I Read The Comic In One Sitting Less Than An Hour After Finishing The Movie, And Wow I Have Many Thoughts.

I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.

- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.

- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.

- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.

- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).

- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.

- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.

- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.

- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.

- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).

- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.

I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:

[ID: A pink-haired Nimona grinning evilly while holding up a knife.]

Watch Nimona. This is not a request.

Edit: Added more thoughts!

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jytan2018

Back with more Nimona thoughts, y'all. - It's definitely possible that the Director wasn't reacting on instinct when Ballister reached for

Raine and Eda 🤝 Ballister and Ambrosius

Arm-chopping is a love language

(Modern AU.)

Hamilton: I know some of you see Threads as the successor to Twitter but I personally hope both apps burn to the ground

Eliza who just wants her husband to sleep with her: Alexander what the actual fuck-

Source: @staffs-secret-blog

horatio: norway wants to march their army through denmark

hamlet: what’s that prince’s name again?

horatio: fortinbras

hamlet: fourteen bras? that’s like

hamlet:

hamlet: twenty-eight titties

Nimona, the Comic: If you pay a little bit of attention, and you know a little about the creator, you’ll see this is a clear trans metaphor :)

Nimona, the Movie: (CLAMBERING OUT OF THE DOWN WITH CIS BUS) THIS IS A TRANS METAPHOR. ATTENTION, EVERYBODY, THIS IS A TRANS METAPHOR!

haven't posted in a bit (*cough* *cough* yesterday) so i think that i should post rn just to get myself some clout /s

anyways:

end of year party at sch today, ate a lot of shit, dropped my salad, the ice cream was kinda shit.

took an interest in pride and prejudice lately, watched the film in one sitting first thing back home. was EXCELLENTE. Mr Darcy is peak and Elizabeth Bennet makes me question my sexuality.

Borrowed Harry Potter and the Prisoner of Azkaban at the library today. Good enough. Also currently watching POA movie again. I may shit on JK Rowling but never the HP franchise.

IM TIRED

really rainy today