a jackass? I gave you what you wanted!"

"You think this is what I wanted? I asked you for time but no. Impatient Kate always has to have it her way–"

"Over. The. Line." She took a long deep breath through her nose. "Anthony. I was not about to wait around for a guy who didn't love me to maybe come home."

He recoiled visibly. "What?"

"We were literally a lusty cliche, getting married while shitfaced in Vegas. I get that you didn't want the annulment scandal, and, honestly, I thought I'd be okay with your whole deal, but I'm not like you. I can't compartmentalize and act like I love someone and not have it mean anything. All the flowers and kindness and the press eating it up one day, then cold silence and mocking looks the next. It was suffocating. And then you left when you promised you would be there. 'It can't be love but I'll always take care of you.' Remember? I felt so fucking stupid. How could I stay?"

"I came back," he argued weakly. "I came back to tell you…" He looked at her standing tall, eyebrows high on her forehead. Then he saw her lip wobble ever so slightly– a chink in her armor.

On instinct he stepped toward her, wrapping one hand around the back of her neck. His other hand rested on her waist, holding her gently. When their lips were a hair's breadth away, she stilled. "I need to hear you say it, Anthony. Please."

"I–" The words caught in his throat.

The silence stretched between them and Kate tensed. She stepped back. Her eyes were shining as she looked at him. "Good-bye, Anthony."

At least this time she said it to his face. Maybe that would be enough.

Writing Tips

Punctuating Dialogue

✧

➸ “This is a sentence.”

➸ “This is a sentence with a dialogue tag at the end,” she said.

➸ “This,” he said, “is a sentence split by a dialogue tag.”

➸ “This is a sentence,” she said. “This is a new sentence. New sentences are capitalized.”

➸ “This is a sentence followed by an action.” He stood. “They are separate sentences because he did not speak by standing.”

➸ She said, “Use a comma to introduce dialogue. The quote is capitalized when the dialogue tag is at the beginning.”

➸ “Use a comma when a dialogue tag follows a quote,” he said.

“Unless there is a question mark?” she asked.

“Or an exclamation point!” he answered. “The dialogue tag still remains uncapitalized because it’s not truly the end of the sentence.”

➸ “Periods and commas should be inside closing quotations.”

➸ “Hey!” she shouted, “Sometimes exclamation points are inside quotations.”

However, if it’s not dialogue exclamation points can also be “outside”!

➸ “Does this apply to question marks too?” he asked.

If it’s not dialogue, can question marks be “outside”? (Yes, they can.)

➸ “This applies to dashes too. Inside quotations dashes typically express—“

“Interruption” — but there are situations dashes may be outside.

➸ “You’ll notice that exclamation marks, question marks, and dashes do not have a comma after them. Ellipses don’t have a comma after them either…” she said.

➸ “My teacher said, ‘Use single quotation marks when quoting within dialogue.’”

➸ “Use paragraph breaks to indicate a new speaker,” he said.

“The readers will know it’s someone else speaking.”

➸ “If it’s the same speaker but different paragraph, keep the closing quotation off.

“This shows it’s the same character continuing to speak.”