Uhm When You When Do You Um You Said Um The When Um

uhm when you when do you um you said um the when um

do you ever um uh do you um uh um when the um when

if you like this and dont reblog i will block you! i am not kidding!!

Ok, hear me out....

An entire book about a robotcore type character that doesn't quite know why they feel the way they feel. (THEY/THEM PRONOUNS EEEEEEEEEEEEEEEEE)

They've been homeschooled their whole life. They go to their first day of real school (high school) and make no friends, except in computer class, where they become friends with a fucking computer.

Idk how the plot will go from there

help me plss

WHY DOES IT JUST MAKE SENSE IM BRAINDEAD NOW

Me, @tiredmilkshake and @localvoidcat noticing horrible patterns

SHOW HIM TO ME IVE NEVER SEEN HIM I WANNA SE E

Symmetrical Matpat looks like he can hear you everywhere and is partially blind. He also looks like he bites.

THE BRIGHT COLORS ARE SO PRETTY I LOVE IT

The Mandalorian Posters by Dorothea Taylor, C.A. Martin Art and Liza_Shumska

ok slow down matpat

Have you ever noticed that while we have a bunch of evidence that William explicitly told Elizabeth not to go near the Circus Baby animatronic, and the implication of the lines is that he said this multiple times and was very insistent on it, and the Fredbear plush (no matter who you think is speaking through it) told the Crying Child not to go near the animatronics in general, the lines here also suggest that it has given this advice multiple times, we don’t actually have any evidence that Michael was ever told not to go near any of the animatronics?

In fact, in regard to Michael, the only evidence we do have is Michael being explicitly told to go mess around with animatronics. “It was right where you said it would be.” “I put her back together, just like you asked me to.” These both tell us that 1. Unlike the other children, Michael was not only encouraged to go hang out with animatronics but was also encouraged to go mess around with animatronics and 2. Michael’s tone of speaking could imply that this is the first time he’s been told to go mess around with animatronics.

Now, I’m not saying that William, from the very start, took a baby Michael and just handed him over to Fredbear without worrying about it, but I do think William tried to get Michael invested in some aspect of the business. I believe this because Michael’s the oldest son. And while Utah doesn’t have heir apparent to the family title, it did, back in the seventies and eighties, have a common idea that young men should follow in their fathers’ footsteps. Or, at the very least, the oldest son should bond with his father through a shared knowledge of the father’s job.

This was exceptionally common everywhere, but especially in Utah, where the people have always been (as we will diplomatically call it) traditional.

(But, of course, the Aftons probably are not originally from Utah. That doesn’t actually have much of a sway in form of argument in this particular case, because Mormons have a long history of outcasting people they considered “other.” If you smoked, if you drank to excessively, if you didn’t go to church, if you did go to church but not the “correct” way (I have no fucking clue what the correct way is, I only know that I, personally, did not do it correctly as a four-year-old, I know, baffles the mind), you were other and therefore, nobody would speak to you. And, more importantly to my case, nobody would go to your business.

William, being the one who spoke to more people (if we trust the books) had to at least play at being charmingly British enough that his neighbours wouldn’t think he’s a bad person. In fact, they would probably accept that he doesn’t want to go to church if he just used being from another country to get out of it (but they would probably suggest it everytime he spoke to them anyway) but William would have to fit in in other ways so he didn’t come across as too other. Enter Michael.

His relationship with Michael, if it mimicked the common relationship of father-and-son at the time, would be enough to charm people into believing he’s a family man and going to his diner anyway. Having three children was already going to boost people’s opinions of him, but if, on top of that, his oldest son “helped” with animatronics or paperwork or even if he just occasionally wiped tables, that would add more to the public image of the business being a family operation, just this one included two families.)

Admittedly, we don’t know much about how Michael acts. But, since it’s a similar case to Ethan Winters from the Resident Evil series (1. Both first person. 2. Both keeping the face out of view from the viewer, even going as far as obscuring mirrors or leaving mirrors out entirely. 3. Both of them get taken over by an outside entity (Ennard and Mold, respectively). 4. Both seem to do incredibly stupid things (“I think I’ll go see my wife in this ominous house I was given the address to multiple years after her disappearane and assumed death. I want my dearest darlingest baby girl back so I am going to fight hell monsters with whatever weapons aren’t nailed down and if I have to fight a god, then I guess I have to fight a god. I inexplicably know how to put together a functioning flamethrower.” “Well, Dad told me to go down in his weird undergroudn bunker that he keeps behind the house where my sister who has been missing for some amount of time is apparently hanging out, so I guess I’ll head down there on the nightly.” “I will not make any noise of complaint or annoyance or fear or even pain as I am inconvenienced and hurt and even murdered.” “I inexplicably consider being used as a flesh suit by the possessed wires of multiple animatronics a win because I’m pretty sure my sister was in there somewhere, so great news, Old Man, I’ve succeeded in the task.”) 5. I like comparing media that technically is very different but is similar in key ways and that’s what I’m currently doing. Shh, go with it, my child, go with it) I’m going to assume that Michael’s face does the same thing Ethan’s does. As in, if you wait long enough, even in situations where Ethan should reasonably be terrified, he just looks sort of like he’s wondering if he left the oven on. I like to think that’s how Michael’s face looks. Like: “Oh no, Ballora could catch me at any moment and kill me! …I wonder if that bird I saw last week is having any luck finding worms? It’s been a bit of a dry year.”

Michael certainly seems determined, but he only seems determined if we assume that he’s in more than one game. Like, if we think Michael isn’t the guy running the pizzeria in Pizzeria Simulator, then Michael said “I’m going to come find you” to his father and didn’t do anything? If we assume he isn’t the nightguard of the first game, if we assume he isn’t the second nightguard in the second game, if we assume he is only the protagonist of Sister Location, then Michael is the funniest character of all time. Because he literally said “Father, I am going to come find you” and then went back inside and enjoyed a quiet life? Maybe he did look around but didn’t go to any of the obvious places, the restaurants his father worked and killed at? Maybe he knew exactly where William was and just said “Ah, fock it, I’m going back to my tele-novella, tell me when you’re dead, Father.” It also makes William screaming for Michael a lot funnier because oh my God, William, do you think he’ll just teleport there?

(Sorry, that was a tangent. I saw someone complain about the night guards all being the same person or related to the events of the game in some way and it kind of annoyed me. “Why must they be the same person?” you ask? Because that’s just basic storytelling. The characters have to be related to the plot in some way, or the storytelling is nonexistent. And besides, from a narrative perspective, it makes a more satisfying story if Michael is the night guard of at least one location, because it means that Michael isn’t the stupidest man alive. He’s looking for his father. If I was in Michael Afton’s shoes, looking for my father who I knew was a tad obsessive about robots, I would go to the robot restaurant. It makes sense. (I’m sorry, I went on a tangent within my apology for going on a tangent. I will get back to the actual point now.))

We know that William told Elizabeth not to go near animatronics (or at least not to go near one animatronic). We know that someone told the Crying Child not to go near any animatronics. But we don’t have any evidence that Michael was ever told any of the animatronics were dangerous. In fact, evidence suggests that he was not only told to hang around animatronics, but he’s basically used to them. He finds his brother’s fear of animatronics amusing, which, to me, suggests that he finds the animatronics to be the opposite of scary. It suggests that he’s around them enough (because apparently Crying Child and Michael just hung out at the robot restaurant nearly every day of their lives, for some reason) that he’s either ignored any warnings that they’re dangerous or he was never told they could be dangerous in the first place.

Why does any of this matter?

Because I am sick and tired of people complaining about Michael killing his brother. They say it makes him an asshole big brother, I’ve seen some suggest it makes him just like his father, and I respectfully disagree. Michael is certainly not winning any Brother of the Year awards, don’t get me wrong, but I don’t find his relationship with his brother to be unrealistically cruel.

Michael doesn’t hurt his brother. He only scares him. That’s his entire goal. He’s a dick, yes, but he doesn’t seem to actively pursue harmjng his little brother.

Michael was never told the animatronics were dangerous. Michael was never told to stay away from them, and even if he was, it wasn’t terribly convincing. (“Son, the robot performers are super duper dangerous and you should never ever not once go near any of them. Now, here’s a dollar, go play near the robot performers.”)

Michael, if anything, is trying to get his brother to see that he’s overreacting. He’s trying to prove that they aren’t dangerous. He’s trying to show his brother that the animatronics won’t hurt him. He’s making fun of his brother, yes, but the fact that he gets him so close to the stage and goes so far as to put his head in Fredbear’s mouth tells me that he was basically doing something similar to shoving a worm in someone’s face. He was trying to scare him, yes, but then his brother would, we assume, see that nothing happened and would be shaken, but ultimately admit that Michael was right, the animatronics aren’t dangerous.

This, obviously, isn’t what happens. But I’m pretty sure Michael didn’t purposefully kill his brother and I’m even more sure that he wasn’t even trying to hurt him.

I have three older brothers. And, it was a similar situation in that the four of us were left to watch each other a lot while our parents were at work. And while I know my brothers are not the mold for all brothers, I also know that there’s a reason people talk about the “Cain Instinct.” Boys roughhouse. And, while not actively encouraged in Utah, it’s certainly not discouraged either.

Michael was being a dick, yes. But, the behaviour is similar to a child who doesn’t think that guns are dangerous, whether because they’re not told or because they’re left unsupervised with access to guns. This sort of incident is not without precedent. And while it was certainly stupid, Michael didn’t do anything that a dumb big brother wouldn’t do.