
" Fiction gives us a second chance that life denies us" (P. Theroux) She/her - Writer on Ao3 (Jikook own me to the moon and back)
642 posts
CHARACTER FACIAL EXPRESSIONS (WRITING REFERENCE)
CHARACTER FACIAL EXPRESSIONS (WRITING REFERENCE)
EYES/BROWS
his eyes widened
her eyes went round
her eyelids drooped
his eyes narrowed
his eyes lit up
his eyes darted
he squinted
she blinked
her eyes twinkled
his eyes gleamed
her eyes sparkled
his eyes flashed
his eyes glinted
his eyes burned with…
her eyes blazed with…
her eyes sparked with…
her eyes flickered with…
_____ glowed in his eyes
the corners of his eyes crinkled
she rolled her eyes
he looked heavenward
she glanced up to the ceiling
she winked
tears filled her eyes
his eyes welled up
her eyes swam with tears
his eyes flooded with tears
her eyes were wet
his eyes glistened
tears shimmered in her eyes
tears shone in his eyes
her eyes were glossy
he was fighting back tears
tears ran down her cheeks
his eyes closed
she squeezed her eyes shut
he shut his eyes
his lashes fluttered
she batted her lashes
his brows knitted
her forehead creased
his forehead furrowed
her forehead puckered
a line appeared between her brows
his brows drew together
her brows snapped together
his eyebrows rose
she raised a brow
he lifted an eyebrow
his eyebrows waggled
she gave him a once-over
he sized her up
her eyes bored into him
she took in the sight of…
he glared
she peered
he gazed
she glanced
he stared
she scrutinized
he studied
she gaped
he observed
she surveyed
he gawked
he leered
his pupils (were) dilated
her pupils were huge
his pupils flared
NOSE
her nose crinkled
his nose wrinkled
she sneered
his nostrils flared
she stuck her nose in the air
he sniffed
she sniffled
MOUTH
she smiled
he smirked
she grinned
he simpered
she beamed
her mouth curved into a smile
the corners of his mouth turned up
the corner of her mouth quirked up
a corner of his mouth lifted
his mouth twitched
he gave a half-smile
she gave a lopsided grin
his mouth twisted
he plastered a smile on his face
she forced a smile
he faked a smile
her smile faded
his smile slipped
he pursed his lips
she pouted
his mouth snapped shut
her mouth set in a hard line
he pressed his lips together
she bit her lip
he drew his lower lip between his teeth
she nibbled on her bottom lip
he chewed on his bottom lip
his jaw set
her jaw clenched
his jaw tightened
a muscle in her jaw twitched
he ground his jaw
he snarled/his lips drew back in a snarl
her mouth fell open
his jaw dropped
her jaw went slack
he gritted his teeth
she gnashed her teeth
her lower lip trembled
his lower lip quivered
SKIN
she paled
he blanched
she went white
the color drained out of his face
his face reddened
her cheeks turned pink
his face flushed
she blushed
he turned red
she turned scarlet
he turned crimson
a flush crept up her face
WHOLE FACE, ETC.
he screwed up his face
she scrunched up her face
he grimaced
she winced
she gave him a dirty look
he frowned
she scowled
he glowered
her whole face lit up
she brightened
his face went blank
her face contorted
his face twisted
her expression closed up
his expression dulled
her expression hardened
she went poker-faced
a vein popped out in his neck
awe transformed his face
fear crossed her face
sadness clouded his features
terror overtook his face
recognition dawned on her face
SOURCE
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Some independent shops flout the new limits on free expression. Others try to come to terms with them. For readers, they offer a sense of connection in a changed city.

By Tiffany May
HONG KONG — When Hong Kong public libraries pulled books about dissent from circulation last month, Pong Yat Ming made an offer to his customers: They could read some of the same books, free, at his store.
Mr. Pong, 47, founded the shop, Book Punch, in 2020, after Beijing imposed a national security law in response to the antigovernment protests that rocked Hong Kong in 2019. The law broadly defined acts of subversion and secession against China, making much political speech potentially illegal, and it threatened severe punishment, including life imprisonment, for offenders.
Mr. Pong said he had opened Book Punch precisely because he did not want the city to fall silent under the pressure, and because he felt it was important to build a more empathetic, tightknit community as the law cast its shadow over Hong Kong.
“The social movement has changed the way people read and the value they place on books,” he said. “I want to bring out that kind of energy, that desire for change through reading.” He added, “Books are powerful, like forceful punches responding to the social environment.”
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Do you ever think you'll stop drawing fanart? No offense it just seems like the kind of thing you're supposed to grow out of. I'm just curious what your plans/goals are since it isn't exactly an art form that people take seriously.
Ah, fanart. Also known as the art that girls make.
Sad, immature girls no one takes seriously. Girls who are taught that it’s shameful to be excited or passionate about anything, that it’s pathetic to gush about what attracts them, that it’s wrong to be a geek, that they should feel embarrassed about having a crush, that they’re not allowed to gaze or stare or wish or desire. Girls who need to grow out of it.
That’s the art you mean, right?
Because in my experience, when grown men make it, nobody calls it fanart. They just call it art. And everyone takes it very seriously.
LGBTQ+ BOOK RECOMMENDATIONS 🏳️🌈










@the-wip-project Days 16 to 19 (Gosh, I'm so so late 😥)
Do you have prophecies and superstitions as part of the worldbuilding in your WIP? Could you add some?
In WIP2, the A/B/O fic, there's this trope about the bond mates create when they claim each other (which is one of my favourite parts of the ABO universe to be honest) that I decided to use as a prerequisite superstition from the point of view of one of the secondary characters; a secondary character who'll only appear at the beginning and vanish shortly after, but whose impact on the protagonist will be powerful enough to ingrain this belief quite deep.
Only to be debunked later by the other main character 😊
Think about an interview question for your main character/s and then write down what they don’t say. What secrets do they keep? What do they lie about?
Right, so I've decided to present this as an interview between my protagonist and his psyche:
Protagonist: Alphas are a plague. They suck, stink and can go to Hell. I don't need one in my life. I can totally live without them. I'm independent and strong and in love with myself. Who needs alphas anyway?
Superego: Right, I understand where you come from. Your reaction is logical and the emotional charge of your thoughts is legitimate. I'm sure though that, when you calm down, you'll be able to see things in a more composed and lucid way, and consider your words as a bit extreme.
Ego: SHUT UP! I.GOT. HURT! NOT THEM, I! So yeah, alphas are the scum of the earth. Just watch me live my life like I don't care, and learn!
Id: lol.
What ideas came to you recently from daydreaming?
Too many. Like....

I've trying to figure out how a toddler speaks in English and how adults would react. I've also been thinking about future scenes, which should normally happen a few chapters later, and I'm always debating with myself whether I should write them down while they're vivid in my mind or focus on where I'm at, now. I've also made some research on Hawaii for my other wip, so my head is also full of palm trees, paradise beaches, luxuriant vegetation in the volcanic outback (very pleasant part of the daydreaming here) and the serious talk that must take place in such an idyllic environment (pretty ironic)
How do you decide which WIP to work on?
I've been asking myself this question since I started the second wip *scratches head* (my writing involves as much daydreaming as head-scratching, I'm realizing) and I've come to the idea to write a bit of both at the same time. And it's quite satisfying, since I have the feeling of overlooking neither, even if I don't produce a lot. Besides, as they're very different, one really allows me to take a step back from the other and take the time to consider what I've just written (if it makes sense, what I forgot, didn't phrase accurately etc...).