Guys, Guys, Guys.....*look*!!!!!!!!!!!!!

Guys, guys, guys.....*look*!!!!!!!!!!!!!

*HIGH PITCHED NOISES!!!!!*

HOLY SHIT!!!!!!!!!!!

Ridley Scott, regarding his new Napoleon movie, is being aggressively defensive about its inaccuracies with historians. He's gone on record saying "When I have issues with historians, I ask: ‘Excuse me, mate, were you there? No? Well, shut the fuck up then.’" This is a classic argument of people with no idea how historians do their work, how historical accuracy is determined and evaluated, and - in Ridley Scott's case in particular - how important it is to properly portray historical accuracy in other media.

The reason why Ridley Scott is being so aggressively dismissive of complaints about historical accuracy is due to past beef leading to a problem he likely has.

This is a movie that, by din of being touted as a 'nonfiction' movie about a historical figure, is basing much of its marketing on historical accuracy by default. The trailers show it's not, and reviews by historians say it is riddled with dozens if not hundreds of inaccuracies. Napoleon's portrayal is frankly a surface level depiction and nowhere near the nuance that historians were hoping for.

Scott's defensive about it. He need not be. If he had a historical consultant then he could go "I'm not an expert on the time period, but I have someone who is, ask them about it" and fob them off on his movie's historical consultant. It's a whole Thing. He doesn't have one, however, so he has to defend it personally.

You see, Ridley Scott probably didn't hire a historical consultant for Napoleon. The last time he had one - Kathleen Coleman for Gladiator - she was so upset over the inaccuracies he pushed through and how little her work affected the film, she requested her name be taken off of it.

Why this is important is because so many more people will watch a movie made by Ridley Scott than I or any other person could write. More people will watch Scott's Napoleon in the States than five hundred books about Napoleon combined worldwide.

More people watched Dunkirk than ever read a book about the Evacuation of Dunkirk. The movie Breaker Morant did so much for public perception about the execution of a genuine war criminal people in Australia still on occasion call for a pardon for Morant.

Fundamentally, mass media like movies will always have more impact of a popular perception about somebody, a time period, an event. That's why Ridley Scott making an inaccurate movie and going 'oh, you weren't there, you didn't see it with your own eyes, so how could you know, I don't have to listen to you' is a problem.

Under D&D rules, a dagger does 1d4 base damage. The average human has a Strength score of 10, adding no bonuses. Several of them, due to the military background of many, likely had strength or dexterity scores of 11-14. But only two or three, and quite a few would be frail with old age, sinking to 8-9 strength. All in all, we can only add a total of +1 damage per round from Brutus.

An estimate of sixty men were involved in Caesar’s actual murder. Not the wider conspiracy, but the stabbing.

Julius Caesar was a general, which is generally depicted as a 10th level fighter. Considering his above baseline constitution and dex, weakened by his probable history of malaria, epilepsy, and/or strokes (-1 dex modifier), and lack of armor at the time of the event, he would likely have something along the lines of AC 9 and 60 HP. The senators would likely hit him roughly 55% the time.

So the Roman senate had a damage-per-round of 66, more than enough to kill Caesar in one round even without factoring in surprise round advantage.

Don't Make a Silly Mistake

Steamboat Willie is now in public domain.

Mickey Mouse?

That's a Trademark.

If you think that the Disney lawyers who specialize in trademark have not been preparing for this, you may be making an expensive mistake.