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The Fourth Blade: Panabas - "For Chopping"
Four days to the launch of the white-hot lightning that is the Gubat Banwa Kickstarter! Gubat Banwa is a TTRPG supported by the twin pillars of tactical martial arts and contemplative war drama. Meditate upon love and violence as warriors of a burning world. Will you stem the tide of blades? Or is it rising by your will?
I'll be posting the weapons I've drawn for the game as a countdown until the launch on October 10. This was supposed to be a Swordtember series, but we needed a little more time to gain momentum. 4/7 blades, past the halfway point, let us proceed with the PANABAS
Towering amongst what blade collectors categorize as "Moro weaponry", the panabas is quite possibly the largest blade I've ever drawn. Like- I'm not lying, I drew all the blades in this series to scale relative to each other, and the panabas has by and large been the one determining how big my canvas needs to be. The edge is on the longer curve, the spine of the blade is thicker near the handle, and the handle is about as long as the blade (if not longer).
(Photo from Kristian Josef Acedo)
The form belies the function; it isn't difficult to guess how this blade is used just by looking at it. The name- if I'm not mistaken- is an even bigger giveaway. Panabas supposedly comes from "pang-tabas" which literally means "for chopping". It also goes by the name of nawi.
(Photos from Raymundo Lucero) As large as its reputation might be, the choppers aren't always massive. Their utility ranges from agricultural to combative to ceremonial, and the size and shape usually matched the nature of the work.
(Tools from Datu Paglas, Maguindanao)
(Photo from Dondon Dimpas)
(Exhibit at Museum of the Filipino People- biggest one) The panabas is most often attributed to the peoples of Maguindanao, though the range of its use and the variants of its make span across large portions of the Mindanao area.
(Antiques from the collection of Richard Hudson, size comparison with a kalis) A popular tale (especially amongst Filipino Martial Artists) states that the US Marines wore leather collars to protect their necks during the American Occupation in Mindanao, due to blades like these that gave the troops pause, and feel that the extra protection was necessary. Supposedly, this is where the term "leatherneck" came from. Although the veracity of this latter claim is a bit on par with the claim that the Colt .45 was invented specifically to stop the same Moro warriors, the story has already stuck.
(Antique from Lake Lanao)
(Photo from The Metropolitan Museum of Art) We touched upon "Traditional" blades last time, referring to blades made by the same people to whose cultures those blades belong. This time we look at the other side of the coin. "Modern" is the term collectors here often use to refer to reinterpretations, usually by modern smiths who are separate from where a blade traditionally belongs. The point of reference I used for "Traditional" blades before is a katana forged by a traditional Japanese swordsmith. If- instead- a white blacksmith in America were to forge a katana using their own smithing methods, that would be considered as a "Modern" blade under this categorization. I'll leave it to you to spot the differences in these next few photos:
Traditional panabas with a rattan ferrule (Photo from Lorenz Lasco)
Modern blades by Jun Deuna (Espanola) and RE Pandayan (Quezon) (Photo from Dennis Andrew Golez)
Traditional blades (Marawi and Maguindanao) (Photo from Dennis Andrew Golez)
Modern full-tang build by Traditional Filipino Weapons (I know who forged this but I won't doxx their location) (Photo from the TFW website)
Modern full-tang build by Batangas Armory (Batangas) (Photo from Job Abat)
Pair of panabas and a binuaya (leftmost) by Traditional Moro Blade, Maguindanaon (Maguindanao)
Say it with me this time! Blade culture is alive and still developing. Mindanao was never conquered by Spain- the fierce resistance of the Moros made sure of that- and again it shows in the blade cultures. Though the panabas is now popular enough to have modern reinterpretations made by smiths across the Philippines, the traditional panabas and the people who make them are still around.
(Photo from Iniingatang Talim at Kaluban, taken by Ramon H. Bathan)
One of the Five Major Mahamandalas of Gubat Banwa pays homage to and gleans inspiration from living cultures like those I mentioned here. Yes- I repeated the text from the previous installment, because it's equally true, here. Additionally, the panabas shows up as the iconic weapon of the Martyr- one of the 25 Disciplines (read: "character classes") whose moon-bright martial techniques you could pick up in-game. Anyway, go check out the Kickstarter!
The Gubat Banwa Kickstarter launches in 4 days! Check it out here:
Not long now- this is a very small team of creators from the global south knocking on your doors asking for help to get the word out. I truly cannot understate how small this team is, and how amazing it is that they've come this far- we just need a little bit of a boost! With your help, this grand ambition can be realized. We would greatly appreciate any help rendered towards getting more eyes on this game!
The Fifth Blade: Kampilan - Warrior Made
Down to the last three days before Gubat Banwa launches on Kickstarter! Moon-eating titans, sword-souls and bullet devils, giant flying crocodile mounts, sparks arcing off clashing blades like lightning- Gubat Banwa is an action-packed martial arts TTRPG where you play as warrior Kadungganan in a Southeast Asian-inspired fantasy world afire with wonder and violence in a thousand colors.
Counting down the days to the KS launch on October 10 comes with anxiety and anticipation in equal measure, and I thought maybe posting the weapons I've drawn for the game would help cut through it all. These were meant to be posted for Swordtember, but the game needed a bit more time to pick up speed. 5/7 blades done, let's start off the final three with the KAMPILAN
Yet another large weapon from south of Luzon, the kampilan is a long-bladed sword with a unique "trapezoidal" shape, sometimes sporting a small spike at the tip, often with a figural hilt. "Figural hilt" just means the hilt depicts a certain abstracted figure of something, usually a creature or a beast of some kind. The sharpened edge is on the long side of the blade. I repeat: The sharpened edge is on the long side of the blade. You would not believe how frequently people get that wrong. This useful diagram is one of the first things you see when you do a Google-search for "kampilan", so there is truly no excuse for anyone to be depicting it with the sharp side pointing the wrong way.
(Diagram by Lorenz Lasco) The most common examples of kampilan figural hilts depict the Bakunawa- a giant moon-eating serpent of legend- and are decorated with hair or with roots. The angled protrusion on the hilt usually points away from the sharpened edge, and may have been used for added leverage when maneuvering the blade.
(Photos from the collection of Ron Zambarrano) Other creatures commonly depicted in the hilts are crocodiles, cockatoos (what collectors call "kakatua" handles), or- in the case of this somewhat rare example- a horse.
(Photo from the collection of Richard Hudson) The kampilan is surrounded by a rather popular story: That it was the blade used by Lapu-Lapu himself to slay Fernando Magallanes on the shores of Mactan. One of Pigafetta's writings recounts how Magellan was wounded on the leg by a large blade, akin to a scimitar. Whether or not this was describing a kampilan is anyone's guess, and whether it was in the hands of the hero of Mactan is foggier still. While it is difficult to verify the authenticity of this claim, the legend of Lapu-Lapu quickly grew, taking the story with it- and it kind of just stuck.
(Photo from Lapu-Lapu City LGU) Most Philippine blades generally vary in size make depending on where they're from, but the distinctions are even more apparent for kampilan. The two-handed ones shown so far are often referred to as Moro kampilan. The Lumad peoples have kampilan of their own.
(Photo from Iniingatang Talim At Kaluban.; Taken by Ramon H. Bathan) I'm not an expert on identifying these blades, and this is by no means an exhaustive list (as the kampilan was used widely across Visayas and Mindanao), but I will try to show and identify a few select variants. Starting with this "NICE SHOT"
(Various Moro kampilan; Photo by Richard Hudson) Following up with some antique Bagobo kampilan. Notice the difference in size relative to the Moro variant. This seems to be built for one-handed use. You will also notice that the shape of the blade is different, without the spike, and with the sharp edge on the other side.
(Photos from Raymundo Lucero) A more useful comparison; These next three blades come from the same collector.
Bagobo kampilan
T'boli kampilan or kefilan
Moro kampilan (Photos from Dennis Andrew Golez) Sometimes these blades stray far from home. This next one is a T'boli kampilan inherited by a collector.
(Photos from Hege-Eileen Ottem Lund) Rather than hair or roots, the Lumad seem to prefer adorning their hilts with brass bells. When you see examples of these blades in museums for up for auction, the bells tend to be absent. I purposefully included examples with bells to show them off in their full ornate glory. "Lumad" is a collective term for indigenous peoples in the south of the Philippines. Another T'boli kampilan, with a closeup on the hilt to show the brasswork.
(Photos from JC Nolas) This one's a headscratcher for me- supposedly this unique find from the 1800s has a hilt made of whalebone. The blade looks to be of the Moro variant, but I could very easily be mistaken. It looks to have been adorned with bells as well.
(Photos from Ron Zambarrano) One more thing to note is that the kampilan is not a tool-turned-weapon, nor a multipurpose blade. They are made to be used as weapons. I won't fault anyone for subscribing to the belief that Philippine native blades were mostly farming implements, which just happened to be repurposed for combat sometimes. It is true for many blades which functioned essentially as multi-tools, and the languages sometimes don't help when they use the same word for any kind of blade- be it a tool or a sword. Dispel your myths. Our ancestors were not ALL farmers-turned-fighters. They faced our colonizers as warriors.
(Photo by Ramon H. Bathan) The veritable force of nature that is Sam'baha (the smug-looking badass in the art at the top of this post) stands as the face of Gubat Banwa, wielding a kampilan in one hand and a karambit in the other. Challenge her legacy! Be a part of all the tide-churning, sky-burning, world-rending action by supporting the game on Kickstarter!
The Gubat Banwa Kickstarter launches in 3 days! Check it out here:
Just three more days for this incredibly small team from the global south to get as many eyes on this project before it launches. We straight up cannot afford Proper Advertising on the scale this game deserves, so we're relying on folks like yourself to help us get the word out. Any help will do! Share it with your friends! Send it to people you think might be interested! Send it to people you know aren't interested! Dump it in that one channel in your friendgroup Discord server that no one has sent any messages to for weeks now! Reblog this even if you didn't read the post at all, we won't tell!