The Seventh Blade: Kalis - Bleeding Edge

The Seventh Blade: Kalis - Bleeding Edge

And so- in the end- the wheel must turn, and a new day must usurp the old. Perhaps then, these long-fallen flowers will feed the soil, and nourish a new bloom. Perhaps the fire will find home in the bleeding rivers and cauterize the land, and the steam will rise into skies of the clearest blue. Perhaps our songs will be of triumphant yesterdays, hard-won and now bearing fruit. But we are Kadungganan- we do not sit idly to await the dawn. We claw at heaven to bring forth our own tomorrow! One more day until the launch of the Gubat Banwa Kickstarter! Fight for another day in the turbulent fires of the Sword Isles, carving out your own story by blade and sheer will in this tactical martial arts TTRPG, inspired by the thousand, thousand colors of Southeast Asia.

I've been posting weapons I've drawn for the game to count down the final week before the launch. This was supposed to be for Swordtember, but the deadline had to be pushed back. 7/7 blades, ending with the KALIS

This blade adorns the logo of Gubat Banwa, at once uniting and splitting in twain. Kalis refers to a number of uniquely Philippine variants of the more widely known collective of kris blades, which appears in several forms across Southeast Asia.

(Diagram by Lorenz Lasco) What separates Philippine kalis from kris seems to be an answer with multiple facets. Some say it's a linguistic matter, others say kalis refers specifically to certain blades from the Sulu archipelago.

(Photos from Raymundo Lucero)

(For comparison, an Indonesian kris) Admittedly, the kalis is a bit of a blindspot in my knowledge. I've done what research I can, and asked those who know better, but I exist a considerable distance away from where these blades belong- physically and culturally. This is, perhaps, where I will be most prone to making mistakes of fact with the information I present. If I make any mistakes, please do not hesitate correct me!

(Photo from Zambasulta Pakukus) On the heels of that disclaimer, let's take a look at the blade. This is definitely one of the most beautiful weapons I've ever had to draw. Philippine kris/kalis tend to be longer and more "sword-like" than those of our neighbors.

(Photos from Johnwick Cabrera) The hilts tend to differ depending on who makes them. Some sport what might be cockatoo/"kakatua" bird-head hilts, some have very ornate junggayan hilts, some feature okir carvings, some are more rudimentary.

(Photos from Dennis Andrew Golez) The blade is used by several peoples in the south Philippines, including the Maranao, the Tausug, and the peoples of Maguindanao. I am most definitely missing a few groups, this is not an exhaustive list. There are differences between the way they build hilts and assemble blades that I don't feel qualified to speak about. And yes, the blades are like that because they are an assembly near the handle.

(Photo from Sulu Utak Shop) Apart from hilt shape and assembly, variations occur in blade thickness, ornamentaion, presence and type of okir carvings, number of curves or seko (odd numbers), length (kalis sundang = "swords", kalis gunong = "daggers") Actually- you know what?

(Photo from Richard Hudson) Since this is the last one in the countdown, I'm going to do something different. I invite you to find the answers yourself. That is part of what Gubat Banwa is meant to be: an invitation to engage in a fantasy setting centered on our cultures, so you can tell stories built on our terms. The cultures in the Sword Isles are NOT the cultures in the real world from which they draw inspiration. It is very much still a fantasy setting. But part of engaging with the setting in good faith is doing your own learning, on things for which you are not owed an explanation. Curiosity rewards the adventurous. The kalis is well-researched. If you're curious about something, you'll find the answers. You don't need me to hold your hand.

Instead, I'm just going to show you some of the coolest kalis I've seen.

(Silver and ivory-hilted kalis from the NCAA) A (relatively) simple but gorgeous build by a modern smith.

(Blade by Zambasulta Pakukus) A pair of kalis from a smith in Zamboanga.

(Blade by Panday Onsboy Maktar) Silver-hilted kalis from Sulu.

(Photos from Arma Filipinas; Polished by the "Blade Barber") Kalis with some gorgeous carvings on it.

(Photos from Sulu Utak Shop) Kris inlaid with a brass naga.

(Photos from Ron Zambaranno) Kalis rehilted by a Lumad group- uncertain which group. Supposedly, the Lumad would take kris they captured from enemies, disassemble them, and rehilt the blade.

This one appears to have a blade that looks like most of the kalis we've seen, but with a hilt similar to Indonesian or Malaysian variants.

(Photos from Raymundo Lucero) Antique Moro kris sundang with a hilt made of fossilized mammoth tooth, ornamented with a silver coin from the 1700s. A personal favorite, as I used the hilt as a reference for one of my favorite designs.

(Photo from Richard Hudson)

(Art by yours truly) As with the panabas, the people who make and use the kalis are still around. There are bladesmiths, scholars, practitioners of Moro Fighting Arts, historians, and just people who live alongside these blades who can tell their own stories better than I ever could.

(Photo from Richard Hudson)

I hope this and all the other threads I made inculcated an interest in some of you- even those who just look at the pictures (I see you)- to look into these blades yourself. Do your due diligence, treat people with respect, and approach what you are unfamiliar with in good faith- and you should be well on your way to learning more than you thought there ever was to know.

The Gubat Banwa Kickstarter launches in 1 day! Check it out here:

Kickstarter

Coming soon: Gubat Banwa - SEAsian Martial Arts Tactics Fantasy RPG

A Drama and Martial Arts Tactics RPG set in the Sword Isles: a Fantasy setting inspired by the refulgent history of Southeast Asia.

A very special thanks to GB team-member onefloor who helped expand my knowledge on this blade. This legend scores the music for Gubat Banwa, check them out here! This will be the last blade post I do for the promotion. I'm going back into the hole I dug in the ground to work on the rest of the weapons I'm drawing for this game. If there's interest, I might do another series of 7 before the Kickstarter campaign ends. Anyway, help us get the word out, small team of creators from the global south, too broke to advertise, etc. etc. you know the drill by now if you've read the other posts. Until next time! Until glory!

The Sixth Blade - ... - Fear Itself

Last two days! Gubat Banwa launches on Kickstarter on October 10, and we need your help to get the word out! Silence your fear- stifle it if you must. Harness it if you can. Fear begets hesitation, Kadungganan, and when rivers bleed, and skies burn, and blades dance to the rhythm of cannonfire- Hesitation is death. Let the Sword Isles of Gubat Banwa paint your stories in its thousand colors, inspired by the intricate cultures of Southeast Asia. Carve your legacy into the world by blade and smoke as warrior Kadungganan in this tactical martial arts TTRPG.

Not long now until the long-anticipated KS launch, and I've been posting the weapons I've drawn for the game as a sort of countdown. These were supposed to be Swordtember drawings, but the launch got bumped back a little bit. 6/7 blades! The penultimate entry goes to the CORDILLERAN AXE

Some time in June 2020, a certain weapon was intercepted in Australia entering the country from the United States. An ancient terror-weapon, which brought low the conquistadors of old, and drenched the soil of the pine mountains such that the ground remains the color of rust. In November the following year, the ax was returned to the Philippines. Strap in- it's about to get really convoluted.

(Photo from the Philippine Embassy in Australia) You may be wondering why I referred to this blade as a "Cordilleran Ax" rather than using a native term like in the rest of this series. That is mostly because the ax comes in many forms, and bears many, many names. Seriously, you wouldn't believe how many names there are for these things.

(Photo from the collection of Nonoy Tan) They are commonly called "head axes" (we'll get to why in a minute- but you can probably guess), referring to a collective of different blades of a more-or-less similar shape, used by the peoples of the Cordilleras. "Igorot" is a general term used to refer to these peoples of the mountains of north Luzon.

(Diagram by Lorenz Lasco)

You will recall from the thread on the hinalung that Spain never took the Cordilleras, allowing the peoples there to more easily preserve their traditions and cultures. These axes belong to some of those same cultures. These- too- were preserved from way back.

(Figure from The Tingguian: Social, Religious, and Economic Life of a Philippine Tribe by Fay-Cooper Cole) It's easy to forget that these objects- all of the blades I've been posting about- are very deeply embedded in cultures that still exist today. These peoples have their own names and stories and knowledge of these blades that I simply do not have access to the way they do. It's all I can do to try and deliver accurate info without misrepresenting anything.

(Photo from the National Museum) And try I have. This is a diagram I tried to make as a reference, way, way back.

I know a bit more now, I'm not sure if I still stand by this, I am sure that it will need some updating. Due diligence is the bare minimum we can do, to respect the knowledge of people who are still around. Allow me to try again! The one I drew in the image at the start of this thread is called the SINAWIT. This is the Kalinga variant of the axe. From what I can tell, those with the curved/concave cutting edges tend to belong in this category.

(Photo from Pinoy Blade Hunter) Supposedly, the protrusion on the handle is also indicative of a Kalinga origin.

(Photo from Ursulo of Filipino Traditional Blades)

(Photos from Global Inventory of Filipiniana Artifacts) Here's some close-ups of another example, featuring ornamentation in the form of copper/copper-alloy "staples" along the handle, which may have also aided in providing grip.

(Photos from Lorenz Lasco) Variations in size are common across all the axes we'll be looking at, some are short and fit well in one-hand, others are large enough to accommodate two. The biggest ones I've seen are sinawit.

(Photo from Christian Vasquez of Filipino Traditional Blades)

(Photo from Ron Zambarrano) Next up is the GAMEN or GAMAN. This is the Bontoc variant of the axe. Here's a gamen (top) compared to a sinawit (bottom) of similar size. Notice the difference in the shapes of the blades.

(Photo from the collection of Zel Umali as shared by Filipino Traditional Blades) Another term that gets thrown around is "pinagas", though I believe this is a general term referring to all "head axes" rather than one specific variant. I could very well be wrong on this, as the word pinagas has to come from one of the many languages in the Cordlieeras- I'm just not certain which. This one was labelled "Bontoc pinagas".

(Photo from Zel Umali) The thickness of the blade tends to vary as durability requires. In particular, the spike on the back tends to be thicker overall. Portions of the blade closer to the handle appear to be thicker as well.

(Photos from Lorenz Lasco) Examples of the gaman as I have seen them tend to have more straight or sometimes convex blades. I am uncertain if the convex shape is a unique feature, or a product of happenstance, or just how whoever used this blade liked to sharpen it.

(Photo from Pinoy Blade Hunter) They also tend to be "taller" than sinawit I've seen, with blades that are almost like squares with spikes on the back, as opposed to sinawit that are more rectangular. Still following so far? Good- it's going to get more complicated soon.

I am not- by any means- formally educated on Philippine blades, so always take my words with a grain of salt. This ax inherited by a blacksmith in Baguio is something that might be gaman, but I can't categorize it with certainty without knowing more. The profile is not exactly the same, the spike is considerably longer and more curved.

(Photo from HanYan Blades) But that's the least of our worries! The ALIWA, BINARAWAD, BADAN, BADON, BINAROY are only some of the terms used to refer to the Isneg variants. Remember when I said it would get convoluted?

(Photo from Nonoy Tan; Identified as binarawad-badan-badon in that order) The binarawad in the previous photo looks- to my very untrained eye- to be similar to the gaman in many respects. Whenever I think I've identified a distinction, a different specimen shows up.

(??? from Rob Miller)

(Gaman(?) from Hearst Museum) Remember when I said the protrusion on the handle was uniquely Kalinga? But I also said taller/squarer blades were common in gaman? But the swept shape on the back looks emblematic of the Isneg variants we just saw? Identify that topmost blade for me, real quick.

(Photo from Pinoy Blade Hunter) Material exchange of culture makes a mess of categorization. The peoples of the Cordilleras regularly interacted- by trade, union, or warfare- and the influences clearly went all ways. Perhaps that blade above was made by a smith who took influences from a variety of sources. Perhaps the blade itself has worn out its old handle, and the new owner replaced it with this one There are a lot of ways this could have come about, it's difficult to say. Blades tend to make their way around. This sinawit- a Kalinga blade- has been passed down through generations, and was found in Sagada.

(Photo from Pinoy Blade Hunter) It certainly doesn't help when blades are found far from home and are labelled with confusing specific terms or useless general terms or just different terms entirely.

[Author's Note: Apparently there's a 30 image limit per post? I'll continue this in a reblog, I think.]

The time has come. Raise the sails, sound the horns, bang the gongs! Glory awaits. It's time to sail the sky and seize heaven's thunderclaps! 

Gubat Banwa's KS is LIVE NOW!

Kickstarter

Gubat Banwa - Southeast Asian Fantasy Tactics RPG

The War Drama Martial Arts Tactics RPG set in the Sword Isles: a Fantasy setting inspired by the refulgent stories of Southeast Asia.

The time has come. Raise the sails, sound the horns, bang the gongs! Glory awaits. It's time to sail the sky and seize heaven's thunderclaps! 

Gubat Banwa's KS is LIVE NOW!

Kickstarter

Gubat Banwa - Southeast Asian Fantasy Tactics RPG

The War Drama Martial Arts Tactics RPG set in the Sword Isles: a Fantasy setting inspired by the refulgent stories of Southeast Asia.

Off-hand tangent that I feel is related enough to mention: If you're doing professional work, you deserve professional pay, even if you personally don't count yourself as A Professionalᵀᴹ

"I don't really count you know since I'm not formally trai-" Shut up and price your art what it's worth.

"But it's not fair to those people who actually do this as a source of livelihood-" What's not fair is you setting a precedent for clients lowballing artists, by letting the same clients lowball you. Demand fair compensation.

"I mean it's not like I'm an expert or that I actually know what I'm doing or anything-" If they are HIRING YOU to do something, they clearly recognize your expertise relative to them. You know enough, fucking own it.

"I can just do this for free, I only do this as a hobby anyw-" A hobby? Fine- a hobby is still pieces of yourself expended; how little do you value your own time and love and labor? Are you nothing?? Do you cost nothing to trample underfoot like a ragged threadbare rag of wet lies and filthy insecurities??? Take the pay, goddammit.

There's got to be some merit in formal and professional training in the pursuit of the arts, but formal and professional training is no less "real" than the beauty of a random child of any age picking up a pen or a brush or a stylus for the first time and finding so much joy and wonder and catharsis to explore in what they allow themselves to create that they just- keep doing it, and eventually blunder ass-backwards into competence that they can't seem to fucking accept just because they don't have a degree for it. Enough of that, now. Do not ever lose sight of the fact that art should be accessible to everyone, in consumption and creation both.

art tips

don't call what you create "content". regardless of what it is. that's the devil talking. call it art, call it writing, call it music, call it analysis, call it editing, literally just call it what it is

I was going to put other things but oh my god please just don't call yourself a "content creator". you are a person you are making art / writing / music / etc you are an artist an author a musician

you are not an Image Generator For Clicks And Views. please. allow yourself to connect with your work by naming it properly and acknowledging yourself in kind

The Fifth Blade: Kampilan - Warrior Made

Down to the last three days before Gubat Banwa launches on Kickstarter! Moon-eating titans, sword-souls and bullet devils, giant flying crocodile mounts, sparks arcing off clashing blades like lightning- Gubat Banwa is an action-packed martial arts TTRPG where you play as warrior Kadungganan in a Southeast Asian-inspired fantasy world afire with wonder and violence in a thousand colors.

Counting down the days to the KS launch on October 10 comes with anxiety and anticipation in equal measure, and I thought maybe posting the weapons I've drawn for the game would help cut through it all. These were meant to be posted for Swordtember, but the game needed a bit more time to pick up speed. 5/7 blades done, let's start off the final three with the KAMPILAN

Yet another large weapon from south of Luzon, the kampilan is a long-bladed sword with a unique "trapezoidal" shape, sometimes sporting a small spike at the tip, often with a figural hilt. "Figural hilt" just means the hilt depicts a certain abstracted figure of something, usually a creature or a beast of some kind. The sharpened edge is on the long side of the blade. I repeat: The sharpened edge is on the long side of the blade. You would not believe how frequently people get that wrong. This useful diagram is one of the first things you see when you do a Google-search for "kampilan", so there is truly no excuse for anyone to be depicting it with the sharp side pointing the wrong way.

(Diagram by Lorenz Lasco) The most common examples of kampilan figural hilts depict the Bakunawa- a giant moon-eating serpent of legend- and are decorated with hair or with roots. The angled protrusion on the hilt usually points away from the sharpened edge, and may have been used for added leverage when maneuvering the blade.

(Photos from the collection of Ron Zambarrano) Other creatures commonly depicted in the hilts are crocodiles, cockatoos (what collectors call "kakatua" handles), or- in the case of this somewhat rare example- a horse.

(Photo from the collection of Richard Hudson) The kampilan is surrounded by a rather popular story: That it was the blade used by Lapu-Lapu himself to slay Fernando Magallanes on the shores of Mactan. One of Pigafetta's writings recounts how Magellan was wounded on the leg by a large blade, akin to a scimitar. Whether or not this was describing a kampilan is anyone's guess, and whether it was in the hands of the hero of Mactan is foggier still. While it is difficult to verify the authenticity of this claim, the legend of Lapu-Lapu quickly grew, taking the story with it- and it kind of just stuck.

(Photo from Lapu-Lapu City LGU) Most Philippine blades generally vary in size make depending on where they're from, but the distinctions are even more apparent for kampilan. The two-handed ones shown so far are often referred to as Moro kampilan. The Lumad peoples have kampilan of their own.

(Photo from Iniingatang Talim At Kaluban.; Taken by Ramon H. Bathan) I'm not an expert on identifying these blades, and this is by no means an exhaustive list (as the kampilan was used widely across Visayas and Mindanao), but I will try to show and identify a few select variants. Starting with this "NICE SHOT"

(Various Moro kampilan; Photo by Richard Hudson) Following up with some antique Bagobo kampilan. Notice the difference in size relative to the Moro variant. This seems to be built for one-handed use. You will also notice that the shape of the blade is different, without the spike, and with the sharp edge on the other side.

(Photos from Raymundo Lucero) A more useful comparison; These next three blades come from the same collector.

Bagobo kampilan

T'boli kampilan or kefilan

Moro kampilan (Photos from Dennis Andrew Golez) Sometimes these blades stray far from home. This next one is a T'boli kampilan inherited by a collector.

(Photos from Hege-Eileen Ottem Lund) Rather than hair or roots, the Lumad seem to prefer adorning their hilts with brass bells. When you see examples of these blades in museums for up for auction, the bells tend to be absent. I purposefully included examples with bells to show them off in their full ornate glory. "Lumad" is a collective term for indigenous peoples in the south of the Philippines. Another T'boli kampilan, with a closeup on the hilt to show the brasswork.

(Photos from JC Nolas) This one's a headscratcher for me- supposedly this unique find from the 1800s has a hilt made of whalebone. The blade looks to be of the Moro variant, but I could very easily be mistaken. It looks to have been adorned with bells as well.

(Photos from Ron Zambarrano) One more thing to note is that the kampilan is not a tool-turned-weapon, nor a multipurpose blade. They are made to be used as weapons. I won't fault anyone for subscribing to the belief that Philippine native blades were mostly farming implements, which just happened to be repurposed for combat sometimes. It is true for many blades which functioned essentially as multi-tools, and the languages sometimes don't help when they use the same word for any kind of blade- be it a tool or a sword. Dispel your myths. Our ancestors were not ALL farmers-turned-fighters. They faced our colonizers as warriors.

(Photo by Ramon H. Bathan) The veritable force of nature that is Sam'baha (the smug-looking badass in the art at the top of this post) stands as the face of Gubat Banwa, wielding a kampilan in one hand and a karambit in the other. Challenge her legacy! Be a part of all the tide-churning, sky-burning, world-rending action by supporting the game on Kickstarter!

The Gubat Banwa Kickstarter launches in 3 days! Check it out here:

Kickstarter

Coming soon: Gubat Banwa - SEAsian Martial Arts Tactics Fantasy RPG

A Drama and Martial Arts Tactics RPG set in the Sword Isles: a Fantasy setting inspired by the refulgent history of Southeast Asia.

Just three more days for this incredibly small team from the global south to get as many eyes on this project before it launches. We straight up cannot afford Proper Advertising on the scale this game deserves, so we're relying on folks like yourself to help us get the word out. Any help will do! Share it with your friends! Send it to people you think might be interested! Send it to people you know aren't interested! Dump it in that one channel in your friendgroup Discord server that no one has sent any messages to for weeks now! Reblog this even if you didn't read the post at all, we won't tell!