helmetica - mehoyminoy
mehoyminoy

i am microsoft vista

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As A South Asian Queer Woman, Sometimes Mainstream Queer Culture Is Really White (/nm Im Not Mad!! Im

as a south asian queer woman, sometimes mainstream queer culture is really white (/nm— I’m not mad!! i’m just reflecting.)

when mean girls (2024) came out and the queer community was like “Reneé Rapp was the only good part of the movie”… and its like yes that’s great that a queer woman is playing Regina and it’s amazing Rapp champions the view of Regina as a lesbian.

but everyone so casually dismissed Avantika’s performance as Karen (character who’s also queer in this version— Avantika said Karen Shetty is a “pansexual queen”). it was crazy how blind it seemed people were to how groundbreaking her casting was by reversing south Asian stereotypes (1. she’s dumb instead of smart 2. she sings “sexy” when south Asian women are considered in American society to be unattractive)— like it was just a moment where i was kinda sitting there dumbfounded, not at all mad or anything— just reminded that “oh right. they’re white. I’m not. i come from a different perspective and am going to go crazy over the queer woc not the queer white woman.”

As A South Asian Queer Woman, Sometimes Mainstream Queer Culture Is Really White (/nm Im Not Mad!! Im
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8 months ago

I think I am the way I am partially because my first ever big video game with a story was Super Paper Mario. The narrative is kickass but honestly more than anything I haven't seen many examples that come close to how visually coherent Super Paper Mario is. The amount of geometric shapes in the art direction of the game really drives home how many characters could only exist in 2D, which really drives home the ability to swap to 3D!!!! It's so cool!!! and all the weird equations in the sky and the bizarre (even for Mario standards) enemy designs and the way each world seems to have a unique pattern to the way the world layout is stylized.....its absolutely incredible


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8 months ago

Okay, buckle up, friends and neighbours, because it's time for:

THE DOOPLISS DISSERTATION

(Obviously, you should take all of this with a HUGE chunk of salt, since I'm not only an internet-poisoned fandom blogger, but also a former English major with a penchant for over-reading.

Still, I spent a long time writing this, so I'd appreciate it if you gave it a read.)

So before we talk about Doopliss himself, I feel like we should talk about Creepy Steeple, since a lot of the topics I'm going to be touching on relate to the actual building.

Okay, Buckle Up, Friends And Neighbours, Because It's Time For:

Neither the original Gamecube version nor the Switch remake really bothers to explain what Creepy Steeple actually is.

None of Goombella's tattles say anything about the building's intended purpose. The name vaguely implies that it's a church of some kind -- in Japanese, it's called Odoron Jiin, or "Astonishing Temple" -- but that's still not very helpful.

Still, for the purposes of this analysis, I'm going to assume that it's meant to be a church.

Okay, Buckle Up, Friends And Neighbours, Because It's Time For:

This brings me to the Steeple's stained glass window, which shows a scary-looking Doopliss standing over some piranha plants.

From a design standpoint, I'm guessing that this detail was added to give the location a spooky vibe, but from an in-universe perspective, the implications are wild.

Like, who designed this? How long ago? And why? What the heck is it supposed to represent?

Unsurprisingly, the game offers no real answers, but I have a couple of theories.

Okay, Buckle Up, Friends And Neighbours, Because It's Time For:

The first is that the people of Twilight Town (or their ancestors, or something) created the window in Doopliss's honor.

Stained glass windows often depict saints or angels, so maybe the Twilighters used to worship him? Like, maybe Creepy Steeple was once dedicated to him and then, for whatever reason, the worshippers decided to leave?

It's not super likely, but I didn't want to rule out any possibilities. This is a weird freaking temple. Literally anything is possible, as far as I'm concerned.

Okay, Buckle Up, Friends And Neighbours, Because It's Time For:

My second theory is that Doopliss designed the window himself. He seems like a guy with a lot of spare time, so it's not too much of a stretch to say that he came up with the idea and then spent weeks building it by hand.

He could have also bullied the Boos into constructing it for him. I dunno. I just have this mental image of him pulling pranks on them and generally being a nuisance until they caved.

The bottom line is someone wanted to Doopliss's face to be front and center. And if that someone is Doopliss himself, then hoo boy, there is a lot to unpack here.

Okay, Buckle Up, Friends And Neighbours, Because It's Time For:

Maybe I'm projecting, but it feels like Doopliss is wrestling with some major self-esteem issues.

Despite being an incredibly powerful shapeshifter who somehow cursed an entire town, he seems very childish. He spends all his time watching TV and coming up with new jokes. He throws tantrums when he loses. He wears a party hat, of all things.

Based on that, I'd say that he's probably starved for attention. He's probably pretty lonely living in Creepy Steeple all by himself (doubly so if my theory about the Twilighters is correct).

I'd even go so far as to say that his scheme to turn the Twilighters into pigs is motivated by this need for attention. I mean, what better way to get people to notice you than to cause a town-wide panic?

Okay, Buckle Up, Friends And Neighbours, Because It's Time For:

I feel like the disguises he uses over the course of the main story also support this theory.

Though Mario, Zip Toad and Professor Frankly are quite different from one another, they all have one important thing in common: they're famous. Mario's a world-renowned adventurer, Zip Toad is a well-known actor and Frankly is a tenured professor whose students love him.

Doopliss even alludes to this after stealing Mario's body, telling him, "You're so popular around here! I just love being you!"

By transforming into beloved figures, Doopliss can get the attention he craves.

Okay, Buckle Up, Friends And Neighbours, Because It's Time For:

I also think that this is why he joined the Shadow Sirens. Sure, Beldam abuses him almost as badly as she abused Vivian, but at least she notices him. That's better than nothing.

The most conclusive piece of textual evidence is found in the epilogue. In her letter to Mario, Goombella explains that Doopliss has joined Flurrie on-stage in her production of "Paper Mario".

Obviously his shapeshifting abilities make the play a lot more realistic, but why would he bother participating in it at all? This guy was a villain for most of the game. Why would he suddenly decide to join up with one of his enemies?

Because, as far as I can tell, he's not a villain. Just a guy who's sick of being ignored.

I dunno. Doopliss's motivations have never been super clear, but I feel like there's more to him than meets the eye.

If you have any thoughts or ideas of your own, feel free to comment. I'd love to hear your thoughts on this.


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8 months ago
several drawings of mimi from super paper mario, drawn in a semi-humanized style. she is a small, petite girl with light green skin, green hair in ringlet-twintails, and black arms and legs. the first drawing shows her standing in her yellow polka-dot dress. the second drawing is a headshot where she smiles widely at the viewer, showing off a single sharp tooth. the third drawing depicts her curtsying in a maid outfit and winking. the fourth and fifth drawings depict mimi in an orange cheerleader uniform, waving blue pom-poms, posing, and jumping as she shouts "C-O-U-N-T! Set the Chaos Heart free! B-L-E-C-K! Take those ugly worlds away!" from behind everything also sprouts four large black spider's legs, one with some of mimi's hair wrapped around it.

girls who are spiders


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